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Hip hop impacts on youth
Hip hop impacts on youth
Hip hop's effect on popular culture
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Imagine being at a concert shouting lyrics at the top of your lungs along beside hundreds of others who enjoy the same kind of taste of music as you do. The power of music connects people from all over the world. When it comes to music, people often express their views, opinions and their feelings. As of today, the combine genre Hip Hop/ R&B has taken over and is now the most popular genre. It became well known that it has entered in today’s fashion and the way we speak. Hip Hop is a form of art that can be express through rap songs, breakdancing, and graffiti art. It is a cultural movement that started in South Bronx, New York in the early 1970s in a home of DJ Kool Herc and the movement later spread across the entire borough. Hip Hop was …show more content…
According to Dr. West, “rap music identifies young black women in five sexual personas: Diva, a woman who trades sexual favors for luxury; Gold Digger, a woman who trades sexual favors for basic necessities and leaves men bankrupt; Freak, a sexual powerhouse; Gangster B----, a "tough" girl; and Baby Mama, a child's needy mother” (Saengianpittsburgh, 2008). Since the 80s, hip hop artists has been accused to objectifying women. It captures the idea of controlling and demeaning women by “pimping them.” In “Why do music videos portray black women as exotic sex objects?”, the author draws attention highlighting what is put on bodies of African American women, which are “seen as inherently sexual and animalistic, with a heavy focus on body shape, particularly the posterior. The black woman’s ‘butt’ has been considered a distinct point of fascination for centuries” (Larasi, 2013). Although, rap and hip hop get more attention in popular media for sexualizing women, it is also being represented in other …show more content…
Not only did Hip Hop and Rap swept through the nation, it also swept over the entire world. For many years, the youth have been known for singing their favorite songs and depending on the lyric, use it as their motto. For example in 2011, Drake released a song called “The Motto” and in one of his verses, he raps, “You only live once, that’s the motto, n----, YOLO.” This became very popular in 2011. According to Franklin B. Krohn and Frances L. Suazo in their article “Contemporary Urban Music: Controversial Messages in Hip-Hop and Rap Lyrics,” many teenagers and minority groups view rappers as their spokesmen because of their ability to speak in street language and bluntly express their frustration” (Krohn, 1995).
Specifically, teens are attracted to this music style, because it “appeals to the emotional struggles usually felt in teenage years, and for teens in lower socioeconomic brackets, the financial struggles felt by many rappers mirror their own. An escape from reality is provided for teens in the “better tommorrow” depicted by some rap songs” (Brown, 2016). The enjoyment for Hip Hop/ Rap brings people together and it brings out a creativity on those that write lyrics and produce
Since the decade of 1920, America has been the setting for a progressive "Black Arts Movement." This African-American cultural movement has taken shape in various genres, gaining mass appeal, through multiple capitalistic markets. Even with the use of capitalism this cultural arts movement has stayed set upon its original purpose and direction, by aiding in cultural identity awareness. The knowledge of the duel-self through community awareness as it pertains to economic perceptions and other social boundaries or the metaphysical-self; what W.E.B. Du Bois coined as "twoness," or a division of one’s own identity as a African-American. (Reuben 2) A realization of the existence of two beings within one’s mental identity, where time alters attitude and identity through environmental influence of passing events. The discovery of the "New Negro" in the Harlem Renaissance marks the beginning of this essential philosophy contributing to the 1960’s Black Arts Movement and the Civil Rights Movement; continuing to be evident in current forms of black art, such as within the lyrics of hip-hop music. These revolutionary Ideals of reform have been voiced in the lyrics of many rappers of urban realism, like the New York M.C.’s Rakim, Run-D.M.C. and west coast rapper Tupac Shakur. Though this form of expression is opposed by most academic elitists and fundamental conservatives due to their vulgar expressions of sex and violence depicted within the genre of Hip-Hop; it in opposition actually presents an internal cultural conflict revealed through the redefinition of one’s own identity with poetic lyrical expressions of realism.
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
Since the early to mid 90’s, hip-hop has undergone changes that purists would consider degenerating to its culture. At the root of these changes is what has been called “commercial hip-hop". Commercial hip-hop has deteriorated what so many emcees in the 80’s tried to build- a culture of music, dance, creativity, and artistry that would give people not only something to bob their head to, but also an avenue to express themselves and deliver a positive message to their surroundings.
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
Hip-Hop is in todays times is considered to be a cultural movement in todays generation. The five elements of Hip-Hop starting off with the beat boxer, Deejay, next is the Master of ceremonies also known as the MC or Rapper, break dancing, graffiti, and knowledge and style. Recognizing myself as an African American male growing up in the suburbs I was always a sight for sore eyes, not in a sense for being ugly or due to my pigment of skin it was do to the pigment of my skin but how I dressed compared to the other kids growing up. Noticing the brands that I wore were different in Style from the predominantly white school population, clearly showing that we shopped in different stores. Style Defined by Webster’s Dictionary is a particular way
From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.
From the impoverished section of Bronx, New York arose a youth culture that spread throughout the community like wild fire. Within the gang-ridden, drug-infested streets, a depravation of creativity forced underprivileged African American youths onto the streets in search of an output for their imagination. It was within these streets that hip-hop appeared as the product of independence, self-realization, creativity, and pride.
Hip-Hop is defined as, “The musical style incorporating rhythmic and/or rhyming speech that became the movement’s most influential and lasting art forms” (“Hip-Hop” 1). Created by the youth in New York during the 1970’s, Hip-Hop has become not only a form of music but also a way ...
The second article, “Commercialization of the Rap Music Youth Subculture” by M. Elizabeth Blair, expresses the point of the use of rap music to sell a product even though advertisers know nothing of the subculture....
Since the 1980s Hip Hop has a positive impact on black Americans when trying to empower the citizens of this country. Since blacks have tense to this country many have been looked down on, so many artist just want them to know that Africans Americans are more than what many other ethnicities say that they are. Therefore, the hip hop cultures and movements of the 1980s through the 2000s had a positive impact on contemporary young Africans Americans identities. This is due to, Hip Hop artists wanting to share their stories and insights on the issues that affect society. In addition, the rap artists and their lyrics serve as musical depiction of their culture’s rich history. Furthermore, Hip hop artist want African Americans to know that there
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Black culture in our society has come to the point where it is allied with pop culture. The most popular music genres, slang terms, to dance forms it all comes from black culture. Hip hop emerged from black culture, becoming the soul of it that is seen in the media. Hip hop helped the black community by creating new ways of expressing themselves, from breakdance, graffiti, rap and other music, to slang. This culture was rooted in their tradition and created from something new. Hip hop created a new form of music that required the use of turn tables, ‘cuts’, loops, rhythm, rhyme, stories, and deep-rooted emotions, but also incorporated black oral forms of storytelling using communal authors.
People are surrounded by music every day of their lives. They hear it in their homes, on the radio on their way to work; some people have even caught themselves humming the tune of their favorite song to themselves. But how many people actually listen and not just hear the music they are listening to? Teens in particular don’t realize the message behind the music they are quoting the lyrics to, or the effect it has on them. In today’s culture where rap music has become increasingly popular, many teens aren’t realizing what they are listening to. A lot of teens would argue that the music they listen to has no effect on them, but they are wrong. Rap music, especially, has had a major impact on teenagers in today’s society.
Imagine our youth all over the country being exposed to this explicit kind of language. There is no need to imagine, because it is already happening. Ever since the rise of Rap and Hip Hop music, teens have been turning to them to help solve their problems. However these kinds of music can be very destructive to teens. It is not the youth’s fault; it is the content that the music contains. Although Rap and Hip Hop music can be a force for good, they can also have an extremely negative impact on the attitudes and behaviors of our youth.
Not only is hip-hop a way of expressing ones feelings or views, but it is a part of the urban culture and can be used as a communication tool. Slang originally came from hip-hop music and has become a very popular use in today’s society, especially the urban parts. Hip-hop is a standout amongst the most compelling musical sorts on the globe. There are rappers everywhere that know what amount of an impact their music can have. Some entertainers attempt to utilize that force of impact to do great (Ruiz INT).