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Mental illness misrepresentation media
Mental illness misrepresentation media
Mental illness misrepresentation media
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Although he is the main character of Party Down, Henry Pollard is far from the conventional protagonist. He is not concerned with actively pursuing some greater good, or fighting against some perceived antagonist. That is not to say that he is the antihero either; in fact, he does not seem to be altogether virtuous or wicked. Henry is merely detached from the situation in a way that most of the other characters featured are not. He manages to be an integral part of every episode without usually becoming directly involved in the plot. While the rest of his companions are seen in a near constant state of hysteria due to some mishap of their own doing, Henry is often level-headed and uninterested in the development at hand. He is the wisecracking commentator who mainly intervenes later on to do damage control on the destruction that his fellow cast members have wrought. This damage control is not generally any more effective than that of his coworkers but he at least does not often end up being detrimental to the cause. The show tends to spend a great deal of time focusing the camera on his face (much more than any of the others) as he visibly processes a variety of emotion. By providing a character that watches and reacts to the episodic developments for much of the time rather than someone who is constantly involved, the creators (Fred Savage, Dan Etheridge, and Rob Thomas) balanced out what may have otherwise been a far-fetched and exasperating series with someone that the audience could relate to on a more personal level. The most obvious indication that Pollard is a spectator are the frequent close ups of his dumbfounded facial expressions after a particularly disturbing exchange. The camera zooms in as his eyes bug out with a... ... middle of paper ... ... so little heart. Pollard was meant to be a sympathetic character, in spite of all of his faults, so the creators endeavored to keep him just human enough for us to care about him but detached enough to stay sane when surrounded by these eccentric people. This delicate balance between empathy and apathy could probably not have lasted for very long for his character had the show been allowed to run its full course. John Enbom explained that they had no concrete plans for the third season but that Henry would have to have gone either one way or the other eventually. He was always going to either face more rejection and eventually fully accept his life for what it was or he was going to finally make it but doing so would mean he could only appear as a guest star because in Party Down, “if anybody enjoys too much success, they're not on the show anymore” (Sepinwall).
Henry is from a long line of rich, white Americans who were always upstanding citizens in the community. His family was well respected in everything that they did. On the other hand, Chay’s family is a Cambodian refugee family who came to America in search of a better life. The Cambodians never were treated well, and they all lived in a separate town called Merton. Chay’s family owned a business, but wasn’t really rich. Chay went to school with Henry’s brother, Franklin, who seemed to get into a lot of fights with Chay. Franklin taught Henry how to fight off Cambodians who would look at their sister Louisa in a bad way or touched her. That is the thoughts that Henry grew up to think towards Chay and all other
depressed and could barely function. Henry's state of mind is so bad that one night when
in real life. Like when Henry has barely any relationship with his Dad. And when he befriends Mr.
In the end, Henry does give up on Keiko too easily. Henry has a chance before and after 40 years, but his final decisions are still the same, letting Keiko go. Henry could have prevented the separation from happening and breaks Ethels heart, but as a soft-hearted person, Henry does just the opposite. He moves on with his life with Ethel and forgets about Keiko. Henry thought that his decisions are what is best and what is right for the both Henry and Keiko. Although reunited at the end of the book, does not suggest that Henry does not give up on Keiko too easily, because the book always have a sweetness along with bitterness.
On one end he was ignored by his parents and even disowned, and on the other he was being constantly bullied and put down by his peers who were in their words “fighting the yellow menace”. But one day at school, he encounters a nice, Japanese girl named Keiko Okabe. Keiko and Henry seemed to click almost immediately. This is most likely because they had so much in common. They were both ridiculed horribly in public and by their own peers at school, they both had similar interests, and most importantly they both put aside their ethic pasts and acknowledged that they were indeed American. “That’s where I was born too. I’m Japanese, but American first” (Ford 24). Unlike Henry’s family who refuses to put off their Chinese heritage, Keiko and her family have fully embraced the fact that they are full Americans now and take part fully in American culture. This is shown through the Okabe’s love of jazz or the “colored” music as Henry’s father disdainfully calls. Also, Keiko doesn't even speak Japanese. She only learned English because that what Americans speak and she is American. Henry’s relationship with keiko also brought him out of his shell and showed a new side to his character. Whereas with his father and Marty Henry is quiet and in the background, with Keiko, Henry is much more confident and much more outgoing. He is even willing to smuggle illegal alcohol into a colored jazz club and spend a
Bruce has just been diagnosed with Hodgkin's Disease (which in 1956 was not curable). Henry's wife, Holly, is pregnant with their first child and he has no interest in Rochester, Minnesota in wintertime, but he goes. That's the kind of person Henry is. He's not a sweet-faced do-gooder. He's a tough, no-nonsense, individualistic competitor, but he's a loyal person who knows right from wrong and understands that people sometimes have to step out of their own box and do something for others. His wife understands that too. So he flies to Minnesota, picks up Pearson and drives him home to his family.
David Henry is arguably the most influential character in the story; his decision to lie to his wife and tell her that one of the twins she had just delivered, Phoebe, died at birth when in reality he sent her away due to her Down Syndrome changed the course of multiple lives forever.
After one game, Henry decides to “halfway across the lake” without a life vest, effectively attempting to commit suicide (345). Henry is so depressed of his failures that he is willing to contemplate and attempt suicide. He “want[ed] everything to be perfect” and that was what could have killed him (346). Eventually however he has a change of heart and returned to the shore, “peeled off his wet clothes” as if he was peeling off a piece of himself, a layer, before going to sleep (347). This “idea of perfection, a perfectly simple life in which every move had meaning and baseball was just the medium through which he could make that happen” has officially taken over Henry as seen in these episodes of attempted suicide and metaphorical peeling a piece of himself off. Later, Henry quits baseball due to these specific moments of failure, he allows himself to enter a compromising situation whereby he essentially gives up on
While there, Henry hears noises coming from the Williams’ Ranch, and suspects that there is a party being held there. Henry and Della decide to go to the ranch, which was just harassed by the Downey Gang.
Henry suffers from retrograde amnesia due to internal bleeding in the part of the brain that controls memory. This causes him to forget completely everything he ever learned. His entire life is forgotten and he has to basically relearn who he was, only to find he didn’t like who he was and that he didn’t want to be that person. He starts to pay more attention to his daughter and his wife and starts to spend more time with them.
Henry uses Ethos in the first paragraph to influence the audience to respect and value his opinion by showing that he respects the opinion of others. He says, “but different men often see the same subject in different
down that path, due to your own choices and the choices of those that went before you. You are fully immersed in the life of dependence and specialization and wage-slavery that Henry is steadily inching towards, and so you know exactly how much Henry is throwing away, exactly what sort of bondage he is selling himself into.
private lives without guilt or shame. Mendes as does Lester asks the spectator to be the voyeur.
Henry’s character is introduced in the movie when his cousin Mark, who is just about the same age as him, suddenly comes to stay with their family because his father had to go away on business. Mark’s mother recently passed away right in front of his eyes and he was still dealing with the repercussions of it all. Dealing with feelings of loneliness, Mark immediately developed a close bond with Henry. He found Henry to be adventurous and nice but was not aware of who Henry really was and what he was experiencing. At first, Henry seemed like a decent young boy who enjoyed experimenting with new things. On ...
In the beginning of the book, Lt.Henry is friends with many of his warmates including the Priest, Lt.Rinaldi, and Major. Lt.Rinaldi and Lt.Henry are close friends, which you can tell by how they tell each other about their personal lives and their nicknames they have for each other. “Only during their last meeting, for example, does his great friend and roommate Rinaldi address him by name as “Federico” and “Fred.” These nicknames (like the “Rinin” Frederic uses for Rinaldi) suggest how close these two “war brothers”are” (Wiener 58).