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Role of art in religion
Religions influence on art
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The Influence of Hinduism and Buddhism Art
Hinduism and Buddhism have influenced the art of Asia. Hinduism has a variety of religions that have influenced art. These religions include many different gods and these gods were made into art figurines and statutes. One particular art that is intriguing and influential is the deity sculptures. According to the article, “Hinduism and Hindu Art”, the artist designed the deity with multiple arms to display the power of the deity and express the omnipresence and omnipotence of a deity (Dehejia , 2005, para. 5). These figurines and statutes of deities are well known recognizable art.
Art is part of the Hindu temple. This temple displays a mixture of art through lavish sculptures and monuments.
Buddhism is a religion that teaches peace to all, so when King Asoka of the Mauryan Empire began practicing Buddhism, he ceased expanding the empire. Instead the government diverted its efforts towards creating a road system and building sculptures. Confucianism was based on the teachings of Confucius who preached the practice of “reverence [respect], generosity, truthfulness, diligence [industriousness], and kindness.” Because Wudi wanted his government employees to embody these qualities, Wudi set up schools that would teach these and had examinations for students for students based on these principles. This placed people of wealth
The two pieces of art that I have chosen to compare is the ‘Green Tara 14th century’ and ‘Tara 19th century’ which are both from the collection at the Rubin Museum of Art. The Green Tara sculpture is from central Tibet and is made of Gilt copper alloy. The Tara 19th century is from Kham province in Tibet and is painted with pigments on a piece of cloth.
I learned about many significant artwork and artist in this class. This class provided me with a better understanding of the history of the world Art, but also helped me understand the development of art style. However, among all of these precious pieces of artwork, there are two special ones that caught my attention: The Chinese Qin Terracotta Warriors and The Haniwa. Each of them represents the artist’s stylistic characteristics and cultural context. Although they represented different art of rulers, historical values, and scenes, there were visible similarities.
Hinduism and Buddhism There are many religions that are practiced around the world, especially in Asia where there are eight different religions being practiced. In the country of India, Buddhism and Hinduism are the main religions that are practiced today. Buddhism and Hinduism were both founded in Asia, but they were founded by two different people and practiced in two different ways and languages. Buddhism is a living tradition that is passed down from teacher to student as a set of instruction and techniques for sanity and brilliance in the inner self and the world. Hinduism is more based on the thoughts and attitude about one’s everyday life, and reflects in his actions.
The artworks of Mesopotamia, Ancient Egypt, the Aegean cultures, and Ancient Greece have similarities that not only reflect objects and images, but also the media, style and representation. These countries were not always wealthy, clever, creative and powerful enough to gain supplies, but they all find a way to create art with what they had. They have all influenced on each other’s cultures and belief through their artistic values and ways, ranging from the materials and tools they use, position and representation of their monuments and their religious intent.
Secondly, the art of India fascinated me a lot especially the 13th Century art of “S...
First, a long time ago temples have become a figure and old tradition in Hindu worshipping. However, when these temple worships began is undetermined. Some forms of Hindus consider the temple as a symbol of a “higher reality.” For example, Sri Vaishnava community believes that the consecrated image of Vishnu in the temple is making a presence and he wants to be attainable. On the other hand, some of members reject the concept of worshipping images. According to the Oxtoby University Press, “…. members of the recent Brahmo Samaj and the Vira Shaiva movements-reject images altogether. (Oxtoby p.296) When the devotees enter the temple for their visit the essential part is to walk inside one of the enclosures. The formal act of worship can be fulfilled by archana and can also bow down to the deity. Archana is where priest praises the deity by reciting his or her names. (Oxtoby p.297) In addition, every so often the devotees can go to the kitchen to buy or get free for prasad. In the book, “A Concise Introduction to World Religions,” prasad is defined as: “a gift from the deity, especially food that has been presented to the god’s temple image, blessed, and returned to the devotee. “ (Oxtoby p.320) Furthermo...
Buddhism had an important role in the development of Japanese art between the sixth and the sixteenth centuries. Buddhist art and religion came to Japan from China, with the arrival of a bronze Buddhist sculpture alongside the sutras. Buddhist art was encouraged by Crown Prince Taishi in the Suiko period in the sixth century and Emperor Shomu in the Nara period in the eighth century. In the early Heian period Buddhist art and architecture greatly influenced the traditional Shinto arts, and Buddhist painting became fashionable among the wealthy class. The Amida sect of Buddhism provided the basis for many artworks, such as the bronze Great Buddha at Kamakura in the thirteenth century. Many of the great artists during this Kamakura period were Buddhist monks, and Buddhist art became popular among the masses with scroll paintings, paintings used in worship and paintings of saints, hells and other religious themes. Under the Zen sect of Buddhism, portraiture of priests became popular. However, Zen had less use for religious images and by the mid sixteenth century most painting in Japan was of landscapes and secular themes.
Man has always found pleasure in expressing himself by creating art. Through the centuries, man’s art has left behind clues and insight that enables the generations of today to understand their ancestors. In particular, historians and artist alike can see what certain Asian sculptures reflect of the culture and religious beliefs of Hinduism and Buddhism. Hinduism is the parent religion to Buddhism; much like Judaism is to Christianity. Despite Buddhism and Hinduism sharing similar philosophies and various idealisms, their respective sculptures also show their differences. There are two important characteristic of the sculptures of these religions. The first is motion versus rest, and second the subject matter. It is these two types of characteristics historians and artist can help use to decipher Hindu and Buddhist sculptures.
Multiplicity has always been a prominent theme in the iconography of Hindu art, and its importance could be seen by the vast prevalence of the images of deities with multiple heads, arms, eyes, and other bodily parts. Such multiplicity convention could be traced back to the Vedic period, where there were textual references that support the existence of the phenomenon then. However, the first recognizable iconographical representation of the gods with their multiple appendages did not seem to appear before the pre-Kusana period. While the early viasnava art, saiva art, and the representation of what Doris Meth Srinivasan calls, “Warrior Goddess”, emerged from the pre-Kusana period and developed throughout the Kusana period onto the Gupta period,
Gandhara had absorbed Indian and Mediterranean influence in its art as well as its culture. This fusion of civilizations had taken place during the 6th and 5th century B.C, it was during this time period that the rhythm of civilizations was maintained. It was noted for the distinctive Gandhara style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian, and Indian artistic influence. As mentioned earlier the Gandhara artists were said to have hand of a Greek but the head and heart of an Indian . During this period the devotees had dedicated themselves to the novel task of carving stone images of Buddha and Bodhisattvas. In their version of the Buddhist legends, the Gandhara artists, heavily favored the use of classical Roman art with bounteous of Greek mythology such as the angels that had garlands, Centaurs with human heads, arms and the body, spiral and flowing lines, Tritons with the fish tails and horse’s forefoot, scrolls and stuccos. The carving of the drapery showed the Hellenic influence on Gandhara art, for example the bright disc around the head of the Buddha or the half human being with the head of trunk of a women and tail of a fish. Similarly the wavy treatment of the hair, balance and distribution of weight considering the frame of human parts certain motifs and patterns all indicated a full close knowledge of
Religious art helps people that are looking for security and hope. Today society is looking for peace and an anchor to hold onto. This religious art lifts the spirit and brings peace within through a beautiful way. It helps reassure people that there is a life after this one. One needs not fear the power of God but to understand his actions and the way one should live his or her life.
The most influential theme in art for centuries was that of religion. There have been many things that have influenced art over the generations. Nothing has had the impact on the art world that religions has. Many of the ancient art works were dedicated to the gods or other religious figures. The statues of the Ancient Egyptians were not just for beauty. Instead, they were representations of the gods and were meant to have significant meaning to the people who saw them. The people of the time knew the meaning of every reed, flower, bird, or animal that was depicted in the art. The same is true of the Greeks and Romans. Most of the art was inspired by the gods and the mythology of the region. Art as a way of imparting a message dominates the art world. For most of history, art had a meaning that was often connected to the religion of the region. This is fitting since art has a sense of permanence that most other mediums do not possess.
Tibetan thanka[1] paintings are a wonderful example of the interconnectedness of religion and art. These images are “not meant to be the object of simple idolatry” (Jackson 11), but rather take on a more interactive role, which can be applied to nearly every facet of traditional Tibetan life. Tibetan Buddhism pervades all aspects of the creation and use of thanka paintings—in the training and requirements of the artists who create the paintings, in the physical creative process itself, in the iconography used, and in all the painting’s multiple functions. Tibetan thanka paintings, throughout their entire lifespan—from concept to consecrated image—help devotional religious activity for Tibetan Buddhism[2].
Art is one of the most intriguing and exiting forms of human expression. A picture can tell a thousand words and often stir up feelings inside the viewer. Art is all around us.buildings,electronic equipment like a computer, and even automobiles are all a form of art.