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Symbolism analysis of the catcher in the rye
Symbolism analysis of the catcher in the rye
Symbolism in the catcher in the rye essay
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Throughout this novel, Holden tries to battle through the pressures of adulthood and growing up. Holden longs to stay in his childish frame of mind, and ultimately, wants to stay a child forever. The references he makes throughout the book to his childhood make it seem like a time when he was happiest. Jane Gallagher, a central character that is never actually introduced in the book, is one of the main representations of Holden’s childhood. Whenever he mentions her and retells an anecdote of his childhood, he always portrays being with Jane as a happy time, “all you knew was that you were happy”. This shows Holden wants to preserve his childhood exactly as it is and doesn’t want to enter adulthood. Salinger uses several encounters with …show more content…
The bond between Holden and Phoebe are different from those of Holden and any other characters that we have met. Phoebe seems to understand Holden and is a character that doesn’t want anything from Holden. Phoebe begins to question Holden’s future after bringing him down to the realization that he doesn’t “like anything that’s happening.” When questioned what he wants to be, he replies that he wants to be the ‘catcher in the rye’ (inspired by the poem he misheard’, and wants to save children from running over the edge of a cliff. The symbolism of this is the idea that Holden sees adulthood as something very negative and ‘phony’, yet children, like Phoebe, see it as a positive, natural thing that comes to …show more content…
As Phoebe rides the carousel, Holden narrates to the reader “The thing with kids is, if they want to grab for the gold ring, you have to let them do it, and not say anything. If they fall off, they fall off, but it’s bad if you say anything to them.” Holden has acknowledged the fact he has to become an adult, and that he can’t stop anyone from doing the same, not even Phoebe. He realizes that children have to grow up by themselves, and Salinger uses the gold ring as a metaphor for growing up, saying if a child wants to ‘grab for the gold ring’ you have to let them, and ‘if they fall off, they fall off’. Holden knows he has to grow up and realizes where he fits in, and can no longer be a
He has nothing but nice things to say about her and wants to protect her. She makes many adult observations that you would not expect a ten year old to notice, yet still acts like a ten year old. She realizes that Holden got kicked out of school, and then responds by repeating, “Daddy’ll kill you!”(214). She corrects Holden about the words in a Robert Burns poem and realizes that Holden does not like anything, yet at the same time acts like a ten year old. She resembles Holden in the way she goes between adulthood and childhood. She is like a younger version of Holden. Holden wants to protect her and keep her from ending up like him. Holden gives his hunting hat to Phoebe, this shows how much he cares about her. He is able to give up the symbol of his independence and accept that he has ties to his family. The only time Holden is happy during his trip is when he takes Phoebe to the carousel. After deciding not to run away Holden realizes, “The thing with kids is, if they want to grab for the gold ring, you have to let them do it, and not say anything. If they fall off, they fall off,” (274). At this point he realizes that growing up might not be the worst thing in the world and that even if he gets hurt in the process it is something he needs to
Holden’s childhood was far from ideal, with Allie dying, his dysfunctional parents and the revelation that he had some “perverty” stuff happen to him when he was a kid. Due to this, he isn't ready to step into adulthood and leave his childhood behind. This is why Holden is mostly alienated from adults and connects more to the innocence of children like the girl at the park and his sister, Phoebe. However, Holden is disillusioned with both adulthood and childhood. He already knows how it feels to be an adult; drinking alcohol, being independent, living by himself and caring for Phoebe, but isn’t ready to immerse himself in it.
Holden’s apparent desire to be separated from the majority of his family and friends appears to have been triggered by the death of his younger brother Allie. From Allie’s there has been a downward spiral in Holden’s relationships, as he begins to avoid contact with others and isolate himself more. The reason I believe this is because we can see how immense his anger is after Allie’s death, ‘I slept in the garage the night he died, and I broke all the goddam windows with my fist’. The death of Allie has become like an awakening to Holden, and has alerted him how precious childhood innocence is, when Holden comes to this realisation he convinces himself to do everything within his power to protect the innocence of himself and those around him, to protect them from what he sees as a false adult world. Although Holden clearly fails to protect himself, as he falls into all sorts of situations which hardly boasts of innocence and virt... ...
Holden says "What I have to do, I have to catch everybody if they start to go over the cliff--I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I'd do all day. I'd just be the catcher in the rye and all." (page TBD) This quote goes well with Holden resisting to grow up. Holden says this when he's standing over the ledge and looking down on the children. Holden believes that it is important to maintain a child's innocence and we see this throughout the book. Constantly Holden is helping children and making sure they are doing well and are okay. We see this a lot when Holden talks about his sister Phoebe. Holden does not want to grow up and he proves that when he says that adults are phony and then Holden will look at a child and he will think that he wants to save that child from growing up because he doesn't want that kid to become a phony like the rest of the adults. In the song When We Were Young by Adele she says You look like a movie/You sound like a song/My God, this reminds me/Of when we were young/Let me photograph you in this
J. D. Salinger’s novel, Catcher in the Rye explores the ambiguity of the adult world Holden must eventually learn to accept. Throughout the novel, Holden resists the society grownups represent, coloring his childlike dreams with innocence and naivety. He only wants to protect those he loves, but he cannot do it the way he desires. As he watches Phoebe on the carousel, he begins to understand certain aspects of truth. He writes:
Holden struggles to make connections with other people, and usually resorts to calling them phonies whenever they upset him. He finds natural human flaws in people and runs away from connection immediately. His date with Sally shows this. Near the end of the date, Holden tells Sally about his plans to run away from life. When Sally gives him practical advice, Holden is quick to escape connection by calling her “a pain”. Sally’s advice would definitely guide Holden in a more realistic direction, but that is not what he wants to hear. Conflict always arises in his mind even if there is little in reality. His struggles with finding connection also make him too apprehensive to call his old friend Jane. Holden likes to think of Jane as a pure and perfect girl that he can
Throughout the book Holden admits he doesn't like change. Holden fear of growing up , becoming an adult and thinking of of it disgust him. For example the museum, Holden like it because the exterior of it did not change and says the only thing that would change would be you.In the text Luce says “Same old Caulfield.When are you going to grow up already?”(144). Holden wants things to stay how they are and how his life is. Holden considers adults phonies and he doesn’t want to be consider phony as well. When he describes the museum he says the best part about it is that it never changes, only you do.Holden bonds with his sister taking her to the zoo, museum and the carousel.He wants to Phoebe to experience what he did and to get the memories alive. “What I have to do, I would have to catch everyone if they start to go over the cliff- what I have to do, I mean if they are running and they don't look where they are going I have to come out from somewhere and catch them. That is all I have to do. I would just be the catcher in the rye”(173). This quote show how by holden is catching them from falling down the cliff which symbolizes stopping them from adulthood. “Thousand of little kids and nobody’s around- nobody big , I mean except me”(173). This quotes implies how young innocent kids won't be exerted by adults
Salinger’s demonstration of use of physical falls leads to a metaphorical fall for Holden, his nervous breakdown that has him checked into a mental institution. Salinger’s demonstrations of these physical falls revolve around Holden’s role of the catcher in the rye, protecting children from losing their innocence and becoming phonies. This metaphorical fall for Holden was caused by the fact that he realized that growing up is necessary and we all end up falling. Holden realizes this through his role of the catcher in the rye, Mr. Antolini, Sally, and Phoebe. When transitioning into adulthood we all lose our innocence, therefore we become phonies.
We see during the novel that Holden wants to be able to protect innocence in the world, however by the end of the story he lets go of that desire. This is a point of growth for Holden. He finds that it is impossible and unnecessary to keep all the innocence in the world. While with Phoebe Holden says, “I keep picturing all these little kids playing some game in this big field of rye...I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff...That’s all I’d do all day. I’d just be the catcher in the rye” (173). In this moment Holden wants to be able to preserve all the youth and innocence in the world. He doesn’t accept that kids have to grow and change and that they can’t stay innocent forever. Later on in the story when Holden is with Phoebe at a carousel again he thinks, “The thing with kids is, if they want to grab for the golden ring, you have to let them do it, and not say anything. If they fall off, they fall off, but it’s bad if you say anything to them.” At the end of the novel Holden realizes and comes to terms with the fact that kids grow and lose their innocence. He moves from his want to be the “catcher in the rye” to...
Holden and the Complexity of Adult Life What was wrong with Holden, the main character in The Catcher in the Rye, by J.D.Salinger, was his moral revulsion against anything that was ugly, evil, cruel, or what he called "phoney" and his acute responsiveness to beauty and innocence, especially the innocence of the very young, in whom he saw reflected his own lost childhood. There is something wrong or lacking in the novels of despair and frustration of many writers. The sour note of bitterness and the recurring theme of sadism have become almost a convention, never thoroughly explained by the author's dependence on a psychoanalytical interpretation of a major character. The boys who are spoiled or turned into budding homosexuals by their mothers and a loveless home life are as familiar to us today as stalwart and dependable young heroes such as John Wayne were to an earlier generation. We have accepted this interpretation of the restlessness and bewilderment of our young men and boys because no one has anything better to offer.
A scene where she shows her influence over Holden is where Holden states, “I kept thinking about old Phoebe going to that museum on Saturdays the way I used to see, I thought how she’d see the same stuff I used to see, and how she’d be different every time she saw it… Certain thing is they should stay the way they are… I know that’s impossible, but it’s too bad anyway.” Holden shows his fear of change. He also demonstrates that he does not want to change, and does not want to grow up, but to stay as a kid.
Holden shows a particular liking towards children over adults. He values the innocence and authenticity of children and he tries to protect them from the phoniness and evil of the world. When he goes back to his old school at the end of the novel to give a note to Phoebe, he sees an obscenity on the wall that infuriates him. He says, "Somebody'd written `F*** you' on the wall. It drove me near damn crazy. I thought how Phoebe and all the other little kids would see it, and then finally some dirty kid would tell them-all cockeyed, about it and maybe even worry about it for a couple of days. I kept wanting to kill whoever'd written it" (201). When Holden's sister Phoebe demands that he tell her one thing that he really likes, Holden's responds saying, "I like Allie...And I like doing what I'm doing right now. Sitting here with you, and talking and thinking about stuff..." (171), showing that he's most content in the simple and innocent world of his childhood.
Although Phoebe Caulfield may be Holden's younger sister, she is someone whom Holden looks up to for support and advice. She is one of the few people he feels great affection for and he talks about her with obvious happiness. Everything that he says of Phoebe is something that brings contentment to him and he becomes gentle and avoids the jokes that usually fill his sentences. Everything he says sounds touching. It is obvious that being with children such as Phoebe makes Holden very happy.
in all but one of his subjects. He does not like to talk about his
There are two kinds of freedom, “freedom from and freedom to” (31) throughout Atwood’s The Handmaid’s Tale. Freedom from is a negative liberty that involves external restriction to a person’s actions. On the other hand there is freedom to, a positive liberty the one can act upon their own free will. The two different categories of freedom are discussed and debated through a feminist view point. We explore and try to understand the way in which the difference between “freedom from” and “freedom to” is applied to females in society. This novel gives us two contrasting ways of liberal thinking. You are free if no one is stopping you from doing whatever you might want to. The story appears, in this sense, to be free. On the other hand, one can