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Analysis of the novel Heart of Darkness
Analysis of the novel Heart of Darkness
The heart of darkness analysis
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Recommended: Analysis of the novel Heart of Darkness
Heart of Darkness V. Sweetheart Song of Tra Bong Conrad illustrates the idea that Kurtz has been consumed by the darkness of the wild and loses his self, and morals to where he is nothing but an empty human shell, While O’ Brien explores the idea that Mary Ann has this idea that she has found her sense of belonging but in all actuality has been destroyed but the war. Renn G. Neilson writes that “Given the popular analogy that Kurtz represents European imperialism, this passage suggests that the power of expression enables imperialism to establish itself” (41). Kurtz is this symbol used to show how ugly this company is and how greed was this darkness. Kurtz is given this power and it makes Kurtz this greedy, hollow human. In “Sweetheart Song
Renee Faubion explain how Mary Ann was used as a way to show how every one of these men are going through the same thing Mary Ann is going through but it is not shown “Similarly, in Rat’s hands, Mary Anne’s experience becomes a way for the men to understand their own experiences: “What happened to her [: : : ] was what happened to all of them” (326). In each work it is using this technique of symbolism to show the evils of the war and ivory trade. In the Heart of Darkness by Joseph Conrad his character Kurtz loses his morals and self to greed, and from being away from civilization. Before Kurtz loses himself he was known as this great chief by Marlow and the crew and is currently at one of the trading post in the jungle. Kurtz is this highly respected man and Marlow though very high of him.
Both of their works were supposed to create this bigger picture of how things really are, how terrible they actually are and things we never really see. In Heart of Darkness Kurtz last words were “The horror! The horror!”(348) he has turned into this reflection of the company. Renn G. Neilson writes “The “horror” is that they lie. Imperialists create illusions which permit them to tap a “contemptible, deceitful flow from the heart of an impenetrable darkness” (42). We don’t see the side of “the horror” that Kurtz is representing because of how horrible it is the company would not sell the ivory they kill for if the truth was shown. Renee Neilson explains that O’ Brien’s character Mary Ann was an exaggeration to shoe these men that this is the truth, this is why they are becoming “Their truthful relation of their own lives necessitates the distortion of hers” (327). Conrad and O’ Brien wanted to state the ugly truth of each side which was the war and the ivory
While there are differences between Francis Ford Coppola’s film, Apocalypse Now!, and Joseph Conrad novel, The Heart of Darkness, Kurtz and his influence on the main character remain very similar. Both the movie and novel depict a protagonist’s struggle to travel upstream in a ship in search of a man named Kurtz. While doing so, Marlow (The Heart of Darkness)/Willard (Apocalypse Now!) become progressively fascinated with Kurtz. Kurtz is claimed to have a profound influence on his followers and is becoming a huge influence on Marlow/Willard as well.
In “The Sweetheart of Song Tra Bong,” Rat Kiley recounts the time when Mark Fossie brought in his girlfriend, Mary Anne Bell, from Ohio to Nam. Mary Anne is a curious and very friendly seventeen-year- old girl who just graduated from high school. She constantly asks questions about the war. Tension grows between Mary Anne and Mark when Mary Anne starts to become more involved in the war. She helps with taking care of the injured soldiers and learns how to operate an M-16. Mark suggests that the two of them go back home, but Mary Anne refuses. She begins to return to the camp late at night, or not at all. One day in the early morning, Mark cannot find Mary Anne and panics, only to discover that she is out on an ambush with the Green Berets. Mark has a talk with Mary Anne in which they make plans to get married. However, over the next several weeks, an undeniable tension grows between the two. Mary Anne suddenly disappears after Mark starts to make plans for her return home. After about three weeks, Mary Anne returns to the camp and disappears into the Special Forces area, and Mark waits for her there. He hears a woman, Mary Anne, chanting along with strange music and bursts into the hootch to confront her. O’Brien uses disturbing imagery to emphasize how the war takes away one’s innocence and changes one forever.
In Heart of Darkness, Kurtz is a symbol of truth and brutality. Due to Kurtz’s love for truth and brutality, his actions that develope his reputation are driven by his perception of truth, the only way to live is through power and brutality. One example of Kurtz’s actions being dictated by his perception of truth is the ornamental heads Marlow finds when he reaches the inner station, we find that Kurtz has used his
Meanwhile, the film also keeps Kurtz’s name in Heart of Darkness. The novella and the film all introduce Kurtz by other people’s talking or other materials to create mystery. Kurtz has different backgrounds in the two works but they all come from the traditional civilized society. In the novella, Kurtz has European descent “All Europe contributed to the making of Kurtz” (Conrad 4). In the film, Kurtz graduates from West Point and gains countless medals.
Kurtz was an English man who traveled to the Congo in search of excitement, money and experience. To many people back home, he was known to be a loving intelligent young man. In Congo he was also known as being very intelligent, but also as being insane. The question is what happened to Kurtz how and why he let his self go insane. In a way you can say that he found the “heart” of his “darkness,” embraced it and could not escape it.
Kurtz is one of many men sent into the jungle to rape the land and its people of its natural resources. Many men have journeyed into the jungle also refereed as the heart of darkness never to return. Kurtz goes into the jungle and becomes obsessed with the people and the land. Though Kurtz has an obsession with ivory this is not the sole reason for him to overstay his welcome in the jungle.
In Heart of Darkness, all of Joseph Conrad’s characters seem to have morally ambiguous tendencies. The most prominently morally ambiguous character is Kurtz, whose distance from society changes his principles, and leads him to lose all sense of decorum. Conrad takes a cynical tone when describing Marlow's journey. Marlow's voyage through the Congo gives him insight to the horrific, dehumanizing acts that his company and Kurtz conduct. Conrad creates a parallel with the tone of his writing and the misanthropic feelings that the main character experiences. Furthermore, Conrad creates a frame story between Kurtz and Marlow, adding to the symbolism and contrast between contextual themes of light and dark, moral and immoral, and civilization and wilderness. After being sent on a horrific journey into the Congo of Africa, as an agent for the Company to collect ivory, Marlow finds the infamous and mysterious Kurtz. Kurtz, who has totally withdrawn from society, and has withdrawn
"Heart of Darkness , which follows closely the actual events of Conrad's Congo journey, tells of the narrator's fascination by a mysterious white man, Kurtz, who, by his eloquence and hypnotic personality, dominates the brutal tribesmen around him. Full of contempt for the greedy traders who exploit the natives, the narrator cannot deny the power of this figure of evil who calls forth from him something approaching reluctant loyalty."[1]
Heart of Darkness is Joseph Conrad's tale of one man's journey, both mental and physical, into the depths of the wild African jungle and the human soul. The seaman, Marlow, tells his crew a startling tale of a man named Kurtz and his expedition that culminates in his encounter with the "voice" of Kurtz and ultimately, Kurtz's demise. The passage from Part I of the novel consists of Marlow's initial encounter with the natives of this place of immense darkness, directly relating to Conrad's use of imagery and metaphor to illustrate to the reader the contrast between light and dark. The passage, although occurring earlier on in the novel, is interspersed with Marlow's two opposing points of view: one of naïveté, which comes before Marlow's eventual epiphany after having met Kurtz, and the matured perspective he takes on after all of the events leading up to his and Kurtz's encounter.
In Joseph Conrad’s short story, “Heart of Darkness,” the narrator has mixed emotions about the man Kurtz. The narrator spends a large portion of the story trying to find Kurtz. During this time the narrator builds a sense of respect and admiration for Kurtz; however when he finally finds Kurtz, he discovers that he is somewhat disgusted by Kurtz’s behavior. The narrators somewhat obsessive behavior regarding Kurtz is quickly changed into disappointment. The narrator sees that the man who Kurtz is, and the man he created Kurtz to be in his mind are two very different people. He finds that Kurtz is not a reasonable man of justice and reason, but an unstable man whose cruelty and deception is awful. In Joseph Conrad’s short story, “Heart of Darkness,”
“Our experiences shapes who we are.” These simple words summarize the solid connection translated throughout “Heart of Darkness” and “The Things They Carried.” In both written novels, “Heart of Darkness” by Joseph Conrad and “Sweetheart of Song Tra Bong” from The Things They Carried by Tim O’Brien share a similar perspective in revealing dark transformation individuals utilize to cope with new environments. In fact, a new habitat proceeds with new outlook because of the transformation of thoughts. Thoughts depict the concealed action that character wants to achieve. Mary Anna and Kurtz’s dramatic transformation illustrates the destruction of individualism and humanity through actions reflecting thoughts.
Kurtz was the chief of the Inner Station, where he was in charge of a very important ivory-trading post. Marlow learns that because of Kurtz’s ability to obtain more ivory than anybody else, he is of “greatest importance to the Company” and is to become a “somebody in the Administration” (Conrad 143). However, a critical aspect is the way in which he went about his business, as it was ruthless and selfish, characteristics that go hand-in-hand with European colonization.
In the tale Heart of Darkness, Kurtz, a European "White Knight", sets out on a crusade to win the hearts and minds of the lesser African people. Kurtz was ignorant of the degree to which Africa is dangerous, wild, timeless, feminine, unfettered by letters, religious, and vibrant. His love turns to rape when he discovers how unfitted he is to master the magnificent vitality of a natural world. The difference between Europe and Africa is the difference between two secondary symbols: the European woman who has helped to puff up Kurtz's pride and the African woman who has helped to deflate him.
More evidence of his madness is revealed when Marlow says, “his [Kurtz] soul was mad” (Conrad 83). It took Marlow until the conclusion of the novel to realize that the myth of Kurtz wasn’t true and that Kurtz was simply crazy. The myth is that the wilderness made Mr. Kurtz go crazy, but Kurtz was always crazy. The only men who lost it in Africa were the men who could not contain themselves.
The main character in Conrad's novel, Heart of Darkness, isKurtz. Kurtz no longer obeys the authority of his superiors who believe that he has become too extreme and has come to employ "unsound methods" (Coppola, 1979; Longman, 2000). Marlow is sent to retrieve Kurtz from the evil influences in the Congo, and a wild journey on a tainted river ensues. Along the way, Marlow learns about the real Kurtz and finds himself identifying with and becoming dangerously fond of the man.