Upon first walking up to the Heard Museum through the front gate, the first things that can be noticed are the architectural features of the Museum. To me the architecture appeared to be Italianate, but it was later uncovered in the tour to be Spanish Style. Though, both Spanish Style and Italianate architecture are nearly one and the same, as a matter of fact Spanish Style architecture is derived from the Italianate style with was brought to Spain by the Romans. Stepping back from purely architectural features, it can also be notice that within the landscaping of the front lawn there is a path which runs in the shape of a swirl. The center of that swirl where everything comes together rests in a pit, almost as if the spiral shape runs downhill towards the center. This shape, as referenced from the James Luna presentation, is a culturally significant symbol to many Native American peoples. As the path from the main gate leads the visitor to the front of the building, a contemporary style wall adorns the right side of the path and displays several sculptures and information plaques which reference the Native American efforts during time of war throughout US history. As the path continues to lead to the entrance the the galleries, covered pathways take visitors past sculpture gardens and courtyard areas. As the tour of the museum began, it was easily noticed that all of the objects on display were placed behind thick glass cases. Many plaques inside of the case provide the visitor with information about the specific case that is being looked at. In most cases the plaques didn’t so much provide an elaboration on the pieces, but rather expand upon the historical context of the pieces. Also, the plaques shed light onto muc... ... middle of paper ... ...eople were buying stuff too. One guy had bought a $750 turquoise and silver Zuni necklace. A rich guy could do some serious damage in that gift shop thats for sure. If I had to pose one question that involves the context of this class it would have to be this. How can these “primitive” arts have a value of thousands of dollars, if primitive art is considered inferior to western art? It’s a real conundrum, but the answer is something that I still cannot understand. If I had to make a guess as to what I think the answer is, I would have to guess that maybe the so called “primitive” arts are finally gaining ground on the works of famous western artists. Though the “primitive” arts have had a many year disadvantage, it could be possible that they are finally being realized for what they really are and can be equally compared to the works of famous western art.
On April 14, 2017 my mom and I visited the Montclair Art Museum. Upon entering, I observed the beautiful neoclassical architecture and roman cathedral like columns outside of the museum. Located on Bloomfield Ave, just miles from New York City, the Montclair Art Museum holds some of the best American and Native American art works. The different galleries and collections along with the breathtaking sculptures, paintings, and carvings added to my positive experience and I look forward to further exploring the world of art.
The facility was smaller than expected by many on the tour group. However, the tour guide had a very nice explanation to each of the artworks. By visiting the museum to gain the aesthetic experience it has open many people point of views to how they can express his or her self through art.
With works in every known medium, from every part of the world, throughout all points in history, exploring the vast collection of the Museum of Modern Art was an overwhelming experience. The objects in the Department of European Sculpture and Decorative Arts are an important historical collection, reflecting the development of a number of art forms in Western Europe. The department's holdings covered sculpture in many sizes, woodwork and furniture, ceramics and glass, jewelry, and tapestries. The gallery attracted my appreciation of the realistic qualities of the human body often portrayed in sculpture.
It was the day of April 13, 2000. I woke up at exactly 12 o’clock because my boyfriend was to pick me up at 1 like we planned the night before. The day looked quite nice, but I was in a fowl mood. I got into a car accident the night before and had a huge argument with my parents about the car. I finally dragged myself into the shower and got ready in half an hour. Then I went downstairs, sat on my couch, and repeatedly told myself the day would hopefully turn out better than last night. At around 1:15, my boyfriend came to pick me up. We took the 5 freeway to the 57 since it was the only way I knew how to get there. As we approached the 134 freeway, my girlfriend veered to the right, taking the 210 which was wrong way and got us lost. So, we exited the freeway and got back on the right track. Then finally, before long, we reached Norton Simon.
Baxandall specified his discussion about the problem by supposing that the displays of the gallery were permanent and conservative, which means that the main artifact served for inspection laid in the center of the galley around with additional elements. He also assumed that the viewers were educational members of a developed society, who both enjoyed the expected interesting object view and the functional purpose of the artifacts. After illustrating the assumption, he raised up the main question that different viewers with different cultural background may have different ideas about the artifact. This complicating position was not only the result from the viewers, but also from the object itself and the arrangers of the exhibition. The assumption is strong and will be discussed later.
Duncan’s (1991) analysis of western museums is defined through the theme of “durable objects” as a criterion to judge the heritage of American and European art as a ritual of the modern state. In this manner western art museums are built like “temples” as a symbolic and figurative representation of greatness of western culture throughout the world: “[They] are more like the traditional ceremonial monuments that museum buildings often emulate—classical temples” (Duncan 90). This interpretation of American/European museums defines a dominant source of cultural heritage that ritualizes
The trip to the metropolitan museum was a great trip to learn and to study art. What is art you may ask, well art is an expression you use to show a visual picture. It can be through painting or through sculptures. Some other example of art is music, literature and dancing. For today 's paper we will be talking about art as a sculpture. The two sculptures in this photo are King Sahure and a Nome God and Marble Statue of Dionysos leaning on archaistic female figure (Hope Dionysos). You can find these statues in the Metropolitan Museum of Art. King Sahure and a Nome God is an Egyptian art that was made in 2458-2446 BCE. The artist is unknown. It was during the 5th dynasty and it also belong to the old kingdom. The Marble statue of Dionysos Leaning in the archaistic female figure is a Greco-Roman art. Belonging to the Roman imperial period of the late first century A.D. Augustan or Julio-Claudian period 27 B.C., to 68 AD. It is classified as a stone sculpture and it is made out of marble. The height of the statues is 82 ¾ inches. There is no evidence who was the original artist.
Her thesis includes why taking ancient, historical artifacts out of context is problematic and then included specific examples of different museums which have demonstrated this issue, such as the Rockefeller Museum, the Walters Art Gallery, and
This museum seeks to tell, in the words of the eminent historian John Hope Franklin, “the unvarnished truth” that will help our visitors to remember and better understand what has often been erased and forgotten.“
The Natural History Museum is extraordinary place to explore and learn. It’s fun and breathtaking. The museum served as an agricultural fairground from 1872 until 1910. The original structure of the building from the 1913 and today’s structure are combined with a blend of many styles. Like a Spanish Renaissance ornamentation in the terracotta trimmings. There is a Romanesque style in the arched windows and the brick walls. The Beaux-Arts tradition is a T-shape floor plan. The building measures 75 feet in diameter with three wings. The Rotunda’s walls are made of Italian marble and the floors have a mosaic tile. The statue in the center of the floor called “Three Muses.” The Rotunda’s dome is 58 feet high with a skylight 20 feet across on top, which has been restored recently into a bright colored stained glass design. The museum had its first grand opening on November 6, 1913 and was called “The Los Angeles County Museum of History, Science, and Art. It was opened formally to the public. The museum was joined by other major cultural facilities in the park; the Memorial Coliseum, Sports Arena, Swimming Stadium, California Science Center, California African American Museum and the largest Municipal-Owned Rose Garden in the nation, with a beautiful water fountain in the center.
New museology is the modernisation of museums. New museums are made to be more interactive and more interesting for the visitors. Displays in the museums are no longer covered in glass and people are encouraged to look more closely and interact with displays. The museums are brighter are the displays...
knowledge of cultures or peoples can be based on false stereotypes and notions. Museums have always been based on displaying things, educating the public through exhibiting materials and the false notions from the public are one thing that museums refuse to propagate.15 However, refusing to display these well-known, popular yet false data sometimes can hinder the feedback on a specific exhibit, displaying accurate but not the popular expectation of the specific subject. Museums carry a great impact on society’s understanding of native cultures through their displayed information and most museums are history museums with a considerable majority being Native American materials.16
History is around us all and for most of us history is just a museum away. However a misrepresentation of artifacts in museum can negatively impact generations to come. The history of a civilization whether it be past or present society can learn from. It is important that these artifacts are portrayed in a manner of respect with integrity. Correctly displayed artifacts from past cultures can have a profound impact on the way one views a civilization. Some people have correctly figured out how to display these objects; others have struggled to find a credible way to show the past.
have never been to a city that did not offer the usual museum fare, usually in the form of the “Anytown Art Museum”, or the “Anytown Museum of Natural History”. While these types of museums house some incredible artifacts, and I do visit them often, I also like to seek out museums of a more unusual sort.
The inside of the museum was intense because you walk into see two huge dinosaur structures in the front. There were also many entrances to different exhibits on top the entrances were enormous murals depicting various things. The murals showed all of the cultures around the world. All of the cultures are able to mix in with each other. For instance, the mural on top of the Asian Peoples exhibit was showing the many different Asian cultures such as Japanese, Korean, and Chinese mixing into one huge mural. There was the mural on top of the African Peoples exhibit that included prominent animals such as, lions and elephants. And lastly for the South American Peoples exhibit that included Theodore Roosevelt in the mural signifying the creation of the Panama Canal. I like how the murals all had the same color schemes. These murals showed the impact of various historical events having an im...