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Dissociative identity disorder eve
Dissociative identity disorder eve
Dissociative identity disorder eve
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Frank Miller’s masterful design for the story, the plot, the protagonist’s discourse, while carefully attending to the visual properties of the illustration prove evident of his genius in this dark and grim drama of a graphic novel. Bruce Wayne is haunted by the death of his parents. Guilt ridden and trying his best numbing his pain with alcohol, Bruce Wayne is suddenly thrown into a flashback of his parent’s murder by the familiar sound and music of the last show the Waynes watched together, “You loved it so much…you jumped and danced like a fool…you remember…” (Miller, page 22) That night was the last time Bruce Wayne was truly happy. Moments later, someone pulled the rug from under his feet. His life was turned upside-down. That moment …show more content…
The young boy looks up with frightened and widened eyes. On the next frame, he sees the shadow of a gigantic bat flying over the moon in the dark night sky. Was it fate that the bat was to become his destiny? Was it free will? One thing for sure is that bat was his only hope and savior in a moment of desperation. Batman was just what Bruce needed, power, abilities, strength and a chance to avenge for his parent’s death and moreover, right all the wrongs in the world. One could also argue it is not unlike Dissociative Identity Disorder in psychiatry, young Bruce reacted to the trauma of witnessing his parents’ murder. The stronger persona came out to protect the weaker one. By at least partially faithful to the original source material and Batman storyline, in TDKR, Bruce Wayne unavoidably allows Batman to take over his body again. Out of all five pages, the first four pages are 16-panel layout in design, all sixteen panels equal in size. With the exception of the last frame on page 26 which contains only a single image of a ferocious looking bat, its fangs flashing, its eyes burning yellow fire, centered in the middle of the panel, breaking through the bars of a prison
Alison Bechdel's graphic memoir, Fun Home: A Family Tragicomic, documents the author's discovery of her own and her father's homosexuality. The book touches upon many themes, including, but not limited to, the following: sexual orientation, family relationships, and suicide. Unlike most autobiographical works, Bechdel uses the comics graphic medium to tell her story. By close-reading or carefully analyzing pages fourteen through seventeen in Fun Home one can get a better understanding of how a Bechdel employs words and graphic devices to render specific events. One can also see how the specific content of the pages thematically connects to the book as a whole. As we will see, this portion of the book echoes the strained relationship between Bruce Bechdel and his family and his attempts to disguise his homosexuality by creating the image of an ideal family, themes which are prevalent throughout the rest of the nook.
At first thought you may think it’s hard to consider Batman as being a Christ-like figure. In The Dark Knight Returns the character Batman expresses a large amount of violence and an unforgiving personality which is unusual for a superhero. Batman encounters many hard and crucial decisions that he must make throughout. For instance, the encounter
Batman and Superman are superheroes whose qualities are exaggerated in a way that is reminiscent of the gods and heroes in The Odyssey. In Fact, the superheroes from comic books emerge from the epic tradition. Epics, as you know, celebrate the great deeds of one or more legendary heroes. This epic hero is generally involved with a quest to overcome hardship, and he (and it usually is a "he") succeeds. The hero performs superhuman exploits in battle, often saving or founding a nation or the human race itself. Sound familiar? And even in terms of the superhero's body, with his bulging muscles and larger‐than‐life qualities, such figures evoke the images of Baroque masculinity. What Becomes important in these retellings, then, is how the hero makes the journey, how he faces his obstacles, and what he learns in the process.
Art Spiegelman, the son of Holocaust survivors, is best known for authoring of the graphic novel Maus. In Spiegelman's Maus, he correlates the main characters to his father, mother, and deceased brother. This paper will analyze Spiegelman's motifs, symbolisms and overall motivation for such a work as Maus. Notably, experiences shape people mentally, emotionally, and physically, which then leads them to find coping mechanisms, whether consciously or subconsciously. Anja Spiegelman, the author's mother, sought release from her tormented memories of the Holocaust through suicide, which left Vladeck, the author's father, to bare the memories himself. Vladeck, who himself is a writer, battles through this tragedy by drawing for his son’s graphic
Batman was created after Detective Comics (D.C.) wanted a new super hero to follow-up after Superman. In May of 1933, Bob Kane and Bill Finger created Batman. Bob was born on October 24, 1915 and died November 3, 1998. Bill was born February 8, 1914 and died January 1974. Bill always loved comics as a child and still when he went to high school at DeWitt Clinton High School in the Bronx New York. He and Bob went to the same high school but never socialized because they were in different classes. Bob meet Bill when Bill was working as a shoe salesman. They worked on many comics together for kids comic books and local newspapers. When they found out that Detective Comics (D.C.) wanted a new super hero they went to work. One day Bob came to Bill with a character, Batman. Bill liked the idea but said it looked too much like Superman. The original illustration had a Robin style mask and red outfit. So Bob took a Webster’s Dictionary and found a picture of a bat. He added bat ears to the mask, giving the full mask a more mysterious look. He changed the colors to black and yellow and added a cape that was cut like bat wings. When writing the comics Bill made Batman’s personality a...
Multitasking is said to be impossible to humans, but people do them all the time - even if subconsciously. In his article The Thematic Paradigm in Signs of Life in the U.S.A., Robert Ray expresses his opinion about the heroes in Hollywood films, and how Americans act when put against a hard decision. In his article, he claims that heroes can be divided into two categories; Official Heroes or Outlaw Heroes. He later claims that a hero can also be a mix of both of these, known as the Composite Hero. He also claims that in times when one has to make a hard decision, Americans act in one of three ways; either refuse to take sides and combine both, blurs the difference between the choices, or just laugh it off. These categories are well defined
This traumatic event does not leave him but remains with him through all his life. It is so surprising that a man like Bruce Wayne can be somebody like Batman. It is as if they are two different people. Nobody would guess that these two identities could be the same man. Many may say what Bruce is doing is normal and is his way of coping but there is too much evidence suggesting that Bruce Wayne is suffering from dissociative identity disorder.
The movie begins with a young Bruce Wayne playing outside with his friend Rachael. Bruce steps on some rotten boards and falls into a well sustaining minor injuries. Suddenly he is overcome with a flock of bats living in the wells caverns terrifying him. Throughout most of his childhood he retains this fear of bats and anything even remotely bat-like
Somebody who had established higher power in their community. Somebody who tried to run from fate, and has the moment of recognition and understanding of their destiny. Batman. Even though he is considered the strong and powerful superhero of Gotham City, Batman's characteristic features show that he relates strongly to that of a "tragic" hero. In the beginning, the Batman is presented at a higher state of appreciation, even though the police see him as a vigilante. Despite his wealth, Batman, otherwise known as Bruce Wayne, is easily relatable to audiences, which makes it easy to sympathize and empathize with the character. Batman is in a constant battle within himself, trying to be the good guy, while defeating the bad guys. His morals prove true when he admits that he won't kill any of the many villians that cause destruction for Gotham City. But, because of this moral, sometimes the villians end up escaping and doing more harm then good. In the end, this interal chaos and internal battle is seen interally and externally through Batman. At the end of the most recent Batman series, The Dark Knight, his exit at the end of the movie is, in essence, his figurative death. Bruce Wayne wants to keep Gotham City safe. And with the "Batman" gone, villians will be least likely to continue to destroy and conquer. As an audience, we cling to the edge of our seats and feel dismay for our beloved superhero and what is to become of
If Batman alone was tasked with saving the world, we would all die. If Batman was tasked with saving a cat from a rabid dog, the cat would die. If Batman was tasked with walking an old women across the street, she would trip over his cape and break her hip. Batman is an inferior “superhero” - and that is reality. Here is why:
The classic comic book character Batman, played by Christian Bale in the motion picture has an astonishingly complex character that is illustrated well with Aristotle’s perspective. Batman has two distinct characters, the one under the mask, Bruce Wayne and the one covered by the mask, Batman. Both have different sets of virtues that the other does not necessarily have. To explain these virtues, I will attempt to do an analysis of Batman based on Aristotle’s virtue. Then I will determine if he has a good life and whether others should mimic it.
He was an odd person and secretive husband and father to his family. The only time he interacts with his kids is when he requires help furnishing a closet or when he needs them to do chores. One of the many scenes shows Bruce’s three children sitting in front of a Christmas tree and him being in the background shadow, Alison says, "Sometimes, when things were going well, I think my father actually enjoyed having a family. Or at least, the air of authenticity we leant to his exhibit. A sort of still life with children." (Bechdel 13). Bruce lacks the ideal father look; he is never seen interacting with his kids. He was not pleasant with his life and at times he was violent and aggressive towards his family. As Alison continues to figure out the death of her father, she gets to the center of the maze: his homosexuality. Bruce’s family was an illusion of what society wants to see. Society expects him to be a role model for his children by being ‘the man of the house’ but his image in that particular scene happens to be in a shadow because he feels like he could not run away from the darkness that he is hiding. Bruce could not have the courage to come out as a homosexual; He is too embarrassed and ashamed to show his attractions towards other men. In the reading, The Social Construction of Gender, “Men dominate the positions of authority and leadership in government, the military, and the
In the film, “Batman Begins” Bruce Wayne’s journey to become the Batman is explored (Franco, Orleans, Roven, Thomas, Nolan, 2005). This essay applies the theories of Maslow and Bandura, in an effort to determine whose theory makes better sense of Bruce.
When comics were first coming out, they were not all that popular but in todays’ world, they have become very popular and well known. Several of these comics have been turned into films, which is one of the many reasons why the popularity has been rising over the years. One of the most well known comics is Batman: The Dark Knight Returns. This comic was composed and released in 1986 by Frank Miller. With the usage of Frank Miller’s powerful, intense lines and the artwork done by Klaus Janson’s and Lynn Varley’s it has elevated this comic up to the very top of mainstream comics. In Batman: The Dark Knight Returns, the skillful illustrations on the pages successfully create the thought that there are underlying meanings, which makes the atmosphere a very intense one throughout the comic. The work of art that is presented on the pages in this comic are embedded in such a way that the pages become the continuum for the meaning. One of the main themes that are imbedded on the pages through the artwork in this book is the ideological struggle between Bruce Wayne and Batman.
Jason thought the problem with Batman was that he never stopped to actually talk to civilians. There were some decent and legitimate prostitution rings in Gotham, well as decent and legitimate as they can get, and Jason had learned that the girls have good intel. People pretended they weren't human and would talk around them, and the girls were more than willing to share if it benefited them.