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Analysis of Heart of Darkness
Note on the character of kurtz in heart of darkness
Note on the character of kurtz in heart of darkness
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Recommended: Analysis of Heart of Darkness
Most teenagers and adults see the world in a negative way because of the experiences that they’ve gone through while attending high school. Generally, most kids younger than high schoolers think that everything will end up the way that they want it to. The author Joseph Conrad sees the world for what it really is. He represents his view of the world in the novel Heart of Darkness by portraying himself as the main character, Marlow, who is a dedicated realist in his view of life, whereas in Kurtz’s point of view, he renders more of the idealist view of life. Marlow begins his story in a way that shows the darkness in everything and throughout his narrative, it only gets deeper into his mind which is immensely dark. Kurtz is the opposite of Marlow. He is effortlessly manipulated by the way of life and can be sucked into the culture of the natives rather easily. As shown in this novel, no one has their happy ending whether they’re realists or idealists.
Conrad describes Marlow in such an intimate way that no one else would be able to see in Marlow unless they actually knew him personally. The novel starts with Marlow sharing his memories with the people on the ship. He tells his story in great depth and throughout telling it, he gets more and more into himself. “And this also," said Marlow suddenly, "has been one of the dark places of the earth.” (55.) You can see that he is talking about his mind and the darkness that lies within it. From the first three pages of the book, there were definite signs of darkness shown through Marlow. He described the world as being dark and almost as if he knew all of the secrets the world contained. As a child, Marlow found himself wanting to go to the “blank spaces” of a map which was foreshadowin...
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...d it. Even if Marlow is a realist and Kurtz is an idealist, they still experience the same disconsolate world. The difference between the two of them is how they deal with it and what they do to adjust into the environment that they’re in. Kurtz for example used his native people to not acknowledge what was going on around him and he put ruling them ahead of any problems that he experienced. Marlow shows a lot of darkness in his point of view which shows that he is a definite realist. He isn’t complaining but instead describing how he feels in the world that he lives in. He feels this way because he has nothing to believe in and no hope which is what the majority of what all realists feel at some point of their life. Both Kurtz and Marlow experienced pain and darkness in their views of life. One of them it took death to see and the other had been living with it.
The most important difference between novella and film is the development of their main characters, Marlow and Willard, respectively. In Heart of Darkness, the reader is introduced to Marlow through his various philosophical ruminations about imperialism, morality, and human nature. He learns of the mysterious Kurtz through first-hand accounts of his accomplishments and his bizarre behaviour. As Marlow spends more and more time in the jungle, his pre-occupation with Kurtz becomes an important refuge from the brutality of the Belgians for whom he works. Although critical of the Belgian bureaucracy, it is unclear whether his displeasure stems from their immoral practices or their incompetence and inefficiency. Conrad never reveals Marlow’s true feelings, forcing the reader to confront the issues of racism and human nature themselves.
He talks about purpose, and how tragedy effects the audience. In the book, Heart Of Darkness, Joseph Conrad writes about a character, Marlow, who is on a journey through Africa to find a man named Kurtz. Kurtz is a man who not many people have met or seen but he is spoken very highly of. To be a tragic hero, Aristotle says that it should be clear that the person is an important character and held to a high standard but not perfect. The character must be relatable. Marlow heard things about Kurtz that made it sound like people adored him. On page thirty, "Mr. Kurtz was a 'universal genius.'" One encounter that Marlow had with a Russian trader who was close to Kurtz described Kurtz in a sense of awe. " 'We talked of everything,' he said, quite transported at the recollection. 'I forgot there was such a thing as sleep. The night did not seem to last an hour. Everything! Everything!... Of love, too.' 'Ah he talked to you of love!'" (Conrad, 54) Before meeting Kurtz, the things Marlow heard of him, made Kurtz sound like a great man. Furthermore, Aristotle says that the hero's downfall is self-inflicted. The character makes some mistake that effects them in the long run, but the consequence is sometimes far-fetched. Kurtz was obsessed with ivory which drove him to do evil things. He would even kill people to get ivory. His obsession made him insane. "You should of heard him say, 'My ivory.'
In Heart of Darkness, all of Joseph Conrad’s characters seem to have morally ambiguous tendencies. The most prominently morally ambiguous character is Kurtz, whose distance from society changes his principles, and leads him to lose all sense of decorum. Conrad takes a cynical tone when describing Marlow's journey. Marlow's voyage through the Congo gives him insight to the horrific, dehumanizing acts that his company and Kurtz conduct. Conrad creates a parallel with the tone of his writing and the misanthropic feelings that the main character experiences. Furthermore, Conrad creates a frame story between Kurtz and Marlow, adding to the symbolism and contrast between contextual themes of light and dark, moral and immoral, and civilization and wilderness. After being sent on a horrific journey into the Congo of Africa, as an agent for the Company to collect ivory, Marlow finds the infamous and mysterious Kurtz. Kurtz, who has totally withdrawn from society, and has withdrawn
Heart of Darkness is Joseph Conrad's tale of one man's journey, both mental and physical, into the depths of the wild African jungle and the human soul. The seaman, Marlow, tells his crew a startling tale of a man named Kurtz and his expedition that culminates in his encounter with the "voice" of Kurtz and ultimately, Kurtz's demise. The passage from Part I of the novel consists of Marlow's initial encounter with the natives of this place of immense darkness, directly relating to Conrad's use of imagery and metaphor to illustrate to the reader the contrast between light and dark. The passage, although occurring earlier on in the novel, is interspersed with Marlow's two opposing points of view: one of naïveté, which comes before Marlow's eventual epiphany after having met Kurtz, and the matured perspective he takes on after all of the events leading up to his and Kurtz's encounter.
In Joseph Conrad’s short story, “Heart of Darkness,” the narrator, Marlow language, and point of view to convey the conflicting emotions he has about Kurtz due to the image he fabricated Kurtz to be, and the reality of Kurtz. Marlow’s language throughout the piece reveals to the reader how he feels about Kurtz and how he perceives Kurtz’s actions. Marlow’s point of view also allows him to support both of his perceptions of Kurtz because he doesn’t see only bad or only good in
Conrad uses light and dark imagery to help create the setting for the story; light represents civilization while darkness suggests the uncivilized. The novel opens on the deck of a boat called the Nellie, as we are introduced to the passengers we are told how the sun is slowly fading, and soon darkness will engulf the area. This image is Conrad?s first use of light and darkness; he uses it to foreshadow the ultimate darkness Marlow will face. Conrad is warning his readers to be careful, lest they let down their guard and allow the darkness to come them. The other character in the book, Kurtz, is taken over by the evil embodied in the darkness. During Kurtz?s journey into the heart of darkness the isolation, darkness and power all made him lose control of himself and allowed the darkness to take over.
His words are a trap that carries readers into the perception of the most complete darkness in a phonological cradle. The frame narration used by Conrad provides Marlow the chance to exit from the story and speak directly to his audience, and he often uses this occasion to remark, “No, it is impossible to convey the life-sensation of any given epoch of one’s existence,—that which makes its truth, its meaning—its subtle and penetrating essence. It is not possible to do that. We live, as we dream—alone” (Conrad, 130).
Marlow’s thoughts are so consumed by Kurtz, that he is built up to be much more of a man than he truly is. In turn, Marlow is setting himself up for a let down. He says at one point, “I seemed to see Kurtz for the first time...the lone white man turning his back suddenly on the headquarters, on relief, on thoughts of home...towards his empty and desolate station”(P.32). When Marlow reaches Kurtz’s station, he begins to become disillusioned. He begins to hear about, and even see, the acts that Kurtz is committing, and becomes afraid of him. He sees in Kurtz, what he could become, and wants nothing to do with it. He does not want people to know he has any type of relationship with him, and says in response to the Russian, “I suppose that it had not occurred to him that Mr. Kurtz was no idol of mine.” (P.59). It is at this point that he begins to discover the darkness in his heart.
This is where the relation takes place. Once one section of the body, as in the mind or physical aspect, is affected by the darkness, it’s easy to dominate the other section. Through Marlow, Conrad gives his readers a visualization of the beginning stages of someone evolving into a local in this type of environment, “And this also… has been one of the darkest places on earth”(Conrad). Conrad shows the relation between insanity and physical illness by forcing Marlow to experience both. Among the Congo, Marlow encounters true darkness for the first time.
One of the central tragedies of Joseph Conrad’s Heart of Darkness is the insanity of Mr. Kurtz. How could a man who seemed so good, so stable, suddenly become so mentally lacking? Through the deterioration of Kurtz’s personality and Marlow’s response to his breakdown, Conrad explores the elements of strong versus weak characters.
...o, while the novella’s archetypal structure glorifies Marlow’s domination of Kurtz. These two analyses taken together provide a much fuller and more comprehensive interpretation of the work. Conrad presents the idea that there is some darkness within each person. The darkness is is inherited and instinctual, but because it is natural does not make it right. He celebrates – and thereby almost advises – the turn from instinct. By telling Marlow’s tale, Joseph Conrad stresses to his audience the importance of self-knowledge and the unnecessity of instinct in civilization.
Marlow is the raconteur of Heart of Darkness, and therefore is one of the more crucial characters within the plot. He embodies the willingness to be valiant, resilient, and gallant, while similarly seeming to be cautiously revolutionary. He is, seemingly the epitome of bravery, going into the jungle. Marlow’s voyage is, in essence, a “night journey into the unconscious, the confrontation with an entity within the self” (Guerard 38). The ominous coast is an allegory for the idea of the unconscious mind. “Watching a coast as it slips by the ship […] there it is before you—smiling, frowning, inviting, grand, mean, insipid, or savage, and always mute with an air of whispering” (1...
He even considers that he would have as soon expected such restraint from a hyena prowling amongst the corpses of a battlefield.... ... middle of paper ... ... Interestingly, Marlow and Kurtz are very comparable and several parallels can be drawn between them, yet their fates differ in the end. Kurtz’s fate is due to his lack of restraint, but Marlow’s restraint only saves his life for the time being.
This sight angers Marlow, and when he gets to Kurtz, it’s too late. Even he has been pulled in by the darkness. Conrad makes an effective distinction between Marlow and Kurtz.
The main character in Conrad's novel, Heart of Darkness, isKurtz. Kurtz no longer obeys the authority of his superiors who believe that he has become too extreme and has come to employ "unsound methods" (Coppola, 1979; Longman, 2000). Marlow is sent to retrieve Kurtz from the evil influences in the Congo, and a wild journey on a tainted river ensues. Along the way, Marlow learns about the real Kurtz and finds himself identifying with and becoming dangerously fond of the man.