F.Scott Fitzgerald is the author of The Great Gatsby, which takes place in New York in the summer of 1922 during the Jazz Age, as the author calls it. In the chapter 3 passage, he describes the way Gatsby arranges the immense parties he hosts and how the audience interprets the figurative language in this passage analysis. In this chapter, the author utilizes alliteration and polysyndeton to illustrate the lush life of Gatsby’s mansion. Alliteration is the repetition of the same letter or sound at the beginning of adjacent words. For example, “Every Friday five… these same oranges and lemons left...in a pyramid of pulpless halves.” (Fitzgerald 39) In this quote, Fitzgerald uses alliteration to describe how many of these fruits are being brought and used and wasted for Gatsby’s parties. Another example is, “At least once a fortnight a corps of caterers came down…” (Fitzgerald 40). He applies the same literal device to suggest that every week at this day a big amount of caterers come aid with the arrangement of the events and leaves the audience thoughtful of the vastness of the protagonist's mansion. Fitzgerald incorporated this type of figurative language to emphasize the way the …show more content…
“And on Mondays… with mops and scrubbing brushes and hammers and garden shears.” (Fitzgerald 39) Fitzgerald uses this device to indicate that Gatsby’s parties are mostly massive and after them, all the disarray there is to clean. For this other example, “ In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten…” (Fitzgerald 40), the author uses polysyndeton once again to describes the state of the bar at Gatsby’s mansion leaving the audience thoughtful. Fitzgerald uses two literary devices to describe the conditions of Nick’s neighbor’s house events and the understanding of the readers’ interpretation of
What literary techniques does F. Scott Fitzgerald use to present? Gatsby's party in Chapter III of the novel. The people of 1920's America often lead a very extravagant lifestyle. rich people often overspent in vast amounts, a term known as Conspicuous consumption of the sand.
Bloom, Harold, ed. Modern Critical Interpretations- F. Scott Fitzgerald’s The Great Gatsby. New York: Chelsea House Publishers, 1986. Print.
Considering that many authors use figurative language techniques in their writing to help convey a specific message; there is no wonder why Fitzgerald and Twain both use the tools for the purpose of criticising people in more of a low key fashion. Fitzgerald uses many different figurative language devices in The Great Gatsby, like similes. Because it is set in the roaring 20s, partying is a big element to the storyline. When Gatsby throws extravagant parties, Nick thinks to himself “...men and women came and went like moths among the whispering and the champagne and the stars.” (Fitzgerald 44). Nick refers to the social statuses of the young people in the 1920s. It proves that they really just want to party, get wasted, and that they absolutely
The Roaring Twenties was a time of excitement for the American people, with cities bustling with activity and a large community that appreciated Jazz, thus creating the title the “Jazz Age.” The Great Gatsby by F. Scott Fitzgerald takes place in this magnificent age characterized by Jazz and the popular new dance, the “Charleston.” Through the midst of all this new activity, we follow a character named Jay Gatsby through the eyes of the narrator, Nick Carraway. Fitzgerald’s themes of friendship and The American Dream is seen in The Great Gatsby through Nick and Jay’s companionship and Gatsby’s growth from being a simple farm boy to becoming a wealthy man.
Symbolism in The Great Gatsby Symbolism is what makes a story complete. In "The Great Gatsby" Fitzgerald cleverly uses symbolism. Virtually anything in the novel can be taken as a symbol, from the weather, to the colors of clothing. characters wear. There are three main symbols used in The Great Gatsby, they are The East and West Egg, the green light at the end of Daisy's dock, and the eyes of Dr.T.J. Eckleburg.
The settings in The Great Gatsby reflect the socio-historic context of the novel and the nature of different characters’ pursuits of happiness. Gatsby’s residence defines him as a member of the nouveaux riches as its description makes his property seem tastelessly new, as suggested by the ‘thin beard of raw ivy’ that unattractively exposes efforts to appear aged, and characterless as a ‘factual imitation of some Hôtel-de-Ville in Normandy’ implies it is a plain copy with no creativity expended for its creation. The interior of Gatsby’s home ...
“And so with the sunshine and the great bursts of leaves growing on the trees”
Written during and regarding the 1920s, ‘The Great Gatsby’ by F. Scott Fitzgerald is both a representation of this distinctive social and historical context, and a construction of the composer’s experience of this era. Beliefs and practises of the present also play a crucial role in shaping the text, in particular changing the way in which literary techniques are interpreted. The present-day responder is powerfully influenced by their personal experiences, some of which essentially strengthen Fitzgerald’s themes, while others compete, establishing contemporary interpretations of the novel.
F. Scott Fitzgerald’s The Great Gatsby is an absurd story, whether considered as romance, melodrama, or plain record of New York high life. The occasional insights into character stand out as very green oases on an arid desert of waste paper. Throughout the first half of the book the author shadows his leading character in mystery, but when in the latter part he unfolds his life story it is difficult to find the brains, the cleverness, and the glamour that one might expect of a main character.
Bruccoli, Matthew J. Preface. The Great Gatsby. By F. Scott Fitzgerald. New York: Simon & Schuster, 1995. vii-xvi.
The Great Gatsby is an American novel of hope and longing, and is one of the very few novels in which “American history finds its figurative form (Churchwell 292).” Gatsby’s “greatness” involves his idealism and optimism for the world, making him a dreamer of sorts. Yet, although the foreground of Fitzgerald’s novel is packed with the sophisticated lives of the rich and the vibrant colors of the Jazz Age, the background consists of the Meyer Wolfsheims, the Rosy Rosenthals, the Al Capones, and others in the vicious hunt for money and the easy life. Both worlds share the universal desire for the right “business gonnegtion,” and where the two worlds meet at the borders, these “gonnegtions” are continually negotiated and followed (James E. Miller). Gatsby was a character meant to fall at the hands of the man meant to be a reality check to the disillusions of the era.
In the novel The Great Gatsby, Fitzgerald uses tone, diction, syntax and imagery to voice Nick's perception of the world around him. In this passage his use of language is used repetitively to convey Jordan Baker, Daisy and Tom Buchanan's lives. On the outside it may look like they all are living a perfect and ideal life, however Fitzgerald's illuminating use of language highlights how far from perfect their lives truly are.
Nick Carraway, Fitzgerald’s narrator, relates Jay Gatsby’s story in a manner that is at once concise and indirect. These two qualities are not at odds with each other; in fact, the more concise one is, the more one must leave out. Matthew J. Bolton points out in his article “A Fragment of Lost Words”: Narrative Ellipses in The Great Gatsby that “[e]very narrative has elisions” (Bolton 190). These elisions are known as gaps within a story. Without gaps, the story will become drawn out, making the readers bored while reading. The objective is to get the readers to desire what is about to happen next. If the reader is not intrigued, the objective will not be reached. Because he himself is so closely involved with the story he tells, Nick has an interest in leaving gaps between his narrative discourse and the “real” story. This is especially true when Daisy, Nick’s cousin, asks Nick about a rumored engagement. To which he responds:
The first element of the parties that should be examined is the décor of Myrtle Wilson's apartment compared to that of Gatsby's house. In the first line describing the apartment, the narrator, Nick Carraway, informs the reader of the lack of comfort in the apartment and the ensuing awkwardness of the setting: "The apartment was on the top floor - a small living room, a small dining room, a small bedroom and a bath" (33). Nick's description makes it amazingly clear to the reader how unhappy and unpleasant the situation was, not only for himself, but for Tom and Myrtle, as well as the other guests in attendance, Catherine, Myrtle's sister, and the McKees, neighbors who live in the same building. One can imagine the walls virtually closing in because of the overcrowding furniture, the overpowering size and strength of Tom and his ego, and the oversized picture of Myrtle's ...
The materialism of the upper-class is particularly shown through Daisy and Gatsby. Fitzgerald uses the...