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More handpicked essays just for you.
Functionalism strength
Functionalism strength
Functionalism strength
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House of Diego Rivera and Frida Kahlo by Juano Gorman The house of Diego Rivera and Frida Kahlo was designed by architect and artist, Juano Gorman, one of the pioneers and most complex figures of Mexican Modernism. The architect was a good friend of Diego Rivera and that’s how Diego let him design the house. The house being the first construction of modern movement in the American continent became a huge controversy because it was the first house in Mexico to break the aesthetic paradigm of architecture. And it also combined the Mexican architecture and architecture mural with functionalism. O’Gorman was inspired from the writings of Le Corbusier and wanted to design for their intentional functions but at minimum economic expenditure and effort
which is termed as Functionalism. Such controversial house was the studio and residence of two of the most important artist of the twentieth century i.e. Frida Kahlo and Diego Rivera. Both of them painted a large number of their work in this house and Diego Rivera lived in the house till his death. Later, the house was inherited to their daughter, Ruth Rivera Marin, who later donated it to the Instituto Nacional de Bellas Artes. Although, the house became a heated controversy, it is now considered a cultural heritage of the nation. Both the houses are connected by a bridge which is very symbolic and interesting. While designing the house, Frida wanted separate space for both of them so that they can paint in their own and in addition to that, they did not have a happily married life because of the involvement of other women in Diego’s life. It is coloured in blue and red and blue was where Frida used to live. There is also another building in the property where Frida’s father lived.
Many countries have the pleasure of celebrating Independence Days. These historic holidays are filled with nationalistic celebrations and delicious traditional food. In Chile, the natives celebrate their break from Spain with Fiestas Patrias. In Mexico, the president begins the celebration by ringing a bell and reciting the “Grito de Dolores” and he ends his speech by saying “Viva Mexico” three times.
In the painting of the Liberation of the Peon, Diego Rivera depicts soldiers cutting down a naked man from a post. At first glance, the soldiers appear to have whipped and beaten the man. Without careful deliberation, viewers could easily interpret the scene this way due to the visible scars on the man’s body. However, through visual clues, viewers of the Liberation of the Peon can infer that this is not the case. In actuality, the soldiers are helping the man down from the post and providing him with a blanket.
In conclusion, through his mural paintings full with complexity and depth, Diego Rivera recreates a new reality for the audience. `Zapata con el caballo de Cortés` is one of his most influential art pieces , significant in the process of understanding The Mexican Revolution
Jose Vasconcelos’s “La Raza Cosmica” is definitely not what I expected, it required me multiple reads to understand José Vasconcelos point of view. The essays turns out to be pretty racist, as his theories are buried under explanations and reasoning hard to comprehend. In my opinion Jose Vasconcelo gets too caught up in metaphors that detract from his true meaning and theories. “La Raza Cosmica” reads more like a science fiction than a call to unity or nationalism. If Jose Vasconcelo had published this book as a work of fiction with the current title, I believe he would have accomplished both his goal of writing the book and explaining his theories to the general public as George Orwell had done with the novella “Animal Farm”. Jose Vasconcelos
Paintings illustrate the Aztec’s style of clothing and the important roles they play as such as those who led the ceremonies wore robes
Such controversy that followed him is one of the aspects of his art that made him stand out as a muralist during his lifetime (1). As with most artist his paintings became famous after his death (2) in 1957 due to heart failure in Mexico City, Mexico (1). His radical approach to art and his unique style have created a lasting impression on art and continue to do so (2). Widely regarded as the most influential Mexican artist of the twentieth century (3), Diego Rivera created a legacy in paint that continue to inspire the imagination and mind (2).
Art could be displayed in many different forms; through photography, zines, poetry, or even a scrapbook. There are many inspirational women artists throughout history, including famous women artists such Artemisia Gentileschi and Georgia O’Keeffe. When searching for famous female artists that stood out to me, I found Frida Kahlo, and Barbara Kruger. Two very contrasting type of artists, though both extremely artistic. Both of these artists are known to be feminists, and displayed their issues through painting and photography. Frida Kahlo and Barbara Kruger’s social and historical significance will be discussed.
“Poems differ as much as the people who write and read them, or as much as music and movies do” (Mays 846). Poems are the most difficult form of writing to analyze because they can be interpreted differently. Poems are composed of figurative language. Many times poems can be overanalyzed or not analyzed enough which could lead one to obtain an idea out of the poem that the writer never intended to provide.
Frida Kahlo nació el 6 de Julio 1907 en la ciudad de México. Ella les dijo a muchas personas que nació el 7 de Julio 1910 porque quiso parecer más joven a los otros. Aunque sus padres fueron judíos, Frida nació en México. Frida fue una artista surrealista y sus obras vió de sus emociones de la tristexa y la cólera de su vida. Ella le encantó decir los chistes, reír, y sonreír. Frida Kahlo llevó las ropas de la cultura tradicional de México porque pensó que las ropas fueran una forma del arte. Todo el mundo admiró mucho a Frida, a causa de sus obras y su actitud.
If asked, “what is the most important thing a person needs?” one of the most prevalent answer would be money. However, do people think about the negative influence money has on them. In the short story “El Tonto Del Barrio,” the author, José Armas uses characterization, irony, and symbolism to show how money makes people greedy for more.
Juan Carlos Rulfo provides an interesting example of the more paradoxical nature of political engagement in documentary. Rulfo’s En el hoyo (2006) deservedly became one of the paradigmatic examples of the genre in Mexico. It documents the story of the construction workers involved in building the upper tier of Mexico City’s Periférico Avenue, a landmark public works project of then left-wing presidential candidate Andrés Manuel López Obrador’s administration as city mayor. MacLaird reads the film as a cultural product that “sustains reverence for the lower socioeconomic classes that López Obrador’s campaign had initiated, [but] with a more subdued tone than the political rallies and without the condescension and misery painted by the stylized
Diego Rivera and his wife Frida Kahlo are an important aspect of the Hispanic World and well-known names in Latino art. Rivera and Kahlo knew many famous painters such as Duchamp, Siqueiros, Orozco and Picasso. Picasso became a great friend of the family. Kahlo has influenced many places in Mexico. There are many land marks not only in Mexico but around the world. The Frida Kahlo Museum is located in Coyoacan Mexico in her Casa Azul home (blue house), this is the same place Kahlo was born, grew up, lived with her husband Rivera and died (Gale, 1996). The museum holds collections and embraces the personal effects of both artists shining light on the way of life for affluent Mexican writers and artist during the first half of the century. The Dolores Olmedo Museum at Hacienda La Noria is another museum-house from the 16th century monastery, includes many of Kahlo’s famous paintings such as “The Broken Column,” “Luther Burbank,” and holds a large amount of Rivera’s works of art (Gale, 1996). Rivera’s murals of his wife Frida, himself, and various members of their family and friends can be found at the Secretariat of Public Education (where he met his wife), the Mexico City’s National Palace, the Museo de la Alameda, and the Palace of Fine Arts (Gale, 1996).
Whether a work of art was created a year ago or centuries ago shouldn’t be a huge factor on how a person measures the beauty of the art. Let’s take Aztec art for example. Aztec art has been around for a long time and till this day, it’s one of the most significant type of art ever made. The Aztecs arrived in Mesoamerica in the beginning of the 13th century and they developed an organization that caught the attention of the region’s city-states by the 15th century. Spanish conquistador Hernan Cortes came in and destroyed the Aztec civilization by force and basically took over Tenochtitlan in 1521.
House of the Spirits is a novel by Isabel Allende that follows three generations of Trueba women-Clara, Blanca, and Alba-as they struggle against Esteban Trueba, the patriarch of the Trueba family. Allende's family was very involved in politics and because of this, there is a strong political underlay throughout Allende's whole novel. Emerged in a world of magical realism, House of the Spirits allows its readers to go on a wild journey filled with emotion.
In the short story “ Artificial Roses” by Gabriel Garcia Marquez, Marquez explores guilt, and its relationship with the church, as well as in the family structure. In the story there are two main characters. Mina, a young woman, who makes a living by creating roses, out of paper and wires, and her blind grandmother. The first thing you learn about the pair is that they share a room. There is an obvious sense from Mina that she feels her personal space is invaded by her blind grandmother. As noted in the film old women are the ones who tell the stories, and have “magical powers.” But Mina is unaware of her grandmothers power of perception, and in the story Mina learns that her grandmother is quite aware of Mina’s actions. The story is essentially a battle of wits, and undeniable guilt, between the two.