Fashion has always dictated what gender stereotypes should wear and how they should present themselves to the world with their fashion, these rules and ideals are constantly changing and reversing, occasionally blurring the lines between the two. Gender roles have lessened and obscured in modern society due to subcultures and immediate availability of clothing, the gender ideals do however still exist and designers often heavily rely on these assumptions. Advertising companies often use these gender stereotypes to promote their clients' clothing as well which, in turn, only serves to strengthen traditional ideas of what men and women should wear. In this essay I aim to discuss the ever changing gender divide and how fashion reacts to these alterations and views and reflects the ideals at the time.
Prior to the 19th century, it was not unusual to see wealthy, fashionable men wearing stockings and heels such as the likes of the macaroni men who saw extravagance as an essential part of life and to show their wealth. They would often be more flamboyant and exaggerated than the women with their large wigs, they even spoke in an outlandish manners, so to exceed the boundaries of normal fashion and to seem more exotic and extravagant than others. They acted extremely feminine and over dramatic, which would be deemed offensive in modern times that men should act like this, and considered damaging to the reputation of men in general. Whilst men were still seen as superior at this time the unwritten rules about dress appearance were incredibly different to that of today, women were considered the secondary gender, expected to be mothers to the children and to keep up appearances.
The 19th century witnessed a distinct shift in ideas res...
... middle of paper ...
...gyny women tend to wear mens t shirts and clothes more often than the other way round, this is because men find it degrading to be considered a woman, whereas it is ok in todays standards for a woman to want to dress as man. Man are brought up to be as masculine as possible and anything feminine they do is met with distaste, for a man to look like a woman at all, even with a colour or accessory, it is degrading, because the thought of being a woman is degrading. F.Davis suggests that many feminists simply see androgyny as “another subtle device for muting the egalitarian demands emanating from the womens’ movement” (3)
Works Cited
1) http://www.hoovers.com/industry-facts.clothing-stores.1519.html
2)
3) Davis, F, 1992. Fashion, Culture, and Identity. USA: University of Chicago.
4) http://www.dazeddigital.com/fashion/article/18462/1/opinion-is-fashion-over-gender
The article focuses on Individualization and uniqueness and how it has begun to find its way into current advertisements. By allowing a woman to express her individuality it shows boldness, fearlessness, and confidence and that is refreshing in today’s world of fashion.
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
During the eighteenth century, French culture promoted styles and trends that furthered the gender roles of Parisians. The gowns worn in European countries, particularly France featured elaborate clothing designs, influenced by the Rococo artistic trends of the period. French style incorporated colorful decorations into their intricate court dresses. These dresses were even worn by iconic fashion figures such as Marie Antoinette. The formal dress specifically demonstrates the luxury and status of the upper class, but more importantly the strict guidelines that young women had to abide by. This dress in particular and many alike were used as a tool of oppression during the eighteenth century to hinder women from pursuing male dominated roles
Revolutionary fashions made it acceptable to show more skin, develop different styles, and able for women to express themselves. Women began to liberate themselves from the traditional long hairstyles and turn to the new and short masculine hairdos. “The bob appeared in the US shortly…Women with bobs needed more frequent haircuts, and wanted permanent waves” (Monet). Women began to cut their hair shorter, cringing their hair, and finger waving it. Although many women saw it as outrageous and boyish, many people today have cut their hair the same way and even shorter. It wasn’t permissible for a woman to display her body. Skirts were to be covering their legs all the way down to their ankles. If the skirt d...
In the mid 1960s more and more women started to look like men (maga 103). Although the trousers suit for women was launched, people suspected that some of the inspiration of the way women started dressing came from father down the ...
...d women’s fashion to break free from convention. Bras and corsets were seen as symbols of oppression and conformity. They were discarded by many women as many new fads appeared,(). Women also exhibited their newfound freedom by wearing traditional male clothing such as baggy trousers, men's jackets, vests, over-sized shirts, ties and hats.
...day women are still feeling the pressure from the weight society presses upon them. From the Mid Century to today, women in some cases are said to have changed for the better; and other’s opinions have claimed they have changed for the worst. Women’s fashion, despite the judgment, will keep evolving through the coming decades just as it has in the past.
Fashion in the 21st century is a big business, as its production employs millions of people and generates billions of dollars in revenue. Fashion has for the past century been, and is still today, used as an indicator of social change and progress, as it changes with the social norms of the society and the political changes of the world (Finkelstein 3). Works Cited Finkelstein, Joanne. A.S.A. & Co. Fashion: An Introduction to Fashion. New York: New York University Press, 1998.
Women were expected to set the example for their children, satisfy the needs of their husbands, and it was unheard of for women to express their sexual desires. During this time women were placed into two categories, they were either virgins or married, any woman who did not fit into either of these categories was considered a whore and this meant she was essentially useless. “If a woman went into a hansom alone with a man who was neither her father, nor her husband […] her reputation was irretrievably lost” (Swisher, 181). This shows that even though people did not know the whole story, they judged others by the appearance of things. Most of the Victorian culture was centered on these things that women were expected to do or not to be seen doing. Scientists believed that men were the active ones who were supposed to use all of their energy, while women were sedentary and were supposed to conserve energy. “According to Wollsto...
Freeman S. (2004). In Style: Femininity and Fashion since the Victorian Era. Journal of Women's History; 16(4): 191–206
In the late 18th century the Industrial Revolution occurred causing a huge shift in the ways in which clothing was produced and subsequently altering the ways in which clothing was perceived. For decades preceding industrialisation men and women of high so...
In the essay “Beauty (Re)discovers the Male Body,” author and philosopher Susan Bordo discusses the history and current state of male representation in advertisements. While using her feminist background, Bordo compares and contrasts the aspects of how men and women are portrayed in the public eye. She claims that there has been a paradigm shift the media with the theory that not just women are being objectified in the public eye, but also men too. Since the mid-1970s, with the introduction of Calvin Klein commercials, men have started to become more dehumanized and regarded as sex symbols. In a similar fashion to how Bordo describes gender, race plays a similar role in the media. People of all different ethnicities and cultures are being categorized into an oversimplified and usually unfair image by the media over basic characteristics.
Fashion is a form people use as a way for self expression. For me, fashion dictates how a person sense of style is; some may be bold and loud or simple and calm in which it also gives others an outlook on how their character may be. Although fashion is a way to express ones’ sense of style it does not tells us who the person is personally. Fashion in the society of the 1900s has changed female gender roles then and now by the way their roles changed during the time.
Fashion plays an important role in the lives of billions all over the world; people, as part of a status craving society, turn to “fashion capitals” of the world for ways in which to dress and carry themselves. New York, Milan, and Paris are leaders among this fierce industry that the world lusts after. Fashion can speak volumes about ones personality, or also about the condition the world is in at the time. In France, fashion changed rapidly and feverously as the times changed.
When a person hears words like feminist or feminism, notions of what it means to be feminine, or consequently unfeminine, begin to dimly form in our mind’s eye. Although we cannot definitively answer the question of what is feminine, we are able to recognize it when we see it or its absence. This conception, however, is arbitrary at best. What is it about an evening gown that seems to define and dress the feminine aura while a woman spitting would be denounced as inherently unfeminine?