William Bysshe Stein’s article “Hester as a Puritan Fausta,” discusses the similarity between Hester Prynne and the Faust motif in Nathaniel Hawthorne’s The Scarlet Letter. The motif is based off the German legend of Faust, a man who sells his soul to the devil for knowledge and earthly satisfaction. Stein states that “Hawthorne feminizes the Faust motif in depicting the character of Hester Prynne. From the moment Hester commits her soul to the cause of the devil, she ceases to be the standard heroine of the typical romance” (Stein). Stein claims that Hester is neither a tragic heroine, nor a saintly individual. Rather, Hester exhibits Faustian characteristics as she surrenders her moral integrity to serve her own selfish desires. Hester’s …show more content…
silence regarding her relationship with Chillingworth, blind pride, and temptation of Dimmesdale illustrate her Faustian nature. The bedrock of the Faust motif is a character’s pledge of loyalty to evil.
Although Hester’s adultery with Dimmesdale leads her to evil, it is her silence about her marriage to Chillingworth that allows her to become a servant of the devil. Stein argues that Hester remains silent, because “she subconsciously asserts a wishful desire for earthly happiness with the man who contributed to her ruin. And unintentionally she becomes an accessory of Chillingworth in his scheme of revenge” (Stein). Despite her trials, Hester still retains the dream that one day she will be able to live blissfully with Dimmesdale, separate from any Puritan prejudice. It is this misguided delusion that allows Chillingworth to manipulate Hester into remaining silent about her relationship with him, for she knows that revealing it would destroy any chance she and Dimmesdale have at a life together. Hawthorne directly states this temptation, writing, “there trode the feet of one with whom she deemed herself connected in a union, that, unrecognized on earth, would bring them together before the bar of final judgment, and make that their marriage-altar” (Hawthorne 89). Chillingworth, acting as Lucifer, offers Hester the false hope that she can live happily with Dimmesdale. This false hope forces Hester to remain in the village and convinces her to remain silent about her marriage with Chillingworth, dooming her to a Faustian …show more content…
fate. Stein also references Hester’s blind pride as she questions the justice of her punishment, which mirrors that of the devil and his follower, Faust. Hester sees her persecutors as hypocrites whose actions are as deplorable as or worse than her own. Even when Hester does not know of any immoral actions that someone may have done, she simply creates one as Hawthorne notes, “[h]er imagination was somewhat affected…. She shuddered to believe, yet could not help believing, that [the scarlet letter] gave her sympathetic knowledge of the hidden sin in other hearts” (Hawthorne 96). Hester is unable to accept the punishment for her wrongdoing and instead chooses to cope by projecting her own guilt onto the innocent around her. Stein explains that “this impatience with the conventions of the culture attests the Faustian tone of her meditations. Her intellectual curiosity savors of the sinful impulse that led her into adultery” (Stein). Hester’s hubris does not allow her to acknowledge that she has made a mistake. Therefore, rather than work to raise herself up, she instead imagines others as lowly, illustrating the manifestations of Faust’s blind pride. Hester’s most obvious conformity to the Faust motif surfaces in her meeting with Dimmesdale in the forest.
In this encounter Hester’s role in the story is shifted to the tempter, as she uses her sexual attraction to manipulate Dimmesdale. Before this meeting Hester avoided explaining her scarlet letter to Pearl, but as they are in the forest Pearl questions Hester about whether or not she met the Black Man. Hester responds, “once in my life I met the Black Man... This scarlet letter is his mark” (Hawthorne 205). For the first time, Hester willfully confesses allegiance to Lucifer and gives in to the devil that haunts her conscience. After this, she fully undertakes her role as the temptress in her effort to persuade Dimmesdale to run away with her. Stein writes that Hester uses her feminine beauty to “convince [Dimmesdale] that [fleeing] is the only alternative to disgrace or death” (Stein). Hester tempts the weakened morale of Dimmesdale to fulfill the hope he had held deep within his heart for years, but could never openly admit. Dimmesdale is only saved from damnation by his confession at the election ceremony, when he is finally able to overcome Hester’s fiendish attempts of
persuasion. Many critics argue that Hester’s many acts of kindness for other villagers contradict any Faustian characteristics she might possess. This claim fails to recognize, however, that although her actions were pure and charitable on the surface, her thoughts are tainted. Stein articulates this by writing, “[o]n the surface, her benevolence and charity conform to the Calvinistic conception of penance. But in her heart, wherein only the love of God is supposed to dwell, an earthlier passion holds sway” (Stein). She does these actions not out of the kindness of her heart nor as a form of penitence, but instead as an attempt to regain some amount of respect in the community. This is illustrated by the fact that she is unable to fully accept her punishment or acknowledge her wrongdoing. William Bysshe Stein claims that Nathaniel Hawthorne portrays Hester Prynne as a Faustian character in The Scarlet Letter. “In seven short years [Hester] changes from an emotionally passionate girl into a dynamic rebel against convention…. She becomes in other words, the feminine counterpart of Faust, a virtual Puritan Fausta” (Stein). As Hester sacrifices her morality to diminish her suffering in the Puritan community, she exhibits the attributes of the Faust motif. Her silence regarding her relationship with Chillingworth, blind pride, and temptation of Dimmesdale illustrate her Faustian nature.
Consequently enough, Dimmesdale is trying to convince Hester to reveal the man who has sinned along with her, so the man can be relieved of his guilt, somewhat ironic because he is the man who has sinned along side with her. "What can thy silence do for him, except it tempt him--yea, compel him, as it were--to add hypocrisy to sin? Heaven hath granted thee an open ignominy, that thereby thou mayest work out an open triumph over the evil within thee and the sorrow without.
In Nathaniel Hawthorne’s well known novel, The Scarlet Letter, extensive diction and intense imagery are used to portray the overall tone of the characters. In particular, Hester Prynne, the wearer of the Scarlet Letter, receives plentiful positive characterization throughout the novel. Hester’s character most notably develops through the town’s peoples ever-changing views on the scarlet letter, the copious mentions of her bravery, and her ability to take care of herself, Pearl, and others, even when she reaches the point where most would give up and wallow in their suffering.
In his essay On the Scarlet Letter, D.H. Lawrence explores Nathaniel Hawthorne’s portrayal of Hester Prynne. Lawrence focuses on and condemns Hester’s sin itself rather than its consequences. Instead of supporting Hawthorne's depiction of Hester as an innocent character, Lawrence sheds light on what he believes is her true character, a deceiver. He argues that Hester Prynne has a false appearance of purity through his use of critical diction, sarcastic tone, and biblical allusions.
Both committed adultery but have suffered in different ways. Hester’s punishment composed of public shaming on the scaffold for all to behold, but afterwards she did not suffer from guilt because she confessed her sin, unlike Dimmesdale, who did not confess, but rather let his sin become the “black secret of his soul” (170), as he hid his vile secret and became described as the “worst of sinners” (170). He leads everyone to believe of his holiness as a minister and conceals the, “Remorseful hypocrite that he was [is]” (171). Hester, a sinner too, however, does not lie about how she lives and therefore, does not suffer a great torment in her soul. While she stays healthy, people begin to see Hester’s Scarlet Letter turn into a different meaning, of able or angel, and they view her in a new light, of how she really lives. Dimmesdale however, becomes sickly and weak after “suffering under bodily disease, and gnawed and tortured by some black trouble of the soul” (167). He hides behind a false mask as he is described as possessing, “Brilliant particles of a halo in the air about his head” (300), and perceived as the most honorable man in New England. People do not see him as truly himself, but rather who he hides
Hester Prynne is seen by many as worthy of respect and admiration throughout Nathaniel Hawthorne’s novel, The Scarlet Letter. She is ultimately seen as a hero in many areas of the novel. Literary critic Mark Van Doren argues that Hester Prynne is a heroic citizen who rises above the consequences of her sin. Van Doren argues that Hester Prynne should be seen as a noble hero through his use of repetition, praiseworthy diction, and admirable tone.
Hester Prynne is a character who gave up everything, even love, for her child. Hester Prynne sacrificed her peace, her beauty, her entire being for her child and this shows her determination and profound understanding of the world. Nathaniel Hawthorne’s piece, “The Scarlet Letter” shows the other side of the sinner’s story and not as a villain, but a victim.
In Nathanial Hawthorne’s The Scarlet Letter, the reader meets the character Hester Prynne who as the novel progresses, one notices the changes in her character are very dramatic. The changes are both physical and in her mannerism’s. There are many significant events which took place before the start of the novel and during the novel. Some of these events that lead to this dramatic change include the affect of wearing the scarlet letter, the secrets which she keeps, and her daughter Pearl’s evil characteristics. By these events, Hester Prynne’s image is transformed throughout the time of the story.
Even though many saw the difference in Hester there was still Chillingworth who still wanted his revenge. He becomes obsessed with the punishment of the "A" and does a devilish dance when he realizes the powerful effect it has had on Dimmesdale. (Blake, "Hester's Bewitched Triangle: Within the Spell of the "A") Chillingworth pretends to be a friend to Dimmesdale and becomes his physician. Dimmesdale becomes miserable because he hidden his true identity. Hester, hast thou found peace? Whatever of good capacity there originally was in me, all of God's gifts that were the choicest have become the ministers of spiritual torment. Hester, I am most miserable! ( Hawthorne 208–209) Dimmesdale begins to torment himself with all of his thoughts and tells Hester he wants to be apart of the family they’ve made together.
Hester’s real sin, which she admits in her first interview with Chillingsworth, was to marry the old man. Neither loved each other. Hawthorne appeared to hint that Hester married him because of social and economic necessity; he appeared to have married her because he though she would bring a little life into his existence. The matter appeared doomed in Hawthorne’s eyes, and unnatural. Hester doomed herself when she married Chillingsworth, certified that doom when she committed adultery, and finalized that doom when she concealed Chillingsworth’s identity from Dimmesdale. The effects these events had were the separation from her society, her lover, her husband, her child, and her own best self. She did it all in the name of sanctity, for true love, and she paid the price. Dimmesdale was changed by the affair in a way that “ [he] grew emaciated; his voice, though still rich and sweet had a [tone] of decay.';
The characterization of Hester Prynne demonstrates a contrast to pure society, as writer and critic D.H. Lawrence suggests in his article, “On the Scarlet Letter.” There is a genuine disparity in the methods Lawrence uses to portray Prynne, and the methods used by The Scarlet Letter’s author, Nathaniel Hawthorne. Because of his utilization of impactful syntax, religious allusion, and critical tone, D.H. Lawrence’s claim that Hester Prynne is a contradictory character to pure society is effectively justified when compared to the misleading seductive elements of Nathaniel Hawthorne’s writing.
While Hester tries to protect Dimmesdale by not giving the name of Pearl's father, she actually condemns him to a long road of suffering, self torture and disappointment. She does this by letting him keep the sin he committed in secret while he watches her being publicly punished. Chillingworth observes Dimmesdale's desire to confess, as well as his lack of willpower to do so. Dimmesdale rationalizes not confessing; all the while Chillingworth is torturing with constant reminders of his hypocrisy. Hester never voluntarily confesses to committing adultery, and never feels any remorse for it. Her public punishment comes not as a result of her having any contrition, but rather her apparent pregnancy. She stays in the town to be close to Dimmesdale, as a reader would find on page 84, "There dwelt...the feet of one with whom she deemed herself connected in a union..." She also stays in town to convince others, as well as herself, that she is actually regretful for her sin even though she knows in her heart she is not. She does this to appease her guilt. As Hawthorne puts it on page 84, "Here...had been the scene of her guilt...
He fell in love with Hester because of her striking beauty and, he too, wants to keep his identity a secret to his peers. He feels guilty while he sees Hester standing on the scaffold, but he doesn’t stand up there with her. He should have been a man and admitted to the crime like Hester did. After a while, Dimmesdale’s guilt eats away at his health. Dimmesdale becomes ill due to the medical services given by Chillingworth. Chillingworth knows Dimmesdale is Hester’s lover and he will get the revenge he wants. Dimmesdale is oblivious to Chillingworth’s “kindness” and his health declines quickly. One night, Dimmesdale finds himself standing on the scaffold like he was going to shout to the world that he was Hester’s partner. (quote on when he was on the scaffold). This was the time to admit his sin so the guilt would lessen. Hawthorne is showing how weak Dimmesdale is as a person and that Hester doesn’t deserve someone as weak as
Through Hester and the symbol of the scarlet letter, Hawthorne reveals how sin can be utilized to change a person for the better, in allowing for responsibility, forgiveness, and a renewed sense of pride. In a Puritan society that strongly condemns adultery one would expect Hester to leave society and never to return again, but that does not happen. Instead, Hester says, “Here…had been the scene of her guilt, and here should be the scene of her earthly punishment; and so, perchance, the torture of her daily shame would at length purge her soul, and work out another purity than that which she had lost; more saint-like, because the result of martyrdom.” Hes...
The portrayal of Hester Prynne in the novel, The Scarlet Letter, by Nathaniel Hawthorne, has led to many different opinionated views. Many debate whether or not Hester Prynne should be portrayed in an angelic or sinful light. The author and critic, D.H. Lawrence, focuses on Hester’s sin itself, and focuses on having the reader view an alternate perspective of Hester, seeing her not as the victim, but as the criminal, as she should be viewed based on traditional Puritan values. Lawrence achieves the perspective that Hester should be viewed in a sinful light through his rhythmic and fluid syntax, negative and hateful diction, as well as his sarcastic and critical tone.
The Scarlet Letter is a fictional novel that begins with an introductory passage titled ‘The Custom-House’. This passage gives a historical background of the novel and conveys the narrator’s purpose for writing about the legend of Hester Prynne even though the narrator envisions his ancestors criticizing him and calling him a “degenerate” because his career was not “glorifying God”, which is very typical of the strict, moralistic Puritans. Also, although Hawthorne is a Romantic writer, he incorporates properties of Realism into his novel by not idealizing the characters and by representing them in a more authentic manner. He does this by using very formal dialogue common to the harsh Puritan society of the seventeenth century and reflecting their ideals through this dialogue. The Puritans held somewhat similar views as the Transcendentalists in that they believed in the unity of God and the world and saw signs and symbols in human events, such as when the citizens related the meteo...