Historia del Flamenco - Spanish Essay
La música flamenca empezó con una voz y unas palmas, y más tarde se
incorporó la guitarra. Es sólo en este siglo cuando se introdujo el
zapateo. Hoy en día, las tres principales herramientas del flamenco
son el cante, la guitarra y el baile. Casi todos los estilos o palos
flamencos pueden interpretarse con o sin baile, habiendo bailes sin
cante y temas puramente vocales, "a cappela".
Hoy, el flamenco tiene muchas caras y es ejecutado de múltiples
maneras.
En el flamenco moderno es común el uso de algunos instrumentos más,
como el bajo eléctrico, normalmente sin trastes (tal como comenzó a
usarlo Carlos Benavent) y el cajón. El cajón es un instrumento de
percusión peruano que, con ligeras modificaciones, introdujo Paco de
Lucía y su grupo, y consiste en una caja de madera con un panel
frontal suelto que se toca sentado sobre ella y que se adapta muy bien
al flamenco porque no tiene una afinación determinada y proporciona un
sonido sin armónicos muy seco.
El nuevo flamenco, etiqueta con la que se agrupan las formaciones
jóvenes menos preocupadas por el purismo y más interesadas en la
mezcla de músicas, incorpora saxos, flautas, violonchelos, violines o
el sitar, e innumerables instrumentos de percusión como los bongos,
las congas de sudamérica, la darbuka y el djembe indios, etc. El uso
de baterías, sintetizadores y guitarras eléctricas es menos habitual.
El flamenco es una de las músicas más peculiares y reconocible de
Europa.
Las raíces del flamenco se formaron recogiendo influencias de muy
diversos orígenes: podemos encontrar en esta música aportaciones
hindúes, árabes, judías, griegas, castellanas, etc. Cómo llegaron a
fundirse en el flamenco las aportaciones de tantas culturas es una
larga e interesante historia llena de leyendas y malinterpretaciones.
Los Gitanos del sur de España crearon esta música día a día desde su
Selena, “Le Reina de Tejano”, was born on April 16, 1971, in Lake Jackson. She was the youngest of three children of Abraham Quintanilla Jr. and Marcela, his wife. At a young age, Abraham had a strong passion for music that he still has. During the 1950s and 1960s, him and his friends made a group called “Los Dinos” and played at nightclubs and restaurants. Even though his passion for music, he gave it up when he got married and earned a job at Dow Chemical as a shipping clerk.
Through the study of the Peruvian society using articles like “The “Problem of the Indian...” and the Problem of the Land” by Jose Carlos Mariátegui and the Peruvian film La Boca del Lobo directed by Francisco Lombardi, it is learned that the identity of Peru is expressed through the Spanish descendants that live in cities or urban areas of Peru. In his essay, Mariátegui expresses that the creation of modern Peru was due to the tenure system in Peru and its Indigenous population. With the analyzation of La Boca del Lobo we will describe the native identity in Peru due to the Spanish treatment of Indians, power in the tenure system of Peru, the Indian Problem expressed by Mariátegui, and the implementation of Benedict Andersons “Imagined Communities”.
Den Tandt, Catherine and Richard A. Young. “Tradition and transformation in Latin American music.” The Cambridge Companion to Modern Latin American Culture. Ed. John King. Cambridge: Cambridge University Press, 2004.
Cumbia originated in the coastal region of Colombia in the early 1800’s. There were three predominant cultures in Colombia at that time: the indigenous peoples, the Spaniards, and the African slaves. The cumbia began with the essential instrumentation of the tambor drums and the gaita flutes, which derive from both indigenous and Congo-based African roots. The genre was entertainment for the slaves, beginning as a courtship dance. It later became an outlet for national resistance and protest as Colombia was contesting for its independence. The music was able to diffuse throughout the nation, spreading from the coast, primarily for the reason that many African populations were scattered in various regions. Barranquilla, a port city in Colombia, was the core of where the music became established and played for the masses, and where instruments such as horns and bass began to be incorporated into cumbia, giving it a more Latin feel. As cumbia evolved and spread to Mexico around the 1930’s, it changed from the influence o...
Within the works of “Fiesta, 1980” it takes us in the lives of a Latin American family. We are described a traditional style Latino family were there is a dominate father figure, a submissive mother, and obedient children more or less. There are two boys the eldest Rafa and the youngest Yunior and their younger sister Madai. During the transgression of the story it is conveyed through the eyes of Yunior. And like any typical family it has its own story to tell.
Selena Quintanilla became one of the most influential artists up to date and one to have brought Tex-Mex, also known as Tejano music, a part of mainstream media. Tejano music has grown over the years extending thousands of miles along the Rio Grande from Texas to Mexico. With Selena bringing this genre of music to a new level of popularity, she grew a large impact in mingling together Mexican and American culture to a popular form of music heard today.
Wanting to achieve a sense of fullness is arguably a goal that many, if not everyone, has. To live a life with meaning and transcendence is to live a life worth living; it is to have something that makes you see the beauty in the world and it is to have daily motivation. The Latinx community is a community that embodies this desire of having a meaningful life, and it is mostly evident in the community’s working class. As anthropological studies arise, scholars have also noticed this strong desire. However, they say that working class Latinxs ' longing of fullness stems off form the oppression and “trauma” that they have undergone. In other words, that desire is simply an outlet to escape from tension caused by unprecedented shifts in the lives
The video featuring Paco de Lucia- Entre dos Aguas (1976), is an instrumental piece, with the guitar as the main focus. Paco de Lucia plays the guitar with a great deal emotion and intensity. The ensemble plays a variety of instruments which represents a traditional style of band arrangements. The bongo player is instrumental in keeping the beat and rhythm through the song. The flamenco music echoes a jazz influence. While listening to this performance, I could sit back, relax and enjoy the music!
“ When art is true, it is one with nature. This is the secret of primitive art and also of the art of the masters—Michelangelo, Cézanne, Seurat, and Renoir. The secret of my best work is that it is Mexican." A leader and one of the founding members of the Mexican Muralist movement, Diego Rivera, was said to be the greatest Mexican painter during the 1920s. Rivera used his talents as a painter to tell the history and daily life of the Mexican people from its Mayan beginnings up to the Mexican Revolution.
Throughout the semester, various styles of music and the aspects of culture associated with these styles have been analyzed. Musical elements such as dynamics, texture, form, timbre, melody, instruments, etc., have been used to thoroughly explore each kind of music from different areas of the world, with an emphasis in music from Africa, India and Indonesia. These aspects of music go far beyond just music itself. Culture also plays a huge role in music and the accompanying musical elements. Each country and culture has a different style and distinctiveness that add to what makes the music of that certain culture unique. Music in Africa may differ dramatically from music in Indonesia or India not only due to those certain elements but also due to how it is interpreted by people and what it represents for those people. In addition to this, what one may consider music in one culture may not be music to another. These differences have been made apparent in the several demonstrations that we have been exposed to in class.
The point of view of this ethnography is written from a third person perspective with some information coming from the writers perspective. The author of the book is not biased because Alejandro L. Madrid is a Professor at the University of Cornell with a Ph.D. in musicology and with his extensive background, he has the ability to collect information and redistribute it in his book without being biased
How was Selena so successful in her music career? Known as "Queen of Tejano Music," Selena was a beloved Tejano music recording artist. Born on April 16, 1971 in Lake Jackson, Texas, Selena Quintanilla started making her music and the band in the '80s. Selena was a lead singer for her family's band, Selena Y Los Dinos, around the age of 10. Going on to become an award-winning recording artist in the Latin music. She was also referred to as the "Mexican Madonna" for her sexy outfits and dance moves.
All cultures celebrate common life cycle events; such as birth, passage from childhood to adulthood, marriage and death. These are times of intense emotion and call for a significant celebration for those directly involved with the person experiencing the life cycle event. Most people appreciate some gesture of recognition that such an event has occurred. It is also an occasion for making positive connections with coworkers and friends, and teaches others about the various ways in which people approach and observe significant life events. In the Latin American and Hispanic culture, a major life cycle event is celebrated when a young girl turns fifteen years old; the celebration is called a quinceañera. In the Jewish culture, when a young girls turn twelve years old she becomes a “bat mitzvah” and is recognized as having the same rights as an adult. These two life-cycle events are major coming to age ceremonies that are celebrated within the cultures.
Había una vez Un chico que nació con cáncer. Un cáncer que no tenia cura.
In Spanish theatre they used the phrase "Golden Age (Siglo de Oro)" to describe what is predominantly the Early Modern period in Spain.The period stretched from about 1550 to 1650. This was the most impassioned period of play-writing and production in history The Golden Age prompted an improvement in all the theatrical fields, as far as both structure and dialect. Theater turned into the people's most loved entertainment place and open air auditoriums were built in the most high-powered urban areas. These were antiquated theaters which had created a stage-hand insurgency Spain which had an impressive naval force, turned into a main politically influential nation, essentially due to its investigation and victory of the new world. (4)