In American Born Chinese, three separate stories are told by author Gene Luen Yang. Each story uses different plot elements to connect with the reader’s emotions. In Jim Wang’s story of a school boy trying to fit in, foreshadowing is used. In Danny’s story of a popular teenage boy whose Chinese cousin embarrasses him, conflict is present. Finally, in the Monkey King’s story about a god trying to earn his place in the heavens inciting incidents are used. Overall, Yang succeeds in telling all three stories with these plot elements. First, in Jim Wang’s story the author does an excellent job of using foreshadowing to create suspense. For example, when Jin Wang visits the Chinese herbalist with his mother and talks to the herbalist’s wife she asks Jin what he wants to be when he grows up and he replies saying he wants to be a transformer, but his mother says it isn’t realistic. However, she replies again saying “It’s easy to become anything you wish …. so long as you’re willing to forfeit your soul.” The emotion of suspense came across strongly to me as a reader because as suspense is meant to do it made me wonder what exactly the herbalist’s wife meant and when this would come into play within the plot of Jin Wang’s story. …show more content…
For example, as soon as Chin-Kee arrives at Danny’s house he embarrasses him by attempting to hit on Melanie, a girl he wants to ask out, by saying things such as “Such pletty Amellican girl wif bountiful bosom! Must bind feet and bear Chin-Kee’s children! In other words, Chin-Kee ruined any chances Danny would’ve had to ask Melanie out that night. The emotion of sympathy comes across very strongly for Danny, in my opinion, because I feel terrible that Danny must deal with the constantly embarrassing behavior of Chin-Kee wherever he
The essay “Being a Chink” was written by Christine Leong for her freshman composition class at NYC and was later published in Mercer Street. Leong begins with the affect that language has on people, how it can define us, make us feel, and differentiate us. She recalls the first time she saw the word chink, one summer while working in her family’s Chinese restaurant. While dusting some shelves she came across a white bank envelope with the work chink written on it in her father’s handwriting. Consequently she was upset by this finding; since she was not sure if her father was called this name by a customer and he wrote it down to find the meaning of this word. Since her family was one of two Asian families living in the area, she was not surprised
In the story The Monkey's Paw the foreshadowing creates tension and suspense because during the story there was so many things going on and you didn't know what was going to happen next. I say this because in the Monkey's Paw the author writes He raised his hand. "I wish my son alive again." This quote explains foreshadowing by suspense because when he wishes for his son to be alive again it gives the audience suspense if he is going to actually be alive again or if it's not going to come true and they are going to be disappointed.
Everyone at one point has been captivated and intrigued by the plot of a movie or a book. This captivation is generated by the one tool that authors and directors love the most, suspense. Authors want their audience and readers of their writing to be enthralled by creating tension and thrill in their plot. The usage of style, characterization, point of view, and foreshadowing allows authors and directors to create suspense in their work. Suspense is a very difficult approach to master but with the correct tools it can be as simple as a walk through the park.
There is no better way to learn about China's communist revolution than to live it through the eyes of an innocent child whose experiences were based on the author's first-hand experience. Readers learn how every aspect of an individual's life was changed, mostly for the worst during this time. You will also learn why and how Chairman Mao launched the revolution initially, to maintain the communist system he worked hard to create in the 1950's. As the story of Ling unfolded, I realized how it boiled down to people's struggle for existence and survival during Mao's reign, and how lucky we are to have freedom and justice in the United States; values no one should ever take for
Amy Tan's "A Pair of Tickets," especially, explores the relationship of setting to place, heritage, and ethnic identity. Jing-Mei Woo, the main character, has trouble accepting that she is Chinese, despite her heritage. Jing-Mei Woo believed, at fifteen, that she had no Chinese whatsoever below her skin. If anything, she perceives herself as Caucasian; even her Caucasian friends agreed that she "was as Chinese as they were." Her mother, however, told her differently, "It's in your blood, waiting to be let go." This terrified Jing-Mei, making her believe that it would cause her to suddenly change, "I saw myself transforming like a werewolf." Jing-Mei Woo finally realizes that she has never really known what it means to be Chinese because she was born and has lived in America all her life. After her mother's death, Jing-Mei discovers that she has two twin sisters living in China who have been searching for their mother and that s...
“Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strengths to establish realities”(5). In the book “The Woman Warrior,” Maxine Kingston is most interested in finding out about Chinese culture and history and relating them to her emerging American sense of self. One of the main ways she does so is listening to her mother’s talk-stories about the family’s Chinese past and applying them to her life.
Jin Wang, the main character in American Born Chinese transforms in order to deal with stereotypes and prejudice. After moving from Chinatown San Francisco to a new school, Jin realizes he is the only Asian other than Suzy Nakamura (31). Jin immediately faces racial stereotypes and slurs, such as “Chinese people eat dogs”, and arranged marriages (31). Even the teachers have preconceived ideas about Jin’s heritage. His third grade teacher Mrs. Greeder has little understanding of the pronunciation of Jin’s name and from where he moved, thinking he came “all the way from China” (30). In order to integrate in his new environment, he assimilates himself into American culture, transformed into a “regular” American. After stereotyped for eating dog, Jin is seen eating without chopsticks, part of his Asian tradition, and begins to eat “normal” American cuisine, such as sandwiches (37). When Wei Chen arrives, Jin tells him “(he’s) in America” and to “speak English” (37). Even though Jin is fully capable of communicating with Wei-Chen, he decides to abandon his previous culture. Jin chooses to fully transform into an American. He tries to completely dispose of his Asian identity and develop a new one. In order to do this he develops the n...
All women are too sensitive! All Mexicans are illegal immigrants! If you’re from the South, then you are ignorant! Most people have heard at least one of these stereotypes pertaining to a certain group. Some people believe them whilst others do not. American Born Chinese illustrates three stories depicting the custom of stereotypes surrounding society: “The Monkey King”, the story of Monkey King’s thirst for infinite power, and his quest for atonement; “Jin Wang”, the story an awkward boy who tries to “fit in” the community around from but constantly fails; and “Danny”, the story about a high schooler who feels uncomfortable by his stereotypically negative Chinese cousin Chin-Kee. In this day-and-age, stereotypes are what bring people together, and stereotypes are what set people apart. To be ignorant of stereotypes would be a disastrous event as one would consequentially be ignorant to the prejudices engulfing them daily. Even though this causes problems throughout different communities, the way some individuals choose to address stereotypes is through laughter. From start to finish the graphic novel, American Born Chinese, by Gene Luen Yang purposefully satirizes Asian stereotypes in hopes that the reader opens up to the fact that stereotypes are indeed existent in today’s society.
“The minute our train leaves the Hong Kong border and enters Shenzhen, China, I feel different. I can feel the skin on my forehead tingling, my blood rushing through a new course, my bones aching with a familiar old pain. And I think, my mother was right. I am becoming Chinese. (179). In the story A Pair of Tickets by Amy Tan, the protagonist character, Jing-mei, finds herself in several difficult situations due to how her social and cultural upbringing has shaped her. She finds herself pulled between her Chinese DNA and her American background. While she was raised being told that she was Chinese and “it’s in her blood”, she does not identify as such, because she grew up in America and only sees herself as an American. After her mother’s passing,
“Over the years, I have come to realize that the greatest trap in our life is not success, popularity, or power, but self-rejection,”Henry J.M Houwen once stated. In the graphic novel American Born Chinese by Gene Luen Yang, Jin Wang and the monkey king experiences rejection as they interact with society. In the short story Linh Lai by Rebecca Rosenblum, Linh Lai helplessly suffers rejection as she struggles to meet her uncle and Mr. Koenburg’s expectations. In the short story Tapka by David Bezomozgis, people are rejected because of their differences. Rejection by society exists in Tapka and Linh Lai, whereas American Born Chinese incorporates both rejections by themselves and by society. Stories show that people are rejected by society, people in positions of power, or themselves when they are different from the majority.
The struggle of self identity as she realized that all this while, her mother was right. Once you are born Chinese, you cannot help but feel and think Chinese. Amy Tan’s “A Pair of Tickets” presents an incredibly interesting perspective of a woman named Jing mei who is traveling through her native country of china, embarks on this journey of self-discovery to find her true chinese roots. The opening scene of "A Pair of Tickets" is an appropriate setting for Jing mei remark of becoming Chinese, because the introduction grabs the audience attention. We are first starting out in the story as reading Jing mei turning from American to Chinese in an instant second of the moving of a train from one city to the next. The narrator
Markus Zusak uses many literary devices to pull in the readers though one device he uses that is exceptionally outstanding is his use of foreshadowing. Zusak though reveals the final outcome he does not give away details of the plot. It is human nature to want to know more than what we already do hence as to why foreshadowing is so important it pulls in the reader to read more, to find out more detail as to what really happens.
In this essay I chose to compare and contrast the two cases of literature first by Levy, “Small Island”; and Xiaolu Guo’s “a concise Chinese-English dictionary for lovers”. Of importance to note is that Levy an English writer who traces her origins to the islands of Jamaica. Her parents sailed to England from where she was born (Levy, 2010, 15). On the other hand Xiaolu was born in China. She rose to become a respected author with her novels being written in many languages. Small Island brings to light two families, the first being a Jamaican one and the second is an English one. The collision between these two families from the divergent socioeconomic background comes into focus. A concise Chinese-English dictionary for lovers brings to light how the east meets the west (Guo, 2008, 25).
Foreshadowing allows authors to orchestrate their work such that the reader is compelled to read on. The effective use of foreshadowing makes the reader continue not only for pleasure, but also to further investigate the unknown. Angela Carter uses multiple literary devices in “The Bloody Chamber” to foreshadow the narrator’s grim future with the husband. She achieves this through her effective use of imagery, allusion, and symbolism.
Young, Ed. Lon Po Po: A Red-Riding Hood Story from China. New York: Philomel Books. 1989.