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Love in poetry analysis
Representation of love in poetry
Representation of love in poetry
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In “He Wishes For The Cloths Of Heaven,” William Butler Yeats uses an extended metaphor about the “cloths of heaven” to capture the idea that he wishes he could give his beloved the best that he has to offer. The poem expresses that the author would be willing to make big sacrifices to attain the love of his life, Maud Gonne, but in the end the speaker will not succeed at wooing her, as consequence of the following. Though, Yeats does state that he loves Gonne and says that she is more precious to him than cloths "Enwrought with golden and silver light," he is only saying this to exalt himself in the eyes of others. This is intended to mean that he only wants what he does not have, and as a more commonly used expression states, he does not "put his money where his mouth is". A stable relationship needs a support, and if Yeats has nothing to support Gonne besides his dreams, then realistically speaking he has nothing to support her with.
In lines 1-4, "Had I the heavens' embroidered cloths, Enwrought with golden and silver light, The blue and the dim and the dark cloths Of night and light and the half-light," Yeats expresses how precious and valuable the "cloths of heaven" are. You can tell how marvelously they are described, because the speaker states how the "cloths of heaven" are decorated with light, both gold light and silver light, and made of "the dim and dark cloths of night and light and the half-light". Logically, the cloths described by the speaker are unrealistic, but this is intentional simply to show the amount of his affection towards Maud Gonne. This is intended to suggest that the speaker believes that if he had a possession, either spiritually or materially, that was as magnificent as the cloths portray...
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...fortable with being poor; this is shown in line 6, "But I, being poor, have only my dreams". He is unwilling because by taking no action he shows that he wouldn't "spread the cloths under her feet", because he would never obtain the cloths; shown in line 5 and 7, "I would spread the cloths under your feet", but instead "I have spread my dreams under your feet". Lastly, he is false in my eyes, because I see this poem as prevarication due to the idea that he is lying not to the reader or to his beloved, but to himself; Yeats falsely believes that he is in love with Gonne. Love is when a person is both physically and spiritually, or mentally, attracted to a person who would be willing to sacrifice and be faithful to the first person in the same way that he or she would be faithful to and sacrifice for him and her, while being in harmony with and a benefit to him or her.
Events which stretch as far back as the reforms of the Gracchi brothers’ meant that the Rome was facing a Republic that was already deteriorating before Pompey had stepped into power. While Pompey’s quest for power was harmful, many other factors were also baleful to the Republic, and were hence instrumental in its decline. Gnaeus Pompeius’s measures to gain power were harmful because it was primarily a paradox to the principles of being part of a Republic with all its notions of shared and short power. The fundamental reason why there were other reasons for the decline of the system are that the military power was given to him, the already weak Senate, and the fact that Pompey was not the only player in the breakdown of the Republic due to the alliances he had made with Crassus and Caesar.
Yeats speaks of her 'glad grace' (l.5) as her willingness to help and serve her family. Many people a...
Shift: after line 6 of the poem, there is a shift. In the beginning of the poem, the poet outlines the list of things that love cannot provide for the people who are willing to die it. The narrator outlines the basic necessities like food, shelter, and health.
While Lord Byron's poem enhances the beauty of love, Keats' does the opposite by showing the detriments of love. In “She Walks in Beauty,” the speaker asides about a beautiful angel with “a heart whose love is innocent” (3, 6). The first two lines in the first stanza portray a defining image:
Keats presents his feelings on how he no longer wishes for impossible goals, and how it is much more preferable to enjoy life as much as possible. It is of no use longing for things we cannot have, and so we must learn to live with the myriad of things we already have, of these one in particular appeals to Keats: the warmth of human companionship and the passion of love.
He compares his love to a "vegetable," which means that it would not stray, but would grow "vaster than empires," and would do so more slowly (ll. 11-12). He claims that he would happily spend a hundred years praising her eyes, and gazing at her forehead. When that is over, he would spend two hundred years on each breast, and spend "thirty thousand to the rest" (l. 16). He then crowns this romantic hyperbole with the statement, "[f]or, lady, you deserve this state, /Nor would I love at a lower rate" (ll. 19-20). These statements serve to support one of the major themes of the poem:
The poem says that "since feeling is first" (line 1) the one who pays attention to the meaning of things will never truly embrace. The poem states that it is better to be a fool, or to live by emotions while one is young. The narrator declares that his "blood approves" (line 7) showing that his heart approves of living by feeling, and that the fate of feeling enjoyment is better than one of "wisdom" (line 9) or learning. He tells his "lady" (line 10) not to cry, showing that he is speaking to her. He believes that she can make him feel better than anything he could think of, because her "eyelids" (line 12) say that they are "for each other" (line 13). Then, after all she's said and thought, his "lady" forgets the seriousness of thought and leans into the narrator's arms because life is not a "paragraph" (line 15), meaning that life is brief. The last line in the poem is a statement which means that death is no small thi...
At the start, the first stanza of the poem is full of flattery. This is the appeal to pathos. The speaker is using the mistress's emotions and vanity to gain her attention. By complimenting her on her beauty and the kind of love she deserves, he's getting her attention. In this first stanza, the speaker claims to agree with the mistress - he says he knows waiting for love provides the best relationships. It feels quasi-Rogerian, as the man is giving credit to the woman's claim, he's trying to see her point of view, he's seemingly compliant. He appears to know what she wants and how she should be loved. This is the appeal to ethos. The speaker seems to understand how relationships work, how much time they can take, and the effort that should be put forth. The woman, if only reading stanza one, would think her and the speaker are in total agreement.
...uty which is impossible for any woman or man to match. Campion's poem reflects this impossible ideal that society inflicts on us. This woman in There is a Garden in Her Face could never really live up to the image that the speaker has created of her. The image is false, and so is his love because he is only focusing on her outward appearance. The speaker in Shakespeare's sonnet clearly is not in love with his mistress' looks. Everything about her is contrary to society's standards, but he understands the absurdity of these standards and rejects them. There is more to his mistress than meets the eye, and that is why he truly loves her.
She talks about that love with a more realistic, relatable edge. The love she feels for whoever "thee" is, assuming it's Robert Browning, her husband, is passionate and beautiful, but she talks about her love only after she admits a group of less warm, loving feelings. It is very prevalent in each sonnet contained. It’s easy to see that loving her beloved, her husband, is the one of the ways she actually knows she exists. She tries to list the many different types of love that she so obviously feels, and also to figure out the many different types of relationships between these vast and different kinds of love.
In The Happy Man’s Shirt the theme is that one is never truly and fully happy. Even when one seems completely happy, there is always a want for more. In the tale the king thought he had found a man who was the happiest man alive but when the king asked the man to be his bishop the man said “‘Oh, majesty, if only it were so!’”(The Happy Man’s Shirt 1) The king instantly threw the man out reasoning that he wants a man who is happy the way he is. A man who is fully and truly happy doesn’t need wealth fame or fortune, he is happy with what he has got. In addition, one can seem to have everything but be fearful of what to come. Such as in the italian tale, when in search for the happiest man in the land a king was found who seemed to have everything,
In the tale The Happy Man’s Shirt, a central theme is that riches do not guarantee happiness. The prince in the story, a boy who lacks nothing is shown to be depressed for no discernible reason. This is demonstrated when the king confronts his son, the prince. “‘What on earth do you lack?’ asked the king. ‘What’s wrong with you?’ ‘I don’t even know myself Father.’” (Author Page). Even though there is nothing that the prince could desire for he is still deeply unhappy. This emphasizes that wealth is not everything and sometimes it is better to live simply. The next instance occurs when the king, desperate for a solution seeks out happy people. He comes upon a neighboring king with a very prosperous kingdom. He seems to be the solution
The first text entitled, “When you are Old” by William Yeats has the main message of his lover leaving him, but uses the symbolism of a book. The main message of this poem is William Yeats had a lover who loved Yeats has much as he loved her; the only problem was the woman Yeats loved was a “rebellious” women’s rights activist. She thought that if she were to marry, it would look bad on her for being controlled by a man, and trying to push for women’s rights. Yeats publishes a book of poetry, giving her one of his first copies. In this Yeats hopes that one day when she is old she will, “by the fire, take down this book, and slowly read, and dream of the soft look” (Yeats, When you are Old, page 1140, lines 2-3) and then he hopes she regrets not marrying him. The book of poetry that he publishes is a representation, a symbol, of future regret for his ...
This refrain enforces his disgust at the type of money hungry people that the Irish have become. In the third and fourth stanza, however, Yeats completely changes the tone of his poetry. He praises the romantics of Irish history, such as Rob...
On the surface, William Butler Yeats’s poem No Second Troy, tells the narrative of a man questioning his unrequited love, morality and ideology. However, further reading of the poem gives the reader insight into Yeats’s own feelings towards Irish radical, Maud Gonne, a woman to whom he proposed on numerous occasions unsuccessfully. Gonne had always been more radical than Yeats within her efforts to secure Ireland’s independence from Britain in the first decades of the 20th century, but Yeats persisted in receiving her love, dedicating many of his poems to her, thus showing his obsession with the radical actress. The poem can be split into four rhetorical questions; first the speaker asks “why” he should blame her, for his own unhappiness; next he questions “what” else she could have done with her “noble” mind; following this, the speaker, seemingly speaking to himself, accepts that she is who she is and that cannot be changed, lastly the speaker questions whether there is anything else that could have been an outlet for her “fiery” temperament. Initially, the poem can be viewed as a sonnet, however, true sonnets contain fourteen lines, in contrast to No Second Troy’s twelve, thus making it a douzaine.