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Domestic violence introduction essays
Domestic violence introduction essays
Narrative on domestic violence
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Similar to Alvarez’s novel, Khaled Hosseini’s A Thousand Splendid Suns, highlights the upbringing of two young girls over two generations growing up in war-stricken Afghanistan. However, this novel emphasizes how people are sometimes forced to grow up when they may not yet be ready. Mariam is an illegitimate child of a very wealthy businessman and is told by her mother her entire life that she is not good enough and that he father does not really love her. She grows up and marries a wealthy shoe maker, suffering abuse in her marriage as well. Laila is born a generation later, next door to Mariam’s adult home and is a very privileged child, free to pursue an education and choose who she wants to marry. However, when tragedy strikes their town, …show more content…
the two women are brought together to form a very unlikely pair. This novel deals with coming of age by portraying it in two contrasting circumstances. Mariam is brought up by her mother, growing up being told that she is unloved, but forever longing for the love of her father.
However, she was born as an accident, her mother having been a servant in her father’s house. Mariam’s mother, Nana, claimed that when she had gotten pregnant, her “own father [...] disowned her” (Hosseini 6). After Mariam comes home one day and finds Nana “dangling at the end of” (36) a rope dropped from a high tree branch, she is sent to live with her father, however temporarily and is shortly thereafter given up for marriage. This is the first instance of Mariam having to make an adult decision and being forced to grow up too quickly. Though she is just fifteen, she marries a man thirty years her senior named Rasheed. For most of the first days “Mariam stayed in bed” (62), but once those months were over, Rasheed began to become very demanding. He wanted Mariam to be his housewife and when she does not perform tasks to his liking, he severely beats her. In addition, after trying many times to have children, Mariam continues to have miscarriage after miscarriage and that puts and even bigger strain on their relationship as well as Mariam’s self esteem. Mariam is very young at this point and instead of experiencing the normalities of young adulthood, she is being forced to act as a wife just after her life is flipped upside-down and then coming to grips with her own fate for the rest of her life.. However, Rasheed is the only “family” that Mariam …show more content…
has left so she has no choice but to accept this fate. Laila’s upbringing is entirely different from that of Mariam.
She is the youngest child in the family and is very close with her father. However, her two older brothers are away fighting in the war, so Laila’s mother spends most of her days pining away for her two sons. Unlike Mariam’s childhood, Laila has very close friends, including her neighbor and best friend Tariq, and she also has the ability to go to school and be educated, something that not all females are able to do. However, the war continues to rage on in Laila’s life and she is often forced to make sure she is fed and taken care of because her mother is virtually not involved in her life. Laila acts as the mother of the household most days. From a young age, Laila had also been forced to experience all of the horrors of war first hand. Rockets rained down on Kabul, her hometown, and every time that her house and her family was safe, they had to deal with “the agony of wondering who wasn’t” safe (174). Most of Laila’s childhood was spent hearing stories about people being shot and raped in their homes, and never feeling safe, not being allowed on the street unless she is accompanied by a man. “The streets became so unsafe that Babi” Laila’s father, had her drop out of school and took on the teaching duties himself (177). The horrors go so far that Laila’s best girl friend, Giti is killed walking home from school. This was the first person “that someone whom Laila had known, been close to” and loved had died
(178). This is the first time that Laila comes face to face with the realities of the war, because before then, she had just heard about what was going on. However, the pivotal point for Laila comes after most of the people in her neighborhood had fled the country. Laila’s mother, after years of begging from her father, finally agreed to move the family from Kabul. As they are moving their items from the house to the yard, Laila’s life changes forever. As something “hot and powerful slammed into her from behind,” Laila was lifted into the air and thrown into the wall beside her house. Her house had been blown up by a rocket, leaving her an orphan. Laila is sent to live with Miriam and Rasheed, eventually marrying Rasheed. However, she does not do this because she wants to. Laila finds out shortly after her parents were killed that she is pregnant with Tariq’s baby. Rather than being thrown onto the street, Laila makes a decision for herself and for her baby to pretend that it is Rasheed’s child. Laila is very young at this point, but she understands what she must do in order to keep her child safe. She is willing to sacrifice herself to Rasheed so that the one piece of Tariq she has left is not harmed. This is the pivotal point in which Laila really comes of age before she is prepared to do so, not for herself, but for another.
The first element Mariam goes through on her hero journey is being born and raised in a rural setting away from the city. The Kolba Mariam was raised in was isolated from the village as stated
I think that the author’s intent was to show how the characters’ past plays a role in their future. Miriam, for example, had a rocky relationship with both of her parents. These relationships affected her later on in life. They caused her to have a lack of confidence and relationship problems with Rasheed. Miriam’s past caught up to her and played an important role in her life. Laila, on the other hand, had an excellent relationship with her father which helped her to have a more positive outlook on life. She became hopeful and always wished for the best. Laila then helped Miriam to become more hopeful, just as Laila’s father did for her. Both of these characters went through a lot and they brought their past with them. The shift from past to present tense also symbolized the characters putting the past behind them and focusing on the future. Miriam becomes more daring and goes out on a limb to escape Rasheed and stands up for herself. Laila also manages to escape Rasheed and marries Tariq. In part four, Laila goes to visit Mullah Faizullah to inform him on Miriam’s death. In the car on the way there, the driver tells Laila his story and how he lost two sisters. “I’m sorry,” Laila says, marveling at how every Afghan story is marked by death and loss and unimaginable grief. And yet, she sees, people find a way to survive, to go on. Laila thinks of her own life and all that has happened to her, and she is astonished that she too has survived, that she is alive and sitting in this taxi listening to this man’s story,” (Hosseini 395). Laila reflects on not only her past, but everyone’s, and is amazed that they got through it. It makes her become even more hopeful for what is still to come. The switch to present tense changes the effect of the fourth part because the first three parts focus on sadness, loss, and
From start to finish, one could see how much Mariam values Laila, Aziza, and their friendship. The first example is when Mariam vows to help Laila while they are in the hospital for Laila’s unborn child: “I’ll get you seen, Laila jo. I promise” (287). This simple promise is a deep portrayal of Mariam’s desire to help Laila find a doctor and deliver her baby. Additionally, one can see Mariam’s love for Laila when she protects her from Rasheed’s grip of death, “‘Rasheed.’ He looked up. Mariam swung. She hit him across the temple. The blow knocked him off Laila” (348). Rasheed was going to kill Laila, but Mariam steps in and knocks him off of her with a shovel to save her life. Mariam forms a tight-knit bond with Laila, and when Hosseini includes their relationship, one can see how Mariam values Laila enough to kill another man. The author also describes their relationship after Mariam and Laila discuss plans for leaving: “When they do, they’ll find you as guilty as me. Tariq too. I won’t have the two of you living on the run like fugitives.” … “Laila crawled to her and again put her head on Mariam’s lap. She remembered all the afternoons they’d spent together, braiding each other’s hair, Mariam listening patiently to her random thoughts and ordinary stories with an air of gratitude, with the expression of a person to whom a unique and coveted privilege had been extended” (358). The love Mariam has for
She sacrificed herself to protect Mariam. Laila had to endure Rasheed desire to keep others safe and sound. The willingness of Laila to protect Mariam signifies their unity as females to stand up for each other. Another act of perseverance in this novel, is when Laila had to give her daughter to an orphanage. When Rasheed’s store caught fire, the financial state of the family got worse and worse. They had to sell almost everything they had and skip meals to survive, the kids got weaker and weaker. Due to Rasheed’s ill temper, he got fired from every job. Therefore, Laila is obligated to take to Aziza to an orphanage where she can be fed well. Laila tries to calm Aziza on their way to the orphanage, claiming, “I’ll come and see you.”(315) Laila had to distance herself from her only daughter. She does this for Aziza’s own good, for her to maintain her health. Even though she tells her that she will visit, Laila struggles to go there. The first few time going there is not a problem, since she in the company of Rasheed. When Rasheed refuses to go visit Aziza, the Taliban soldiers abuse her physically and emotionally. That did not stop her from seeing her daughter, she goes there even though she knows the
Khaled Hosseini’s novel, A Thousand Splendid Suns, tells the stories of women in Afghanistan in the late twentieth century. Hosseini shows the women’s strengths, weaknesses, tribulations and accomplishments through their own actions, and how they are treated by other characters in the book, particularly the male characters. Hosseini portrays men in A Thousand Splendid Suns to create themes of justice and injustice within the novel. The justice, or lack thereof, served to the male characters is a result of their treatment and attitudes toward the female characters in the book and towards women in general.
The novel tells the story of, Amir. Amir is portrayed as the protagonist; the novel revolves around his recollection of past events 26 years ago as a young boy in Afghanistan. Amir is adventures and brave. Hassan is Amir’s closets friend and servant to his house and is portrayed as a subservient male, often supporting and accepting blame for Amir’s actions. Assef, Wali and Kamal are the “ bad guys” within the novel; Wali and Kamal hold down Hassan and Assef rapes him purely for ethnicity differences, as Hassan is a Hazara. Afghanistan boys are supposed to be athletic and true to Islam .The leaving of Soraya Hassan mother with another man gives the notion that women lack morality leaving behind there children .The Taliban laws are followed closely within Afghanistan and women are treated without any rights, beatings, stoning and execution become the reality for women who violate the laws. Culturally Afghanistan women are portrayed to be subservient to there husband only live and breath to provide children, cook food and clean their
Mariam’s strength is immediately tested from birth and throughout her whole childhood. She has been through a lot more than other children of her age, and one of those challenges is the hope for acceptance. She is looked at as an illegitimate child by her parents, and they say there’s no need to attend school. We learn right away what the word “harami” means when Nana uses that to describe her own daughter. She says, “You are a clumsy little harami. This is my reward for everything I’ve endured. An heirloom-breaking, clumsy little harami” (Hosseini 4). Nana especially pushed Mariam away from pursuing her goals. She said there was no need for education and men always find a way to blame it on a woman. This pushed Mariam away from her mom and closer to Jalil, but he refuses to acknowledge her and his wives look at her with cold stares of disgust. Mariam only feels loved by Jalil through all of this, mainly because he brings her things and shows her some love. She asks him to do something with her outside of the kolboa and he first agrees, but never brings her because of his fear with his wives and the structures of Afghan culture that frown upon it. He starts to act as if she was a burden to him and Mariam’s hope for acceptance is crushed. She realizes the truth, especially once she reaches adulthood. In Afghanistan, marriage is not all about love for eachother, it is about traditional role...
From the 1950’s until around 1985 the Soviet Union had Afghanistan under its control. This Soviet involvement in Afghanistan caused the ideologies of communism to spread into the Afghanistan culture. One of the communistic ideas that were assimilated into was the thought that every person is equal. This idea made life a lot easier for the women of Afghanistan. One of the freedoms they were given under Soviet control was the allowance of woman being educated, “The government had sponsored literacy classes for all women. Almost two-thirds of the students at Kabul University were women now… women who were studying law, medicine, engineering” (135) Hosseini expresses this through the character Laila. Laila’s father, Babi, was a professor and strongly urged the necessity for Laila to get an education. He was so dedicated that he would help out Laila with her homework every night. Hosseini expressed this when Laila claimed “Babi thought that the one thing that communists had done right- or at least intended to- ironically, was in the filed of education… More specifically the education of women.” (135). To Babi there was nothing more impertinent than the education of woman in Afghanistan. He knew that when half the population is illiterate the country cannot properly aspire to new and better things. Along with the new right to learn, women’s requirement to cover their skin was relaxed all throughout Afghanistan. ...
The majority of the women, females of the age 14 and higher, are arranged to marry men much older than them, and in this case, at the age of fifteen, Mariam is forced to marry her husband, Rasheed, who is at least 35 years older than her. The first sign of dehumanization is shown when Rasheed, newly wedded to Mariam, rapes her in her bed and then leaves her to bleed. Although Mariam doesn’t experience much of dehumanization until she lives with her husband, her mother, Nana, was definitely a victim of it. Despite the fact that little Mariam loved her father, Nana always ranted about him to Mariam. She told Mariam that “like a compass facing north, a man’s accusing finger always finds a woman. Always.” (Hosseini 7). She was also never shy about telling her daughter the truth about women in Afghanistan: “There is only one, only one skill a woman like you and me needs in life, and they don’t teach it in school . . . Only one skill. And it’s this: tahamul. Endure . . . It’s our lot in life, Mariam. Women like us. We endure. It’s all we have. Do you understand?” (17). Later on, Forty-year-old Mariam, suddenly realizes that her crazy mother was right. She grows bitter and slowly starts becoming like Nana. She collectively starts hating men, not only the ones she personally know, but also the men in the
“The Harem Within” is a life story that portrays Mernissi’s childhood experiences while growing up in her family house in Fez, Morocco. Fatema Mernissi was a daughter of wealthy landowners and agriculturalists family. Even though she was raised in indulging and a privileged neighborhood, detached from the poverty most Moroccans experienced, her childhood was spent in the limits of her household shape. Mernissi was raised in a “classical domestic harem”, which abides of extended family and was designed to keep the women sheltered from men outside of the family and the public in general. Occasionally, this exceedingly limitation nurtured feelings of frustrating separation and isolation. Mernissi’s upbringing in this habitat influenced her progress as a scholar and writer.
In his novel “A Thousand Splendid Suns”, Khaled Hosseini skillfully illustrates many aspects of Afghan culture to the reader. The novel explores the struggles that have plagued Afghanistan, and how they have affected the lives of its people. Through the story’s two narrators, Mariam and Laila, the reader is presented with examples of how the nation’s culture has changed over time. Through “A Thousand Splendid Suns” Khaled Hosseini emphasizes the struggle in the area between traditional beliefs and progressive changes, specifically as they relate to women’s rights. Throughout history it has been shown these that progressive reforms are unable to coincide with strict Islamic beliefs.
Next let us examine Mariam's plight. She is denied the chance to go to school. "What's the sense schooling a girl like you? It's like shinning a spitspoon." She lives with a cruel mother. "You are a clumsy little harami. This is my reward for everything I've endured. An heirloom-breaking, clumsy little harmi"(4). She has a neglectful father. "Mariam kept thinking of his face in the upstairs window. He let her sleep on the street. On the street. Mariam cried lying down"(35). Her mother commits suicide and Mariam blames herself. "You stop that. These thoughts are no good, Mariam jo. You hear me, child? No good. They will destroy you. It wasn't your fault. It wasn't your fault no". Mariam nodded, but as desperately as she wanted to she could not bring herself to believe him"(44). She is forced into marriage to a man she does not love. "I don't want to," Mariam said. She looked at Jalil. "I don't want this. Don't make me"(47). She is sent to live in a strange city were she does not know anyone. She has a physically abusive husband. "Then he was gone, leaving Mariam to spit out pebbles, blood, and the fragments of two broken molars"(104). Her husband is cruel and says hurtful words to her. She can not do anything right in his eyes. When he is not ignoring her he is being verbally or physically abusive towards her.
War ravaged the land and tore people apart emotionally and physically. One recurrence that came about during the war was the raping and “ruining” of women. To be ruined meant that a woman was raped and/or tortured so severely that she would no longer be capable of having sex. In a culture that values the fertility of its women, this lead to the breakdown of many communities. A perfect example of this breakdown would be in the case of Salima and Fortune. Salima was taken into the bush and raped for 5 months and when she returned home her husband, Fortune, turned her away. This violence committed against Salima caused her to be forced from her community, and it also forced her to take up work at Mama Nadi’s. Here she has to endure a change of identity in order to do the work required of her and to come to terms with her past. At the end of the play, Salima dies and states the haunting words; “You will not fight your battles on my body anymore”(94). These last words sum up just how intrusive the war has become in the lives of everyone in its path and also represents a clear shift in Salima as an individual. Instead of the woman who just wanted her husband back at the end of the play, we are left to contemplate a
Essentially, Laila and Mariam protect each other from Rasheed, but they also protect the other important people in their lives when they are threatened also. Equally important, they protect others, in spite of the lack of protection from the power of oppression.
Males are always regarded as powerful individuals and females as powerless, which do not reflect the changing social status of females in the society today (Bahiyah et al., 2008). The female characters in the short stories that I have chosen portrays how men suppress women in the name of religion and society for their selfish individual needs. The gender issues that have been brought up in the short stories are viewed from the aspects of religion and culture that molds the social constitution of the society. Therefore, in this essay I will address the portrayal of female characters in the short stories Night and Day by Dina Zaman and Mariah by Che Husna Azahari and how they are discriminated and oppressed by illustrating the attempts that are made by the female characters to free themselves from the