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Creation stories and myths
Hopi creation story analysis
The hopi tribe essay
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Hopi Creation Myth: The Four Creations
The creation myth excerpted is from the Hopi people of northern Arizona. The people that collected this myth were Oswald White Bear Frederick and his wife Naomi. The myth was told by older Hopi at the village of Oraibi. According to Wall and Masayesva, the Hopi used a farming method, “… known as “dry farming” because it relies strictly on precipitation and runoff water (along with hard work and prayer), has kept the Hopi culture intact for nearly a thousand years” (1). This type of work that the Hopi did had a great impact on the myths they told. “The Four Creations” myth is a reflection of the lives of the Hopi. The Myth has many insights including aetiological, historical, and anthropological insights.
One of the aetiological insights in this particular myth is how ants came to have thin waists. In the myth, “As the ants' food ran low, the people refused the food, but the ants
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kept feeding them and only tightened their own belts, which is why ants have such tiny waists today” (Oswald). This tiny little detail could easily be dismissed as a quirky part of the myth but it has a much deeper meaning. The first insight that could be gained from this detail is that the Hopi are resilient. The ants seem to represent the Hopi. Instead of refusing to give the Hopi food, the ants stay kind and feed the Hopi. This could mean that the Hopi valued the sharing of resources especially in time of hardship. Ants often symbolize strength and order. The inclusion of ants could also represent the Hopi as a community. Ants are highly organized and work together for a common goal. This could mean the Hopi value working together for the better of the tribe. Another aetiological insight is why the planet rotates. In the story, “Poqanghoya and Palongawhoya were dispatched to the poles of the earth to keep it rotating” (Oswald). This detail gives the reader the insight of the scientific understanding of the earth at the time. This detail also reinforces the idea of teamwork that we get from the ant insight. There are two beings working together to bring harmony to the earth. An anthropological insight from the myth is the fact that, “…Spider Woman made all the plants, the flowers, the bushes, and the trees.
Likewise she made the birds and animals, again using earth and singing the Creation Song” (Oswald). The fact that the creator of life on earth is a woman says a lot about the Hopi people. Woman must have been respected for their ability to create life in the form of babies. Another anthropological insight from the excerpt is the way Spider Woman brings about creation, though song. This gives the reader the impression that song was very important to the Hopi. Song could have been sacred to them. A third insight into the culture of the Hopi is the way the creator acts towards his creations. In the myth, the creator saves the people that still remember him and then proceeds to kill off the rest through the use of fire, water, and ice. This tell the reader that the Hopi believed in a god that was both caring and vengeful. The reader can also see that the Hopi believed that regular appreciation of the gods was
important. The Hopi myth also has many historical insights. In the myth, the humans migrate from place to place. According to Oswald, the four clans migrated to different places. This could possibly be accurate and be an account of the migration patterns of the Hopi ancestors. The Hopi ended up, “settling in the arid lands between the Colorado River and Rio Grande River” (Oswald). This is a very specific fact that gives the reader is good idea of the area that the Hopi inhabited. It validates the myth making it more credible for both the reader and the Hopi people. Even though some of my ancestors were Native American, it is very unlikely that they were the Hopi people. The reason I chose to analyze this myth is because it resonates with my very recent family history. My family emigrated from Mexico, more specifically, my parents. They had to go though many obstacles to get to where they are today. It is though their hardships that I have a life with more opportunities here in America. The Hopi myth has many elements that make it relatable. The struggles of the different tribes migrating all the time is a struggle my family has gone through.
The Chelan Indian Creation story written by Walker is a Creation story told by Chelan Indians. The Chelan Indians also had a creation story about how the Great Chief above created the Indians. The Great Chief had created he made the animals and the birds and gave them their names. Then the creator left after his work was done, and after 12 moonlights he came back and the animals complained
Four attempts were made to create a being who were suitable to worship the gods. First were the animals, who were unable to speak the praises of the gods, so they were doomed to become fodder for the humans. The gods then focused on creating man. The second attempt was a man made from mud, but he melted in water. Next, they tried wooden man, but he was stiff and without a soul, so he was destroyed. It is said that monkeys are descendants from the trial of wooden man. The final attempt was maize man, made of white and yellow corn, who met all the requirements of the gods. The gods then created wives for the four original maize men, and they were the ancestors to humanity. Maize was a staple crop for the Mayans, and the maize god was a high-ranking god for which many rituals were performed. The creation myth helps heighten the importance of corn by presenting it as the successful material for man, therefore establishing a place of honor for the crop in Mayan
Creation stories have profound effects on humans. Those associated with ancient cultures/civilizations aim to ensure the successful survival or well-being of themselves and that particular culture/civilization of their association, but not all are beneficial, prosperous, or fortunate. Mesopotamia’s “The Gilgamesh Epic”, Egypt’s “Hymn to the Nile-Documents”, and Mesoamerica’s Mayan and Aztec creation stories/religion are influential to establishing significant relationships within society, whether that is between humans and nature or humans and their “god(s).”
When most people look at a piece of pottery the first thing that comes to mind is the significance of the symbols and the stories behind these symbols. There are some symbols of Hopi pottery that have stories behind them and some that are symbols of either lost significance or the story is unknown. Some of the symbols we think of as symbols, are really the potters own design. Most people make the mistake that symbols and designs are the same thing, but in fact they are very different. Hopi potters, mostly women, have been instrumental in both preserving and developing traditional symbols and innovating designs in response to changes in and challenges to their culture.
The Jemez people have a famous creation story that they tell their children. There creation story is this “Long ago, Pueblo people lived far away up north. At first they lived underground, in a holy place called Sipapu. Then people climbed up through a hole in the earth into the sunlight. God guided them for many years as they wandered. People suffered many bad things like tornadoes and drought and bad magicians, before they got to a good land where they could settle down”.
Many oral traditional stories have been told and passed down from person to person and family to family for thousands of years. Almost every story that has been told has either been altered or told in a different way so after 100 years of one story being told someone will decide to create their own version of it.
For the Native Americans to explain their existence, they created stories that described how things came to be. These stories are much like the ones that you would find in the Bible, and are very insightful in getting a better understanding of the Native Americans religious viewings. The Native Americans strongly believed in spirits and beings of another world. In the Iroquois Creation Story, these believes are strongly represented by telling the story of two brothers. This story is a representation of how the world was created. There is a good minded brother and a bad minded brother, which are not just brothers but twins. These unborn brothers and their mother were sent to the back of a turtle that in order to secure them from the dangers of the dark world she fell to. In a hurry to be born, the bad minded brother murders
The Native Americans and Europeans had many influences that affected their outlook when they first encountered one another. These influences have different stories and views that pertain to the origin of life and how the earth was created. For example the Native Americans had stories that were passed down from generations that would be reshaped in different tellings. On the contrary the European Christians obtained their stories from books that had been written in earlier years such as the bible and Aristotle’s work. Despite their differences all of their beliefs were affected by the accounts which then made their encounter with each other and the relationship with human beings.
Myths – as they are known to most of the world – give insight into the pasts of various countries and religions as the people saw them. They have been used to explain phenomenons in nature or describe the tales of courageous and important men and women throughout history. Creation myths in particular define how the Earth itself was created, along with the universe, heavens, hell, people, and creatures that exist today. Genesis of Christian mythology, for instance, tells the story of how the single deity God spoke and formed everything from day and night to man and woman. Various African creation myths, such as with the Yoruba, explain the creation of the Earth through at least a couple gods working together and all life sprouting from a seed. But all share a common themes, such as a form of chaos or nothingness before life is created. Joseph Campbell notes that “... the idea of an absolute ontological distinction between God and man – or between gods and men, divinity and nature - first became an important social and psychological force in the near East, specifically Akkad, in the period of the first Semetic Kings, c. 2500 B.C.,” showing another similar trait – a god or set of gods exists to create in each story (626). Joseph Campbell makes a comparison of how both Genesis and the Book of the Dead of Egypt share the same idea of their bodies belonging to their god in some way, or being reabsorbed into them at death (630-631). Others, like the Japanese and Iroquois creation myths, claim the Earth was once covered entirely of water before land was formed. Adam and Eve of Genesis and Izanagi and sister Izanami of Shintoism provide examples of myths that share both a passive and active pair of people who eventually create the Earth's population. In any case, certain popular creation myths, some closely tied to prominent religions, share more common characteristics than others. An entire sub-study, called comparative mythology, gives insight into this subject.
The Hopi have a highly developed belief system which contains many gods and spirits. Ceremonies, rituals, dances, songs, and prayers are celebrated in year-round. The Hopi believed they were led to the arid southwestern region of America by their creator, because he knew they had the power to evoke rain with power and prayer. Consequently, the Hopi are connected to their land, its agricultural cycles and the constant quest for rainfall, in a religious way. The religious center of the community is the kiva, which is an underground room with a ladder protruding above the roof. The kiva is very important for several reasons. From the kiva, a connection is made with the center of the earth. Also, the kiva is symbolic for the emergence to this world. The room would represent the underworld and the ladder would represent the way to the upper world. In fact, a room is kept in the house to store ceremonial objects. A sacred ear of corn protects the room and symbolizes the ancestry of the family members. Kachinas are also a focal point of the religion. For a Hopi, they signify spirits of ancestors, dieties of the natural world, or intermediaries between man and gods. The Hopi believe that they are the earth's caretakers, and with the successful performance of their ceremonial cycle, the world will remain in balance, the gods will be happy and rain will come. Because they think of their crops as gifts, the Hopi Indians live in harmony with the environment.
Religious ceremonies, sorcery, and myths are all prevalent in traditional Hopi culture. These ceremonies are believed to produce rainfall, promote fertility, bring luck in hunting and warfare, or assist the sun in moving from winter to the summer (Brandt, 1954: 18). The Hopi also believe in the supernatural and in afterlife. They have sorcerers who are said to have two hearts, one derived from an animal, which gives them powers, and the other a human heart. Myths are reality to the Hopi; they are both spiritual and practical. (Brandt, 1954: 32)
The Maori myth is a Polynesian story about the creation of the universe which according to Rosenberg was different from other creation myths because it begins with nothing and then progresses through a process of “nonbeing to thought to the creation of the universe and human beings” (351). Even though it may be different because it goes from “nonbeing to thought” instead of nothingness to a spoken word or action, it has many similarities to other creation myths in how it explains the origins of the Gods and how each one represents a natural event or aspect of nature and humanity. The myth begins with an “idea” that “was remembered” and then “became conscious” and then “a wish to create”, all of which created a “power to live and to grow, even in emptiness” (352). At this point there was still no being, only thought and desire which gives the idea that what is being addressed are the human attributes of feeling, sensing, desire and thought, this is where this story is different from other creation myths.
Myths organize the way we perceive and understand our reality. Myths grant stability to a culture, and in this respect; serve to explain the unexplainable. From Barbra Sproul’s perspective, creation myths reveal basic religious concerns pertaining to how the universe was formed, and how people or societies are fashioned. Myths speak of the transcendent and unknowable aspects in a drama that attempt to reveal and give reason to human existence and where man stands in the cosmos. Through myth, the dimensions of space, nature and time are expressed in symbolisms that show how the holy can be experienced or conveyed if understood properly.
Every ancient society and civilization has creation myths that were passed down and keep alive throughout the passing of time by word of mouth. These myths are the world’s oldest stories and are vital to these cultures because they explain their beginnings and give purpose to their existence. By analyzing and interpreting different creation myths it becomes easier to understand different cultures and their connections and relationships with heir beliefs and god(s).
The Hopi Indians use art in their everyday life from woven rugs to clay pots. Art is a very important aspect of the tribe’s life and each piece is said to have a story behind it. The Hopi tribe even has dances said to bring luck and prosper to the community. They also have a very unique piece of art that ties directly to their religion, kachinas mask and dolls.