American short story writer Eudora Welty once said, "Every story would be another story, and unrecognizable if it took up its characters and plot and happened somewhere else... Fiction depends for its life on place. Place is the crossroads of circumstance, the proving ground of, What happened? Who's here? Who's coming?" (Marrs 1). Most short stories use its setting as the groundwork for its characters, their development, its plot, conflict, and dialogue. However, in the short story “Hills Like Elephants” by Ernest Hemingway it is uniquely different. Hemingway presents a profoundly vague dialogue between two characters of whom we know very little about. The ambiguous exchange between these two seems immaterial; however, it does gives the reader …show more content…
The first, to point out that the two characters are a couple. This detail also symbolizes how the man wants their relationship to stay just the two of them; he wants to keep living the carefree and spontaneous lifestyle without children. Another example is of the disunion that occurs between the two. Jig’s wishes to take the step towards motherhood and move the relationship forward. Although the man constantly reassures Jig that he does not want anything she doesn’t, he in fact wants nothing to change. The man says, “I’m perfectly willing to go through with it if it means anything to you.” Jig asks, “Doesn’t it mean anything to you? We could get along.” ‘Of course it does. But I don’t want anybody but you. I don’t want anyone else” (Hemingway 637) The last use of the word two symbolizes how the man’s viewpoint and his future. “He picked up the two heavy bags and carried them around the station to the other tracks. He looked up the tracks but could not see the train” (Hemingway 638). The man is not capable of seeing the train, meaning he cannot see the crisis coming his way caused by his lack of understanding of the situation and of Jig’s concerns (Yirinec
The main characters’ conflict over not wanting the same things in life is the root of the women’s disillusionment. The theme is furthered by the complication of the antagonist manipulation of the Jig’s feelings for him. Similar to Cisneros’s written work, Hemingway uses the narrative point of view to illuminate the growing disillusionment the women feels about not being able to have everything if she terminates the pregnancy. Hemingway leads the audience to this conclusion when the protagonist states “no, we can’t it isn’t ours anymore… Once they take it away, you never get it back” when referring to her disappointment that the antagonist will not change his mind and they can no longer have everything they ever wanted
“Hills like White Elephants” by Ernest Hemingway is about a couple, the American and Jig, who contemplate whether or not to have an abortion. The premise of the story seems simple enough, but the outcome is highly debated. Critics argue that the baby was kept by the couple ( Renner ) and others claim the baby was aborted.( Fletcher ) Others have even simplified the story, claiming that the issue was not resolved because the couple was drunk by the end of the story. ( Sipiora ) Although the conclusion is in questions many have agreed with the idea that the couples relationship would be changed and would end prematurely. ( Wyche ) Dialogue is the main technique in conveying this argument but we can only understand the complexity of Hemingway’s work by looking at the story as a whole. By looking at the many symbols, intrinsically and
Authors of great stories often use good technical writing skills. The purpose of this essay is to compare and contrast two short stories: Where Are you going, Where Have You Been by Joyce Carol Oates and Hills Like White Elephants by Earnest Hemingway. The comparison and contrast will be done based on their use of plot, point of view and character development.
Through his endless amounts of pestering he never finds a way to get his desire and true feelings across to the young lady and becomes increasingly bothersome because of his inability to convey his feelings. “‘We can have the whole world,’ the American declares. ‘No we [cannot],’ Jig retorts. ‘ We can go everywhere.’ No, we [cannot]. It [is not] ours any more.’ ‘[It is] ours.’ ‘No, it [is not].’” (3) The American is insistent on continuing the nomadic lifestyle that the couple lives by aborting this baby, and pesters Jig continually hoping to sway her with the thought of living their same lifestyle that they currently live. However he never directly tells her his desires and instead attempts to manipulate her as he feels his desire is in their best interest regardless of how he achieves his desire. However he does not realize that in his examples he is strengthening Jig’s resolve and conviction in her own wishes. Earlier on in the narrative the American is quick to turn and begin attempting to conform Jig, without any warning or inkling of a change in topic he quickly turns it into what he wants: “‘Should we have another drink?’ ‘All right.’ ‘The [beer is] nice and cool,’ the man says. ‘[It is] lovely,’ Jig agrees. ‘[It is] really a simple operation, Jig… I know you [would not] mind it.’ [Jig] did not say anything.” (2) Without transition or a telling sign, the American quickly turns an agreement about how lovely the cool beer is on a warm day, into pressuring Jig to conform to his desires. All because of his selfish need and lack of responsibility to settle down and lead a life where they can raise the child, and his desire to continue living a life of excess and materialism, yet he cannot convey these desires of him
Hemingway, Ernest. "Hills like White Elephants." Responding to Literature. Ed. Judith Stanford. Boston: McGraw-Hill, 2006. 841-44. Print.
The story begins with a vivid description of a train station surrounded by hills and fields. This scene tells us a lot about the couple's situation. The view of the hills seen off in a distance symbolizes the growing belly of the girl. The hills also symbolize the obstacles that are in the way of the two character's relationship. In the story, Jig looked at the hills and said, “They look like white elephants.” The man replied, “I've never seen one.” Then she replied, “No, you wouldn't have” (...
In a well-written short story, different literary elements and terms are incorporated into the story by the author. Ernest Hemingway frequently uses various literary elements in his writing to entice the reader and enhance each piece that he writes. In Hills Like White Elephants, Hemingway uses symbols to teach the reader certain things that one may encounter during daily life. Symbolism may be defined as relating to, using, or proceeding by means of symbols (Princeton). The use of symbols in Hills Like White Elephants is utterly important to the plot line and to the fundamental meaning of the story. Through this use of symbolism, the reader can begin to reveal the hidden themes in this short story.
Hemingway has created a situation where she is forced to depend on him because she is a young, immature, girl in an adult situation. It is when the American tells jig that “we will be fine afterward. Just like we were before, it is the only thing that bothers us. It’s the only thing that’s made us unhappy” that she realizes nothing will ever be the same no matter what he says. During one discussion she says “we could have everything” the man agrees, then she says “no we can’t it isn’t ours anymore and once they take it away, you can never get it back.” He says “But they haven’t taken it away” and her response is “we’ll wait and see.” The American doesn’t realize that at this point she has discovered that if he cannot love her and be happy while she is pregnant how he will ever truly love her as much as she loves him. According to Robert Barron many critics believe that the couple’s relationship has a bleak and ultimately poor ending (Barron). The older waiter in “A clean, Well-Lighted Place” is dealing with a similar situation when a wealthy old man who is a regular at the café he works at comes in after a failed suicide
Ernest Hemingway’s story “Hills Like White Elephants” is written in third person. This narrator is objective and limited. It is objective, by not giving thoughts or opinions about the story. The narrator is limited by having no insight to thoughts of the other characters in the story and has
---, "Hills Like White Elephants." The Short Stories of Ernest Hemingway. New York: Charles Scribner?s Sons, 1953. 273-278.
This short story is about a couple arguing about abortion. The girl, Jig, does not want to, but the American man says that it is the only thing between them. The girl wants to continue on with her life of exploring the world with the addition of the baby, but the man says that it would take the world away from them. The man has experience in this, but the woman seems not to. She is reluctant, and does not want to talk about it any more after a point. There are many elements in the story, such as disconnection, manipulation, dominance, innocence, and irresponsibility.
In the short story by Ernest Hemingway, "Hills Like White Elephants," a couple is delayed at a train station en route to Madrid and is observed in conflict over the girl's impending abortion. In his writing, Hemingway does not offer any commentary through a specific character's point of view, nor, in the storytelling, does he offer his explicit opinions on how to feel or think about the issues that emerge. The narrative seems to be purely objective, somewhat like a newspaper or journal article, and in true Hemingway form the story ends abruptly, without the couple's conflict clearly being resolved. The ambiguity of the ending has been a subject of much debate; however, the impact of what is not said in words can be gleaned through the symbolism of their surroundings. Upon examination of the setting, the couple's final choice becomes instantly apparent.
Hemingway, Ernest. "Hills Like White Elephants." Perrine's Literature: Structure, Sound, and Sense. Ed. Thomas R. Arp and Greg Johnson. Boston: Thomson Wadsworth, 2006. 268-272.
Ernest Hemingway is an incredible writer, known for what he leaves out of stories not for what he tells. His main emphasis in Hills Like White Elephants seems to be symbolism. Symbolism is the art or practice of using symbols, especially by investing things with a symbolic meaning or by expressing the invisible or intangible by means of visible or sensuous representations (merriam-webster.com). He uses this technique to emphasize the importance of ideas, once again suggesting that he leaves out the important details of the story by symbolizing their meaning.
Hemingway, Ernest. “Hills Like White Elephants.” The Norton Introduction to Literature. 10th ed. Eds. Alison Booth and Kelly J. Mays. New York: Norton, 2010. 113-117. Print.