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Historical view on leadership
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Courage is defined as a “mental or moral strength to venture, persevere, and withstand danger, fear, or difficulty”, according to the Merriam-Webster dictionary. Being an essential virtue, it is necessary for all leaders and distinguished men to possess. In Shakespeare’s Henry V, Henry is portrayed as a flaunting but determined leader who will do anything to secure his win. However, Pistol is shown to be lethargic and generally uninspired when the time for war arrives. After reading the definition of courage in the eyes of Aristotle, a greatly revered philosopher who lived during the mid to late 300s BC, both Henry and Pistol’s qualities are reaffirmed from a wiser standpoint. According to Aristotle, courage is “the virtue which …show more content…
Moreover, in Act 2, Scene 2, King Henry is once again showing his tenacious nature by deceiving the three traitors in a council-chamber in Southampton. By creating a ruse, in this case being a fabricated crime committed by a fabricated person, the King is able to get the criminals to essentially sentence themselves to death, in a grand display of trickery. Once again, Henry is seen doing everything in his power to ensure that at the end of the day, justice prevails. On the opposing side sits Ancient Pistol, who is indeed not …show more content…
King Henry has proven himself to be an extremely courageous man, whether he is intimidating the French, sentencing his subjects, or hyping his men up for war. Examined in Aristotle's definition of the virtue, the King is very well suited for his title. Ancient Pistol is the foil of King Henry, who is not courageous in the least, and who merely brags about being better than he is, without the actions to back it up. Aristotle's view on courage does not hold true to Pistol, as he is a pitiful excuse for an English
Passage Analysis - Act 5 Scene 1, lines 115-138. Shakespeare’s ‘King Henry IV Part I’ centres on a core theme: the conflict between order and disorder. Such conflict is brought to light by the use of many vehicles, including Hal’s inner conflict, the country’s political and social conflict, the conflict between the court world and the tavern world, and the conflicting moral values of characters from each of these worlds. This juxtaposition of certain values exists on many levels, and so is both a strikingly present and an underlying theme throughout the play.
Henry is given a choice to destroy the village or get fired from his job working at the
After many failed attempts to obtain a divorce from his first wife Catherine of Aragon, King Henry VIII took momentous steps that led to "The Reformation," a significant occurrence in the history of religion. Prior to the reformation, all of England's inhabitants including King Henry VIII prescribed to Catholicism. In fact, King Henry VIII was such a strong supporter that he was given the title "Defender of the Faith" by the pope for his efforts in protecting Catholicism against the Protestants. However, all these changed upon the pope's denial of Henry's request for a divorce.
Henry VI had a lot of weaknesses with foreign policy, his inability to make decisions, patronage, Richard duke of York, finance and evil council. With foreign policy he showed weakness in defending his country, after his father Henry VII had conquered land in France, he lost it. He lost Normandy and Gascony in 1451 due to defeat in France. This affected morale and the incomes of nobles because they had lost, reducing their reputation, especially as they had lost some of their own land, and the incomes went down because money was spent on war, so less money was available to give as income. This could have been a reason for the outbreak of conflict because the people would not have been happy with their situation. Henry's next weakness was his inability to make decisions.
Henry's flaws were very similar to those of Pip and the Greek heroes. Arrogance was a flaw that many Greek mortal heroes, especially Odysseus and Oedipus, had. When Henry realized that none of his fellow soldiers were aware that he had run from the first battle, he regained his self-pride and self-confidence. Before long, he had convinced himself that he was "chosen of the gods and doomed to greatness." At first, Pip believed that status and wealth determined the "goodness" of a person. Henry had similar illusions. He believed that a war hero was a person who could manage to escape every tight situation he got into, and also a godly figure people looked up to and were fascinated by. His other illusions were that the only the best could survive against the hideous "dragons" of war, and that the enemy was a machine that never tired or lost will to fight.
Henry excites fear by stating he is passionately ready to sacrifice for his country. This play towards pathos, or appealing to the audience’s emotions, is an effective way of trying to convince the House to go to war against Britain. This pathos, combined with the logic of Henry’s speech, makes for a convincing argument. Logically taking the House step by step from stating that because he has an outlook on their situation, he should express it to them, to stating his argument before the House, to saying that lacking freedom is worse than death, then taking it full circle pronouncing he would prefer to be “give[n] death” then to have his freedom taken away by the British.
In Shakespeare’s Henry V and Descartes’ Meditations of First Philosophy, the protagonists lay a foundation that left a mark on the people of the time and of the generations after. King Henry marches on a conquest of political power to France in order to win what he believes is rightfully his while Descartes enters deep into his inner mind in the hopes of understanding certainty contrasting that of the church. However, both characters turn different directions to achieve the clarity and knowledge that they seek.
For hundreds of years, those who have read Henry V, or have seen the play performed, have admired Henry V's skills and decisions as a leader. Some assert that Henry V should be glorified and seen as an "ideal Christian king". Rejecting that idea completely, I would like to argue that Henry V should not be seen as the "ideal Christian king", but rather as a classic example of a Machiavellian ruler. If looking at the play superficially, Henry V may seem to be a religious, moral, and merciful ruler; however it was Niccolo Machiavelli himself that stated in his book, The Prince, that a ruler must "appear all mercy, all faith, all honesty, all humanity, [and] all religion" in order to keep control over his subjects (70). In the second act of the play, Henry V very convincingly acts as if he has no clue as to what the conspirators are planning behind his back, only to seconds later reveal he knew about their treacherous plans all along. If he can act as though he knows nothing of the conspirators' plans, what is to say that he acting elsewhere in the play, and only appearing to be a certain way? By delving deeper into the characteristics and behaviors of Henry V, I hope to reveal him to be a true Machiavellian ruler, rather than an "ideal king".
Henry V is not a simple one as it has many aspects. By looking into
Prince Harry’s plan to kill Hotspur puts his life on the line to prove his valor. He swears all this in the name of God, a solemn oath. Act five shows Harry’s final development. In act five, scene four, King Henry IV fights against Douglas, a leader in the rebellion. Just as Douglas is about to kill the King, Prince Henry shows up to defend his father.
One of the various things that made King Henry V a great king was that he was a soldier king and was not afraid to fight for his kingdom. One example of this was the Battle of Agincourt. This war started on October 25, 1415 and lasted one day. To rescue England’s reputation along with his own lost during the Hundred Year War, Henry rides off alongside twelve thousand English soldiers to France. Things start to go wrong after arriving at France for this beloved king. First, half of the King’s men die of dysentery before they arrive anywhere close to Agincourt and so the wise king decided that he and his men had to retreat. Sadly, the brave English were ambushed by French forces and the English were greatly outnumbered, but the soldier king, Henry V, was intelligent. As French forces attacked, the English bombarded them with arrows. By the end of the day, six thousand French deaths greatly outnumbered the four hundred deaths that of the English (“Henry V,” History.com). “After the English soldiers took too many French captives, Henry broke the law and ordered their execution to all without...
Every cold case has a suspect or perpetrator who is thought to have committed the crime. Even a crime that happened 500 yeas ago has several suspects in mind. The murder and disappearance of the two princes in the tower, Edward V and Prince Richard, Duke of York, is a case that has never been solved. The two main suspects are Richard III and Henry VII. Although there is not enough evidence to convict either Richard III or Henry VII, based on the evidence I think Richard III murdered his nephews, Edward V and Prince Richard. Richard III is guilty because he had several opportunities to murder the two princes, Tyrell’s confession, Henry VII’s Bill of Attainder, and the pre-contract.
Hotspur is stubborn, brash, dense and courageous. All of these characteristics define Hotspur’s view of honor, one of personal integrity while fighting for glory thought noble, King Henry will say he is nothing short of the “theme of honor’s tongue.” Pretty high praise levied towards a soon-to-be traitor, heck, he even wishes Hotspur were his son in the stead of Hal. Hotspur’s innate concept of honor leads him to the conclusion he will win even more honor should he become involved in a conspiracy against the usurping Henry, his true colors show themselves when he states of the king: “If he fall in, good night-or sink or swim. Send danger from the east unto the west, So honour cross it from the north to south, And let them grapple. O the blood more stirs To rouse a lion than to start [flush from cover] a hare.” Hotspur believes honor at it’s pique in the sweaty and bloody quenched battlefields of war. He enjoys fighting more than copulating with his wife. In the end, his impetuous nature is his undoing, when he is slain by the cheeky Prince Hal, who will come to be known in later years as Henry V, demonstrating a calculated lust for glory and power, while also being a far more well-rounded individual in the Shakespearean canon of
One of the most famous scenes in Henry IV: Part I is the scene in which Prince Hal and Falstaff put on a play extempore. This is often cited as the most famous scene because it is Hal’s turning point in the play. However, the scene is much more than that. The play extempore is a moment of prophecy, not epiphany because is cues the reader in to the play’s major themes, and allows readers to explore the possibilities of the play’s continuance.
In William Shakespeare's play Henry IV Part 1, Hotspur expresses his prideful, loyal, and somewhat impulsive character traits when he is confronted by King Henry IV in regards to the prisoners, and must justify his actions. For instance, when King Henry questions Hotspur about whether he received his message for the prisoners, Hotspur explains that his "grief and my [Hotspur’s] impatience" clouded his mind (I.iii.50). Hotspur displays a defensive tone by acknowledging his mistakes and wrongdoings to the king. However, he also expresses his prideful traits when he blames not hearing the message on his ill state of mind and the messenger’s meek appearance. The diction "grief" and "impatience" demonstrates Hotspur’s