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Hawaiian history paper
About quantum mechanics
About quantum mechanics
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The book “Hawaiian Heart” exemplifies the topics of quantum physics,, modern mythology, and Hawaiian History as the backbone of what this book is based off of. As this being the bases of the book, it surrounds the lifeʻs of four kids, two local Hawaiian boys named Makoa and Kaleo and two foreign girls, one Mexican immigrant named Fresno and an outsider from the mainland named May. As they find out that their Earth isnʻt the only Earth in the universe, a threat arises that threatens all worlds. They must find their way through different realms, times and places while overcoming their own personal differences. As they face a shape shifting overlord and it’s seductive, manipulating powers, they must stop her before she goes into their own world and take over. As they understand that they are Soul Warriors, soul’s that have done this mission once before, and that always answer to the call, they soon realize that they only have one chance to contain the evil that is the shape shifter, they soon realize that the situation will need a great sacrifice from one of the Soul Warrior who also posses a Hawaiian Heart, Makoa. As he saved the world, his soul could not return from the other realm, showing that he had to sacrifice himself for the good of mankind.. …show more content…
As the chants “Mele Pule No Laka” and “Oli Ho’oikaika” are included in this book as a Prayer chant for Laka and a Prayer for Strength , it reveals that by including these chants inside, it explains the importance of having the History of the island since Hawaii is the where the story is being taken place Also, “ Queen Lili’uokalani as she stormed in, accompanied by a group of men holding bayonets, clubs, and torches.” With this including one of the most sorrowful events in Hawaiian History, the overthrow of the Hawaiian Kingdom. As this is placed, this reveals that with this tragic moment, Hawaiians had to band together to overcome this tragedy and persevere
Ii, John Papa., Mary Kawena Pukui, and Dorothy B. Barrère. Fragments of Hawaiian History. Honolulu: Bishop Museum, 1983. Print.
In the chronological, descriptive ethnography Nest in the Wind, Martha Ward described her experience on the rainy, Micronesian island of Pohnpei using both the concepts of anthropological research and personal, underlying realities of participant observation to convey a genuine depiction of the people of Pohnpei. Ward’s objective in writing Nest in the Wind was to document the concrete, specific events of Pohnpeian everyday life and traditions through decades of change. While informing the reader of the rich beliefs, practices, and legends circulated among the people of Pohnpei, the ethnography also documents the effects of the change itself: the island’s adaptation to the age of globalization and the survival of pre-colonial culture.
The patakín (legend of Yoruba) concerns the story of a beautiful, mysterious, and wise princess who lived in a very small country. After a war to expel a tyrant, it was proclaimed that all citizens would be equal. Anyone who wanted to put an end to tyranny would find a home in that land. One day, a traveler from a country enveloped in eternal darkness arrived in search of light. The princess saw him and thought he was sick. Confused, she asked her grandmother what to do: "Oye tres días al zunzún, otros tres días al canario. La verdad solo tú la sabes. El remédio está en tus manos" ("Listen to the zunzún for three days, and other three days to the canary. Only you know the truth. The remedy is in your hands") answered the grandmother. The princess did as recommended, but the only thing she heard was "mal de amor se cura amando" ("lovesickness is cured by loving"). The traveler also sought the old woman, received the same counsel, and heard ...
...ile the war is still happening. The lack of freedom and human rights can cause people to have a sad life. Their identity, personality, and dignity will be vanish after their freedom and human right are taking away. This is a action which shows America’s inhuman ideas. It is understandable that war prison should be put into jail and take away their rights; but Japanese-American citizen have nothing to do with the war. American chooses to treat Jap-American citizen as a war prisoner, then it is not fair to them because they have rights to stay whatever side they choose and they can choose what ever region they want. Therefore, Otasuka’s novel telling the readers a lesson of how important it is for people to have their rights and freedom with them. People should cherish these two things; if not, they will going to regret it.
The role of a kahuna in the Hawaiian culture takes on the responsibility of keeping a balance between the people and the nation. In doing so, they apply their field of expertise towards assisting the aliʻi and the makaʻāinana. In ancient Hawai’i, there were many different types of kāhuna that had a skill set that contributed or benefited the community. In this paper I will discuss the different ways a kahuna achieves this type of balance within the lāhui. These kuleana include advising the aliʻi to make pono decisions, guiding the makaʻāinana in their daily lives and practices, and taking care of the spiritual side of the Hawaiian culture and traditional practices of the people.
The Hawaiian culture is known throughout the western world for their extravagant luaus, beautiful islands, and a language that comes nowhere near being pronounceable to anyone but a Hawaiian. Whenever someone wants to “get away” their first thought is to sit on the beach in Hawai’i with a Mai tai in their hand and watch the sun go down. Haunani-Kay Trask is a native Hawaiian educated on the mainland because it was believed to provide a better education. She questioned the stories of her heritage she heard as a child when she began learning of her ancestors in books at school. Confused by which story was correct, she returned to Hawai’i and discovered that the books of the mainland schools had been all wrong and her heritage was correctly told through the language and teachings of her own people. With her use of pathos and connotative language, Trask does a fine job of defending her argument that the western world destroyed her vibrant Hawaiian culture.
The film illuminates the life of the Wampanoag language and cultural meanings. How there had been threats posed to both since the times of European colonization, when the Wampanoag people had put up little resistance. The film is not a recap of the Wampanoag
An important theme in Potiki is the enduring idea that creating and sharing stories as a central part of being human is important. It is a significant theme because the novel is heavily imbued with Maori culture, in which the stories and spoken teachings are given prominence, and also because it is a popular belief that people need narratives to give meaning, structure and value to their lives. This theme is displayed resolutely and poignantly in Potiki’s plot, characters, setting and symbolism, as the people of a small rural New Zealand community rediscover themselves through stories spoken and found in Maori carvings. The idea that humans need narratives is the core theme in Potiki, and it is used also to link other themes and aspects of the novel; it is in this way that we know the idea of storytelling is an intrinsic part of the novel’s structure.
...e" (Trask xix). This incident beautifully illustrates and signifies tourism's impact in American society. Like most Americans, this woman uses a discourse that has been shaped by tourist advertisements and souvenirs. The woman's statement implies that Trask resembles what the tourist industry projects, as if this image created Hawaiian culture. As Trask asserts, Hawaiian culture existed long before tourism and has been exploited by tourism in the form of advertisements and items such as postcards. Along with the violence, endangered environment, and poverty, this exploitation is what the tourist industry does not want to show. However, this is the Hawai'i Haunani-Kay Trask lives in everyday. "This is Hawai'i, once the most fragile and precious of sacred places, now transformed by the American behemoth into a dying land. Only a whispering spirit remains" (Trask 19).
Kualapai, Lydia. "The Queen Writes Back: Lili'uokalani's Hawaii's Story by Hawaii's Queen." Studies in American Indian Literatures. 17.2 (2005): 32-62.
Kristiana Kahakauwila's, a local Hawaiian brought up in California, perspective view of Hawaii is not the one we visually outwardly recognize and perceive in a tourist brochure, but paints a vivid picture of a modern, cutting edge Hawai`i. The short story "This Is Paradise", the ironically titled debut story accumulation, by Kahakauwila, tell the story of a group narrative that enacts a bit like a Greek ensemble of voices: the local working class women of Waikiki, who proximately observe and verbally meddle and confront a careless, puerile youthful tourist, named Susan, who is attracted to the more foreboding side of the city's nightlife. In this designation story, Susan is quieted into innocent separated by her paradisiacal circumventions, lulled into poor, unsafe naïve culls. Kahakauwila closes her story on a dismal somber note, where the chorus, do to little too late of what would have been ideal, to the impairment of all. Stereotype, territorial, acceptance, and unity, delineates and depicts the circadian lives of Hawaiian native locals, and the relationships with the neglectful, candid tourists, all while investigating and exploring the pressure tension intrinsically in racial and class division, and the wide hole in recognition between the battle between the traditional Hawaiian societal culture and the cutting edge modern world infringing on its shores.
... I. McCubbin (2008). International and Cultural Psychology: The Kanaka Maoli :Native Hawaiians and heir Testimony of Trauma and Resilience
The Polynesian peoples have a lifestyle quite different than that of any other culture, as living on an island requires a level of flexible adaptability in order to cope with such a different, sometimes difficult environment. We see the way diverse cultures build their lives around their circumstances and how they respect them in their cultural myths and stories. The Polynesian legends emphasize the physical environment that they live in. They are quite different than any other region in the world, but the beauty and individuality of the Polynesian culture is prominent as seen in their mythology.
Voyković, A. A. (1981). Ngā Roimata o Hine-nui-te-Pō: Death in Māori life. University of Otago, New Zealand