Holofernes Vs Caravaggio

610 Words2 Pages

Both paintings are examples of the Baroque style. The paintings are characterized by strong colors, strong contrasts of light and the illusion of deep space, which is obtained by applying radical promising solutions. Caravaggio and his Judith are an inexhaustible source of inspiration for many painters, from the Renaissance to the present day... Caravaggio often changed the places where he lived - sometimes willingly, but sometimes he was forced to do so. Personal ups and downs are conveyed into his paintings, and he became an innovator. In fact, he painted the light differently than previous artists. Almost all of his paintings are painted in a dark environment, where the light enlightens the main actor of the pictures, and gives it a religious …show more content…

The tragic act is visible on the Judith’s face expression, which shows like she wants to be away from her victim. Beside her is the maid. Judith is beautiful, young, and classy, and the maid looks monstrous. Caravaggio dramatized the scene even more with the contrast between the beauty and ugliness of the Judith and the maid. Motionless, precise light decisively directed to the gruesome details, such as the cut off head, blood gushing, disturbed face of Judith, and the supportive look of the old maid. At this stage, Caravaggio begins to paint a dark background, which will soon become one of the basic features of his art. Unlike Caravaggio’s view of this Bible story, Artemisia’s Judith is mad, furious, brave and self-confident in this tragic act. Her paintings are recognizable because of strong women she portrays. While Caravaggio’s Judith looks frightened and worried, Artemisia’s Judith did not flinch or look away from the bloody act. She was completely preoccupied and energetic with her knee beside the bed so that she has a better angle for her sword. This outstanding painting is a brutal presentation of the Bible story in which Judith took the fate of her people into her hands. Artemisia’s painting is a realistic approach in contrasting light – dark was, and it is evident that she was inspired by

Show More
Related

  • Comparison of Painting of George Washington by Gilbert Stuart and Charles Willson Peale

    750 Words  | 2 Pages

    The painting was so popular, that he made its numerous versions with sightliest differences. The version presented in Metropolitan Museum, descended through the famil...

    Read More

  • Biography of Artemisia Gentileschi and Her Artwork

    760 Words  | 2 Pages

    Artemisia Gentileschi (1593-1654?) was one of the most important women artists before the modern period and certainly one of the most famous female painters from the seventeenth century. Gentileschi’s paintings regularly featured women as the protagonists acting in a manner equal to men. In fact, forty nine of her paintings fall into this category. She was raped at the age of 18 and the subsequent events lent her a certain amount of notoriety. These factors have led many to interpret her artwork as an expression of her role as a female victim looking for revenge through her art. Instead, a closer examination of Gentileschi’s life and her artwork exposes the artist as an individual with personal strength and incredible talent who painted subjects similar to or the same as those of her male counterparts, instead of staying within the guiding principles of what was acceptable “feminine” art.

    Read More

  • The Betrayal of Christ Depicted in the Italian Paintings by Duccio and Giotto

    945 Words  | 2 Pages

    In addition, to the composition of the painting, the balance is also a dynamic factor. Both Ducci...

    Read More

  • Comparison of Annunciation and The Raising of Lazarus

    806 Words  | 2 Pages

    I found The Raising of Lazarus and Annunciation to be interesting pieces on their own as well as to be compared. At face value, these paintings do not appear to contain many contrasting features. However, by examining these paintings closely, one can conclude that paintings with similar themes, mediums, and time periods can still differ in countless ways. Light, medium, subject, color, space, and viewpoint are just a few of the characteristics that can be considered when analyzing Wtewael and Caliari’s works. It is imperative that observers of art take a deeper look into the different features of artwork in attempt to uncover the intentions of the artist.

    Read More

  • Gentileschi’s Judith Slaying Holofernes: An Example of the Baroque Era and Its Art

    670 Words  | 2 Pages

    Gentileschi’s Judith Slaying Holofernes epitomizes the style of artwork during the Italian Baroque era. By using a Catholic subject and key elements and techniques essential to baroque art such as chiaroscuro and foreshortening, she was able to create a piece that gushes drama and realism. Without the use of all of these elements the effect would be lost, but instead the piece is one that moves the viewer with its direct and gritty realism of the religious subject, evoking emotion in a way that leaves the viewer in awe.

    Read More

  • Artemisia Gentileschi

    1992 Words  | 4 Pages

    Undoubtedly Artemisia made a big effort to rehabilitate from the story of the rape through a combined marriage, but especially through her career. Unfortunately, the episode clouded part of the artistic achievements of Artemisia, who was long considered a “curiosity...

    Read More

  • Comparison Of Perugino And Caravaggio

    1317 Words  | 3 Pages

    The artists of the Baroque had a remarkably different style than artists of the Renaissance due to their different approach to form, space, and composition. This extreme differentiation in style resulted in a very different treatment of narrative. Perhaps this drastic stylistic difference between the Renaissance and Baroque in their treatment of form, space, and composition and how these characteristics effect the narrative of a painting cannot be seen more than in comparing Perugino’s Christ Delivering the Keys of the Kingdom to St. Peter from the Early Renaissance to Caravaggio’s Conversion of St. Paul from the Baroque.Perugino was one of the greatest masters of the Early Renaissance whose style ischaracterized by the Renaissance ideals of purity, simplicity, and exceptional symmetry of composition. His approach to form in Christ Delivering the Keys of the Kingdom to St.Peter was very linear. He outlined all the figures with a black line giving them a sense of stability, permanence, and power in their environment, but restricting the figures’ sense of movement. In fact, the figures seem to not move at all, but rather are merely locked at a specific moment in time by their rigid outline. Perugino’s approach to the figures’themselves is extremely humanistic and classical. He shines light on the figures in a clear, even way, keeping with the rational and uncluttered meaning of the work. His figures are all locked in a contrapposto pose engaging in intellectual conversation with their neighbor, giving a strong sense of classical rationality. The figures are repeated over and over such as this to convey a rational response and to show the viewer clarity. Perugino’s approach to space was also very rational and simple. He organizes space along three simple planes: foreground, middle ground, and background. Christ and Saint Peter occupy the center foreground and solemn choruses of saints and citizens occupy the rest of the foreground. The middle distance is filled with miscellaneous figures, which complement the front group, emphasizing its density and order, by their scattered arrangement. Buildings from the Renaissance and triumphal arches from Roman antiquity occupy the background, reinforcing the overall classical message to the

    Read More

  • Howard Hibbard's "Caravaggio"

    1889 Words  | 4 Pages

    Howard Hibbard's Caravaggio is an insightful look into the troubled mind and life of one of the most discussed artists of all time, Michelangelo Merisi da Caravaggio.  Hibbard immediately expands on his belief that Caravaggio is the most important "Italian painter of the entire seventeenth century."  Furthermore, his paintings "speak to us more personally and more poignantly than any others of the time."  Caravaggio is an artist whose life was far different from all other contemporary artists of his time, or any time.  Unlike Annibale Carracci, Caravaggio's works were able to express many of his own feelings and emotions.  As Hibbard says, Caravaggio was an artist who "somehow cut through the artistic conventions of his time right down to the universal blood and bone of life."  Simply put, Caravaggio was the only Italian painter who was able to utilize his own emotion as his guide instead of the historical artistic tradition.  This observation by Hibbard feels somewhat misleading.  Clearly, the emotion of Caravaggio's works came out in full explosiveness throughout his years of painting.  However, his lifestyle was so troubling that it seems to me that it would have been virtually impossible for him to prevent his life from entering his works.  While it should be recognized that Caravaggio's emotion and difficult life is reflected in many of his paintings, it should also be noted that this may have been unintentional and only a side effect of his life.  Here is a many who frequently got into trouble with law and killed at least one man in his lifetime.  He was arrested almost countless times.  Therefore, it seems unfair to me for Hibbard to describe Caravaggio as an ...

    Read More

  • Italian Women of the Renaissance

    2232 Words  | 5 Pages

    Artemisia Gentileschi (1593 – 1652), daughter of a well-known Roman artist, was one of the first women to become recognized in her time for her work.. She was noted for being a genius in the world of art. But because she was displaying a talent thought to be exclusively for men, she was frowned upon. However by the time she turned seventeen she had created one of her best works. One of her more famous paintings was her stunning interpretation of Susanna and the Elders. This was all because of her father. He was an artist himself and he had trained her and introduced her to working artists of Rome, including Michelangelo Merisi da Caravaggio. 1. In an era when women artists were limited to painting portraits, she was the first to paint major historical and religious scenes. After her death, people seemed to forget about her. Her works of art were often mistaken for those of her fathers. An art historian on Artemisia, Mary D. Garrard notes that Artemisia “has suffered a scholarly neglect that is unthinkable for an artist of her caliber.” Renewed and long overdue interest in Artemisia recently has helped to recognize her as a talented renaissance painter and one of the world’s greatest female artists. She played a very important role in the renaissance.

    Read More

  • Italian Baroque Characteristics

    498 Words  | 1 Pages

    One of the characteristics of the Italian Baroque is the realistic depiction of human figures, vivid use of color and foreshadowing techniques, especially in the paintings. In addition, the figures of the paintings seem to emerge from the background, giving huge differences between light and dark. The Italian baroque structure has a sense of movement and that of energy when in static form. The sculptures make the observers to have multiple viewpoints. The Baroque architecture has characteristic domes, colonnades, giving an impression of volume and void.

    Read More

  • “The Martyrdom of St. Matthew” - Painting Analysis

    967 Words  | 2 Pages

    I chose “The Martyrdom of St. Matthew” as the painting that best illustrates the baroque period. The reasons surrounding my decision are clear in Caravaggio’s painting. Here Caravaggio uses the entire canvas to illustrate complexity, flow, and chiaroscuro. The painting depicts the source of lighting to be coming from the left side of the plane. The brightest light focuses directly on Matthew’s executioner who intends to strike Matthew with an old balcanic hand weapon. Caravaggio masterfully illustrates the use of lighting by casting believable shadows. As an example, the shadow of the handle on balcanic hand weapon reflects on the executioner’s left thigh and knee. Another shadow appears on the executioner’s right inner thigh. The lighting source to the left of the executioner, the executioner, St. Matthews, the boy, the 2 observer’s bottom, right, and the fainter lighting upper left of the canvas illustrates the technique of visual movement. The lighting is placed strategically, causing visual movement within the piece. For example, the illumination of the executioner’s forearm directs my attention to the angel who appears to be handing St. Matthew a palm leaf. As a result, my eyes then focuses on the body of St. Matthew, lying on the bottom of the altar, then my eyes shifts up toward the Angle’s arm. The lighting on the angel's arm contrasted with the darkness of the palm leaf forces the viewer to look at the hand to see what St. Matthew is reaching for. The boy fleeing the scene further draws in the viewer. The two adult observers at the bottom right of the painting are illuminated but not as bright as the two main characters. Next, my attention is drawn to the man lying on the bottom steps, left side of the canv...

    Read More

  • Similarities Between Michelangelo And Caravaggio

    1093 Words  | 3 Pages

    Michelangelo and Caravaggio at some point in history were the most famous artists in Rome, Italy. Michelangelo a prominent architect, poet, sculptor, and painter found his success in Italy during the High Renaissance period (1490-1527). While Caravaggio was the most popular painter in Rome and spearheaded the Baroque period (1650-1750). Artists like Caravaggio in the Baroque period turned to a powerful and dramatic realism, intensified by bold contrasts of light and dark. Michelangelo’s reputation as a painter fluctuated during the High Renaissance, but his devotion to his art and his genius undoubtedly influenced artists such as Caravaggio during the Baroque Period. However, each artist had incredibly different styles, and utilized different mediums in their most popular works of art. Despite that there are also many similarities which indicate Michaelangelo’s heavy influences on Caravaggio and Baroque Period art. The comparison will be between Michelangelo, Ceiling of the Sistine Chapel, Vatican City, Rome, Fresco. c. 1508-1512 and Caravaggio, Calling of St. Matthew, Contarelli Chapel, San Luigi dei Francesi, Rome, Oil

    Read More

  • The Fall of Phaeton

    822 Words  | 2 Pages

    Peter Paul Ruben’s art is a combination of the traditional Flemish realism with the classicizing tendencies of the Italian Renaissance style. Peter Paul Rubens had the cunning ability to infuse his own incredible vigor into a potent and extravagant style that came to define Baroque art movement of the 17th century. “Baroque art characterized by violent movement, strong emotion, and dramatic lighting and coloring.” The figures in his paintings create a permeating sense of kinetic lifelike movement, while maintaining the appearance of being grand in stature yet composed.

    Read More

  • A Comparison of The Renaissance and Baroque Periods

    1129 Words  | 3 Pages

    middle of paper ... ... nce of the many pieces of art, this period raised the bar for detailed artwork. Through its passionate and ornate styles it influenced the Rococo period and other eras to produce even more extravagant and opulent art. Due to its popularity, it was adopted internationally and had many variations of styles. There were many great artists, such as Rubens, Caravaggio, Bernini, Rembrandt, Velazquez, Vermeer, Bach, Vivaldi and many others that used their art as a way of raising social consciousness, exploited, and delighted the senses.

    Read More

  • Baroque Art Essay

    1446 Words  | 3 Pages

    These works are as effective today at inspiring the viewer as they were hundreds of years ago. The Baroque period saw an overflow of creative excess. Just as children become amazed when a magician takes a rabbit out of his magic hat, Baroque painters created the special effects of their time create the same awe inspiring magic. By balancing color, light and shadow, perspective, illusionism, linear perspective, naturalistic figures borrowed from antiquity, and other trompe l’oeil techniques this magic was made. Within room, palaces, churches and chapels, these artists worked a special kind of magic that created space where there was none, and beauty where little had existed before.

    Read More

More about Holofernes Vs Caravaggio

Open Document