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Mrs havisham character analysis
Love theme in romantic poetry
Love as a poetry theme
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The poem, ‘Havisham’ by Britain’s contemporary poet laureate Carol Ann Duffy, focuses on the bitter and resentful Miss Havisham from the book, ‘Great Expectations’ by Charles Dickens. It tells the story of love coming to an acrimonious end, where Miss Havisham is deserted by her fiancé at the altar, on the day of her wedding. In addition, the poem ‘To His Coy Mistress’ written in the metaphysical genre by political satire Andrew Marvell, who is from the 1600’s. He writes in the point of view of an individual expressing his desire, love and yearning for a women, who he finds to be coy, and feeling that they will run out of time if they do not get together soon. Both of these poems explore various areas of love and relationships, using numerous literary techniques and structural devices, giving off very divergent impressions of these motifs.
Duffy conveys the poem as a monologue, and her first three words set the mood for the entire poem. She begins with the words ‘Beloved sweetheart bastard’ which is an oxymoron, meaning that a set of terms that contradict each other. The juxtaposition here allows the reader to see how close love and hate are intertwined in this poem. Miss Havisham is incapable of progressing with her life and spends a lot of time obsessing over this heartbreak, showing the reader that she has become confused, and blinded with rage over time causing her to experience love and hate as similar things, showing that her impression of love has become distorted.
This is further explored when she says ‘I've dark green pebbles for eyes’ this imagery, which is also a metaphor, is fairly powerful and conjures up a fearsome image in the mind. The words ‘dark green’ can also be, according to colour psychology, a connota...
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...hite veil; a red balloon bursting in my face. Bang.’ Once again, love ties to hate; she is attempting to claim that behind all love is hate. She imagines a red (a colour associated with love, lust, blood) balloon bursting, showing that the source of all this hate and violence comes from love, and her previous relationship with her ex. The poem ends with the word ‘b-b-breaks’ portraying that her mentality has also broken alongside her heart. If we were to link this to ‘coy mistress’, the final stanza is about encouraging the women to resign herself to his efforts, claiming that they should be together for the brief time they have left in the world. This brings forth another contrast, as in ‘Havisham’ the repetition of the ‘b’ makes it seem as though she had finally given up, however in ‘coy mistress’ the speaker gets more persuasive in his attempts to woo his lady.
In all poems the theme of Disappointment in love is seen throughout. Duffy focuses on the pain, despair and acrimony that love can bring, whereas Larkin focuses on the dissatisfaction before, during, and after a romantic relationship. Both Duffy and Larkin differ in tone. Duffy takes a more aggressive and dark stance to portray what love can do to a person after a disappointing love life. Duffy also uses this sinister and aggressive stance to try and convey sympathy for the persona from the audience in ‘Never Go Back’ and ‘Havisham’ Whereas Larkin conveys his discontent in love through his nonchalant and dismissive tone, but still concealing the pain that has been brought by love in ‘Wild Oats’ and ‘Talking in bed’.
Oxymoronic phrases are used throughout the poem “Havisham” such as “Beloved Sweetheart Bastard” and “Love’s/hate” to express the ambivalence that this woman ...
“To the Virgins, to Make Much of Time” by Rober Herrick and Andrew Marvell’s “To His Coy Mistress” have many similarities and differences. The tone of the speakers, the audience each poem is directed to, and the theme make up some of the literary elements that help fit this description.
The lady seems to be poor “suffering along in her broke shows” tells us that she has nothing and is worthless. Emotive language has been used to visually describe how she looks. “with a sack of bones on her back and a song in her brain” this expresses that she in a free, happy minded lady and doesn’t really take note of what she doesn’t have. " to feed the outlaws prowling about the Domain” This tell us that she most likely does this act of kindness very often, not having much at all and simple giving the outlaws something to feed on. “proudly they step up to meet her” Giving this visual effect makes us understand the power this lady has for these feral cats and to also see how much this lady means to this cats. “with love and power” - juxtaposition, again shows us the emotive language between the two this also means that she has a sense of power which she doesn’t have with the outer world. This perception of the lady is very different as to what how we see her. She is to be seen as a person who you wouldn’t want so associate with. Throughout the poem she has been moved from a princess to a queen with the development of metaphors. But to the cats she is the queen and this really depicts the distinctively visual. Douglas Stewart is seeing her as this queen who is celebrated and appreciated by the cats but this is not how she feels with society. With this connection between the cats, it gives us a deeper understanding of how to perceptions of each individual sees the world. Every individual has their own sense of views of the
Acceptance and self-growth is necessary to reach closure in times of despair. However, if one were to stay in denial, the consequences of their actions could easily escalate to greater problems. In the novel, Great Expectations by Charles Dickens, Miss Havisham is a victim of such retributions. As an only child, Miss Havisham was a spoiled girl born into a wealthy household raised by a single father. When she came of age, Miss Havisham inherited all the money from his father’s fortune and fell in love with a man named Compeyson. Despite warnings of his swindling history, Miss Havisham proceeds to marry him. On the wedding day, he leaves her at the altar and takes all of her money with him. Miss Havisham suffers a mental breakdown
Plath also makes use of faint colour imagery here and there, to strengthen her ideas and give support to her literary prowess. 'White bodies' use of the colour white may signify coldness of the virgins, or their supposed purity. 'Bark's nun-black habit' the colour black may point to the restricted, non-reproachable characteristics, while the colour green ('Green virgins') indicates inexperience.
‘Havisham’ is a poem about a woman (based on the character from Charles Dickens’ ‘Great Expectations’ of the same name) who lives alone, often confining herself to one room and wallowing in self-pity because she was apparently jilted at the alter by her scheming fiancé. ‘Havisham’ has been unable to move on from this trauma and is trapped in the past. Her isolation has caused her to become slightly mad.
In Andrew Marvell's poem "To His Coy Mistress," he's arguing for affection. The object of the speaker's desire wants to wait and take the relationship slow, while the speaker pushes for instant gratification. This persuasive poem makes the point that time waits for no one and it's foolish for two lovers to postpone a physical relationship.
Andrew Marvell's "To His Coy Mistress is a sieze the moment kind of poem in which an anonomyous young man tries to woo the hand of his mistress. This kind of poem gives the reader the idea that time is not only precious, but scarce. The speaker uses many smooth tatics to persuade the young girl, starting with compliments and ending with a more forceful, morbid appraoch. "To His Coy Mistress" is not only witty but imgagistic, full of wordplay, and percieved differently by both males and females.
...three line two to four where we are told “ some nights better , the lost body over me, my fluent tongue in its mouth in its ear then down till I suddenly bite awake.” The sex in this verse is in clear view of the reader , this is a dream about her having sexual intercourse with her long lost lover and although this is a dream about something generally done with love and passion the acts of “Havisham” clearly become more violent , one minute she is kissing him in the mouth , then in the ear then she starts to go down to his genitals until suddenly biting upon them and destroying the intimacy which was created by the thought of the sexual acts , not only is this a form of an innuendo which links both of these poems together this is also an example of how looks can be deceiving and this is one of several main connections which exist between these two pieces of writing.
Miss Havisham “was dressed in rich material- satins, and lace, and silks,” which “had been white long ago, and had lost [its] luster, and [is] faded and yellow” (57,58). Miss Havisham’s “once white dress, all yellow and withered” drapes over her “ghastly waxwork” of “yellow skin and bone” (89,58,86). She is “a skeleton in the ashes of” “the frillings and trimmings on her bridal dress, [which] look like earthy paper” (58,60). Miss Havisham’s bridal dress swallows her withered figure, and she “[has] no brightness left but the brightness of her sunken eyes” (58). In agreement with Bert Hornbeck, a world class literary critic, the “white at first represented innocence and purity” just as a white wedding dress should, but the transition of the dress from white to yellow alludes to the “decay of innocence and purity” (216). Withered and worn like her clothes, Miss Havisham is burying herself alive by stopping time and hiding away in her house. Her yellow and tarnished bridal dress is like her burial outfit, her veil is like the shroud, and her house is like the dark casket. She has frozen time and is no longer living in her stagnant state. In her place of stagnation, she is eaten alive by the pain inflicted upon her by a man just as the mice have gnawed on the house and gnawed at her (Dickens 89). As portrayed through her
Miss Havisham was raised as a young girl in a high social class. Her wealth and prosperity attracted Compeyson, a selfish and greedy young man who did not want Miss Havisham for who she was, but rather the wealth she had. He blinded her from what he really wanted. Miss Havisham sees nothing of his evil plot and falls in love with Compeyson. Eventually, plans were made for marriage, of which Miss Havisham looked forward to with all her heart. However, the exact day of their wedding, Compeyson vanishes with all her money and leaves her with just her wedding dress and cake. Filled with sorrow and grief, Miss Havisham's heart hardened towards ...
Dickens portrays Miss Havisham in a very unique way. There is a dramatic irony between Miss Havisham and Pip. It is ironic how she wanted to watch him become miserable, just because he is of the male gender, and ironically she grew to like him. She even paid for part of Pip's expenses for the partnership. Yet what is more ironic is that Miss Havisham does not praise herself for the good deed. In the beginning of the novel, Miss Havisham displayed a harsh, cold attitude toward Pip. This is displayed in her deceptive act on page 69, where she says, "Well, you can break his heart?" As the novel ends Miss Havisham's attitude completely changes. She realizes the pain she has caused Pip and apologizes to him. Because of her positive change, she becomes more likeable to the audience.
On the other side, “Love Poem” is very different from the previous poem. This seven stanza poem is based on a man describing the imperfections of his lover. In this, the speaker uses stylistic devices, such as alliteration and personification to impact more on reader, for example as the speaker shows “your lipstick ginning on our coat,”(17) ...
It’s 5:30 AM. The alarm beeps at a steady pace as Cassandra slowly awakens. She slammed the snooze button, and let out a groan. Cassandra didn’t hate mornings, or waking up, but she did hate school.