San Francisco was originally a port known for sailors stopping to do drugs, drink, and use prostitutes. In 1921, attempts were made to make the city more inviting and less of a pleasure-filling city (Hoshyns 11). Later, in the 1950s, counterculture called the Beats formed. They paved the way for the hippies by smoking weed and listening to jazz music (Sixties). The hippies took the Beats’ ideas and changed them to fit different standards. Haight-Ashbury was the beginning of the hippie movement and it changed the county with its music, community, and loving atmosphere.
Haight-Ashbury is an area spanning out of Haight Street to the Golden Gate Bridge. With over fifteen-thousand hippies, one-thousand-two-hundred of them were teens that had run
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away from home looking for something they were not certain of until they found it. they found the community of Hashbury and all it had to offer which was an escape from the real world (Baers). Even though the district is fairly small, Haight Street itself is twenty blocks long, leading to a park that ends at the Pacific Ocean. On the other end of the street is Fillmore, a mostly African-American neighborhood. Some of Fillmore’s residents moved to Haight and gave more diversity to the area (Cottrell 139). Not only did a thousand plus teens come to Haight with more coming in each day, but also people living in the area would receive letters from children asking for help to get to California. The desire to live in Hashbury was very strong in young people all over the country (Anthony 64-66). Initially, when the neighborhood’s popularity began to rise, teens from the surrounding areas would travel to Haight to escape the society they felt was forced upon them. They used the music, as well as the drugs, as an escape from the hollow lives they though they were living (Hoshyns 27). A large part of the population consisted of college students, since there are three colleges in the general vicinity: Stanford University, San Francisco State, and Berkley. This allowed for the area to be filled quickly and create a coherent community. Just two years before Haight-Ashbury's height, the neighborhood had only rundown houses and mostly empty stores, making rent cheap and it the perfect place for teens and young adults to move in away from the rest of the world (Anthony 11, 37). The person said to have initiated the popularity of Haight-Ashbury is Ken Kesey, a college student at Stanford.
Ken and his friends took part in an experiment, taking drugs that caused hallucinations. When testing the new psychometric drugs, Kesey discovered the most popular drug used in the area, LSD. LSDs are lysergic acid diathylamide drugs, commonly referred to as acid. Later they experimented with the drugs on their own and more and more people joined in (Sixties). This drug was the most powerful for creating a temporary alternate reality. Kesey, who attended Stanford on a creative writing scholarship, not only housed those looking for free drugs, but also aspiring authors and musicians. Kesey thought the use of drugs helped artists of all kinds, since it appeared to help him write his book One Flew Over the Cuckoos Nest (Hoshyns 31-33). Later, Kesey planned a music festival called “Trips Festival”, where over twenty thousand people dressed in costumes attended to join in the carefree lifestyle the hippies had. This caused Haight-Ashbury to become known for the hippies that lived there and the drug-filled atmosphere. A group called the Merry Pranksters formed in Kesey's house and they would go around organizing concerts and drawing in crowds to take the hallucinogenics (Sixties). The Merry Pranksters also bought a bus and painted it with patterns to create spiritual significance. This bus was the first example of the vans associated with hippies in modern times. They …show more content…
used this bus to travel the country and interact with the other, not drugged, members of society (Hoshyns 33-35). Phyllis Willner was just a girl when she arrived Haight and she had nothing. She used the Digger's food services when she first arrived in Haight. Later, the leader of the Diggers was arrested and Phyllis, along with other women, scavenged for food to serve those who were in need. The women were very persuasive in getting more food to serve. The Diggers had a store where everything was free, but it was not a common store, it mostly contained non-essential items and services. They did provide food, however, for the hungry people in Haight, who left everything behind (Anthony 31-34). Haight also had a free medical center to help with the many problems as a result of drugs, but it also treated common sicknesses and diseases for anyone who needed help (Hoshyns 87). The Free Frame of Reference, a store in a garage where everything was free, began with most young people starting out using only the store, but a majority of the clothes were costumes, hence the beginning of wearing costumes daily (Perry 108). When people would wear these costumes, some would act in the character he or she was portraying, but the well known fringe and tie dye was still very common. The Diggers were a self-proclaimed group of hippies. They adopted the phrase "1%" from Hell's Angels. The Hell's Angels proclaimed that only 1% of motorcyclists are not law abiding citizens. Diggers used 1% to represent the people who helped them change society (Anthony 27). They organized a “Death of Money” parade, but, ironically, two people marched to the police station and collected money for bail. Then, they marched to the jail and got one of the men out that they legally could (Perry 114). The Digger's "Rebirth of Haight/ Death of Money" march was very extravagant with the Diggers wearing animal masks and carrying a coffin on their four mile march through and around Haight (Hoshyns 119). The Hells Angels were a group of motorcyclists from California who protected the hippies at concerts and other large events where trouble may have occurred in return for beer and drugs . Because the hippies and the Angels had different values, they did not always see eye to eye. Hell's Angels were not against fighting, which is why they beat up an 18 year old hippie who kicked a member's motorcycle and ended up killing him with a pool cue (7). The Thelin brothers opened a store called the "Psychedelic Shop" on Haight Street in 1966. It included a meditation room, most commonly used for sex and drugs, theater seats looking out of the front shop window, and a message board, which was the main way for people in the city to communicate with one another (Anthony 60-61). The shop was in a central location, near the Haight-Ashbury intersection, and quickly replaced the former hangout, a laundromat, although the shop was not originally intended to be a hangout, but gladly accepted it. Because the Psych Shop was not built to be a neighborhood hangout, it received several charges against loiterers, and even got an eviction notice. Many other shops in the area received similar charges (Perry 76, 99). The Psychedelic Shop offered more than just a place for hippies to gather. It sold concert tickets, incense, fabrics, and records. Ron Thelin wished for the store to become more like a loose leaf tea store, but with drugs instead of tea (Cottrell 140). The Psych Shop's popularity did not decrease, however the profits did significantly. When the meditation room, called the Calm Center, opened in the shop, it took over half the space and some of the hours, leading to the financial trouble (Perry 189). Hashbury, a loving reference toward the neighborhood, filled many artists with inspiration both by physical appearance and the spiritual, loving atmosphere. Michael Bowen painted his perception of the world in Haight while his friends would wander past him, yet he still worked to capture the essence he searched for (Anthony 16). Even though most musicians did not go to Haight in search for fame, they ended up becoming the main force of moving forward with the peace and spirituality hippies desired. The loving attitude took the pressure to succeed off and the emotion began to shine though. Clubs, restaurants, bars, and coffee shops were popular hangouts for the townspeople to convene, eat, listen to music, and share thoughts and ideas. Many artists started out preforming in these places and moved forward (Hoshyns 27). The performers that came from Haight were not all musicians, although the majority were. Mimes, magicians, and palmists would not be uncommon to see on the streets. There was not a lack of entertainment in Haight with music, performers, and drugs to keep residents occupied (Anthony 78). Music was said to be the center of activities in Haight. Many famous bands emerged from the area, including Janis Joplin, the Grateful Dead, and the Charlatans, along with many others, even if they were not necessarily good, no one seemed to care (Hoshyns 15). The music played in the area was new at the time and called psychedelic rock. It carried from rock 'n' roll by having much longer songs, mixing different music genres and instruments, and being less structured. The songs often referred to drug use, fit for the setting (Sixties). Acid rock had a very distinct sound, one that mixed different genres and allowed for it to be liked by many. It connected different groups of people as a common ground and, though the music now wouldn't be considered very good to most people, the fact that listeners were doing drugs did not hurt. The psychedelic sound was not recreated until much later, in the 90s. The new songs were made to help one lose themselves in music, like in the 60s, but without the use of drugs (Hoshyns 15-17) . The peak of Haight-Ashbury was in the summer of '67, called the Summer of Love. Everything seemed to be working together in harmony and the police never intervened since no harm was done in playing music and roaming the streets. The summer of 1967 included several music festivals, but the biggest with over fifty-thousand attendees was Monterey International Pop Festival, near Haight. The festival jump started the careers of both Janis Joplin and Jimi Hendrix (Sixties). Monterey was the gateway from Haight to LA, and they actually tolerated each other for a while which was uncommon, but Monterey also put acid rock out there for the rest of the world to enjoy, unlike any time before. Many Hippies in Haight felt that Monterey was not a good idea because it was full of fake hippies who did not live the life of peace and simplicity. They just wanted to listen to music and do drugs. The festival also had a negative impact, it allowed for the stars who once lived in the streets to let fame get to their head, breaking the bonds of togetherness into pieces (Hoshyns 151, 155-157). The use of LSDs were declared illegal on October 6, 1966, but most people paid attention to the date rather than the law.
They associated the law with the anti Christ or a beast, since the numbers 666 stand out in the date. Exactly a year after the outlawing of LSDs, Haight had a parade called "The Death of Hippie." Many of the leaders in the hippie movement left Haight, and the parade was one last event. It ended in the burning of psychedelic sign and daisies being dropped on the Pentagon. Haight-Ashbury was a world class tourist attraction. The area was more well known than most other major cities in California. Tours of the area were given daily and very popular. At first, the hippies didn't mind the tourists, but as time went on, they wanted to stay out of the public’s eye (Anthony 118, 167, 27). In 1967, the loving atmosphere of Haight was interrupted when people came just to take drugs and were not interested in hippie lifestyle. Possibly even more discouraging to the residents, the neighborhood became a place people would pass through to see instead of a destination (Sixties). The hippies were different from other drug users. Although they used drugs to escape problems, they also used them to create the feeling they wanted society to be like, violence and sexist free in a world of peace and harmony. Just a year after Hashbury's height, the area was filled with drug abusers who did not care about love and camaraderie as the hippies, who now lived their separate
lives away from each other, did (Hoshyns 19, 205). Since the end of the 60s, Haight emptied out, along with the surrounding areas loosing their population. Today, things are mostly empty and all that is left on Haight Street is a few coffee shops, restaurants, and small stores, none of which accurately display the significance of Haight to American history (Anthony 167).
In 1967 the Beatles were in Abbey Road Studios putting the finishing touches on their album Sgt. Pepper's Lonely Hearts Club Band. At one point Paul McCartney wandered down the corridor and heard what was then a new young band called Pink Floyd working on their hypnotic debut, The Piper at the Gates of Dawn. He listened for a moment, then came rushing back. "Hey guys," he reputedly said, "There's a new band in there and they're gonna steal our thunder." With their mix of blues, music hall influences, Lewis Carroll references, and dissonant experimentation, Pink Floyd was one of the key bands of the 1960s psychedelic revolution, a pop culture movement that emerged with American and British rock, before sweeping through film, literature, and the visual arts. The music was largely inspired by hallucinogens, or so-called "mind-expanding" drugs such as marijuana and LSD (lysergic acid diethylamide; "acid"), and attempted to recreate drug-induced states through the use of overdriven guitar, amplified feedback, and droning guitar motifs influenced by Eastern music. This psychedelic consciousness was seeded, in the United States, by countercultural gurus such as Dr. Timothy Leary, a Harvard University professor who began researching LSD as a tool of self-discovery from 1960, and writer Ken Kesey who with his Merry Pranksters staged Acid Tests--multimedia "happenings" set to the music of the Warlocks (later the Grateful Dead) and documented by novelist Tom Wolfe in the literary classic The Electric Kool-Aid Acid Test (1968)--and traversed the country during the mid-1960s on a kaleidoscope-colored school bus. "Everybody felt the '60s were a breakthrough. There was exploration of sexual freedom and [...
Following the dot-com boom of the 1990s, the political and economical landscape of San Francisco greatly changed (Bourgois and Schonberg). At this time, Mayor Brown of San Francisco enacted neoliberal policies and reinstated law enforcement campaigns that directly targeted the homeless (Bourgois and Schonberg 221-222). The campaigns caused the Edgewater homeless to lose their few possessions, regular encampments, clean needles, and contact with the Department of Public Health’s mobile health van (Bourgois and Schonberg 222). Many addicts blamed themselves for the situation they were in, but the culture they were surrounded by had just as large of a role in prolonging their addiction and health problems. The previously mentioned governmental policies and drug use of the homeless caused a “syndemic” in their lives. A syndemic is “a cluster of [health] problems that work together, reinforcing and often exacerbating each other synergistically” (Sobo 193). Poor sanitation, use of dirty needles, and reduced access to healthcare created a complex system of health ...
Peering in from the eastern border of St. James Park, in the city of San José, you begin to get an essence of American life. From the upper echelons, to the lowly scum of society, St. James Park is known for its diversity. With the church at your back, you can observe the people pacing the station, glancing at their cell phones every other second as they wait for the train to arrive. An elderly man takes a leisurely stroll with the support of his cane. Kids playing soccer score between goal post marked by homeless bunker tree forts. Police reprimand a vagrant man for being naked while changing at his park bench. A used dirty tissue and old worn-in hooker boots lay carelessly on a picnic table inside the deserted playground area. The thugs make a quick score of some coke from their local street pharmacist. In the distance, bordering the western end of the park, are the steps leading to the Superior Court House: an everlasting symbol of justice and security presiding over American life. The frequenters of St. James Park are a part of a unique and complex subculture, in and of itself.
Wesson, Donald R. "Psychedelic Drugs, Hippie Counterculture, Speed And Phenobarbital Treatment Of Sedative-Hypnotic Dependence: A Journey To The Haight Ashbury In The Sixties." Journal Of Psychoactive Drugs 2 (2011): 153. Academic OneFile. Web. 23 Mar. 2014.
More than any other countercultural group, hippies reflected a deep discontent with technocracy- society’s reliance on scientific experts who ruled coldly and dispassionately and who wielded enormous power. Hippies said good-bye to that and hello to the mystical spirit, oneness with the universe- life as passion, passion as life, harmony, and understanding. The...
The general mindset of the 1960’s San Francisco scene is well summarized by Reebee Garafalo in his book Rockin’ Out: Popular Music in the USA when he states: “For the counterculture, the focus on mind-expanding drugs seemed to offer the possibility of greater self-awareness and consciousness, which would in turn lead to a world without war, competition, or regimentation.” The concept of expanding the mind in order to achieve a peaceful, utopian world naturally lends itself to the consumption of drugs. The image of half naked, marijuana smoking hippies dancing around in the park comes to mind when one thinks of the late 60’s Haight-Ashbury scene. Drugs help tremendously in creating an altered state, making one oblivious to the outside world. A great deal of the music was preaching peace, love,...
During the sixties Americans saw the rise of the counterculture. The counterculture, which was a group of movements focused on achieving personal and cultural liberation, was embraced by the decade’s young Americans. Because many Americans were members of the different movements in the counterculture, the counterculture influenced American society. As a result of the achievements the counterculture movements made, the United States in the 1960s became a more open, more tolerant, and freer country.
“Turn on, tune in, drop out”: These six words can instantly transport a rush of nostalgia to anybody who grew up during the 1960s and 1970s. This iconic phrase came from no other than Timothy Leary. Leary was a psychologist and writer who advocated for the exploration and use of Lysergic acid diethylamide, better known as LSD. Among other popular hippie figures such as the band Grateful Dead, or singers Joan Baez and John Lennon, Timothy Leary stood out as a strong leader in the movement. Of all the important figures in the Hippie Movement, Timothy Leary had the greatest impact on hippie culture.
Unlike the society before this movement, the hippie did not try to change America through violence, the hippie tried to change things through peace and love. The Hippie Movement was a moment during the mid 1960s through the early 1070s where sex, drugs and Rock-n-Roll, was at the forefront of mainstream society. No one really knows the true definition of a Hippie, but a formal definition describes the hippie as one who does not conform to social standards, advocating a liberal attitude and lifestyle. Phoebe Thompson wrote, “Being a hippie is a choice of philosophy. Hippies are generally antithetical to structured hierarchies, such as church, government, and social castes. The ultimate goal of the hippie movement is peace, attainable only through love and toleration of the earth and each other. Finally, a hippie needs freedom, both physical freedom to experience life and mental freeness to remain open-minded” (Thompson12-13). Many questions are asked when trying to figure out how this movement reached so many of America’s youth, and what qualities defined a hippie as a hippie?
American society and culture experienced an awakening during the 1960s as a result of the diverse civil rights, economic, and political issues it was faced with. At the center of this revolution was the American hippie, the most peculiar and highly influential figure of the time period. Hippies were vital to the American counterculture, fueling a movement to expand awareness and stretch accepted values. The hippies’ solutions to the problems of institutionalized American society were to either participate in mass protests with their alternative lifestyles and radical beliefs or drop out of society completely.
Despite the early success of the “slow-growth antiregime,” that teamed government officials, investors and neighborhood grass roots organizations in directing the development of San Francisco’s Tenderloin District, these efforts were unsuccessful in modifying the gentrification of this geographically desirable, but poverty stricken section of the city (Robinson 484, 505). The Tenderloin, which had been plagued by drug epidemics, crime, and homelessness, has experienced a gentrification, which may be defined as “the transformation of a poor neighborhood by changes in population characteristics and/or changes in land uses” (Palen
“I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix,” This opening line of Allen Ginsberg’s 1955 poem Howl truly depicts what the Beat generation was really like. He writes that his ‘generation was destroyed by madness’ meaning that the people of his generation became the victims of drug abuse, alcohol addiction, and violence. The Beat generation, or beatniks for short, consisted of some of Americas most celebrated writers including William Burroughs, Allen Ginsberg, Neal Cassidy, and of course its leader, Jack Kerouac. The beats were a unique group of writers who strongly opposed social norm. They were very independent people who were known for breaking the law whenever they needed to. They were also drifters who spent most of their lives on the road, a motif which especially fascinated Jack Kerouac.
If Ginsberg experimented with drugs I would also assume that many of his friends and people he associated were avid drug users. Line 9 reads, “who got busted in their pubic beards returning through Laredo with a belt of marijuana for New York.” Hipster was a term used to describe individuals who were interested in jazz and engaged in drug use. Many of these hipsters were easily recognizable by their long beards, compared to the clean, shaven appearance that was considered acceptable in their society. Ginsberg continues to write, “Peyote solidities of halls, backyard green tree cemetery dawns, wine drunkenness over the rooftops, storefront boroughs of teahead joyride neon blinking traffic light, sun and moon and tree vibrations in the roaring winter dusks of Brooklyn” (13). This line elaborates the extent of his drug use; that he has gotten high anywhere anyone can imagine, such as in a cemetery, on a roof, while driving, and in Brooklyn. And “sun and moon” could intend that he and the other Beats got high at any hour of the day, regardless whether daytime or nighttime. Just like excessive drinking causes one to get drunk and lose cognitive ability, drug use almost always results in the individual getting high. Depending on the severity of this high, one could experience bizarre and unexplainable hallucinations. Perhaps these trips and hallucinations are what inspired these writers’ creativity. And though drug use is not a societal norm, from Ginsberg’s point of view, drugs actually help to stimulate the best
When people hear the term hippie, they think of men and woman in loose clothing with flowers weaved in their hair. Although these men and women did in fact wear these things, they left a significant impact on society. Hippies were a part of the Counterculture movement, which basic ideals were to reject the ideas of mainstream society. The movement itself began with the protesting of the Vietnam War. Eventually, the movement was more than just protesting the war. Hippies promoted the use of recreational drugs, religious tolerance; they also changed society’s views and attitudes about lifestyle and social behavior. The Counterculture movement was the most influential era in the 20th century because the people of this time changed society’s outlook, and broached the topics of drugs, fashion, and sexual freedom.
The sixties was a decade of liberation and revolution, a time of great change and exciting exploration for the generations to come. It was a time of anti-war protests, free love, sit-ins, naked hippie chicks and mind-altering drugs. In big cities such as San Francisco, Los Angeles, New York and Paris, there was a passionate exchange of ideas, fiery protests against the Vietnam War, and a time for love, peace and equality. The coming together of like-minded people from around the world was spontaneous and unstoppable. This group of people, which included writers, musicians, thinkers and tokers, came to be known as the popular counterculture, better known as hippies. The dawning of the Age of Aquarius in the late sixties was more than just a musical orgy. It was a time of spiritual missions to fight for change and everything they believed in. Freedom, love, justice, equality and peace were at the very forefront of this movement (West, 2008). Some wore beads. Some had long hair. Some wore tie-dye and others wore turtle-neck sweaters. The Hippie generation was a wild bunch, to say the least, that opened the cookie jar of possibilities politically, sexually, spiritually and socially to forever be known as one of the most memorable social movements of all time (Hippie Generation, 2003).