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The role of women in A Midsummer Night's Dream by Shakespeare
Treatment of women in renaissance and middle ages
Midsummer nights dream portrayal of women
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In A Midsummer Night’s Dream by William Shakespeare it demonstrates the negative treatment that women received from society in the sixteenth and seventeenth centuries. Within this play one theme I would like to concentrate on is how women were treated during this era. They were basically represented as if they were not humans, mainly like objects in a way that they were thrown around as if they were useless and some were spoken offensively to. I will be examining how Hippolyta, Helena and Hermia were treated by men in this time.
Women within this story did not have any freedom nor power they left it all up to the men. Men held the power and were able to do many things that women could not. It was kind of looked at as if women were to get married
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For example, Egeus gave Demetrius the consent to marry his daughter Hermia. But, Hermia was in love with Lysander and her father told her she should be killed if she does not marry Demetrius. When she had said that she did not want to marry Demetrius, she was placed in a difficult position the reason for this is because it was her father’s choice to marry Demetrius but she would rather be with Lysander. The Duke of Athens, which state the law and what she is allowed to do in such a situation: marry who her father says, become a nun, or die. All three of these options involve emotional, sexual or …show more content…
“For I am sick when I do look on thee,” Demetrius to Helena strictly (2.1.212). Even though Demetrius would talk to Helena in that tone she was continuously falling for him. So, Demetrius stated that he was tired of looking at Helena’s face as she kept seeking for his love. Demetrius was really upset at Helena, but he still had no reason to talk to her the way he does. As he kept trying to push her away, he could not and continued to speak with anger. The fairies gave him a love potion without him knowing, and that was the only reason that he loved Helena. Instead of removing the pedals from his eyes because he knew that he would not love Helena anymore he left them alone but not the others and he had stated, “I’ll run from thee and hide me in the brakes, and leave thee in the mercy of wild beast,” (2.2.227) he threatened Helena. A woman’s sexuality was important; men would rape women if they pleased to. In a scene of this play Helena was talking to Demetrius and letting him know how she was in love with him. They sometimes talked as if they did not have any feelings at
Lysander tells Theseus that Demetrius "Made love to … Helena, And won her soul.” Helena says that before Demetrius looked upon Hermia, "He hail'd down oaths that he was only mine.” In an attempt to win back some of Demetrius's affection, Helena tells him of Hermia's plan to meet in the wood and elope with Lysander.
Demetrius is a fool because he is unaware that his love changes through out the play. We learn from Demetrius that he has loved Helena before bestowing his affections on Hermia ( 1.1 106-107 , 242-243 ). It is not for nothing that he is termed “spotted and inconstant man'; ( 1.1 110 ). Athough at the start of the play Demetrius no longer loves Helena. ( 2.1 195 ) Demetrius says, “I love thee not , therefore pursue me not.'; ( 2.1 201 ) “Hence , get thee gone , and follow me no more.'; In Act 3 Scene 2 , Demetrius after being juiced begins to love Helena. ( 3.2 172-176 ) Demetrius says , “Lysander , keep thy Hermia; I will none. If e’er I loved her , all that love is gone. My heart to her but as guest – wise sojourned , And not to helen is it home returned , there to reamain.'; This proves how fickle he is , for he is not aware of his changing love once for Helena then for Hermia then returning to Helena with the help of the mystical father Oberon.
Let’s first talk about Helena and Demetrius. Helena is “damaged goods” because of Demetrius. Demetrius is still a perfectly fine match for anyone. The girls in Athens at this time are disrespected and only seen as items that one can own. In the play, it says “Your wrongs do set a scandal on my sex/We cannot fight for love as men may do. (2.1.244-245) In the play, since men are well-respected, they can do whatever they want and not have to pay the consequences. Since Helena has the “broken seal”, she is not respected, and no boy wants her. Yet, Demetrius is the same way, except that nobody cares whether or not he is...
Helena states here how she is pursuing Demetrius when it should be Demetrius pursuing her. Helena tries to make herself more appealing to Demetrius so he will like her, but everything she does discourages him even more. It was not until the fairies intervened that Demetrius fell in love with Helena. The fairies gave Demetrius love potion without him knowing, and that was the only thing that made Demetrius love Helena. Puck knew that if he were to remove the pedals from Demetrius's eyes that he would not like Helena anymore. That is why he left the pedals on Demetrius's eyes after he had already removed them from the others.
An important passion shown in this story is the passion of friendship from Helena. Lysander and demetrius were both deeply in love with Hermia, but suddenly they became slaves for Helena, under the spell of a love potion. This antagonises Helena and she blames it all on Hermia and her cruel joke. She says to Hermia, “The sisters’ vows, the hours that we have spent, when we have chid the hasty-footed time for parting us,-o is all forgot” (III.II.199-201)? Helena asks her if she has forgotten about their friendship, about the vows they took to be like sisters and never leave each other. This shows that although Hermia may have forgotten their friendship, Helena will always remember because friendship is really important to her. Friendship is a bond Helena feels really passionate about and takes very seriously. Another quote that shows Helena’s passion for friendship is “ Both warbling of one song, both in one key, as if our hands, our sides, voices and minds have been incorporated”(III. II. 207-208). This represents that Helena took their friendship sincerely and she believed in them and nothing could break their bond. Her last bit of her anger com...
Helena is madly in love with Demetrius and would give her life for just one kind word from him.
Infatuation causes Helena to lose all sense of dignity, as can be seen when in the woods, she desperately pleads with Demetrius to ?but treat me as your spaniel?. Here, Helena also becomes irrational, obsessed with pursuing Demetrius, though it is obvious that Demetrius is fixated on winning Hermia?s hand in marriage. Helena?s infatuation also causes her to see things from a skewed perspective, for she falsely believes that when she divulges Hermia?s plans for eloping with Lysander, Demetrius? love for Helena will rekindle. As the audience, we know that the most probable course of action for Demetrius upon hearing such news is to pursue Lysander and Hermia, or to report them to Theseus or Egeus. Clearly, infatuation has clouded Helena?s ability to think clearly, and she sees things in her own idealistic way.
The relationship between Demetrius and Hermia is problematic, in that Demetrius is seeking the affections of Hermia, while she is in love with Lysander. However, Hermia’s father approves of Demetrius and tries to force her to marry him, but Hermia refuses because of her love for Lysander (A Midsummer Night’s Dream 1.1.22-82). Lysander points out the flaw in the situation through this comment, “You have her father 's love, Demetrius –/Let me have Hermia 's. Do you marry him,” (A Midsummer Night’s Dream 1.1.93-94). The second flawed relationship is between Lysander and Helena, as a result of an enchantment put on Lysander that made him fall in love with Helena. Helena does not want the affections of Lysander, but rather the love of Demetrius, and believes that Lysander is taunting her. In addition, this relationship creates tensions because Hermia is in love with Lysander (A Midsummer Night’s Dream 2.2.109-140). Both relationships are not desirable due to a lack of mutual admiration and the creation of non-peaceful and unsatisfying
Stereotypes are commonly held beliefs that most are all individuals sharing a given trait also should or do share other attributes to be associated with aspects such as race, religion, and physical qualities. In Shakespeare’s “Othello” and “A Midsummer Night’s Dream”, he uses stereotypes to embody the characteristics of the stereotypical female according to society’s liking. The women in both “Othello” and “A Midsummer NIght’s Dream” are loyal and faithful. Women are bound by respect and loyalty to the men they love. Shakespeare has drawn a line concerning gender roles and the consequences of violating these positions (Bevington, 2014). Women seem to be victimized by society’s influence as they yield to these stereotypes that shape the
A Midsummer Night’s Dream, by William Shakespeare, is a play that illustrates a good picture of woman’s lack of freedom. It is a story of several couples, among which there is a fairy king, Oberon, who proves his sovereignty over the queen of the fairies, Titania. The two have an ongoing conflict about who should keep the Indian boy, whose mother had recently died. Titania doesn’t want to give him up because she and the boy’s mother knew each other very good; whereas Oberon has no relations to the boy, but really wants him as a servant. Ultimately, Oberon wins the boy by using a trick of his on Titania, revealing her weakness. Shakespeare uses Oberon to show this power of man over woman and to expose woman’s unheard, meaningless, and feeble opinions through Titania. In several scenes throughout the play, the female character, Titania, struggles to do as she desires; however, Oberon takes things under his control and helps to portray the female as weaker than the male.
Helena was the younger sister of Hermia. It often bothered her that her sister got all the attention, and she even want it. Helena was madly in love with Demetrius, However Demetrius was arranged to marry Hermia. Helena truly believe she was not good enough, and could not understand why Demetrius did now want
During much of the play, Helena relentlessly chases Demetrius, giving him love no matter how many times he spurns her. While in pursuit of him in the woods, where he tells her that he will never reciprocate her feelings, she tells him, “I am your spaniel; and, Demetrius,/The more you beat me, I will fawn on you” (II.i.203-204). She is so desperate to win him over that she lowers her own status, calling herself his dog; no matter how many times he may abuse her, she will always adore him. Out of love, Helena is willing to swallow her pride to prove her devotion to him. More evidence of Helena’s blind love towards Demetrius can be found in her overlooking the flaws in Demetrius’ character. For example, he proves himself to be quite insensitive towards Helena: when they are in the woods, he says he will “leave [her] to the mercy of the wild beasts” (II.i.228) if she doesn’t stop following him. He also says to her, “…I am sick when I do look on thee” (II.i.212). Lastly, he threatens her, saying “…if thou follow me, do not believe/But I shall do thee mischief in the wood” (II.i.237). Helena acknowledges this aspect of his character, though choos...
Demetrius, Helena, Lysander, and Hermia are the for young teens of the story. At the beginning of the play it is Lysander and Helena who are madly in love, and are planning to to escape from Athens to elope. Helena is in love with Demetrius, and Demetrius cared for Helena and liked her a lot but was not in love with her. As soon as Demetrius sees Hermia he immediately stops having any feelings for Helena whatsoever and is deeply in love with Hermia. Demetrius thought that he had fallen in love at first sight, but Helena was determined to show him differently. Demetrius: ³ Tempt not too much the hatred of my spirit,/ For I am sick when I do look on thee.² Helena: ³And I am sick when I look not on you.² (Act II, sc. i, lines 218-220) This piece of dialogue shows how much Demetrius is now in love with Hermia from just seeing her, and how disgusted he feels when he looks upon Helena who he used to care about. Helena is simply just expressing how much she is love with Demetrius and how bad she feels that he is treating her in such a manner of hatred.
In A Midsummer Night’s Dream, Helena fails to understand how to give and receive love and consequently any connection she feels will most likely end badly. In A Midsummer Night’s Dream, Demetrius and Helena demonstrate how once a notion of love is obtained it is easily discarded. In Act 1, scene 1 Helena describes love how she pictures it to be, but in reality, she is found trying to win love over ratting out her friend (Hermia). Helena describes her love for Demetrius and how love is being shown in her eyes, therefore she does not practice what she preaches.
The play shows how the ideal relationship is that in which the affections and the reasonable mind are both in harmony. At the start of the play, both Demetrius and Helena are clearly at fault. Demetrius has allowed his love for Helena to abate; she, by fawning on him, is guilty of doting, which exacerbates his dislike. An honourable man would stand by his promise and try to re-discover his love for Helena, and it is this which draws Lysander's taunt that Demetrius is "spotted and inconstant". In time, perhaps, Demetrius might reconsider Helena's merits, but in the brief ti...