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Essay on figurative language
The Importance Of Figurative Language
Figurative language in story
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The nightmare before christmas
The author has a bad feeling about santa "A grumpy look came upon his face this guy is scary, and I bet he carries mace." He's feelings were so sting he ended the poem with "Ill hate till the day I am dead." He used rhyme throughout the poem "toys, noise" and "face, mace" He also used rhythm in both short and long patterns. "He ate all my cookies, Drunk all my milk; he had heavy boots, and a coat made of silk."
Sonnet on Reading Burns' Mountain Daisy
A mountain daisy would be glimpsed at one’s feet along the trail. It might be plucked, to last for a few moments, and then thrown away along the path. A poem, composed in celebration of the fragile beauty of the mountain daisy, if the poet is lucky, might last for more than two hundred years. Helena Maria Williams Helena Maria Williams here pays homage to the poet Robert Burns by addressing one of his poems, but in doing so praises the
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Williams opens the poem with two time markers: “while” and “soon” (1). “While” points to the meantime, a time between birth and death perhaps. “Soon” points to a future time, here, the time when the flower will fade or “decay.” Williams introduces the theme of death or impermanence, a theme which she’ll develop into her larger praise of poetry’s capacity to make the objects of its art eternal. She presents the image of Burns’s poem, the mountain daisy, and pictures it in its biological life as “scatter’d” (2), an image that brings to mind the image of a daisy’s petals torn from the flower and lying on the ground in disorder. It’s not unexpected that a faded flower would “neglected lie” (2), because all spent flowers are ignored, if not just swept away. This
The movie Four Christmases has two main characters are Vince Vaughn (Brad) and Reese Witherspoon (Kate). This movie is about an unmarried couple that has no plans of getting married or having children anytime soon. Every Christmas they plan an adventurous vacation for the two of them. They do this to avoid going to all of their families’ houses for the holiday. This year Kate and Brad planned to go to Fiji for vacation, but the weather took a turn for the worst and they weren’t able to go. Due to the weather, their flight got cancelled. The news caught them on live television alerting their families that they were now available for Christmas. Both Brad and Kate’s families are divorced, so there were four families to visit. They plan
The poem “The Death of Santa Claus” by Charles Webb is about how sometimes the truth can hurt. By giving us a story on how Santa Claus dies and how the mom has to tell the kid the bad news that Santa Claus is not really real shows how most kids are hurt by the fact Santa Claus is not real. The first half of the poem gives us a story on how Santa Claus dies. Maybe the story on how Santa died his the kids imagination and feeling on when he found out that Santa Claus is not
“The power of imagination makes us infinite.” (John Muir). Both John Muir and William Wordsworth demonstrate this through their use of language as they describe nature scenes. John Muir studies nature and in his essay about locating the Calypso Borealis he uses scientific descriptions to grab his reader’s attention and to portray his excitement at finding the rare flower. William Wordsworth on the other hand shows his appreciation for the beauty of nature and its effect on a person’s emotions in the vivid visual descriptions that he gives of the daffodils in his poem ‘I wandered lonely as a cloud.’ Wordsworth with his appreciation of beauty and Muir through scientific descriptions provide an indication of the influence that nature has had on them as they capture their reader’s attention both emotionally and visually through their personal and unique use of tone, diction, syntax and vocabulary.
...vocal statement about the ?organic? possibilities of poetry than optimistic readers might have expected. ?Mayflies? forces us to complicate Randall Jarrell?s neat formulation. Here Wilbur has not just seen and shown ?the bright underside of? a ?dark thing.? In a poem where the speaker stands in darkness looking at what ?animate[s] a ragged patch of glow? (l.4), we are left finally in a kind of grayness. We look from darkness into light and entertain an enchanting faith that we belong over there, in the immortal dance, but we aren?t there now. We are in the machine-shop of poetry. Its own fiat will not let us out completely.
The poem “Thanatopsis” by William Cullen Bryant reveals a very unusual aspect of nature. While most people think of nature as beauty and full of life, Bryant takes a more interesting approach to nature. He exposes a correlation between nature, life, death, and re-birth. Using nature as a foothold, Bryant exercises methods such as tone, setting, and imagery in a very intriguing way while writing “Thanatopsis.”
The poems “Sea Rose” by H.D and “Vague Poem” by Elizabeth Bishop were both written by two women who took over the Victorian era. H.D’s works of writing were best known as experimental reflecting the themes of feminism and modernism from 1911-1961. While Bishop’s works possessed themes of longing to belong and grief. Both poems use imagery, which helps to make the poem more concrete for the reader. Using imagery helps to paint a picture with specific images, so we can understand it better and analyze it more. The poems “Sea Rose” and “Vague Poem” both use the metaphor of a rose to represent something that can harm you, even though it has beauty.
Color is a powerful tool in film making. What once was only black and white is now a full spectrum of vibrancy. But monochromatism is still an integral artistic choice in film. Blacks and whites in movies and television tend to represent the dark nature of scenes: death, evil, sadness, the macabre. Deep blacks, rich grays, and harsh whites tend to illustrate the Gothic influence of the piece as well as its tone. Adam Barkman, a writer famous for his analysis of films, explains the impact of color in film in his book A Critical Companion to Tim Burton “When we see a particular color, we immediately attach a particular set of meanings to it that is triggered by either our instincts or our memories” (Barkman
Looking closely at Williams’s reactionary poem to The Waste Land, Spring and All, we can question whether or not he followed the expectations he anticipated of Modernist work: the attempts to construct new art in the midst of a world undergoing sweeping changes. A version of Spring and All without the sections of prose that were interspersed with the poems was first published in 1923; a year after The Waste Land first appeared. In titles alone, we can see the opposing ideals peeking through, The Waste Land, a poem embedded with imagery of “breeding /. out of the dead land,” a proposal of life moving forward in the wake of immense death that came with World War One, against the direct presentation of the title Spring and All, which seemingly appears as the solution, the key to rebirth (Ramazani 474).... ... middle of paper ... ...
During the 18th century, two great companions, William Wordsworth, collaborated together to create Lyrical Ballad, one of the greatest works of the Romantic period. The two major poems of Lyrical Ballad are Wordsworth’s “Lines Composed a Few Miles above Tintern Abbey” and Coleridge’s “Frost at Midnight.” Even though these two poems contain different experiences of the two speakers, upon close reading of these poems, the similarities are found in their use of language, the tone, the use of illustrative imagery to fascinate the reader’s visual sense and the message to their loved ones. The speaker of “Lines Composed of a Few Miles above Tintern Abbey” is Wordsworth himself. He represents Romanticism’s spiritual view of nature.
When reading the title, we often associate a love song as something jaunty, pleasureable, and celebrating, or its other extreme, regretting, nostalgic, and full of pity for the singer’s troubles in love. With Williams the singer, the main idea revolves around the concept of an incomplete union in first person point of view, which makes the reading more personal as the reader is using I instead you or he. From this concept stem the ideas that this poem is about hopelessness or happiness, communal sex or masturbation. Delving into history, literary techniques, association with the author, and own opinion of it, there is easily more to it than meets the eye.
The first stanza is crowded with sensual and concrete images of nature and its ripeness during the first stages of Autumn. Autumn is characterized as a “season of…mellow fruitfulness” (1). It is a season that “bend[s] with apples the mossed cottage-trees” (5), “fill[s] all fruit with ripeness to the core” (6), “swell[s] the gourd, and plump[s] the hazel shells” (7), and “set[s] budding more” (8). The verbs that Keats uses represent the bustling activity of Autumn and also reflect the profusion of growth. Autumn also acts as the subject of all the verbs, indicating its dynamic behavior. Furthermore, the multitude of these images depicting the ripening of nature contributes to the sense of abundance that characterizes the first stanza. The stanza also contains many short phrases, again calling up images of abundance. Keats, through his use of sensual imagery, draws readers into the real world where there will ultimately be decay and death. The sound devices in this stanza further develop the sensual imagery and...
The story of a Dolls house by Ibsen is full of unique and hidden messages. In the play, there are many things that do not seem to have any importance to the play. This is why it is important to use close reading. Close reading allows a better understanding for what Ibsen is trying to say not just what the words mean. Throughout the story a Dolls House it is easy to notice the importance of material things to the main characters. The purpose of this paper is to show how the importance of holidays and how they are subordinate to materials and self-worth in the play as well as how these religious symbols relate to the charters in the play.
Robert Frost is considered by many to be one of the greatest poets of the twentieth century. Frost’s work has been regarded by many as unique. Frost’s poems mainly take place in nature, and it is through nature that he uses sense appealing-vocabulary to immerse the reader into the poem. In the poem, “Hardwood Groves”, Frost uses a Hardwood Tree that is losing its leaves as a symbol of life’s vicissitudes. “Frost recognizes that before things in life are raised up, they must fall down” (Bloom 22).
‘It is often suggested that the source for many of William Wordsworth’s poems lies in the pages of Dorothy Wordsworth’s journal. Quite frequently, Dorothy describes an incident in her journal, and William writes a poem about the same incident, often around two years later.’ It is a common observation that whilst Dorothy is a recorder – ‘her face was excessively brown’ – William is a transformer – ‘Her skin was of Egyptian brown’ . The intertextuality between The Grasmere and Alfoxden Journals and ‘I wandered lonely as a Cloud’ allows both Dorothy and William to write about the same event, being equally as descriptive, but in very differing ways. Dorothy writes in a realist ‘log-book’ like style, whereas William writes in a romantic ballad style. This can be very misleading, as it gives William’s work more emotional attachment even though his work is drawn upon Dorothy’s diary, which in its turn is very detached, including little personal revelation. When read in conjunction with William’s poetry, Dorothy’s journal seems to be a set of notes written especially for him by her. In fact, from the very beginning of the journals Dorothy has made it quite clear that she was writing them for William’s ‘pleasure’ . This ties in with many of the diary entries in which she has described taking care of William in a physical sense. In a way this depicts the manner in which William uses his sister’s journal to acquire the subject of his poetry, which makes it seem as though Dorothy is his inspiration.
This poem exemplifies Romanticism through passionate imagery, “Mid hush 'd, cool-rooted flowers, fragrant-eyed/ Blue, silver-white, and budded Tyrian,/They lay calm-breathing, on the bedded grass” (Keats 191). The speaker has either seen or dreamed that he has seen the winged goddess Psyche while he was wandering in a forest. Keats personifies flowers and gives them breath. He also has them ‘lay,’ which is an atypical description for flowers because they grow upwards from their roots. Keats gives body and breath to these plants, while also reaching the senses of smell, sight, and touch. The flowers are sexualized, like a woman’s body, as they lay on the ‘bedded’ ground. These images further the scene that the speaker imagines, which is “two fair creatures, couched side by side/ In deepest grass, beneath the whisp 'ring roof” (Keats 191). He’s able to elicit the sights and sounds of humanity, through nature, which he masters at a young age. The roof is also personified by speaking softly. He’s placing human qualities on objects like the roof and flowers, instead of the two creatures, which gives the poem a greater