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Recommended: Definition of hero
Heros Amongst our Literature The word hero can mean many different things to many different people. In my research, I have discovered all the different kinds of hero’s people think of when ever the word is spoken. When I think of the word hero I simply think of a nice, caring, loving person. A person who gives and helps, not for themselves but for the people who need it. Firefighters and policemen are good examples of my kind of hero. They are the ones that you call in your time of need. Although I think of that one particular type of hero, I have learned that there are in fact different types of hero’s, whether it’s a literary character, a fantasy character, or a real-life person.
“Tragic hero as defined by Aristotle” Many authors use hero’s
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(Hero’s Journey, 2017) Since the world has changed significantly over the years that means that a hero is going to evolve as well. “The Hero’s Journey is a pattern of narrative identified by the American scholar Joseph Campbell that appears in drama, storytelling, myth, religious ritual, and psychological development. It describes the typical adventure of the archetype known as The Hero, the person who goes out and achieves great deeds on behalf of the group, tribe, or civilization.” (Hero's Journey, …show more content…
The move toward anti-heroes developed in the 20th and 21st centuries, with the focus on leading protagonists who lack certain heroic qualities, such as idealism, courage and generosity. An example of an anti-hero of the modern writing era is Deadpool the snarky Marvel graphic novel character. (The development of the epic hero in the 21st century., 2013)
Conclusion
In conclusion, I have discussed above the various roles heroes played in history. We started in ancient times with Aristotle and ended in modern times with the anti-hero’s Deadpool written by Marvel author Stan Lee. The following topics “Aristotle and the elements of tragedy”, “The hero’s Journey”, and “The rise of the 21st century anti-hero” were covered in detail above. This research paper was very helpful with teaching me more about the role heroes played in literature in the past and present.
Reference
ARISTOTLE & THE ELEMENTS OF TRAGEDY: English 250. (2017). Retrieved May 01, 2017, from
A hero is defined as "someone admired for his bravery, great deeds or noble qualities". There are three categories to which all heroes can be classified into, one of which is the anti-hero genre.
The Hero’s Journey is an ancient archetype that we find throughout our modern life and also, in the world of literature.Whether metaphorical or real, the journey that a character goes on shows not only the incredible transformation of the hero but it also gives them their life meaning. It is the ultimate human experience and it reflects on every aspect of life. Take Logan, also known as Wolverine, from the X-Men movie as an example. His adventure starts with “The Call,” which is the first step of the Hero’s Journey. This step happens due to the realization of imbalance and injustice that the character has in their life. Logan steps into the first stage of the pattern but is hesitant to start his adventure because he does not know what and
“The journey of the hero is about the courage to seek the depths; the image of creative rebirth; the eternal cycle of change within us; the uncanny discovery that the seeker is the mystery which the seeker seeks to know. The hero journey is a symbol that binds, in the original sense of the word, two distant ideas, and the spiritual quest of the ancients with the modern search for identity always the one, shape-shifting yet marvelously constant story that we find.” (Phil Cousineau) The Hero's Journey has been engaged in stories for an immemorial amount of time. These stories target typical connections that help us relate to ourselves as well as the “real world”.
The word hero as defined as an “individual who has the courage of conviction to perform feats that benefit the general populace, acts as a soldier of virtue, and has an altruistic spirit that urges him or her to act against evil and defend the greater good at all costs, even sacrificing his own well-being or life.” (Harrison 2). Although heroes can come in any shape and size they are commonly found in stories we read, movies we watch, or people we look up to. We do not think about it much but even our own life is made up of many hero’s journeys. We never realize that our hardships and how we overcome them is exactly what a Hero’s Journey is about and why we relate to and enjoy these stories so much. I will be going into the depths of a Hero’s
Joseph Campbell defines a hero as “someone who has given his or her life to something bigger than oneself ” (Moyers 1). The Hero’s Journey consists of three major parts: the separation, the initiation and the return. Throughout a character’s journey, they must complete a physical or spiritual deed. A physical deed involves performing a daunting and courageous act that preserves the well-being of another person. A spiritual deed calls for action that improves another individual’s state of mind. While fulfilling their journey, a hero must undergo a psychological change that involves experiencing a transformation from immaturity into independence and sophistication.Campbell states that these events are what ultimately guides a hero into completing
Societies construct heroes that represent and embody the ideals of those who create them and read about them. Their is a stark contrast between the hero in the time of Beowulf and Hamlet’s creation and heroes created in modern times. Current literature, movies, and television portray a different kind of hero from those created in 1000 AD to 1600 AD. A hero is defined as someone who is "admired for achievements and noble qualities"," shows great courage", and in historical texts such as Beowulf and Hamlet is a "legendary figure often of divine descent endowed with great strength or ability" or an "illustrious warrior" (Merriam-Webster). Despite the popular belief that the time for heroes has passed away, based on the needs of society, today's heroes still exist and have evolved into something new.
...teristics and literary devices. The general archetypical description of a hero follows an outline of a muscular figure and super abilities. Yet on the contrary, in myths, heroes may not possess any of those traits. Whether the so-called hero is learning their lesson, overcoming struggle or even descending into darkness, all heroes share some similar and almost identical characteristics. A vast majority of all mythological heroes share the same basic idea which, helps audiences identify whether or not the character is indeed a hero or not. From story to myth or fairytale to drama, the hero is one character who changes the plot entirely. Whether that hero may be saving a burning building, or discovering who they are themselves, our heroes all give us hopes and dreams that one day even our worth will be recognized by ourselves and others as our admirable hero’s are.
The Hero’s Journey is a pattern of narrative that appears in novels, storytelling, myth, and religious ritual. It was first identified by the American scholar Joseph Campbell in his book A Hero with Thousand Faces. Campbell also discussed this pattern in his interview to Bill Moyers which was later published as a book The Power of Myths. This pattern describes the typical adventure of the archetype known as The Hero, the person who goes out and achieves great deeds. Campbell detailed many stages in the Hero’s Journey, but he also summarized the pattern in three fundamental phases: Separation, Ordeal, and Return that all heroes, in spite of their sex, age, culture, or religion, have to overcome in order to reach the goal. Alice in Wonderland, written by Lewis Carroll, provides a good example of the Hero's Journey. This story describes the adventures of Alice, a young English girl, in Wonderland. Although she lacks some of the stages identified by Campbell, she still possesses many of them that are necessary for a Hero to be considered a Hero.
In his classic work "Poetics" Aristotle provided a model of the tragic hero. According to Aristotle, the tragic hero is more admirable than the average person. This results in the tragic hero being admired by the audience. For the audience to accept a tragic ending as just, it is crucial that the tragic hero be responsible for their undoing. At the same time though, they must remain admired and respected. This is achieved by the tragic hero having a fatal flaw that leads to their undoing. One of literature's examples of the tragic hero is Achilles from Homer's The Iliad. However, Achilles is different from the classic tragic hero in one major way - his story does not end tragically. Unlike the usual tragic hero, Achilles is able to change, reverse his downfall, and actually prove himself as a true hero.
A hero/ heroine is described as the principal male/ female character in a literary or dramatic work or the central figure in an event, period, or movement. The classic tragic hero was defined by Aristotle in the fourth century as, “someone who is highly renowned and prosperous” (LATWP, 639), suggesting that there is a “natural right ordering and proportion of traits within the human being that if violated, produces calamity” (LATWP, 639). The book goes on to define classical tragedy as one that “involves the inevitable destruction of a noble person by means of character flaw, usually a disproportionate measure of a specific human attribute such as pride, jealousy or indecision” (LATWP, 639).
Wilhelm, Jeffrey D., et al. A Brief History of Heroes. 2004. Glencoe Literature. New York: Glencoe McGraw-Hill, 2009. 69-72. Print.
Reeves, Charles H., “The Aristotelian Concept of the Tragic Hero,” The American Journal of Philology , Vol. 73, No. 2 (1952), The Johns Hopkins University Press, http://www.jstor.org/stable/291812.
Aristotle defines a tragic hero as "a [great] man who is neither a paragon of virtue and justice nor undergoes the change to misfortune through any real badness or wickedness but because of some mistake." When Aristotle states “a great man” the hero is neither a villain nor a perfect citizen but is basically good and decent in his nature. The mistake that is mention is some moral blindness or error that is his/her downfall. Also not that the God’s are also in some sense responsible for this hero’s mistake and inevitability his down fall. Also when it comes to a tragic hero Aristotle states that three main things happen to draw attachment of the audience to the
For a time, the main characters in a story, poem, or narrative were easily classified as either being a hero or a villain. A hero would be easy to identify by the traits he'd possess, such as bravery, honesty, selflessness, trustworthiness, courage, leadership, and more. The villain would be easy to identify as well, possessing traits such as maliciousness, deceitfulness, immorality, dark, wishing harm upon others, and more. But what if the character lacked the natural heroic qualities but wasn't a villain either? What if the person displayed personality flaws that would traditionally be associated with a villain, but has heroic intentions? These questions were finally answered with the emergence of the anti-hero in literature.
Tragedies, according to Aristotle, arouse pity and fear in the reader. In Shakespeare’s Romeo and Juliet, for example, the reader may feel sorry for the two lovers who met an untimely demise, while also thinking about their own experiences with a loved one. Perhaps the reader will develop a greater sense of fear for the role of fate in human life. Furthermore, Aristotle argued that a tragic hero is a decent man with mixed qualities, who, through error in judgement, moves from a state of happiness to a state of misery. The hero is human, so relatable to the reader, and possesses a tragic flaw.