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Ferdinand marcos biography
Ferdinand marcos biography
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As an actor, I venerate authentic storytelling. I love being transported completely into the world of a show, emerging at the end with an understanding of the characters and the events to which I feel personally connected. One time when I felt this way after seeing a show was seeing the musical Here Lies Love at the ACT Theatre in Seattle. It’s strange for me to refer to this production as a musical, though it is almost entirely sung-through, because it felt more like an experience. The show tells the rags-to-riches story of Imelda Marcos, a Filipino woman who goes from a peasant to the wife of a dictator. This specific production took place in a proscenium theatre, but every detail of the space was transformed. It was modeled after a 1980s
The performance ‘Chasing the Lollyman’ by Debase productions succeeded in using the Dramatic Languages to create a Dramatic Meaning that comments on a social and political issue. This, along with the effective manipulation of the dramatic conventions, has allowed Debase to successfully recognised the Epic Theatre style. Chasing the Lollyman is one man show starring one of Queensland's most dynamic and funny Indigenous performers, Mark Sheppard. He shares many stories, a celebration of urban Indigenous identity and takes a satirical look at the media and popular culture. Playing a variety of characters, Mark pokes fun at everything from Neighbours (what would it be like if a Murri family moved into Ramsey street) to polities. The dramatic meaning of the performance is if Australia wants to become one, we need to learn to accept each other for their differences.
For my second article critique I chose to attend a play at the CORP Theatre in Rowlett to watch Steel Magnolias. Throughout the play my eyes were immediately drawn to many aspects of the play such as the characters and use of spectacles. My overall opinion of the play was positive. Although, unless you have seen the movie before it could be hard to follow along with.
The theme of “These Shining Lives” is the desire for economic independence, it enhances a women’s self worth and shows the exploitation of women worker’s. The play is a historical drama. The play writes message was to show the audience a women desire for independence and being something other than a wife and mother. It shows the struggles and dangers that a women face in the workplace during that time period. I thought the play was really touching. It made me appreciate being young women in the 21st century. I can’t imagine living in a society that sees a women wanted independence to be strange and different. Women and men she equal and this is especially true in the workplace. It also shows how the safety and conditions in the workplace has
The movie revolves around Eddie Mannix, head of a production company, who must look after his actors no matter what happens to them. However, chaos arises after one actor is kidnapped and held for ransom by communists, another accidentally gets pregnant, and a director is stuck with an actor who has absolutely no talent.
Richard Rodgers and Oscar Hammerstein were both writers and producers in the theatre, but, their collaborative venture in the 1940’s introduced a new era of musical theatre. First, they wrote the first musical in which every element: music, lyrics, narrative, and even dance contributed to telling the story, each part blending and woven into the whole. Their new idea was a huge sensation with audiences, and brought with it, new recordings of shows with albums and records to follow and revival productions around the world. The duo changed the fate of musical theatre practically overnight, but, it couldn’t have been done without the projects, big or small, that got them there, their
Kenrick, John. Musical Theatre A History. New York: The Continuum International Publishing Group, 2008. Print.
Ever heard of a story that sings of the “Angel of Music” and the “Phantom of the Opera”? A tale that once you have listened to the sweet melody that you will realized that you've pasted the “Point of No Return”? This love triangle has captivated multitudes ever since the 1910 original Phantom of the Opera was published in France by Monsieur Leroux, although most story lovers recall the musical of the same name by Andrew Lloyd Webber or the motion picture adaption. Although this story has been entertaining people for over a century, in this new era have prerecorded voices and movements begun to overshadow the talented performers of live theater? Although “The lavish screen adaptation of Andrew Lloyd Webber's Phantom of the Opera (2005) only deepened the damage” of the dislike of musicals made into film “with non-stars in the leads and an unimaginative production,”(Musical),which version, the live performance or the film, makes the story more attractive? To answer these questions, permit this essay to analyze two methods of storytelling: 2011 live performance Andrew Lloyd Webber's The Phantom of the Opera at the Royal Albert Hall and the 2005 film, and decide if music and story lovers everywhere have too “turned from true beauty”.
“Love in LA” is a short story written by Dagoberto Gilb. The story is written in third person point of view. The author is an American writer that writes extensively. He was born and raised in Los Angeles, California. His mother came from across the Mexican border, yet his father is from Kentucky. Gilb’s parents were also raised in parts of Los Angeles. His mother’s home was in Downtown, while his father resided in Boyle Heights. His parents’ careers were vastly different his mother was a model and later a dental assistant, while his father made a living off of an industrial laundry business. When he was a child, his parents divorced, and he remained living with his mother. After Gilb graduated high school he went to multiple community colleges, then he transferred to the University of California. He majored in Philosophy and Religious Studies. Before Dagoberto became the prominent writer he is now he worked in many construction-like jobs. His writing career began when he was inspired by Raymond Carver who was near his school teaching others.
Throughout the years, America has pursued the performing arts in a large variety of ways. Theatre plays a dramatic and major role in the arts of our society today, and it takes great effort in all aspects. Musical Theatre, specifically, involves a concentration and strength in dance, acting, and singing. This is the base that Musical Theatre is built upon. For my Senior Project, I helped choreograph multiple scenes in a community musical “Thoroughly Modern Millie”. Choreography is a way of expressing oneself, but it has not always been thought of for that purpose. Agnes de Mille’s expressive talent has drastically affected how people see choreography today. Agnes de Mille’s influence in the world of dance has left a lasting impact in the Performing Arts Department, and her revolutionary works are still known today for their wit, lyricism, emotion, and charm.
On a Wednesday night I saw Texas State Theatre and Dance Department's performance of A Chorus Line. The main plot of the musical entails the audition of 17 dancers for several Broadway roles on the chorus line. However, during their auditions the director Zach asks for personal stories of each dancer's life. Though the plot of this musical is seemingly simple in its twist on the traditional audition, it explores themes that reveal the human experience, the search for individuality, and the sense of self.
People have dreams of what they want to do or accomplish in life, but usually musical theatre is just pushed into the non-realistic void. It isn’t a dream for me. In the past four years, musical theatre has been clarified as my reality. Musical theatre has been the only thing I have seen myself wanting to do. My first love was The Phantom of the Opera, seeing how I watched it almost every day and it was one of the first shows I saw. Of course, I started doing all of those cute shows in middle school and making a huge deal about it to my family and friends, but I have never felt so passionate about something. The minute I get up on that stage I throw away Riley for two and a half hours and it’s the most amazing feeling! Being able to tell a story
When I first watched Chicago at the movie theater, I was not fully satisfied. I wanted more, so I went back to get some and watched it six more times with different friends and family members! Last summer during a visit to my native Mexico City, I had the opportunity to watch drag queens perform several numbers from the movie-musical. They did an amazing job, without surpassing the outstanding performances of the actors in the film. Last year, I visited NYC for the first time and indulged in the rows of the Ambassador theatre experiencing Chicago, the Broadway musical, and because I had seen the movie many times before, I knew all the songs and dances by heart. I loved it, but it was actually the movie that influenced me to become a “Chicago fan.” The movie is based on the 1996 Chicago revival of the original musical version of 1975. It was thrilling knowing that the making of the musical into a mainstream production would increase its accessibility and widen its distribution into all the corners of the world; now there is no excuse for people not to experience Chicago, and though not everyone can go to Broadway to see it, just about anyone can indulge themselves in this dazzling movie in the comfort of their homes. In addition to a fantasy world of singing, dancing and Vaudeville, the film also provides a narrative that is explicitly presented through Roxie’s point of view, creating a counter human side to Roxie’s fantasy world so that the audience can easily identify and engage. Chicago is a must see film for anyone who likes to spoil themselves with an outstanding award-winning musical composed of a catchy plot, truly superb acting, commendable direction, and a clever soundtrack.
The genre i have studied is musicals. A musical is a film which has musical performances from the actors to express their feelings. The films from this genre that i studied are 'Singin' In The Rain' (Gene Kelly and Stanley Donen, 1952), 'Grease' (Randall Kleiser, 1978) and 'Hairspray'(Adam Shankman, 2007). I studied two characteristics of the musical genre (Breaking Into Song And Dance and The Grande Finale) that are shown in the films studied. The identifying characteristics of 'Breaking Into Song And Dance' and 'The Grande Finale" are always seen in musicals. These characteristics are expected to be in a musical by the audience and ultimately make a musical what we predict it to be, a film that expresses characters feelings through song while
performance to a major degree reflects the spirit of the times, and some of today's 'authentic' performances have less to do with historical accuracy, attempting rather to produce a performance which, in John Eliot Gardiner's words, will 'excite modern listeners.' (Sartorius)
The musical selections and songs that were sung told a story and narrated the almost the entire film, as is expected in...