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Racial tension in othello
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Character analysis of Iago of William Shakespeare's Othello
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In Othello, Iago is an antagonist who wants to fulfill his desire of having lieutenancy and proceeds to all that can do to prevent someone from taking his place, in this case it is Cassio, who is now serving as a general for the Venetian military, Othello. Jealousy is intact as Iago’s only rank is Othello’s ancient, but has been seen as a trustworthy person, to him he thinks his credibility is him being viewed as a menial and is very much discontent with Othello’s decision, considering the fact that he’s an essential part in assisting Othello over the course of his career. Hatred is then embroiled, since Iago is planning the deterioration of Othello and Cassio for his advantage. Iago targets the his opposing sides by using race as a way to create turmoil in the relationship that consist of Othello and Desdemona, and attempts to fabricate it by also conjuring a precise web of interlocked components for his scheme. As a result, his actions further created internal damage to Othello that includes more issues within the play. Othello’s race is important to the play because his dynamic character is a huge factor in the way he portrays himself and the understanding of why the conflict of his environment stem from his internal issues as a result of him being black.
Othello is also the protagonist of the play, nevertheless he was still considered the hero as well. Othello’s refusal to face reality lead to his downfall. His flaw is his insecurities as a Moor and his inability to accept the success he has earned, the importance he has places in his honour and reputation caused his ultimate downfall. Iago easily manipulated Othello because Iago knows Othello’s flaw. Othello cannot stand the thought of his reputation being marred as a general and a Moor in the Venetian army. Like a soldier, honour was what Othello hold dear to his heart. Although Othello is a highly respected general in the Venetian army, he is still a Moor. Because he has been a soldier his entire life, his way of thinking have affected his confidence in perception. As a black man in a white people’s world Othello was discriminated and considered an
To better understand Iago’s effect on these different characters, it is important to look in to his own character. Iago’s motives are not clear, however, it is true that he despises Othello, and that he is jealous of the fact that Michael Cassio had taken over the role of lieutenant; a role that Iago wanted very badly. It is in the beginning of the play that Iago confesses to follow Othello but not be loyal to him,
Othello seems to have a really rough time finding the truth in people. The reasoning behind this is simply the way he acts around people. Although Othello is a cultural and racial outsider in Venice, his skill as a soldier and leader is nevertheless valuable and necessary. He is after all a man in high power and is respected for that simple fact. Essentially, the first impact that is made upon the reader of Othello is not one of high quality. He was called many names of which had to do mostly with his racial background some of these names include “the Moor” (I.i.57), “an old black ram” (I.i.88), and “a Barbary horse” (I.i.113). The two characters that begin the cruel introduction of Othello are two trusted comrades, one being Iago. Right from the start, Iago already begins the demise of Othello. Now since Othello made this decision to trust and simply see the good in everyone rather than the truth in everyone his life got turned upside down and started to take ...
Within both Titus Andronicus and Othello both by William Shakespeare the reader is introduced to the concept of a black man within a white society. Stigmas and stereotypes are attached to the black characters of Aaron and Othello. Although each black character has a similar stigma, the characters are very different from one another. Aaron is portrayed as evil, conniving and malevolent, while Othello has none of these traits. Othello's fault lies in the fact that he is very gullible and easily led.
Characters in the play fail to comprehend Iago’s true nature until it is too late. Those interacting with Iago fall into the belief that Iago is loyal to his superiors, when Iago is actually focused on bringing them (Cassio and Othello) down. Iago constructs a false impression of his loyalty to Othello through ...
As early as the first scene of the play Iago shows us strong motives for his actions. In this first scene we see Othello, a general of Venice, has made Cassio his new lieutant. Iago feels he truly deserves his promotion as he says "I know my price, I am worth more no worse a place."(l.i.12) Iago over here is confused why Othello has made such a stupid decision. Iago is a man with a tremendous ego who knows, sometimes overestimates, his worth. Roderigo, a Venetian gentleman, understands Iago when Iago said that he is "affined to love the Moor."(l.i.41-42) What Iago really means is "I follow him to serve my term upon him."(l.i.45) Iago wants to use Othello for his personal goals. We also must put ourselves into Iago's shoes. He is a man whose self-esteem and professional carrier have just been torn apart. Iago makes his actions of revenge toward Othello almost immediately by informing Brabantio, a Venetian senator and father of Desdemona, that "an old black ram (Othello) is tupping (his) white ewe (Desdemona)."(l.i.97)
Othello: The Moor of Venice is probably Shakespeare's most controversial play. Throughout this work, there is a clear theme of racism, a racism that has become commonplace in Venetian society which rejects the marriage of Othello and Desdemona as anathema. The text expresses racism throughout the play within the language transaction of the dialogue to question the societal ethos established by Othello, thereby making him nothing less than a cultural "other." Furthermore, the character of Desdemona is displayed as mad, or out of her wits, for marrying such an "other," and the audience sees her slip from an angelic state of purity to that of a tainted character. Also, the menacing Iago, a mastermind of deviant rhetoric, is able to play Othello and Desdemona against one another until their marriage fails, while at the same time destroying his adversary and friend, Cassio. Thus Iago has a specific agenda, not only to get back at Othello for choosing Cassio instead of him, but also to make Cassio the victim of his plan to destroy the forbidden marriage referred to by Brabantio as a "treason of the blood" (1.2.166-167). Essentially, Iago is a representative of the white race, a pre-Nazi figure who tries to inform the public of the impurity of Othello and Desdemona's marriage. He demonstrates how this miscegenation is threatening to the existing social order. Thus, through analysis of racism, the play represents the hatred possessed by mankind -- a hate so strong that society sees the mixing with an "other" to be a curse to humanity and a terrible threat to Aryan culture.
By analyzing this play, we can come to understand the dangers of racial injustice. If I may take the liberty of paraphrasing: "O beware, my lord, of racial prejudice! It is the green-eyes monster, which doth damage the society it thrives in." In the character of Iago, Shakespeare demonstrates the dangers of holding racial prejudices. Othello is the victim of the pervasive social stereotypes which lead to his downfall. This play should serve as a warning of the horrid plague of racism which festers in our society.
One of the themes of the play is prejudice. The reader gets a taste of Iago’s prejudice against women and sexist ways when Desdemona and Cassio first arrive on Cyprus. Iago says to Desdemona “You are pictures out of door/ Bells in your parlors/ Wild-cats in your kitchens/ Saints in your injuries, devils being offended/ players in your housewifery, and housewives in your beds.” (2.1.109- 112). He thinks that all women have two sides to them; a pleasant public side and an irritating private side and he sees Desdemona as a lesser person simply because she is female. Iago looks down on Cassio because Cassio is “a great arithmetician … a Florentine … That never set a squadron in the field” (1.119,20,22). He is a mathematician, not an army man, which makes Iago feel that he is more qualified for the job of lieutenant. Othello is older, from Africa, and Iago often calls him “the Moor” (1.2.58) and “an old black ram” (1.1.88). Iago does not want to follow him as he tells Roderigo “I follow him to serve my turn upon him/ we cannot all be masters, nor all masters/ cannot be truly followed.” (1.1.42-44). By this, Iago is saying that he only follows Othello to take advantage of him and does not think he deserves to be followed. This prejudice drives Iago’s malicious actions through a yearning to be seen in the superior way the way he feels he deserves to be
Iago longs to hurt Othello. He is Othello's footsoldier, an ancient, his right-hand man, and long-time friend. Iago was enraged when Othello did not promote him to lieutenant, choosing instead the handsome, young, affluent, Cassio. Iago felt that he was more entitled to the position than Cassio. Cassio was a brillant strategist, but had very little experience on the battlefield. Iago, on the other hand, had an abundance of battle experience and felt that he was passed over only for appearances' sake. This idea may very well be true. Othello needed someone who would make him look better in the eyes of important state officials and people of high standing in the community. The Moor was a black man, a fact that is often referred to in the play and which also causes Othello much insecurity. He saw his race as a drawback and something that could prevent him from gaining further success. So Michael Cassio was the perfect "face" to bring along to state functions; the perfect white face. He was a very presentable, educated, good-looking man from a middle-class background. To get back at the Moor, Iago decides to poison his mind against his wife and against Michael Cassio, by conjuring up images of an illicit sexual affair between the two.
Othello is driven so mad with jealousy that he completely submits to Iago. When Iago suggests that he should have Cassio killed and kill Desdemona himself, Othello readily agrees. Iago's manipulation of Othello relied much more heavily on jealousy rather than racism. The theme of racism in Othello is clearly very important.
Shakespeare develops the character Iago into an instigator and evil man. Iago attempts and succeeds to convince Othello that his wife has had an affair with his friend Cassio. We see Iago beginning his plans at the very start of the play. “But I will wear my heart upon my sleeve for daws to peck at, I am not what I am.”(Oth 1:1:64-65) He immediately tries to start trouble with Brabantio and Othello over the marriage to Desdemona. Iago want to get in Othello’s way because he was passed over for general and Cassio was chosen instead. We see from the start how he plots against Othello and he involves several characters in his plans. “And what’s he then that says I play the villain? When this advice is free. I give and honest, probal to thinking, and indeed the course to win the Moor again? For tis easy Th’ inclining Desdemona to subdue in any honest suit; she’s framed as fruitful…”(2:3:295-300).
What is perhaps the leading cause for the downfall of the characters in the play is Iago’s hypocritical nature that comes with an undeniable desire for fame, and receiving attention from others. To begin with, the audience can develop the idea that Iago greatly appreciates all the compliments that others give to him. Noteworthy evidence includes when Cassio “humbly [thanks Iago] for’t, [never knowing] a Florentine more kind and honest (3.1.27-28), as well as when Othello states that he knows [Iago is] full of love and honesty (3.3.118). The significance behind Othello, Iago, and what others thought about Iago’s qualities that he possesses all share one thing in common – the characters share their feelings for Iago whenever he ensures that he would help find solutions to their problems, such as Roderigo’s fondness for Desdemona, bringing back Cassio’s position as lieutenant, and helping out Othello by ending the alleged relationship between Desdemona and Cassio; this evidence demonstrates how Iago would do whatsoever only for people to praise him and to create a positive reputation of himself so it would be easier for him to hide his felonious schemes from others. Similarly, in order
First, he plays the race card against Othello, but that fails. Then, he plays the jealousy card against Desdemona and Cassio, and it works like a charm. Iago knows that Othello is insecure about his race, age, and status in the white world. He especially knows that as a military man, he is distrustful of women.
One of Iago’s most important values is ambition, but this value takes a nasty turn when he begins using it for villainous desires. Ambition can be a successful motivator, but Iago is ambitious to the point where he is prepared to do any evil to get what he wants. He is Othello’s ancient, but he is not satisfied and feels that he deserves more. Iago desires a promotion to lieutenant, a position that is currently Cassio’s. Also, Iago has heard rumors that Othello slept with his wife Emilia. Even though there is not a shred of evidence, Iago believes the rumors and begins to despise Othello. He frequently refers to Othello as “the Moor” (Shakespeare 2.1.225) in his soliloquies and dehumanizes him by comparing Othello to animals such as an “old black ram” (1.1.88). Iago’s ambition for Cassio’s position and his desire to get back at Othello are two key motives for his actions. He commits crime after crime to get what he wants and there are no apparent limits. Even when he gets Cassio fired, Iago does not stop. His ambition is a monster that cannot be satiated and he continues his schemes. It is clear at this point that what originated as a value of ambition has become a vice of greed. Iago continues to trick Roderigo into giving him money, puts suspicions in Othello’s head about Desdemona and Cassio, and co...