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How feminism played a part in kate chopin's writing
How feminism played a part in kate chopin's writing
Kate chopin the awakening conclusion
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During the time period that The Awakening was written, men were known to portray dominance over women and always have more say than women were to ever have. However, in this novel the women portrayed broke out of the social norm, something that was not ideal and a shock to most to most women of the 19th century. Because of the language and characteristics used in the novel, a new way of life emerges for women. In Kate Chopin’s The Awakening, Adele Ratignolle’s stereotypical family lifestyle and Mademoiselle Reisz’s private yet driven life help Edna reflect on her goals and the type of lifestyle she wants to pursue.
Adele Ratignolle, a women of pure beauty and perfection, depicts someone that every man at the time wants to marry. Within the
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first few pages of the novel, Adele’s beauty is widely known and “there are no words to describe her. . . there was nothing subtle or hidden about her charms; her beauty [is] all there, flaming, and apparent” (Chopin 11). Adele is portrayed with all the ideals society regards should be the standard for all women to live by. She is a perfect example of what Edna is suppose to act like and model, but shows no interest in doing so. Being her selfish self, Edna begins to argue trying to prove her outlook on raising a family by saying that she "would give up the unessential; would give [her] money, would give [her] life for [her] children; but [she] wouldn't give [herself]” (Chopin 56). Disagreeing with Edna, Adele acts in distress asking her “what [she] would call the essential, or what [she means] by the unessential” (Chopin 56). Edna does not believe that children are more important than herself and does not think that they are worth more than her own self. Adele is puzzled by Edna’s statement and cannot accept the fact that a woman would ever say something so harsh and distressing about children. In utter despair, Adele questions Edna on having a family of her own and her perspective on life in general. Acting on the typical duties of a woman, Adele undertakes the responsibility of a perfect housewife and mother, a complete turnoff for the life Edna plans on living. Mademoiselle Reisz, another female character in the novel, represents an impertinent and disrespectful woman who at times can act foolish, a type of personality that attracts Edna’s mind.
Her individualistic lifestyle convinces Edna to pursue a life just like Mademoiselle Reisz’s. Mademoiselle Reisz is described as a woman “with a small weazened face and body and eyes that [glow]. She had absolutely no taste in dress, and wore a batch of rusty black lace with a bunch of artificial violets…” (Chopin 28). Unlike Adele, Mademoiselle Reisz has no interest in beauty and looking perfect. She does not see the purpose in impressing others and instead chooses to just live her own private life. After playing a piano piece for Edna, Mademoiselle Reisz asks Edna what she thought of it, Edna “was unable to answer. Mademoiselle Reisz perceived her agitation and even her tears. She patted her again on the shoulder as she said: You are the only one worth playing for” (Chopin 31). The music speaks to Edna as she becomes emotionally attached to the music not able to control her tears. Reisz is the only one that understands the way Edna is feeling and shows sympathy to Edna through her musical talent. Edna goes to visit Mademoiselle Reisz later on to Edna’s love, Robert, and her interest in becoming an artist. Mademoiselle Reisz tells Edna that “the artist must possess the courageous soul. The soul that dares and defies” (Chopin 74). The teachings that Reisz has been teaching Edna, inspire
Edna to strive to live a life just like Mademoiselle Reisz. Reisz tells Edna to not be shy of pursuing her dreams and tells her to not listen to what anyone has to say about her desires. However, in order to accomplish all this, Reisz tells Edna that she needs to have the courage and bravery to stand up for herself and not be let down by the comments of others. Mademoiselle Reisz chooses to live a life of her own, focusing on herself as an individual and nobody else around her. The women of this novel all face moral and social issues that ruin the typical standards women were meant to live by during this era. Women had the choice of living in isolation and making own standards to follow or they could live on what society set the typical ideals for women to follow. Mademoiselle Reisz and Adele illustrate each of these choices and live completely opposite lives. By meeting these women, Edna can come to a consensus on which way she wants to live her life. Through everyday experiences, Edna eventually comes to an understanding of who she is and the life she looks forward to living.
Kate Chopin’s The Awakening takes place in the late 19th century, in Grande Isle off the coast of Louisiana. The author writes about the main character, Edna Pontellier, to express her empowering quality of life. Edna is a working housewife,and yearns for social freedom. On a quest of self discovery, Edna meets Madame Ratignolle and Mademoiselle Reisz, falls in and out of love,and eventually ends up taking her own life. Kate Chopin’s The Awakening shows how the main character Edna Pontellier has been trapped for so many years and has no freedom, yet Edna finally “awakens” after so long to her own power and her ability to be free.
The relationship Edna has with Mademoiselle Reisz guides her transformation from a wife and mother to a single woman. Reisz acts as a role model for her, someone who does not conform to society’s expectations. Mademoiselle Reisz lives how she wants and accepts both positive and negative consequences of her lifestyle. From the first time Edna sees her play, she admires Mademoiselle Reisz. “The woman, by her divine art, seemed to reach Edna’s spirit and set it free” (623). The music she plays helps calm Edna’s spirit. Mademoiselle Reisz allows Edna to read the letters Robert wrote to her and she supports her in her decision to follow her heart and be with Robert. In doing so, she kindles the passionate flame Edna has for Robert. As Edna wishes t...
For Edna, the times that Reisz plays are times when she "take[s] an impress of the abiding truth" and realizes her true desires(p.34). When Edna visits her, Reisz first improvises at the instrument and then plays the Impromptu which itself has original and adventurous themes. Through music Edna realizes the importance of being self-actualized and making choices. She again feels the same as that night when "new voices awoke in her"—when through music, the way to genuine freedom was revealed to her (p.84). However, having freedom comes with responsibility, which like giving birth to art, requires special skill. For Edna, the fantasies of freedom are transformed into reality wholly only in music and possibly the inability to acquire the skill to deal with her new emotions in life explains the dramatic conclusion to the journey and exploration of the passions that begin on the island.
In The Awakening, Chopin sets up two characters main characters and a subsidiary female character to serve as foils to Edna. The main characters are Adele Ratignolle, "the bygone heroine of romance" (888), and Mademoiselle Reisz, the musician who devoted her life to music, rather than a man. Edna falls somewhere in between the two, but distinctly recoils with disgust from the type of life her friend Adele leads: "In short, Mrs. Pontellier was not a mother-woman." Adele Ratignolle and Mademoiselle Reisz, the two important female principle characters, provide the two different identities Edna associates with. Adele serves as the perfect "mother-woman" in The Awakening, being both married and pregnant, but Edna does not follow Adele's footsteps. For Edna, Adele appears unable to perceive herself as an individual human being. She possesses no sense of herself beyond her role as wife and mother, and therefore Adele exists only in relation to her family, not in relation to herself or the world. Edna desires individuality, and the identity of a mother-woman does not provide that. In contrast to Adele Ratignolle, Mademoiselle Reisz offers Edna an alternative to the role of being yet another mother-woman. Mademoiselle Reisz has in abundance the autonomy that Adele completely lacks. However, Reisz's life lacks love, while Adele abounds in it. Mademoiselle Reisz's loneliness makes clear that an adequate life cannot build altogether upon autonomy. Although she has a secure sense of her own individuality and autonomy, her life lacks love, friendship, or warmth. Later in the novel we are introduced to another character, her name is Mariequita. Mariequita is described as an exotic black-eyed Spanish girl, whom Edna looks upon with affectionate curiosity. Unlike the finely polished heroine, Mariequita walks on "broad and coarse" bare feet, which she does not "strive to hide". This strikes Edna with a refreshing sense of admiration. To her, the girl's soiled feet symbolize naked freedom, unconstrained by the apparel of civilization. Thus, Edna finds her rather beautiful. Mariequita is more like an unrefined version of Edna, that is, her instinctual self. At times, Mariequita ventures to express the thoughts that are secretly buried in Edna's unconscious.
In The Awakening, Kate Chopin depicts the varying definitions of women and their role through her three major female characters, Edna Pontellier, Madamoiselle Reisz and Madame Ratignolle. In the late 1800s, the role of women was strictly being caretakers for both their children and husbands. Edna Pontellier attempts to fit into society’s expectations by marrying Léonce Pontellier and raising two children, yet she struggles with feelings of oppression as she suffers through her unwanted role. Mademoiselle Reisz, a talented musician, is unmarried and childless, rejecting all of society’s ideals. Edna’s friend, Madame Ratignolle, greatly contrasts the two as she represents the model Louisiana women. However, while Edna, Madamoiselle Reisz and Madame Ratignolle each depict a different idea of woman’s role in society, none of these three women reach their full individual potential.
Mademoiselle Reisz is first introduced at a party when she plays the piano for Edna Pontellier. Edna is described as being "very fond of music."(25) Music is described as having a way of "evoking pictures in (Edna’s) mind" and causing her to have visions of naked men, the beach, her children, and many other images, which in turn, she attaches various names to. (25) As Mademoiselle plays, a series of physical changes affect Edna. For example, upon the first chord, Chopin describes it as sending "a keen tremor" (26) down (Edna’s) back, and eventually, the piece moves her to tears. Days later, Mademoiselle Reisz and Edna coincidentally meet, and Mademoiselle invites Edna to visit her in the city. This invitation starts the beginning of a great acquaintanceship.
Kate Chopin's The Awakening tells the story of Edna Pontellier, a young wife and mother living in the upper crust of New Orleans in the 1890s. It depicts her journey as her standing shifts from one of entrapment to one of empowerment. As the story begins, Edna is blessed with wealth and the pleasure of an affluent lifestyle. She is a woman of leisure, excepting only in social obligations. This endowment, however, is hindered greatly by her gender.
Essentially, Edna is not able to fulfill any of the roles that are presented by Chopin in the novel: mother, sister, daughter, wife, friend, artist, lover to either man, and finally the traditional role of a woman in society. She does not quite fit into any niche, and thus her suicide at the end of the novel is the only way for Edna’s story to end. Chopin must have Edna die, as she cannot survive in this restrained society in which she does not belong to. The idea of giving yourself completely to serve another, Edna declares “that she would never sacrifice herself for her children, or for any one” (47). However, her awakening is also a realization of her underprivileged position in a male dominated society. The first sign that Edna is becoming comfortable with herself, and beginning to loosen the constrictions of not being an individual is when she asks Robert, her husband, to retrieve her shawl: "When he returned with the shawl she took it and kept it in her hand. She did not put it around her" (30). Edna is trying to establish herself as an artist in a society where there is no tradition of women as creative beings. For any woman to suggest a desire for a role outside the domestic sphere, as more than a mother or housewife, was perceived as
Throughout Kate Chopin’s novel The Awakening, the main protagonist Edna Pontellier, ventures through a journey of self-discovery and reinvention. Mrs.Pontellier is a mother and wife who begins to crave more from life, than her assigned societal roles. She encounters two opposite versions of herself, that leads her to question who she is and who she aims to be. Mrs. Pontellier’s journey depicts the struggle of overcoming the scrutiny women face, when denying the ideals set for them to abide. Most importantly the end of the novel depicts Mrs.Pontellier as committing suicide, as a result of her ongoing internal
The Awakening sheds light on the desire among many women to be independent. Throughout the novel Edna conducts herself in a way that was disavowed by many and comes to the realization that her gender prevented her from pursuing what she believed would be an enjoyable life. As the story progresses Edna continues to trade her family obligations for her own personal pleasures. This behavior would not have been accepted and many even criticize the novel for even speaking about such activities. Kate Chopin essentially wrote about everything a women couldn’t do. Moreover, it also highlights the point that a man is able to do everything Edna did, but without the same
Adèle Ratignolle uses art to beautify her home. Madame Ratignolle represents the ideal mother-woman (Bloom 119). Her chief concerns and interests are for her husband and children. She was society’s model of a woman’s role. Madame Ratignolle’s purpose for playing the pia...
The society of Grand Isle places many expectations on its women to belong to men and be subordinate to their children. Edna Pontellier's society, therefore, abounds with "mother-women," who "idolized their children, worshipped their husbands, and esteemed it to a holy privilege to efface themselves as individuals" (689). The characters of Adele Ratignolle and Mademoiselle Reisz represent what society views as the suitable and unsuitable women figures. Mademoiselle Ratignolle is the ideal Grand Isle woman, a home-loving mother and a good wife. Mademoiselle Reisz is the old, unmarried, childless, musician who devoted her life to music instead of a man. Edna switches between the two identities until she awakens to the fact that she needs to be an individual, but encounters resistance from society. This begins the process of her awakening.
The 19th and 20th centuries were a time period of change. The world saw many changes from gender roles to racial treatment. Many books written during these time periods reflect these changes. Some caused mass outrage while others helped to bring about change. In the book The Awakening by Kate Chopin, gender roles can be seen throughout the novel. Some of the characters follow society’s “rules” on what a gender is suppose to do while others challenge it. Feminist Lens can be used to help infer and interpret the gender roles that the characters follow or rebel against. Madame Ratignolle and Leonce Pontellier follow eaches respective gender, while Alcee Arobin follows and rebels the male gender expectations during the time period.
During the late nineteenth century, the time of protagonist Edna Pontellier, a woman's place in society was confined to worshipping her children and submitting to her husband. Kate Chopin's novel, The Awakening, encompasses the frustrations and the triumphs in a woman's life as she attempts to cope with these strict cultural demands. Defying the stereotype of a "mother-woman," Edna battles the pressures of 1899 that command her to be a subdued and devoted housewife. Although Edna's ultimate suicide is a waste of her struggles against an oppressive society, The Awakening supports and encourages feminism as a way for women to obtain sexual freedom, financial independence, and individual identity.
When Kate Chopin's "The Awakening" was published at the end of the 19th Century, many reviewers took issue with what they perceived to be the author's defiance of Victorian proprieties, but it is this very defiance with which has been responsible for the revival in the interest of the novel today. This factor is borne out by Chopin's own words throughout her Preface -- where she indicates that women were not recipients of equal treatment. (Chopin, Preface ) Edna takes her own life at the book's end, not because of remorse over having committed adultery but because she can no longer struggle against the social conventions which deny her fulfillment as a person and as a woman. Like Kate Chopin herself, Edna is an artist and a woman of sensitivity who believes that her identity as a woman involves more than being a wife and mother. It is this very type of independent thinking which was viewed as heretical in a society which sought to deny women any meaningful participation.