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How women are portrayed in Shakespeare plays
Portrayal of women in Shakespeare
Shakespeare's depiction of women in his plays
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In recent times, women were viewed as rarely more than sexual objects. Women are still sexually objectified to a degree.
Shakespeare’s play Hamlet portrays women as being sexually objectified and treated as an object to be valued for its use by others. A woman’s worth is equated with her body’s appearance and sexual function. One example of when this occurs is in Act 2, Scene 2, when Hamlet says “Then you live about her waist, or in the middle of her favours?”, Guildenstern then responds with “Yes, we’re the privates in her army”. Hamlet and Guildenstern are speaking of a woman as if she is a sexual object. Another example of when this occurs is in Act 3, Scene 1, when Claudius says “For we have closely sent for Hamlet hither, that he, as ’twere by accident, may here affront Ophelia”. Claudius’ plan to use Ophelia to see how crazy Hamlet is objectifies her as he does not take her feelings into account. Polonius also orders Ophelia around like he “owns her” when he says “Ophelia, walk you here”, and “Read on this book”. Also, in Act 1, Scene 3, Laertes refers to Ophelia’s virginity as a”Chaste treasure” that is open to Hamlet and Polonius treat Ophelia like she is a little fool. In the text Polonius says “Believe that you
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Ophelia is portrayed as a weak, naive woman. Lastly, in Act 3, Scene 2, when Hamlet asks Ophelia “Lady, shall I lie in your lap?…
Hamlet shows much anger and disrespect to the women in his life. Ophelia’s believing her father’s words breaks Hamlets heart, being the reason for his treatment towards not just her but his mother. Ophelia
Ophelia serves as a mirror or foil of Hamlet throughout the play. Being a weak and sensitive woman, Ophelia compliments Hamlet’s strengths in his ability to cope with problems he faces and the corruption within his family. Where Ophelia is weak, Hamlet is
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
Ophelia, in William Shakespeare’s Hamlet, represents a self-confident and aware female character. She analyzes the world around her and recognizes the multitude of male figures attempting to control her life. Her actions display not only this awareness, but also maturity in her non-confrontational discussions. Though she is demeaned by Laertes, Polonius, and Hamlet, Ophelia exhibits intelligence and independence and ultimately resorts to suicide in order to free herself from the power of the men around her.
In William Shakespeare’s Hamlet, Ophelia is the most static character in the play. Instead of changing through the course of the play, she remains suffering in the misfortunes perpetrated upon her. She falls into insanity and dies a tragic death. Ophelia has issues surviving without a male influence, and her downfall is when all the men in her life abandon her. Hamlet’s Ophelia, is a tragic, insane character that cannot exist on her own.
Shakespeare’s Hamlet, shows strong prejudice against woman especially with such characters of Ophelia and Gertrude. Shakespeare created an interesting character with Gertrude; he created a character that sits in the middle of all the conflict and appears to not partake in much of it. However Gertrude does seem intent in defusing it at every possible chance she receives. Gertrude is a central figure in the play. She appears a great deal but doesn’t say much – implying mystery and creating an interesting uncertainty in the audience. Hamlet spends a lot of time dwelling on her marriage to Claudius and Shakespeare leaves many questions unanswered with Gertrude such as did she have an affair with Claudius behind old hamlets back? Why does she drink the poisoned wine that is intended for her son? Does she know it is poisoned? Gertrude is the mother of Hamlet and although they do not have a typical mother son relationship she does love him. Queen Gertrude is often interpreted by many as an adulterate, incestuous woman. Catherine Belsey states that typical interpretations of Hamlet maintain: ‘Gertrude a slut; and Shakespeare a patriarchal bard’ (Belsey,1997:34). Gertrude’s actions throughout the play could be read to show her to be a very passive character, far from a strong independent woman. This is shown with her obedience to Claudius, three times during the play, Gertrude is told to leave and each times she complies without hesitation. In Act 1, scene 2 Claudius says to Gertrude, ‘Madam, come’ (122). Then again, Act 3, scene 1, Claudius says to her, ‘Sweet Gertrude, leave us .’ (28), she complies with ; ‘I shall obey you’ (37). And finally, in Act 4, scene 1, Claudius say, ‘O Gertrude, come away!’ (28). This obedience that Gertrude ...
So Gertrude sleeping with Hamlet’s uncle makes her a hypocrite, and ironically it also raises hypocrisy in Ophelia’s actions by choosing to sleep with Hamlet before she is fully courted. However, these women are not the only character that displays the actions of a hypocrite because so does Hamlet. Hamlet chooses to suppress his emotional feelings for Ophelia by choosing only to have sex with her, and also to shame his mother for her own sexual desires. The blame game is what allows Hamlet to shift the blame, thus allowing him to display his perversion and disgust towards Ophelia and Gertrude while making himself look as if he is a saint, and without guilt. Hamlet’s sexual desires are unique in that they ironic so he can pursue Ophelia with perverse approaches but then lecture her for not being chaste. However these are when gender roles come involved because why is it that Hamlet can place blame on his mom and Ophelia, deflecting from his own sexual emotions and not feel shame. It’s as if men can go on not being chaste without judgment, and are free to explore and live out their sexual desires without ridicule but when a women does it their ciaos. I believe these questionable gender roles are what sparks the conversation about
All of the male characters in her life control Ophelia. She is inferior to all the men and has to obey them because it is her duty as a woman. The men in the play can easily manipulate her and use her as a pawn in their plots to gain insight about Hamlet. Polonius uses her to gain more affection from the king and to gain more power. Laertes asserts himself and tells her how to behave, and Hamlet shows that she can be easily manipulated. As a woman she is not able to show her emotions or opinions on events in the play. The men dominate her life. Ophelia is a young woman who is portrayed as naïve and easily controlled. Ophelia cannot show her emotions, her opinions, or her desires within the court because it was male dominate.
Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet, however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression.
In Hamlet, Ophelia seems like a character who is unimportant and is just kind of there for plot context. Ophelia is much more, Ophelia is tool employed by Shakespeare and the characters in order to convey thoughts, ideas, and feelings to the audience, and one another. Ophelia is like the center of the story, she cant be left out, the plot forms around her. Ophelia definitely serves more purpose than the obedient and perfect girl gone wrong.
Another significant female character is Ophelia, Hamlet's love. Hamlet's quest for revenge interferes with his relationship with Ophelia. There is much evidence to show that Hamlet loved her a great deal, but his pretense of madness drove her to her death. Ophelia drowned not knowing what was happening to her. This can be deduced by the fact that she flowed down the river singing and happy when in truth she was heartbroken. Ophelia was very much afraid when she saw Hamlet "with his doublet all unbraced; No hat upon his head; his stockings foul'd, Ungarter'd, and down-gyved to his ancle" (Act #. Scene #. Line #). She described him as being "loosed out of hell" (Act #. Scene #. Line #). In addition to that he scared her when he left the room with his eyes still fixed on her. She is especially hurt when Hamlet tells her that he no longer loves her and that he is opposed to marriage. He advises her to go to a nunnery and avoid marriage if she can.
It is evident that Hamlet defines Ophelia by her sexuality. Hamlet does not value her as the woman she is. Instead, Hamlet views her as a mere object. Hamlet makes various sexual innuendos towards Ophelia. For example, this is apparent in 2.3, when Hamlet is speaking to Ophelia. Hamlet says, “It would cost you a groaning to take off mine edge” (3.2.250). Hamlet is making this regard to her in public and Ophelia lets him continue. Ophelia because of her gender continues to let Hamlet exploit and oppress her. Ophelia embodies a mutual assessment of femininity. Author Pragati Das writes, “Ophelia, it would seem, wholly at the mercy of the male figures throughout her life, is certainly a victim character” (Das 38). Ophelia does not have any alternative thoughts; she only responds with a simple sentence, “Still better and worse” (3.2.251). Ophelia is not standing up for herself, instead of she “…expresses acquiescence, uncertainty, and obeisance; she utters half lines” (Fischer 2). The power of Hamlet is manipulating Ophelia and it this shown through from her dull reaction of such crudities. Hamlet sums his vulgar and suggestive speech with, “For, oh, for, oh, the hobby-horse is forgot” (3.2.23–24). After Hamlet’s pressures of sexual suggestions, Ophelia is found to be under the absolute dominance of Hamlet’s demands, and as a result, her sanity diminishes. Ophelia’s song reflects on Hamlet, her father, and life
Just like in society the men in Hamlet follow the rules for a patriarchal society. The three most masculine characters in Hamlet are Claudius, Polonius and Laertes. “Man is supposed to be strong, courageous, rational and sexually aggressive; while woman is weak, timid, emotional, and sexually passive” (De-Yan 1). The first identifiable masculine characters are Laertes and Polonius as they are introduced in the play conversing with Ophelia. In this scene they tell Ophelia what she is allowed to do and command to her to not be with Hamlet, “For Hamlet and the trifling of his favor, Hold it a fashion and a toy in blood, A violet in the youth of primy nature, Forward not permanent sweet, not lasting...” (1.3.5-9). After Laertes leaves, Polonius enters the scene and rebukes Ophelia for believing Hamlets words of affection. As in a patriarchal society the males of the household are the leaders. First in command is the father, and then the brother. Therefore just like in Act one scene three, Ophelia has to do what her father and brother tell her. Claudius is another masculine character in Hamlet. He shows this by murder...
Hamlet is solely focusing on Ophelia sexual organs, “‘nothing’ is what lies between maids’ legs” (222). Ophelia seems not to be offended by this language in the least bit, and her actions cannot accurately portray how the women of that time perceived it. In some senses Hamlet may be a misogynist character and Shakespeare gives readers a reason for it in which it might be excused. It might seem as if his mother’s sexuality has poisoned his own, and he declares in his soliloquy, “Frailty, thy name is woman!” (1.2.146). He views her sexual independence as a weakness and is appalled by her choice to remarry so soon after her husband’s death.
Throughout Shakespeare’s play “Hamlet” women are used as method for men to get what they want. The men in Hamlet, either directly or indirectly continuously use women to acquire something from other men. The only two women in the entire play are Gertrude and Ophelia, who are consistently used by the current king, Claudius, Polonius, and Hamlet. Ophelia is exploited by Polonius and the King (mainly together), and is also used by Hamlet. Gertrude is used by the King, as well as Polonius. In “Hamlet,” the women throughout the play are used as pawns for men to get what they want, mainly from the other men.