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Recommended: Homer and the epic poem
"So the immortals spun our lives that we, wretched men / live on to bear such torments...." (The Iliad bk.24, ln.613-614) This pessimistic explanation of the human condition was a tradition observed and preserved by the ancient Greeks through the composition of Homer's Iliad. This one statement, made by the godlike Achilles to King Priam in the last chapter of the work, provides the reader a contextual summary of what the Greeks believed was their role in the cosmos. Homer's Iliad, among many other themes contained in the poem, “is an anthropocentric epic exposing the ancient Greek's views about man and his relationships”(Clarke 129). Homer demonstrates both the pious and customary behaviors, as well as the impious and rebellious, to illustrate the amicable and adversarial relationships of man. Few relationships composed by Homer are exclusively one or the other. Through the composition, Homer muses the relationships between man and fate, man and the gods, and between man and his kind (dominate, subordinate and equal). All of these intricately woven relationships share one common thread; they bring to bear torment on man's life.
Man's bind with fate is not straight-forward according to Homer. Though destiny is never overridden in the poem, it is tempted many times, either by the gods wishing to intervene on behalf of their favorite mortals, or by man himself. Zeus contemplates tempting fate when the predestined death of his son Sarpedon arrives at the hands of Patroclus. Zeus mourns the "cruel fate" and laments, "My heart is torn in two....Shall I pluck him up, now, while he is still alive...? Or beat him down at Patroclus' hands at last?" (bk.16, ln.514-21). Because of the protestations of Hera, Zeus bows to the...
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...ods and their fellow man. And it was through these challenges that the torments bore on their lives. This was the fate of the human condition. "And fate? No man alive has ever escaped it" (bk.6, ln.582).
Works Cited and Consulted:
Bespaloff, Rachel. On the Iliad. Trans. Mary McCarthy. New York: Pantheon Books, 1947.
Clarke, Howard. Homer's Readers: A Historical Introduction to the Iliad and the Odyssey. Newark, Del.: University of Delaware Press, 1981.
Goodrich, Norma. Myths of the hero. New York: Orion Press, 1962.
Homer: Iliad. Trans. Robert Fagles. New York: Penguin Books, 1990.
Richardson, Nicholas. The Iliad : A Commentary. Vol. VI: books 21-24. Cambridge: Cambridge University Press. 1993.
Willcock, Malcolm M. A Companion to the Iliad: Based on the Translation by Richmond Lattimore. Chicago: University of Chicago Press, 1976
Rengakos, Antonios. Homertext und die Hellenistichen Dichter. Hermes. Einzelschriften, Heft 64. Stuttgart, F. Steiner, 1993.
The Iliad is a poem told by Homer that describes the horror of men and gods alike battling toward the destruction of both sides as it moves to the tragic conclusion of the Trojan War. Robert Fagles using his poetic and scholar skills to perfectly translates the Iliad using Bernard Knox’s introduction and notes. In his translation he sticks to maintain the drive music of Homer’s poetry, and evokes the impact of the Iliad’s repeated phrases. Fagles' translations emphasizes on English idioms and phrasings, but tries to stay as faithful to the original text as possible. Gary Wills from The New Yorker called Fagles “the best living translator of ancient Greek drama, lyric poetry, and epic into modern English.”
A Modest Proposal, to save the country’s image: Examining the oppression toward the Irish poor
Heubeck, Alfred, J.B. Hainsworth, et al. A commentary on Homer's Odyssey. 3 Vols. Oxford 1988
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Homer. The Illiad. The Norton Anthology of World Masterpieces: Expanded Edition?Volume I. ed. by Maynard Mack. New York: W.W. Norton & Company, 1995.
Gilman incorporates strong imagery throughout "The Yellow Wallpaper" to set the scene for the story and foreshadow the certain madness that is to come of the narrator. As the story progresses, so does the woman's declining mental status. An example of how imagery is used to display the inferiority of women is the fact that the woman in the story is confined to the old nursery room for most of her time. Gilman describes the room as "It was nursery first and then playroom and gymnasium...windows barred for little children" (Gilman 311). The woman focuses often on the wallpaper of the nursery. It is described as, "flamboyant patterns committing every artistic sin..the color is repellent...a smoldering unclean yellow, strangely faded by the slow-turning sunlight." The fact that she focuses so meticulously on the yellow wallpaper shows her crazed psyche. Later in the story, the narrator writes, "There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down...up and down and sideways they crawl...those absurd unblinking eyes everywhere" This makes the reader feel uneasy and explicitly details the madness of her neurosis.
Schein, Seth L. The Mortal Hero: An Introduction to Homer's Iliad. Berkeley: University of California Press, 1984.
Logan, John R., and Steven F. Messner. "Racial Residential Segregation And Suburban Violent Crime." Social Science Quarterly (University Of Texas Press) 68.3 (1987): 510-527. Business Source Premier. Web. 19 Mar. 2014.
“The fairest one in all the land”, how many endearing characters of classical literature can this well know phrase be said about? The list is endless but surely does not include Jane Eyre. She is described as a plain poor quaker like woman; she had no prominent features, was not draped in extravagant gowns, suiters were not lined up at her door step swept away by her angelic beauty. She was a simple woman with simple possession and simple needs. Perhaps though, in a parallel plot, Jane was indeed the fairest of them all. What would the well know tale have looked like then?
As food labeling has quickly become one of the most active areas of litigation, the body of case law concerning food labeling will continue to grow. It may be too soon to state whether these lawsuits will remain a legitimate threat to the food industry, but certainly the result has been a dramatic increase in putative class action lawsuits, a trend that will likely continue as the Federal Trade Commission and the Food and Drug Administration take a more active role in assessing food labeling and advertising.
To view the links that are instilled between mortals, immortals, and fate in The Iliad, it is worthwhile to examine each on its own to observe how they connect. The characteristics of the three are inherently unique in relation to each other, though in some areas there is overlap. Man is defined as a mortal, someone who can die from old age and disease. Products from mortal and immortal procreation, such as the hero Achilles, fall into a sort of category all their own, but Achilles himself suggests that he would die from old age if he were to return home (9:502-505). In this weakness of the flesh they differ from the immortal gods, who cannot die from natural causes. Nevertheless, the gods share the imperfections of man: disloyalty, deceit, anger, and even lust. They see themselves as above man, and yet their actions are often as selfi...
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Mathwick, C., Malhotra, N. and Rigdon, E. (2001), “Experiential value: conceptualization, measurement and application in the catalog and internet shopping", of Retailing, Vol. 77, pp. 39-56.