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In the 20th century there were many issues including fascism, the second world war, and second wave feminism. These issues were reflected in the works of T.H White and Marion Zimmer Bradley; they adapted the Arthurian legend to address the issues that were facing at the time as well as some of their own personal issues. T.H White used the Arthurian legend and it’s characters to comment on and look at fascism and World War II. During the 20th century Marion Zimmer Bradley used the Arthurian Legend to look at feminism as well as showing some conflict of religion that she might have been facing. T.H White’s The Once and Future King reveals some of his thoughts about the war going on around him. During his lifetime T.H White saw the second world …show more content…
war and he used the Arthurian legend to comment on it. In the first few chapters of The Once and Future King we see Arthur’s childhood and his years where he was growing up with Sir Ector and the relationship he has with Kay. In one of the first few chapters, Merlin transforms Arthur into an ant and he spends some time among a colony of ants. Once he’s there it becomes quickly evident that the ants are incredibly nationalistic and they all work for the betterment of the colony rather than the individual. Arthur, as an ant, starts to realize that they do not accept when the individuals chose against conforming. T.H White shows his thoughts on this, “A question was a sign of insanity to them. Their life was not questionable: it was dictated.” (White 128) He shows how he does not agree with fascism using Arthur’s comments. That fascism does not allow individual to ask questions and blindly follow is pure insanity to him. T.H White can’t understand why the ants would act this way. It seems that they are not truly happy, both the ants and the actual countries at war. The ants are preparing to go to war with the neighboring colony simply because they are on the other side. There seems to be tension between the two colonies but there is no logic to their hate: A. We are more numerous than they are, therefore we have a right to their mash. B. They are more numerous than we are, therefore they are wickedly trying to steal our mash. C. We are a mighty race and have a natural right to subjugate their puny one. D. They are a mighty race and are unnaturally trying to subjugate our inoffensive one. (White 129) The ants are using this logic to try and invade the other ant colony, however the logic makes no sense and is counter intuitive.
It is contradictory with itself when trying to explain that their subjugation of the other colony is justified but if the other colony were to do the same to them then they would be unnatural. Clearly T.H. White is trying to explain how the entire war seems unnatural and is showing that through his own version of the Arthurian Legend. Marion Zimmer Bradley also commented on her society through the Arthurian Legend. Her struggles with society included feminism. Marion was one of the first female authors to be successful in science fiction. The stories that she wrote revolved on the female characters. The Mists of Avalon is told in the perspective of the female characters, this is one of the things that shows Marion’s feminist side. In the story there are two characters that show Marion’s internal and personal conflicts. Guinevere and Morgaine are two sides of a coin that made up Marion Zimmer’s life. Guinevere represented everything negative and all the hatred associated with Christianity. At one point she was trying to convince Arthur to carry a new flag that did not have a pagan symbol on it. Guinevere continually talked about sin and she radiated no positivity. Morgaine on the other hand was a more well rounded character and everything she did in the story was for the good of herself or other people. Unlike Guinevere she was more understanding.
The Arthurian Legend has been used for centuries to tell a story of how society was like during the time. It has been used to reflect upon society as well as the lives of the individual author. T.H White and Marion Zimmer Bradley added to the Arthurian legend by commenting on society around them as well as their personal lives. T.H was not very fond of the world war and used adventures that Arthur went on in his early childhood to show his dislike and comment on fascism. Marion used the Arthurian legend to show some of her personal struggle of growing up Christian and then later turning to a more pagan belief.
During the medieval ages, women were described as evil creatures that would destroy anyone standing in their way to get what they want. People claimed that women's malicious intentions clouded their judgment from doing the right thing forcing them to be selfish. In Chaucer's The Canterbury Tales and Malory’s The Death of King Arthur, both focus on women’s behavioral impulses through their dishonesty, manipulation, and their promiscuity.
In today’s society, gender issues are often discussed as a hot topic. In literature, feminist views are used to criticise “societal norms” in books and stories. Two popular pieces by authors Kolbenschlag and Hurston paint two very different views on women. One common assumption in the use of a feminist critical perspective is that gender issues are central. Kolbenschlag who wrote the literary criticism “Cinderella, the Legend” would most likely disagree with this statement, she feels that women bare greater burdens in society and are more largely affected by social norms.
Women were always viewed as weak, dependent, and powerless in the Middle Ages. Not only is it a common view during that time period, but this also is often stereotyped labeled to women today as well. In the romance Sir Gawain and the Green Knight, the hatred of women is portrayed throughout. However, while women are certainly looked down upon, they also are influential to the knights. This romance also portrays how a woman having different characteristics, could change the way she was viewed as well. Although women in the Middle Ages appeared to lack power, the women in Sir Gawain and the Green Knight have a hidden influence over the men and actually drive the action of the medieval romance.
The character analysis of Mary Anne Bell in comparison and contrast to Martha and Elroy Berdahl implores the audience to consider the idea that gender is not inherent.
Due to traditional stereotypes of women, literature around the world is heavily male-dominant, with few female characters outside of cliché tropes. Whenever a female character is introduced, however, the assumption is that she will be a strong lead that challenges the patriarchal values. The authors of The Thousand and One Nights and Medea use their female centered stories to prove their contrasting beliefs on the role of women not only in literature, but also in society. A story with a female main character can be seen as empowering, but this is not always the case, as seen when comparing and contrasting Medea and The Thousand and One Nights.
“Culture does not make people. People make culture” said Chimamanda Ngozi Adichie, a Nigerian writer and educator, in a presentation on feminism in a TedTalk. The culture in which Sir Gawain and the Green Knight was written was misogynistic and it shows in the writing of the poem. Medieval cultural misogyny manifests itself in multiple ways in SGGK. This paper will examine the negative relationships between Sir Gawain and the Green Knight and gender by discussing: the representation of female characters, gendered violence, and Christianity in the Middle Ages.
In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the voice of feminism and paves the way for a discourse in the relationships between husbands and wives and the role of the woman in society.
This essay explores the role of women in Homer's Odyssey, James Joyce's Ulysses (1922) and Derrick Walcott's Omeros (1990), epics written in very different historical periods. Common to all three epics are women as the transforming figure in a man's life, both in the capacity of a harlot and as wife.
Angela Carter was a writer in the 1970s during the third wave of feminism that influenced and encouraged personal and social views in her writing. This is demonstrated through her own interpretation of fairy tales in The Bloody Chamber. She combines realism and fantasy to create ‘magic realism’ whilst also challenging conventions of stereotypical gender roles.
While some themes of The Once and Future King include maturity and knighthood, another prominent theme in the novel is gender roles, specifically female roles. Curiously, in many biographies of T.H. White’s life, it is stated that he did not have the “capacity for love,” and never married. This means that while gender inequality is prominent in White’s novel, he never had a close relationship with a female in his personal life. In the novel, The Once and Future King, many female figures are written to be stereotypical, mean women. Through his use of gender roles in The Once and Future King, T.H. White demonstrates the belief that women’s rights in the 1940-60s should mirror those of Medieval times.
Females are powerful creatures that are often overlooked and underestimated. Females are a force to be reckoned with. In literature, the inspiration that drives the creation of strong female characters often comes from the writer’s own experience and life. This essay will compare the female characters of The Lamplighter by Maria Susanna Cummins and Ruth Hall: A Domestic Tale of the Present Time by Fanny Fern and the characters’ journey toward independence by referencing how the genres of literature and background of the authors feed the main ideas of the respective novels.
This work doesn’t shun Morgan Le Fay’s powers, the idea of paganism, or her femininity, in fact it embraces them. In earlier works, Morgan Le Fay was a one-dimensional character: evil or good. Bradley tosses out this convention and makes Morgan Le Fay a complicated woman who doesn’t act on hate or love but purpose, and her purpose is to protect the old religion and Avalon. This resurgence of paganism and the idea of feminism in the book are simply a reflection of modern ideas that are more mainstream
Throughout literature’s history, female authors have been hardly recognized for their groundbreaking and eye-opening accounts of what it means to be a woman of society. In most cases of early literature, women are portrayed as weak and unintelligent characters who rely solely on their male counterparts. Also during this time period, it would be shocking to have women character in some stories, especially since their purpose is only secondary to that of the male protagonist. But, in the late 17th to early 18th century, a crop of courageous women began publishing their works, beginning the literary feminist movement. Together, Aphra Behn, Charlotte Smith, Fanny Burney, and Mary Wollstonecraft challenge the status quo of what it means to be a
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
Stories are very important throughout histories. They transmit perception, values and attitudes from one generation to the next. Shakespeare’s history plays such as Henry V and Richard II say a lot about the Elizabethan politics rather than staging a war against France to seize the French throne and extravagant king respectively and Defoe’s Robinson Crusoe highlights issues such the mercantile system while focusing on a shipwreck. Stories are used for educational purposes to teach the youngsters the frame of reference fostered by a given community. Thus, the survival of the romance [is] intended to reclaim the kingdom of the English novel for male writers, male readers, and men’s stories” (Showalter, p. 78). Hereby, “king romance might recover his virility and power”, and, quintessentially, “these romances are targeted for ‘boys’” (79). Feeling this exclusion, Victorian women have recourse to the genre that humiliates them to parody it and, hence, rehandle and transform its conventions.