Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Music's impact on war during the 1960's
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Music's impact on war during the 1960's
Remake Analysis
Music trends change dramatically over the years and that can be witnessed in the song “Hard To Handle” by Otis Redding and in the cover version by The Black Crowes. “Hard To Handle” was first released in 1968 by Otis Redding, Al Bell, and Ailen Jones in their album “The Immortal Otis Redding”. Otis Redding’s version of “Hard To Handle” was listed under the soul genre, but when the Black Crowes revitalized the song 20 years later, it was listed under the rock genre. Releasing the cover in 1990, the band takes a different approach to the tone of the song while still rocking the same lyrics as the original. Originally written in the 1960’s which was a time of war, “Hard To Handle” is a song with lyrics that clearly state a desire
…show more content…
for intimacy and show signs of loneliness. When the original song by Otis Redding made it’s debut in the 1960’s, it was a time of war filled with loneliness, fear and sadness.
The Cold War and the Vietnam War were the impacted vast majorities of Americans. With soldiers deployed overseas during the Vietnam war, they often experienced loneliness and reminced on good times with the ones they loved. The song discusses how he can can be better partner to a lady than another male. The song is still relevant today because people continue to seek love, confidence, and intimacy. The single is all about how “actions speak louder than words” which is still true today. Men try to compete with other men for women’s attention and time. Men are still very competitive and aggressive when trying to find a woman.
“Hard To Handle” was received well by its audience at the time. It reached number thirty-eight on the Billboard r&b and number fifty-one on the Billboard pop chart. When the song was released it attracted mostly people in their twenties - late thirties because it is a very
…show more content…
sexual song with clear intentions during a time of conserved purity. The song reached people on a personal level because it brought back good memories and made them think about the one they love. The song has a tone of innocence and strong desire for love and was delivered in a calm and pure way. The singer also displays a lack of confidence with soft vocals. It features an upbeat tempo with soft vocals. The beat stops when Otis Redding delivers the main message of the song which to “light a girl's chemicals”, then goes on with a fast paced, joyful saxophone solo, which is repeated a couple times during the course of the song. This “Hard To Handle” features one lead male voice with no back up singers. Otis Redding’s voice is clear, warm, and mid pitched. The male voice is deep, scratchy, and developed which represents masculinity and a man’s comfort. The lyrics feature some slang english, for example “nothin’”, “lovin’”, “throwing’” and “ain’t”. The song features many different instruments with the saxophone taking the lead and a drum set, percussion, and electric guitar following. The instruments faintly create a roots urban soul rhythm that is upbeat, tuneful, and catchy. The vocals are very heartfelt, sincere and gentle compared to the more intimate lyrics like “I forgot some good old lovin’ and I got some in store when I get to throwin’ it on you, you got to come back for more”. Together, the instruments and the vocals create a perfect balance that combines the properties of rock and roll, funk, and soul which ends up creating a very unique sound. The remake of “Hard To Handle” by The Black Crowes was released in 1990 in their debut album “Shake Your Moneymaker”.
The 1990’s were a time of prosperity and confidence for the United States. The Cold War has just ended which helped Americans gain their confidence and established a peice of mind. Next came the launch of Hubble Space Telescope which also added to Americans confidence boost. The main audience for The Black Crowes were teengers and people all the way into their late twenties. The remake became the best known cover by The Black Crowes, reaching number on the billboard album rock tracks and number twenty-six on the billboard top one hundred. The remake became exceeded the recognition far beyond the original song written by Otis Redding. The tone of the remake possesses a tone of confidence and excitement. The Black Crowes establish this tone by creating a very loud and upbeat rhythm with very loud and “punkish”
vocals. The lyrics of the remake version were delivered in a very sharp and confident way. The song starts out with a very fast paced beat and it progresses to get louder. The cover version features on lead vocalist like Otis. The male vocalist displays a loud, young. noisy and excited voice. The song clearly displays the rock and roll along with punk influences with the instruments that are used. The electric guitar, electric bass, and the percussion are empowering in this version, with distinctive sounds of a saxophone. The vocalist displays a no shame attitude and a lot of confidence. The single is still relevant today because the desire for intimacy and a satisfactory time is still wanted by Americans. The Otis Redding original and The Black Crowes cover are dramatically different when it comes to the tone of the vocalist. Otis displays a gentle, sincere, and heartfelt voice with an innocent message. He displays this by using a slower tempo and a more developed and warm voice. While The Black Crowes display a powerful, confident, and no shame attitude that is supported by the young, loud, unclear, and sharp voice of the singer. The instruments and the rhythm of the song which is noisy, fast paced, and upbeat also contribute to the sinful and dirty meaning this version displays. There is a significant amount of change between the original “Hard To Handle” and the remake version. The most significant change happens to be the meaning of the song. Otis Redding displays a innocent, heartfelt, and sincere desire for a good time and intimacy with girl he loves while The Black Crowes establish a confident, no shame, sinful and powerful need for intimacy with no intention of love or sincere feelings towards a girl other than to use her so she can provide him with a good time.
As depicted in the poem "Kicking the Habit", The role of the English language in the life of the writer, Lawson Fusao Inada, is heavily inherent. As articulated between the lines 4 and 9, English is not just solely a linguistic device to the author, but heightened to a point where he considers it rather as a paradigm or state of mind. To the author, English is the most commonly trodden path when it comes to being human, it represents conformity, mutual assurance and understanding within the population. Something of which he admits to doing before pulling off the highway road.
Kim Addonizio’s “First Poem for You” portrays a speaker who contemplates the state of their romantic relationship though reflections of their partner’s tattoos. Addressing their partner, the speaker ambivalence towards the merits of the relationship, the speaker unhappily remains with their partner. Through the usage of contrasting visual and kinesthetic imagery, the speaker revels the reasons of their inability to embrace the relationship and showcases the extent of their paralysis. Exploring this theme, the poem discusses how inner conflicts can be powerful paralyzers.
In the poem By Watching, Hiram Larew uses signature craft techniques to show the realization that people can regain their conviction in God by conquering the doubt in their mind’s eye.
The development of Rock ‘n’ Roll in the late 1940s and early 1950s by young African Americans coincided with a sensitive time in America. Civil rights movements were under way around the country as African Americans struggles to gain equal treatment and the same access to resources as their white neighbors. As courts began to vote in favor of integration, tensions between whites and blacks escalated. As the catchy rhythm of Rock ‘n’ Roll began to cross racial boundaries many whites began to feel threatened by the music, claiming its role in promoting integration. This became especially problematic as their youth became especially drawn to ...
The first song on the album, "Too Little Too Late," is an upbeat song with a good backbeat with a catch chorus. It talks about a person who is not able to talk with their significant other about an issue -- whatever it may be. BNL takes a daily concern of a person in a relationship and although many times it is serious, the music turns it into a catchy fun time.
Record labels played a big role in bringing the black struggle to the mainstream through their artists music. In particular, two labels were the frontrunners for producing records that would continue to promote addressing the black struggle: Motown and Stax. Motown, a black-owned label, was seen as a more assimilationist and industrial record label that was successful in making hits that appealed to both black and white audiences, earning it the nickname of “Hitsville, U.S.A.” Stax, a white-owned label, was seen as being more representative of black self-reliance and an overall more authentic, black record label that appealed much more to the black audience, earning it the nickname of “Soulsville, U.S.A.” Despite their differences, both labels used their own style of music production and distribution to help surface the black struggle in very similar ways, and in turn they helped pave the way for black consciousness to emerge through soul music.
Several even try to connect their music to the feelings of their audience. Some of the songs including, Jailhouse Rock, Good Vibrations, Purple Haze and Stayin’ Alive try to use women as the meaning of their songs. In addition, they are used to clarify the point in films of their time and influence an environmental change. Slowly, building into innovative ways to portray music that fits the era they were in. Each song was able to readjust the perception of war and help those forget the scary outcomes war was bringing. Therefore, music adapted by connecting the people as one to their era and providing them a tune that minimized their
This darkly satiric poem is about cultural imperialism. Dawe uses an extended metaphor: the mother is America and the child represents a younger, developing nation, which is slowly being imbued with American value systems. The figure of a mother becomes synonymous with the United States. Even this most basic of human relationships has been perverted by the consumer culture. The poem begins with the seemingly positive statement of fact 'She loves him ...’. The punctuation however creates a feeling of unease, that all is not as it seems, that there is a subtext that qualifies this apparently natural emotional attachment. From the outset it is established that the child has no real choice, that he must accept the 'beneficence of that motherhood', that the nature of relationships will always be one where the more powerful figure exerts control over the less developed, weaker being. The verb 'beamed' suggests powerful sunlight, the emotional power of the dominant person: the mother. The stanza concludes with a rhetorical question, as if undeniably the child must accept the mother's gift of love. Dawe then moves on to examine the nature of that form of maternal love. The second stanza deals with the way that the mother comforts the child, 'Shoosh ... shoosh ... whenever a vague passing spasm of loss troubles him'. The alliterative description of her 'fat friendly features' suggests comfort and warmth. In this world pain is repressed, real emotion pacified, in order to maintain the illusion that the world is perfect. One must not question the wisdom of the omnipotent mother figure. The phrase 'She loves him...' is repeated. This action of loving is seen as protecting, insulating the child. In much the same way our consumer cultur...
If analyzed carefully, the melancholy verses of the song are in sharp contrast to the overpowering chorus. Ignore the addictive chorus "Born in the U.S.A.” and what you really hear is a protest song that tells the depressing story and struggle of Vietnam Veterans returning home to a disillusioned life. To his most devoted ...
In analyzing the consumer of this music, one has to look into the economy to get a fair idea of where the young white male stood in his life that he was attracted to t...
Fogerty, John. "Fortunate Son." Lyrics Freak. N.p., n.d. Web. 7 Nov. 2013. Sabbath, Black. "War Pigs." Lyrics Freak. N.p., n.d. Web. 7 Nov. 2013.
It is listed as number three on the second side of the White album, and it is beautiful. In context of The White Album, the song Blackbird creates an uplifting and hopeful experience through the use of raw instrumentation and vocalized repetitive lyrics that ultimately enchant the listener. The White album was released in 1968.It’s blank cover frames the endless possibilities that imagination brings while listening to the songs, giving the audience a more personal and limitless perspective of the songs they listen to. The album has a total of 30 songs, and they all tell a story and are very clear, in comparison to past songs like Johns “I am the Walrus”. The album kicks off with “ Back in the U.S.S.R” a response to the many patriotic songs established in the era.
Beginning with the lyrics in the opening scene of “We Found Love”, a female voice speaking about being in a domestic violence situation and the difficulty she is having deciding between staying with her partner or leaving. The statements; “you almost feel ashamed that someone could be that important, that without them you feel like nothing,” and “when its over, you almost wish you could have all that bad stuff back, just so you could have the good” (We Found Love, 2011) depict the power that the man has over this woman, even in situations where she is being victimized. This theme continues throughout the music video as the male character is se...
The song still remains today. Often regarded as one of the most motivating and inspiring works of that era in history, as well as the decades before Civil Rights. This is an one few examples of the power behind music to embody ideals, immortalize the beliefs and struggles.
Erykah Badu's song "Bag Lady" is a prime example of the healing power of music, and the lessons that can be taught through music. Erykah Badu's "Bag Lady" serves as a wake up call for women across the world. From the first verse of the song until the last verse when the song begins to fade, Badu's words evoke feelings of emotion that women can relate to. Badu's lyrics also help women find some type of inner peace to get over their problems, in a way that will best help them free their spirit.