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Theme of darkness in the novel heart of darkness
Literary analysis for the heart of darkness
Theme of darkness in the novel heart of darkness
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1. The mood is dark and ominous. 2. On the deck of the Nellie is the narrator, Marlow, an accountant, a lawyer and the Director of Companies. The Nellie is docked in the Thames River. 3. Their occupations suggest that they are interested in maintaining their titles and earning even more money. They are also aware of the realities of the world and the necessity to make more than just a living. 4. The two literary terms used in referring to the sailor was simile and personification. 5. Marlow is described to have “sunken cheeks, a yellow complexion, a straight back, an ascetic aspect, and, with his arms dropped the palms of hands outward, resembled an idol.” (p.4). 6. The sword represents destruction and can signify war. The torch stands for the expansion and the pure light it …show more content…
The sketch is of a woman who is carrying a torch and is blindfolded. This could symbolize how men are traveling into the country under false pretenses. They claim to be bring civilization and aid, the torch. As they approach with the torch they are blinded to the corruption going on around them, just as the blindfold blinds the woman. 30. Both Marlow and Kurtz were sent by the same company. 31. The brickmaker dislikes Marlow, Kurtz and the new group. He seems to be threatened by their joint presence. 32. This is a contradictory statement because Marlow has already told a lie about not having ties to Brussels. 33. Marlow can’t get the rivets he needs, the manager doesn’t order them. Insinuating that the manager does so just to spite Kurtz. 34. It is a group of men with the sole intention of wreaking profit through treasures discovered. It is led by the manager’s uncle. Marlow describes them as greedy and cruel as they pillage the country. 35. Marlow still wishes to see Kurtz because he had a different morality than the other men among his group. This difference intrigues Marlow and causes his curiosity to wonder what his complete intentions are or what he wishes to
In both the film and the movie, Kurtz is portrayed as a man of great stature and mastery whose actions become questioned due his barbaric conduct. While Marlow slowly learns more and more regarding who Kurtz is and what he has done through others’ conversations, Willard educates himself about Kurtz through pictures and files he has of Kurtz. He states that he feels like he already knows a thing or two about Kurtz that are not in the papers he has, and that beyond the bridge, there is only Kurtz. This goes to show how Kurtz develops a prof...
The more simple comparison is that between Marlow and a quester. Marlow’s apparent ‘quest’ stems from his childhood interest in maps and exploring the unknown. Though the “...blank spaces on the earth” were later explored, he still took curiosity to the Congo River. He decided he wanted to take a steamboat for trade on it, almost impulsively as he described, “[t]he snake had charmed me”. Being younger and with
The things that Kurtz had both done and seen in his life were in fact horrible, but was something. that Marlow was able to see past. This is later clear by what is in. his thoughts as he talks to the woman. He condemns mankind as a whole with this statement. .
When Marlow finally reaches Kurtz he is in declining health. This same jungle which he loved, embraced and consumed with every ounce of his flesh had also taken its toll on him. Marlow finally meets the man whose name has haunted him on his river journey. Could this frail human be the ever so powerful Kurtz? The man who has journeyed into uncharted territories and has come back with scores of ivory and the respect of the native tribe. Yes, this was the very man and though he is weak and on his way to death his power still exudes from him.
This situation of waiting for Kurtz allows Marlow to fantasize about Kurtz and create a larger than life figure out of a man who he’s never met before. Soon Finding Kurtz becomes an all-out obsession for Marlow; even the night before they meet Kurtz, he wishes to press on despite the danger. Here the reader can see that Marlow is willing to get to Kurtz at all costs. When Marlow does finally make contact with Kurtz, his fantasy carries over into the person who he sees Kurtz as. Marlow is willing to overlook some of Kurtz’s shortcomings and is very willing to see his greatness. Marlow is obviously fond of Kurtz, as it can be seen in the passage when he speaks of Kurtz’s “unextinguishable gift of noble and lofty expression.” Here the reader can observe that Marlow is truly fond of Kurtz’s. The narrator even chooses to side with Kurtz against the manager; even though he hardly knows the man. Kurtz has also managed to get the native people to worship him as a god, and has mastered their language. This makes Marlow respect him even more. Marlow’s point of view allows him to foster both the reality and the fantasy of Kurtz, and though he is very fond of Kurtz, he is still able to see the truth in him as
Kurtz once was considered an honorable man, but living in the Congo separated from his own culture he changed greatly. In the jungle he discovers his evil side, secluded from the rest of his own society he becomes corrupted by power. "My Ivory. My people, my ivory, my station, my river," everything was under Kurtz's reign. While at Kurtz's camp Marlow encounters the broken roof on Kurtz's house, the "black hole," this is a sign of the uncivilized. The black hole represents the unknown and unconquered, and therefore represents the uncivilized. Also, Marlow notices the "black heads" on Kurt...
He describes watching the fireman “…as edifying as seeing a dog in a parody of breeches and a feather hat, walking on his hind-legs” (33). Marlow is saying that this man was basically an animal dressed like a human, trying to do a human’s job. Imagining a dog in pants and a frivolous hat is very comical. Thus, comparing the fireman to this sight is making fun of him. The entire image of the native man working hard and manning the boiler was just too ridiculous to be taken seriously. On top of that, the only reason this man was useful was because “he had been instructed” (33). The fireman became useful only after some generous white man trained him to complete this one simple task. To Marlow, this was as if a man had taught a dog to man a boiler (How ridiculous, it called “manning” for a
...ributed to Kurtz loosing track of his life emotionally, and later physically. Kurtz loved her, and his heart went cold as she was separated from his life. This can be seen in the story at the conclusion in a dialogue between the intended and Marlow, where she asks Marlow what Kurtz's final words were. Marlow lies, not because of his friendship with Kurtz, but because he recognizes the importance of him to her (and visa versa.)
The setting for this novel was a constantly shifting one. Taking place during what seems to be the Late Industrial Revolution and the high of the British Empire, the era is portrayed amongst influential Englishmen, the value of the pound, the presence of steamers, railroads, ferries, and a European globe.
...d it. Even if Marlow is a realist and Kurtz is an idealist, they still experience the same disconsolate world. The difference between the two of them is how they deal with it and what they do to adjust into the environment that they’re in. Kurtz for example used his native people to not acknowledge what was going on around him and he put ruling them ahead of any problems that he experienced. Marlow shows a lot of darkness in his point of view which shows that he is a definite realist. He isn’t complaining but instead describing how he feels in the world that he lives in. He feels this way because he has nothing to believe in and no hope which is what the majority of what all realists feel at some point of their life. Both Kurtz and Marlow experienced pain and darkness in their views of life. One of them it took death to see and the other had been living with it.
On one hand, Marlow is saved by his self-discipline while on the other hand Kurtz is doomed by his lack of it. Before Marlow embarked on his voyage to Africa, he had a different view. Due to propaganda, he believed that the colonization of the Congo was for the greater good. In his head, he judged that the people of Africa were savages and that colonization would bring them the elation and riches of civilization. Despite an apparent uneasiness, he assumed that restraint would function there.
Furthermore, when he says, "I was an impostor," Marlow recognizes the fact that he is an invader into a foreign land, yet he sticks to his moral values. Marlow observes many kinds of abuse of power by other whites, simply because they have better weapons of war. When the manager severely battered a young black boy for the burnt shed, Marlow disapproves. However, when he sees abuse and unjust treatment, he does not physically try to stop it. Instead, he just turns away and accepts that it is happening.
This sight angers Marlow, and when he gets to Kurtz, it’s too late. Even he has been pulled in by the darkness. Conrad makes an effective distinction between Marlow and Kurtz.
...s to look at Kurtz as a hero for all that he had accomplished, no matter how evil. Marlow?s obstacles as the hero are not the overcoming of a dragon or evil villain. It is the eternal battle of the story of a Hero versus Antihero. Marlow?s blindness to Kurtz?s impurities are both his strength and weakness. His ignorance to the greatness of his own qualities can best be stated one way: ?The Horror.?
By the time Marlow and Kurtz meet, Marlow is already well aware of the similarities they share. Both are imperialists, and while Marlow detests the treatment of the natives by his employers (Belgian colonists), he also makes apparent his abhorrence toward the Africans. On the other hand, Kurtz abandons the pretense of helping the natives achieve civilization, as displayed by the Europeans. Instead, he adopts their customs and becomes their leader in the never-ending quest for ivory. "He began with the argument that we whites, from the point of development we had arrived at, 'must necessarily appear to them [savages] in the nature of the supernatural beings- we approach them with the might as of a deity' (Longman, 2000, p. 2226). Marlow also admired Kurtz' resourcefulness and survival skills, especially his perseverence through jungle fever. "The wilderness had patted him on the head....it had taken him, loved him, embraced him, got into his veins, consumed his flesh, and sealed his soul to its own by the inconceivable ceremonies of some devilish initiation. He was its spoiled and pampered favorite." (Longman, 2000, p. 2225).