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Over the span of centuries, the characterization of fictitious characters has changed immensely due to the evolution of society’s culture. This progression of mores can be observed in the development of the characterization of the fictional character Sherlock Holmes. From the novel written in the late 1800s to the movie released in 2009, several changes can be perceived through the two vastly different time periods, such as the change of Holmes from a mystery to an action-packed movie, and the addition of a love interest, advocating the change in American culture over past several centuries. In Arthur Doyle’s 1892 novel The Adventures of Sherlock Holmes, Holmes says “I have no data yet. It is a capital mistake to theorise before one has
Hollywood in known for making literary adaptations, and such adaptations will exploit context. Movies bring literary properties to the public that otherwise would not bother to read them. However the "marriage" of literature and film holds their own separate qualities. It is precisely the point that Hollywood distorts and corrupts serious literature for the entertainment pleasures of a mass audience. In the task of comparing and contrasting the novel of "Dracula" to film extracts of "Bram Stoker’s Dracula", values, meaning and context discovered lie between discrepancy and similarity.
What is most intriguing about this antihero is that despite his almost tragic flaws that build upon his bizarre personality, he can still come across as endearing and has become the most iconic, well-known character in 19th-century prose fiction. In fact, according to Terry Teachout’s commentary in 2015 on the Sherlock Holmes saga, Amazon ranked the paperback edition of The Complete Sherlock Holmes as number 5,650 in sales (79). Considering the immense global corporation that Amazon has become, this is certainly an impressive feat for a collection of volumes by “an author whose other books [have become] forgotten” (Teachout 79). In addition, the blatant success of Sherlock Holmes as a character demonstrates the power that an antihero personality can have on a work of literature — a power that leaves readers around the globe still, for some reason, craving more of those gloomy and sardonic
In BBC’s episodes of Sherlock, “The Blind Banker”, “The Great Game”, and “A Scandal in Belgravia”, the writers changed some of the source materials of Sir Arthur Conan Doyle’s “The Dancing Men”, “The Bruce-Partington Plans”, and “A Scandal in Bohemia”, in order to modernize some of the central themes of the stories. The writers of Sherlock kept the material that would continue to resonate with the modern viewers of the show as passionately as Doyle intended to have his novels resonate with his Victorian audience. The changes that were made bring out other, more pertinent themes to modern society, while still keeping most of Doyle’s original messages intact. Naturally, there are some differences that will be present in these works due to the decision of the writers of the television series to bring Sherlock into the modern era in terms of setting. These differences and the changes made to the existing source material are not meant to take away from Doyle’s work, but add to it and encourage the audience to connect to the characters and adventures of the works.
It is all too often that literary critics read literature and then sift it into good and bad pieces, critiquing its value or mediocrity. However, it needs to be pointed out that this onerous task of "analyzing literature" for literary devices need not be the basis for placing value and worth on literature. Additionally, it is a great misunderstanding in society's education system that students need to learn what makes a good book solely by its use of literary devices. It's about time students read books for recreation and be able to express in their own words why the books are great or not so great. Most importantly, the lessons each book teaches students must be learned individually. People cannot be told what the book is trying to communicate, they must learn it for themselves. This is what makes books noteworthy, and this is why Sherlock Holmes vs. Dracula by Loren D. Estleman is an extraordinary book. It is a book people can enjoy for entertainment motives rather than for its devices of sound, syntax, and omniscient point of view. Through the story of good versus evil, Estleman entertains the readers of The Adventure of the Sanguinary Count (the other title) to make a great novel.
This paper will explore the relationship between Sherlock Holmes and his companion and friend Dr. John Watson. What is the relationship between Holmes and Watson? Are they compatible or are their differences to great for them to overcome. Looking at how they work together will also be a key factor in how well the relationship works between the two of them. Do their own interests and abilities get in the way? Does the time period in which they live factor into the environment of their communication styles?
The Sherlock Holmes series, has, like most enduring literary works, both challenged and conformed to the ideals of its age. Today, more than a hundred years after his first adventure, Sherlock Holmes remains one of the most beloved fictional characters of the Victorian era.
... expected to see, said Holmes.’ All throughout the story the Red-headed League, Watson cannot grasp the concept of what Holmes is thinking. This is what creates the suspense.
The novel “The Sign of the Four”, written by Arthur Conan Doyle is about Sherlock Holmes and his partner, Watson. The book follows them throughout their adventures, however, only the beginning will be discussed. What could possibly have sparked much interest in Doyle’s works that film adaptations from 1954-2010 by various movie directors? Was it the resolute mindset of Sherlock Holmes? Was it his uncanny detective work? His professional use of drugs? Or perhaps was it his ideology? Such beginnings are what writers like K.M. Weiland excels in; to craft an irresistible lure for their audience of fish. Doyle’s book introduces us to a multitude of questions and concerns, which according to Tim O’Brien is meant to “not explain or to resolve, but
The way characters are portrayed in literature is one of the most important aspects of literature. Characters that do not reflect well with their audiences do not usually do well, but audiences change over time so literature has to change with them. The Maltese Falcon, written by Dashiell Hammett, was published in 1929. Being a crime, noir novel it portrayed what became to be known as the stereotypical no-nonsense detective and femme fatale. These types of characters are still popular in modern day fiction, but have changed to fit the audience’s different perspectives. In this paper the characters of The Maltese Falcon and the characters of Alan Moore’s 1986 graphic novel Watchmen will be examined to see how audiences views of similar characters evolves over time.
From the start Watson is seen as smart but Holmes is seen as a genius.After finding the mysterious walking stick Watson tells Holmes what he observes and Holmes replies with “Really Watson,you excel yourself,”said Holmes(Doyle 2).Sherlock Holmes is seen as the type of man that thinks he is higher than anyone else.Although Holmes blatantly tel...
Sherlock Holmes, one of the most famous fictional characters in literary history is a detective capable of solving the most complex mysteries. The author behind the character, Sir Arthur Conan Doyle is a very successful British writer. The majority of his literary success is due to his crime-fiction tales such as the Sherlock Holmes series. However, Mr. Doyle and Mr. Holmes himself must not take all the credit because there is another character that plays a major role in the stories success. He goes by the name of Dr. Watson, Holmes’ sidekick. The importance of Dr. Watson is evident in many of Doyle’s stories such as A Scandal in Bohemia and A Study in Scarlett.
belittling characteristic "He used to make merry over the cleverness of women, but I have not heard him do it of late." Bohemia. Holmes has a great store of knowledge that he has acquired over many years at his disposal, and this helps him greatly in his cases. " special knowledge of tobacco ashes enabled me to pronounce as an Indian cigar" (The Boscombe Valley Mystery). This yet again proves
In 1887, Sherlock Holmes made his first appearance in A Study in Scarlet by Sir Arthur Conan Doyle, but only in 1891, in A Scandal in Bohemia that Holmes’ stories became very famous, and eventually, Holmes’ adventures got adapted for film. Lately, in 2010 BBC made a series called “Sherlock”, and the first episode is called “A Study in Pink” referring to the first book where Sherlock Holmes was introduced. The TV adaptation is significantly more effective in showing the relationship between Holmes and Watson with changes made to the plot and characters.
When adapting a novel, there are three different ways directors can translate that into a film. They may take on the literal, traditional or radical interpretation of their adaptation of the novel; in Joe Wright’s 2005 Pride and Prejudice, he takes on the traditional interpretation. This translation demonstrates the same ideas, central conflicts, and characters as those of Austen’s novel 1813 novel, Pride and Prejudice. Linda Costanzo Cahir, the author of Literature into Film, gives sufficient evidence to prove that this adaptation is in fact a traditional one.
Sherlock Jr. is a black and white silent movie released in 1924. Bister Keaton is the protagonist, who projects movie in a theater and also longs to be a detective. The clip starts from 10:30 to 11:30, consisting of fifteen shots. It shows the moment when the young man volunteers to take charge of the stealing of the pocket watch without noticing the tricks of the local sheik, after he hears the news in the girl’s home. Even though the extra-diegetic music does not belong to the world of the movie, its different rhythms function as one of the primary devices for the viewers to understand the plots in the silent movie and its importance would be further elaborated in the essay.