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Beowulf comparison in todays time
Beowulf comparison in todays time
Comparing beowulf to modern day
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Many have heard of the classic tale of Beowulf, the heroic slayer of monsters and dragons. Nevertheless, few have read the story of how he ventured from his own land to help a neighboring tribe battle a “. . . God-cursed brute. . .” (Lawall 1182) and his mother, a “. . . a monstrous hell-bride, . .” (1208). After single-handedly ridding Heorot, the neighboring kingdom, of two such evil creatures, he travels back to his own homeland to retell his deeds to his king (1219). Many years and feuds later, the kingdom was inherited by Beowulf, who grew old ruling his tribe with wisdom (1227). But, after he thinks that he has become invincible in his strength and ability to fight any wrong, a dragon wakens and wrecks havoc on the land (1230). With eleven young warriors at his back, Beowulf kills the fearsome dragon, although he is also slain in the process (1237, 1238).
A different story, by far, is the tale of the last man to inhabit Earth in I Am Legend. This is the record of Robert Neville's last years in Los Angeles battling a vampiric new species that were the results of a bacterial pandemic (Matheson 143). It describes his day-to-day life shaping wooden stakes, growing garlic, and then the nightly routine of barricading himself in his house while the vampires roam freely outside (15, 18, 28). After several years of this daily routine, Neville decides to find out what causes this vampiric state, instructs himself on how to use a microscope, and conducts his own research in his home (86). After finding out what he is dealing with, and knowing that he doesn't have the expertise to fight it, Neville passes several more years single-handedly fighting these monsters at night (119).
Then, one day he unexpectedly finds a woman walking th...
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...1209), Grendel's mother's strength and slyness (1208), and the dragon's “. . .outlandish. . .” body (1234). In I Am Legend, Neville must fight monsters that are humanlike in appearance, but grotesque on the inside. This vampires resemble people Neville knew before the pandemic: children, women, and co-workers (Matheson 29, 58). Though different in appearances, both men fight the monsters that would be most terrifying for their time. This also brings into account of what their fears were. While Beowulf and his people most feared the wild, gruesome and hideous beasts, Neville's fears were embodied in a manlike shape that did not conform to normal behaviour.
Works Cited
Lawall, Sarah N. "Beowulf." The Norton Anthology of Western Literature. New York: W.W. Norton, 2006. 1174-247. Print.
Matheson, Richard. I Am Legend. New York: Tom Doherty Associates, 2007. Print.
Beowulf is an epic poem telling the story of Beowulf, a legendary Geatish hero who later becomes king in the aforementioned epic poem. While the story in and of itself is quite interesting, for the purpose of this paper it is important to look at the character more so then his deeds, or rather why he did what he did.
Damrosch, David, and David L. Pike. “Beowulf.” The Longman Anthology of World Literature, Compact Edition. New York: Pearson, Longman, 2008. 929-970. Print.
While the classic battle between good and evil forces is a major theme of the medieval epic Beowulf, one may question whether these good and evil forces are as black and white as they appear. Scholars such as Herbert G. Wright claim that “the dragon, like the giant Grendel, is an enemy of mankind, and the audience of Beowulf can have entertained no sympathy for either the one or the other” (Wright, 4). However, other scholars such as Andy Orchard disagree with this claim, and believe that there is “something deeply human about the ‘monsters’” (Orchard, 29). While Grendel, Grendel’s mother, and the dragon are indeed portrayed as evil and violent foes, there are parts within Beowulf that can also lead a reader to believe that the “monsters” may not be so monstrous after all. In fact, the author of Beowulf represents the “monsters” within the poem with a degree of moral ambivalence. This ambivalence ultimately evokes traces of sympathy in the reader for the plight of these “monster” figures, and blurs the fine line between good and evil within the poem.
Beowulf. Norton Anthology of World Masterpieces. Expanded Edition Volume 1. ED. Maynard Mack et al. New York: Norton, 1995. 1546-1613.
There are many stories that follow Joseph Campbell's Hero's Journey, and tells the tale of a Heroic character. These fables introduces us to heroes that begin their journey in an ordinary place, then receive a call to enter an unknown world full of bizarre powers and peculiar events. These heroes often display great traits, such as bravery or intelligence, that defines their character. One of these heroic's tales is Haroun and the Sea of Stories, telling the adventures of a young man named Haroun. This essay will prove that Haroun from Haroun and the Sea of Stories by Salman Rushdie is a hero, because he possess heroic qualities. Haroun shows his heroic qualities by overcoming obstacles, helping his friends, and having good intentions.
Beowulf outlines turmoil between three opponents: Grendel, Grendel’s mother, and the Dragon. These separate discords each serve to fulfill different metaphoric purposes. Grendel’s character epitomizes the adverse persona of how an Anglo-Saxon warrior should not be. His mother represents everything that a woman during the time era should seldom be. Lastly, the Dragon embodies all the values that an Anglo-Saxon king should not dare retain. Without a doubt, the symbolic implications of the monsters in Beowulf bring the context to a new level of understanding.
In contrast, Beowulf is seen as a hero, even when exemplifying the violent and dangerous qualities the dragon is feared for. Anglo-Saxon society prized loyalty, personal valor, and fame. In order to be a hero, one must recognize the need to act, and not shy away from it. The dragon, based on that definition, embodies the Anglo-Saxon idea of a hero: it is loyal to its cause, it is a good warrior, and it recognizes the need to act. It even has a sense of justice and a sense of wrong, shown by the way it reacted to the theft of the chalice. The dragon becomes vengeful and defensive, using cruelty as a means to correct the wrong. Described as “the guardian of the mound” (2302), the dragon’s intent is identical to Beowulf’s. Beowulf is seen as a hero not only because of his actions, but because he is human. The only thing that makes the dragon different is its inhuman qualities, and therefore it is a monster, a “ground-burner” (2713). Heroism in Anglo-Saxon society is a concept embodied by warriors and guardians, who would vie to be the most well-known. Heroism, to the Anglo-Saxons, is an excuse to use cruelty as a way to further one’s fame. It is a social crutch of sorts, leaned on for the vain chance to be immortal. When Beowulf agrees to fight the dragon, it is to have a heroic death, so he may be remembered. In the battle, just as with Grendel and Grendel’s mother,
The first beast the hero faces is the wicked Grendel. At first he appears to be a demon, a “hellish enemy”. However, it is soon revealed that he is human, the “kin of Cain”. This is a crucial detail involving the lesson Beowulf will learn from this battle. The man-beast always strikes at night while his prey is fast asleep. He has no respect for the fight, preferring to attack the unwary and defenseless. On the night Grendel attacks Heorot with Beowulf lying in wait, Grendel’s most horrid of traits is learned: “He suddenly seized a sleeping man, tore at him ravenously, bit into his bone-locks, drank the blood from his veins, swallowed huge morsels; quickly had he eaten all of the lifeless one, feet and hands” (36). This utter disrespect that the supposed ‘man’ shows for human life is a testament to his complete lack of humanity. Any such qualities have rotted inside of him, replaced by hatred. He delights in slaughter, killing not out of necessity or for God or country: “His heart laughed: dreadful monster, he though that before the day came he would divide the life from the ...
“The journey of the hero is about the courage to seek the depths; the image of creative rebirth; the eternal cycle of change within us; the uncanny discovery that the seeker is the mystery which the seeker seeks to know. The hero journey is a symbol that binds, in the original sense of the word, two distant ideas, and the spiritual quest of the ancients with the modern search for identity always the one, shape-shifting yet marvelously constant story that we find.” (Phil Cousineau) The Hero's Journey has been engaged in stories for an immemorial amount of time. These stories target typical connections that help us relate to ourselves as well as the “real world”.
The hero must be ready to defend himself, and his people. Mythical entities are poised to strike, and gold is to be had by anyone brave enough to fight these beasts. Treasure, feasts, and appreciation are showered onto kings and heroes by their people. In modern society, leaders work at a weekly job, are given weekly responsibilities, and are not appreciated by everyone. The values in “Beowulf’ do not apply to reality. Nothing is given to leaders out of appreciation, and there is hardly time for feasts, unlike the 10th century cultures of Scandinavia. The society of Beowulf is incompatible with the norms of modern society on a multitude of levels.
For many years the American Hero has filled the silver screen and wide screened television sets, along with shelves of countless bookstores. Audiences love to see the protagonist overcome great odds, defeat the forces of evil, and save the beautiful girl at the last second. The character of the American Hero however, is not a new idea. James Cooper, in the 1800’s, created the archetype of the American Hero. Natty Bumpo, also called Deerslayer, embodied many qualities of the great American Hero. Modern day heroes are simply following the example set by Cooper’s creation.
“Beowulf.” Trans. Suzanne Akbari. The Norton Anthology of World Literature. 3rd ed. Vol. B. New York: W.W. Norton, 2012. 112-82. Print.
"I am the wretch created by your beloved Elizabeth," cried the vaguely female wretch. "Elizabeth has passed the limits of the human realm and in her feverish pursuit of the essential knowledge of the world she has spawned the being that you now see before you!"
scenes which gives you the need to be one of the characters from the flick.
Beowulf’s first accomplishment as an epic hero was his battle with Grendel. Grendel was a huge beast, a descendent of Cain, who ruthlessly murdered innocent Danes because he felt pity for himself. Upon hearing of the Dane’s problem, Beowulf set off to help the Danish without having been called upon. Even though Beowulf had men backing him, He drew battle with Grendel alone and without armor or weapons. Yet, Beowulf emerged victorious with the arm of Grendel as his trophy. Beowulf then went on to kill Grendel’s vengeful mother and a huge fire-breathing dragon who thought it had been done wrong by the Geats. Alas, the killing of the dragon would be Beowulf’s last great battle for the dragon took Beowulf’s life in the struggle for his own.