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Music colonization in Africa
Hawaiian culture music
Music colonization in Africa
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Hawaiian music, particularly vocal music, has undergone dramatic transformations under the influence of Hawaii’s rapidly changing island society as a result of colonization. The cultural significance and relevance of Hawaiian music to the people of Hawaii has also transformed over time. To the natives of Hawaii, Hawaiian music has been the aural representation of their culture, traditions, and histories; however, with the effects of colonialism, forced conformation, exploitation, and commodification, their music has subsequently been altered to reflect the times. Current Hawaiian music is also the product of culmination of the various ethnic and cultural backgrounds because the music has adopted various musical traditions as a result of the …show more content…
Modern Hawaiian music is a genre that incorporates Euro-American musical rudiments and chordal stringed accompaniment such as guitar and piano which were brought from the west (Stillman 80).
Missionaries also taught Hawaiians how to read staff notation, which eventually led to its use in composing secular mele Hawaii songs throughout the second half of the nineteenth century (Stillman 82).
A prominent example of the westernization of Hawaiian music can be seen in hula; the modern hula are dances newly composed after conversion to Christianity, but also their accompaniment were westernized songs that performed to the accompaniment of strummed chordal instruments that are not indigenous to Hawai'i but are completely integrated into the performance practice of "modern" Hawaiian songs (Stillman 84, 85). T
The most commonly known Hawaiian music is the popular mainland and tourist market oriented hapa-haole, half-white or foreign, music which is not traditional Hawaiian music but is a kind of Hawaiian music that Hawaiian performers have adopted, adapted and acculturated by Hawaiian performers to their own musical standards (Solberg
Ii, John Papa., Mary Kawena Pukui, and Dorothy B. Barrère. Fragments of Hawaiian History. Honolulu: Bishop Museum, 1983. Print.
The role of a kahuna in the Hawaiian culture takes on the responsibility of keeping a balance between the people and the nation. In doing so, they apply their field of expertise towards assisting the aliʻi and the makaʻāinana. In ancient Hawai’i, there were many different types of kāhuna that had a skill set that contributed or benefited the community. In this paper I will discuss the different ways a kahuna achieves this type of balance within the lāhui. These kuleana include advising the aliʻi to make pono decisions, guiding the makaʻāinana in their daily lives and practices, and taking care of the spiritual side of the Hawaiian culture and traditional practices of the people.
A small company of thirty-four New England missionaries came to Hawaii between 1820 and 1930, were the first modern immigrants. (Lind p.59) Missionaries were powerful agents of cultural destruction, coming to Hawaii to settle and teach their ways and beliefs. Bloodthirsty priests and despotic chiefs had ruled one reason for missionaries arriving and settling in Hawaii, due to the fact that they believed ancient Hawaiians. (Trask p.14) Bringing along cultural havoc by establishing a western style educational system, which included the first textbook as the Bible. The most critical change was in the use of language as a tool of colonization. Language had once been inseparable from the Hawaiians and their history by communicating their heritage between and among many generations, now came to be used as the very vehicle of alienation from their habits of life.
The Hawaiian culture is known throughout the western world for their extravagant luaus, beautiful islands, and a language that comes nowhere near being pronounceable to anyone but a Hawaiian. Whenever someone wants to “get away” their first thought is to sit on the beach in Hawai’i with a Mai tai in their hand and watch the sun go down. Haunani-Kay Trask is a native Hawaiian educated on the mainland because it was believed to provide a better education. She questioned the stories of her heritage she heard as a child when she began learning of her ancestors in books at school. Confused by which story was correct, she returned to Hawai’i and discovered that the books of the mainland schools had been all wrong and her heritage was correctly told through the language and teachings of her own people. With her use of pathos and connotative language, Trask does a fine job of defending her argument that the western world destroyed her vibrant Hawaiian culture.
The book America’s Musical Landscape starts by looking back to early North American Music from the American Indians, to the religious and non religious music of the European and African settlers. According to the book “Native American music was and is song, sometimes supported by instruments.”1 The Native American used different types of instruments to accompany their songs or chants such as the drums, flute and rattles. Like music for us today the Native Americans used music in all different aspects of their lives. The early European settlers br...
Hawaiians should have rights to their own land and not let foreigners disrupt their daily habits and life. If a foreigner takes allegiance to Hawai’i they not only have the accessibility of a citizen but also the perks that go with citizenship. Foreigners would be able to marry the women of Hawai’i while they have wives back home in their previous motherland. Foreigners that are aiding to Hawai’i can stay as aliens and be just as effective. There is no need for them to gain citizenship and take an oath of allegiance for their help. If a foreigner wants a piece a land all he needs to do is take an oath of allegiance and he is able to have a piece of land. If too many foreigners enter Hawai’i, their culture will take over. The majority will consist of the foreigners and their government will take over. Too many foreigners will cause much more damage to the native Hawaiian population. The number of full Hawaiians will decrease if foreigners continue to enter the island of Hawai’i.
Art of the Hulaf What is one thing that stands out in most peoples’ minds when they think of Hawaii? Most people would probably say the hula dance. The hula dance descended from, or can be traced to, Polynesia and India. The Hula was a form of poetry for the Hawaiians in all of its sacred and ceremonial forms. In hula dancing, the hands are very important: they tell a story.
“Together the matrices of race and music occupied similar position and shared the same spaces in the works of some of the most lasting texts of Enlightenment thought..., by the end of the eighteenth century, music could embody differences and exhibit race…. Just as nature gave birth and form to race, so music exhibited remarkable affinities to nature” (Radano and Bohlman 2000: 14). Radano and Bohlman pointed out that nature is a source of differences that give rise to the different racial identities. As music embodies the physical differences of human, racial differences are not only confined to the differences in physical appearances, but also the differences in many musical features, including language, tonality and vocal expression. Nonetheless, music is the common ground of different racial identities. “In the racial imagination, music also occupies a position that bridges or overlaps with racial differences. Music fills in the spaces between racial distinctiveness….” (Radano and Bohlman 2000:8) Even though music serves as a medium through which different racial identities are voiced and celebrated individually, it establishes the common ground and glues the differences
Hawaii is a top vacation destination by many tourists all over the world. When Hawaii comes to mind many people and different cultures imagine sandy beaches, warm, blue waters, lush green backdrops, Hula dancers in grass skirts with flowers in their hair and leis around their necks. These visual representations are iconic symbols of Hawaii and of what many have come to define as Hawaiian. These images and ideas painted by the visitor industry most often take place at the expense of the Hawaiians historic culture. These stereotypes conjured up by the tourist indus...
Throughout the semester, various styles of music and the aspects of culture associated with these styles have been analyzed. Musical elements such as dynamics, texture, form, timbre, melody, instruments, etc., have been used to thoroughly explore each kind of music from different areas of the world, with an emphasis in music from Africa, India and Indonesia. These aspects of music go far beyond just music itself. Culture also plays a huge role in music and the accompanying musical elements. Each country and culture has a different style and distinctiveness that add to what makes the music of that certain culture unique. Music in Africa may differ dramatically from music in Indonesia or India not only due to those certain elements but also due to how it is interpreted by people and what it represents for those people. In addition to this, what one may consider music in one culture may not be music to another. These differences have been made apparent in the several demonstrations that we have been exposed to in class.
Hawai'i is a land full of diverse people and ideas, starting from the Polynesians who decided to cross the ocean to settle and form the traditions practiced today by the Hawaiians. Unlike many other states, the beliefs of Hawai'i have managed to stay alive. Its unique culture is what attracts tourists most. Many people see it as a vacation spot, full of fun attractions and say, “When I go to Hawai'i I'm going to get some Hawaiian tattoos, they look so cool!” or “I'm going to buy a hula skirt, they're really pretty!” But all those hula dances and tattoos are not just for show. People do not know that there is more to it than ink or hip swaying; behind every hula skirt and every tattoo there is a story. Hawai’i’s culture consists of the significance of its dances, tattoos, and traditions that give Hawaiians their unique lifestyle.
Hawaiian is unique among the fifty states, especially in regards to its native music form, which is still preformed, and captivates audiences even today. Hawaiian chanting, music, and dance are not only key parts of life on the island, but have also become cultural icons as well as profound symbols of nature and religion in Hawaii. Hawaii has a rich history, beginning with the early settlers from Polynesia who brought their traditions and religions to Hawaii. Over the years, the inhabitants took those traditions and adapted them to their new home, creating the definitive culture that, even with Western influences, still is a captivating force within the society.
Music played a very important role in the lives of people is diaspora communities. It served as a reminder for the immigrants of their homeland, which allowed them to proudly express their national and cultural identities. Diaspora refers to an international network of communities linked together by the identification of a common ancestral homeland and culture. People in these communities are no longer living in their homelands, with no guarantee of a return either. (Bakan, 19). Music played a large role in African diaspora communities. This was first started by the slave trades many years ago when slave traders traveled to the coast of West Africa to capture Africans and brought them back to the United States to be slaves on plantations. Slaves were more prone to loose a sense of their own culture because every new aspect of their lives was forced upon them, therefore they were undoubtedly forced to abandon their n...
Kuss (2004) explores the idea, “in some measure to the eradication of essentialisms and to critical reassessments of the infinite ways in which cultural representation still relies on criteria and conceptual frameworks developed within the Eurocentric sphere of influence, including some models of cultural criticism stemming from vastly different historical experiences.” Firstly, one of the most popular Latin American genre is mestizo music’s. “One prevalent feature found in this genre of music is the emphasis on chordophones, such as guitar, harp, and mandolin (Thomas, 2011). This genre of music is more rhythmically based, fast-paced, with a strong instrumental performance and a strong vocal presence. Some general features of this genre is the prominent use of costume. Moving into the twentieth-century brass bands and various types of accordions became more popular (Thomas, 2011). “During the colonial period, missionaries used music and costumed dances to attract indigenous peoples to Christianity” (Turino). This genre can be seen throughout Latin-America, and specifically in Mexico and Chile sine the influence of the Catholic church has grown. This genre involves a combination of
Juju music emerged in the 1920's and is the most well-known form of Yoruba popular contemporary music in Nigeria. Juju has its roots in traditional Yoruba drum based music. Juju is dance music played by large ensembles centered on guitars and drumming. Singing is a major part of Juju music and is inspired by Yoruba poetry, proverbs, praise songs, and the musical character of the language. The culture and music remained the same for decades after colonization and its explorers left Nigeria. The negative legacies...