“Your time is limited, so don’t waste it living someone else’s life…Don’t let the noise of others’ opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition” (Steve Jobs). In The Time of the Butterflies by Julia Alvarez, the Mirabal sisters are the valiant protagonists who display immense courage to overthrow a sadistic regime in the Dominican Republic run by President Trujillo. Trujillo’s regime treats women with great inferiority, and disappears any potential entity that may overthrow it. The four sisters named Dede, Patria, Maria Teresa, and Minerva were unshrinking in their eventually successful attempt at tearing down Trujillo’s reign and freeing all the women who had been living …show more content…
as background noise for so long. When confronted with harrowing situations that tested their theology, trust, and political views, they analyzed their options and proceeded with swift actions that furthered the revolution. Minerva Mirabal was the initiator of the rebellion against Trujillo.
She had an outright hatred for the man, and wanted nothing more than to see him fall. Although each of the sisters acted courageously, Minerva Mirabal was the most outwardly brave and dogmatic of the Mirabal sisters. Without her absolute intolerance for living in the subjugating circumstances, the revolution may very well have not occurred. Minerva was well informed of politics and the law through her studies and had no plan to sit around idly and let Trujillo continue his reign of terror. She was not only courageous in that she attempted to overthrow Trujillo, but she risked her life and the safety of her family for something much bigger than herself. She was willing to risk it all in order to free her family and the people of the Dominican Republic. “I asked Minerva why she was doing such a dangerous thing. And then, she said the strangest thing. She wanted me to grow up in a free country” (Alvarez,1.3.100). Minerva uses her little sister as motivation to continue seeking justice, she wants very badly for her sister to grow up in a free country. This devotion to the revolution was proven when Trujillo backed Minerva into a corner at one of his dinner parties, Minerva acted out of instinct and slapped him, articulating her notion of not taking any of his zealous ploys. Despite the fact that her actions against Trujillo are wayward and risky she has no intention of stopping until justice is …show more content…
served. It is speculated that Dede was the least courageous and the most cowardly sister because of her actions and because of the fact that she did not die, however, she played an important role, and without her, the attempts at a revolution may have been in vein.
“Dede was scared, and angry at herself for being so. She was growing more and more confused about what she wanted” (Alvarez 77) Although Dede was no more scared than any of her sisters, it came down to fight or flight, and she chose flight. Unlike her sisters, she did not have the ability to face her fears, and she let those fears choose her path. Dede struggled with man versus self throughout the story because she could not fathom the thought of losing her family, and participating in the revolution with her sisters was running to high of a risk of losing them. In the story she played the role of a typical woman from the Dominican Republic in that time period. She lived in the shadows of her husband Jaimito and he was uncompromising in the thought that she would step out of her role and participate in the revolution. However, she was very courageous in the fact that she stayed behind to take care of her sisters’ children and family, and be alive to share a first person account of what happened in the sisters’ lifetime. Another act of courage displayed by Dede is when she is driving with Minerva and they get pulled over. Dede says that she is Minerva because she fears for her little sister. Although she did not
make the ultimate sacrifice of her lifeblood to the revolution, her courage cannot go unnoticed or underappreciated. Theology played an important role throughout the novel, and although people began to doubt certain things in Divinity, the sisters still turned to religion. Patria Mirabal was the most religious of all of the sisters and her faith guided her in some of her courageous decisions. For example, when Patria was speaking to Trujillo, she said “Release my sisters and their husbands and mine. But most especially, I beg you, oh Jefe, give me back my son. Take me instead; I will be your sacrificial lamb” (Alvarez 203). This biblical allusion is referring to when God called down upon Abraham to kill his only son. Abraham was devoted enough to listen to God and was going to do it before God stopped him. Patria was very courageous in that she was willing to risk her own life in order to keep her family safe. Maria Teresa, or Mate, is the youngest of the Mirabal sisters. Although she is the youngest sister, her age should not be mistaken for naiveté or weakness. Mate was courageous for joining the revolution with her sisters. Minerva’s courage is displayed when she remained loyal after being tortured during her incarceration.
Minerva is able to show her courage at a dinner party thrown by Trujillo, the dictator at the time. At the party she went to reluctantly, Trujillo asks Minerva to dance. Knowing of Trujillo’s offensive past with females, she is hesitant to accept, but says
Minerva and Maria Teresa are two characters in Julia Alvarez’s In Time of the Butterflies. Minerva is one of the four main characters of the novel, as well as Maria Teresa. Minerva is the second youngest of the family and is very caring and kind. She was talking to her friend Sinita, who was one of the girls she met at school, and told her, “Tell me Sinita, maybe it’ll help” (Alvarez 16). Her friend Sinita told her the story about her brother’s death and Minerva felt sympathetic for her lost. Maria Teresa is the youngest of the Mirabal sisters and the ...
Out of all the Mirabal sisters, being courageous was Minerva’s specialty to show how she feels without being verbal with her emotions, and to get her point across. Right from the beginning of the book Minerva chose to create actions that were not only courageous, but reckless. After Minerva found out about her other sisters she crashed her father’s Jeep into his Ford at his other lover’s house. As always, she wanted to make a scene, “My voice was as commanding as his. ‘You’ve lost my respect,’” (Alvarez 89). Her father was extremely disappointed with her, but she wanted him to know that what he was doing was extremely wrong. Crashing her father’s cars was definitely brave, and especially since she did it in front of her other family without any second thoughts. Towards the middle of the book, Minerva informed Mate about some things she did not know, “Manolo and Minerva have explained everything. A national underground is forming,” and this is when Minerva explained more about how they created a national underground to try to get everybody freedom no matter what happened (Alvarez 142). This national underground was a h...
Out from the kitchen and into the world, women are making a better name for themselves. Although humankind tends to be male dominated, men are not the only species that inhabit the world that they live on. In Julia Alvarez's novel In the Time of the Butterflies, the women of the Dominican Republic are expected to grow up to be housewives and lacking a formal education. Women may be cherished like national treasures, but they are not expected to fulfill their truest potentials as human beings.
Alvarez, Julia. In The Time of the Butterflies. New York, NY: Penguin, 1994. Print Hardback. 31 Oct 2013 - 8 Dec 2013.
Despite the various acclamations In the Time of the Butterflies has received, the novel actually received a bit of criticism in the literary realm due to controversial subject matter. One school in Port Washington even decided to ban Julia Alvarez’s novel. A student from this district commented on the school board’s decision stating “The Port Washington school district has a national reputation for diversity and open-mindedness; we should keep it that way. So we were surprised and distressed when we first heard about the school board 's decision to ban Julia Alvarez 's novel ' 'In the Time of the Butterflies ' ' because it included a
Minerva’s rebellion was caused by both Sinita and Trujillo. Sinita’s role was opening Minerva’s eyes to the real Trujillo. For example, Sinita told her about how “Three of her uncles were even friends of Trujillo. But they turned
People who have a position in the government can start off doing good things for the people and country, but will become power hungry and want to be in control of every little thing. This hunger for power can be seen in the novel, In the Time of the Butterflies, by Julia Alvarez, which demonstrates how the daily lives of the citizens in the Dominican Republic are affected under the rule of their oppressive ruler, Trujillo. Alvarez focuses on 4 sisters, the Mirabal family, who strive for equality and democratic rights. The 4 sisters have all been been oppressed by Trujillo´s ridiculous laws. Enforcing unnecessary laws on society makes sure that Trujillo stays in complete control, which compels the people to strive for more freedom and rights,
For the young Dulce Rosa Orellano, life is great being the beautiful daughter of Senator Anselmo Orellano. She has people waiting on her hands and feet, and is even crowned jasmines of Carnival Queen for another consecutive year. That is until “rumors of the beauty who was flourishing in the Senator Orellano’s house reaches the ears of Tadeo Cespedes” (Charters 43). Given that he was “only concerned with the Civil War”, everything is a fight for him. So Tadeo made it his mission to seek out the young beauty and have her as his own. This mission consisted of shooting up the home with all of his men, murdering Senator Orellano, and unwillingly raping Dulce Rosa. Before being in he hands of the Tadeo, she says before her father, “let me live so that I can avenge us both” (Charters 44). In doing so, Dulce Rosa grows up to forget about her high fame and beauty, to a woman to live alone and whose only mission on Earth is vengeance (45). Tadeo how ever, gets old and leaves his violent days. He actually comes to his sense and searches for Dulce Rosa to apologize for his past behavior so that he may “attain a certain degree of happiness” (Charters 46). To his own dismay he ends up falling for Dulce Rosa, who in turns kills herself as her revenge for her father to him.
Rather, it criticizes this culture through its portrayal of women. The narrative is focused on a male and is told by a male, which reflects the male-centered society it is set in. However, when we compare how the narrator views these women to who they really are, the discrepancies act as a critique on the Dominican culture. Yunior, who represents the typical Dominican male, sees women as objects, conquests, when in fact their actions show their resistance to be categorized as such. Beli, whose childhood was filled with male domination by Trujillo and the family she worked for, attempts to gain power through sexuality, the avenue the culture pushes women toward. This backfires, creating a critique of the limited opportunities available for women. La Inca portrays a different side to this, working quietly but in ways that are not socially acceptable through self-employment. Society attempts to cage these women, but they continue to fight against it. Diaz, in an interview, quoted James Baldwin, stating, “Not everything that is faced can be changed, but nothing can be changed until it is faced" (Fassler). He exhibits the misogyny in the system but does not support it, rather critiques it through strong female characters. By drawing attention to the problem, the novel advocates for change. Diaz writes, at the end of part 1, “Nothing more exhilarating… than saving yourself by the simple act of waking”
? . . . it made no difference if they studied medicine or had the right to vote, because they would not have the strength to do it, but she herself [Nivea] was not brave enough to be among the first to give up the fashion.? (6, Ch 1) The women in this society are dependant on the dominant male figure to handle political and economical duties. This point of view is intended to mimic the older generation of women ad present a foundation for the growth of an enlightened generation. Allende uses this excerpt to present a foundation of structure to the novel by beginning with the extremes of opinion, which are followed in the novel through different generations. Alba for example, become a very outspoken activist by trying to attend the student protests and follow Miguel on his demonstrations, a sharp contrast to the indifference or shallowness found in her great grandmother.
“Jaimito think its suicide. He told me that he will leave me if I get mixed up in those things”. Here is where Dede confesses the truth about her participation with the Mariposas. Although later on she claims to be leaving Jaimito. Dede knew that she needed to join her sisters this was the only way she was going to show her loyalty to the “Mariposas”. Minerva, Patria, and Maria Teresa husbands were all involved with the “Mariposas” movement. Could this be the reason why they were so committed and involved with the “Mariposas” movement? The support that all their husbands gave them through the journey guided them to influent the change, and to them it was very important. We all ask ourselves could this be another reason why Dede felt so strong about getting people to hear he story, to find the interest in it. Dede made her family home into a museum, this way people can see how they lived when it all began. There is also a monument that tourist or native Dominican that would like to know the story of the Mirabal Sisters. Why is this so important? Its known that a lot of Dominican or people all around the world do not know the story of the Mirabal sisters and what they died for; the truth behind the lies and the unrealistic story telling. Dede’s accomplishment was to let everyone now what happened to her sisters to her father and how Trujillo dictated
“had to be brave for Sinita.” (19). This “hero’s attitude” is further evident in Minerva’s interactions with her sisters. One poignant example of this heroism is seen when Maria Teresa confronts minerva about why she was going to secret meetings at Don Horacio’s house, and asks her why she's doing such a dangerous thing. Minerva responds that she wants maria teresa to grow up in a free country, perfectly illustrating how minerva is willing to sacrifice herself so that the people around her can grow up in a better
Isabel Allende’s The House of the Spirits was strongly influenced by the three waves of Feminism. Allende’s focus throughout the novel was to diminish the gender inequality between men and women. Through her female characters Clara, Blanca, and Alba, Allende showcases the gradual rise of women in Latin American society. She incorporates political and societal aspects to emphasize women’s empowerment throughout the novel. Clara, Blanca, and Alba each individually represent the three waves of Feminism that gradually gave women the power to lessen the gender hierarchy present in their society.
Minerva does not try and escape even though she “is always sad like a house on fire—always something wrong. She has many troubles, but the big one is her husband who left and keeps leaving” (Cisneros 63). Minerva is clearly unhappy, but because she is accepting of her role and she will not leave him. She does not have the power to leave her husband and if she tried she would probably be beaten or worse. Esperanza wants to help Minerva but there is nothing that she can do for her: “Next week she comes over black and blue and asks what can she do? Minerva. I don’t know which way she’ll go. There is nothing I can do” (Cisneros 63). Esperanza knows that she cannot do anything for Minerva. It will take the power of Minerva removing herself from the abusive situation to actually save herself. Minerva having no power in her marriage is a clear relationship back to the theme of women accepting their role with men as their superior.