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My analysis of hills like white elephants
Themes in hemingway's writing
Themes in hemingway's writing
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“Hills like White Elephants”, a short story written by American author and journalist, Ernest Hemingway, is about a couple facing a sort of crisis in their relationship. The story goes on with a lady and a man name Jig, who are conversing about something very important, but they never really get to what they mean to say. For a story to go on in such a manner, and for the readers to comprehend it, there must be a clear understanding of the genres of the story. A genre is a kind of writing that has special characteristics that distinguish it from other kinds of writing (“Learning about Genre”). In other words, a genre is a guide to understanding what the story is actually trying to portray. In “Hills like White Elephants,” Hemmingway’s style of writing falls under these two genres— Minimalism and Principles of iceberg.
“Less is more”, said by Ludwig Mies van der Rohe, is the most important part of the genre minimalism. In a story with the genre of minimalism, minimalist writers allow context of the story to dictate meanings. One of the first sign of minimal context, is when the girl wanted to try a drink call Anis del toro. The alcoholic beverage Anis del toro, has a very high level of alcohol per volume, so just a few sips could lead to death. Hemingway bringing up this very alcoholic drink, is a way of introducing the setting of the story. The drink is mostly well-known in Spain.
As the story develops, there comes a point of realization that Ernest Hemingway never told the readers the age of the characters nor their actual relationship. All the readers have is that it was an American man and a girl. Lines such as, “I love you” and “I care about you,” hints that the two people could very well be a couple. As far as their ages, we...
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For many years, the narrative technique of Hemingway has been under debate. Writers before him had already achieved works that bear the characteristics of the modern short story, and many of their works could stand today, with those of Hemingway and of writers like Faulkner, as representative short stories of modern times. What distinguishes Hemingway both from his predecessors and from his contemporaries, however, is the theory he produces to deal with the challenge of spatial limitation which every short story writer has to face: how can he say more than his space actually allows him to say? The principle of the iceberg, as the theory is called by Hemingway, leaves distinctive imprints on his short stories: a clipped, spare style, naturalistic presentation of actions and observations, heavy reliance on dramatic dialogue, and a pattern of connection extending backwards and forwards between the various stories.
Hemingway, Ernest. "Hills like White Elephants." Responding to Literature. Ed. Judith Stanford. Boston: McGraw-Hill, 2006. 841-44. Print.
Hemingway has created a situation where she is forced to depend on him because she is a young, immature, girl in an adult situation. It is when the American tells jig that “we will be fine afterward. Just like we were before, it is the only thing that bothers us. It’s the only thing that’s made us unhappy” that she realizes nothing will ever be the same no matter what he says. During one discussion she says “we could have everything” the man agrees, then she says “no we can’t it isn’t ours anymore and once they take it away, you can never get it back.” He says “But they haven’t taken it away” and her response is “we’ll wait and see.” The American doesn’t realize that at this point she has discovered that if he cannot love her and be happy while she is pregnant how he will ever truly love her as much as she loves him. According to Robert Barron many critics believe that the couple’s relationship has a bleak and ultimately poor ending (Barron). The older waiter in “A clean, Well-Lighted Place” is dealing with a similar situation when a wealthy old man who is a regular at the café he works at comes in after a failed suicide
Burroway, Janet. Writing Fiction: A Guide to Narrative Craft. 6th ed. New York: Longman, 2003. As Rpt. in Rankin, Paul "Hemingway's `Hills Like White Elephants'." Explicator, 63 (4) (Summer 2005): 234-37.
The art, literature, and poetry of the early 20th century called for a disruption of social values. Modernism became the vague term to describe the shift. The characteristics of the term Modernism, all seek to free the restricted human spirit. It had no trust in the moral conventions and codes of the past. One of the examples of modernism, that breaks the conventions and traditions of literature prior to Modernism, is Ernest Hemingway’s short story “Hills Like White Elephants”. The short story uses plot, symbolism, setting, dialogue, and a new style of writing to allow human spirit to experiment with meaning and interpretation.
Hemingway, Ernest. “Hills Like White Elephants.” Fiction 101: An Anthology of Short Fiction. James H. Pickering. Twelfth Edition. Pearson Education, Inc., 2010. 638-641
We notice, right from the beginning of his life, that Ernest Hemingway was confronted to two opposite ways of thinking, the Manly way, and the Woman way. This will be an important point in his writing and in his personal life, he will show a great interest in this opposition of thinking. In this short story, Hemingway uses simple words, which turn out to become a complex analysis of the male and female minds. With this style of writing, he will show us how different the two sexes’ minds work, by confronting them to each other in a way that we can easily capture their different ways of working. The scene in which the characters are set in is simple, and by the use of the simplicity of the words and of the setting, he is able to put us in-front of this dilemma, he will put us in front of a situation, and we will see it in both sexes point of view, which will lead us to the fundamental question, why are our minds so different?
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
Hemingway, Ernest. "Hills Like White Elephants." Perrine's Literature: Structure, Sound, and Sense. Ed. Thomas R. Arp and Greg Johnson. Boston: Thomson Wadsworth, 2006. 268-272.
Hemingway's Personal Life and its Influence on his Short Story "Hills Like White Elephants" "Hills like White Elephants" is not the normal story where you have a beginning, middle and end. Hemingway gave just enough information so that readers could draw their own conclusions. The entire story encompasses a conversation between two lovers and leaves the reader with more questions than answers. Ernest Hemingway was a brilliant writer. People that study Hemingway's works try to gain insight and draw natural conclusions about Hemingway and his life.
The Iceberg Principle that Hemingway is so fond of, has already given rise to many discussions over the years. Giving away only a tip of it, Hemingway leaves us behind with a great amount of mystery in his stories.
Hemingway has a very simple and straightforward writing style however his story lacks emotion. He makes the reader figure out the characters’ feelings by using dialogue. “...
In the short story “Hills Like White Elephants” by Ernest Hemingway, the author employs the use of the iceberg theory to convey a hidden message within the lines of the story for the reader. Through the use of strictly dialogue, Hemingway allows the reader to only see the part of the iceberg that is above water. The rest of the story is inferred by the reader. For example, Hemingway uses simple sentences rather than complex sentences to get straight to the point. All of Hemingway’s use of detail and explanations of scenery or background is made simple.
Hemingway, Ernest. “Hills Like White Elephants.” The Norton Introduction to Literature. 10th ed. Eds. Alison Booth and Kelly J. Mays. New York: Norton, 2010. 113-117. Print.
When compiling The Sun Also Rises, Hemingway wanted to make use of his knowledge in journalism to write fiction. This decision was based on his belief that a story could be based on real events of a writer’s own distilled experiences wou...