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Analyse important soliloquies in a hamlet and say what purpose they serve
Shakespeare historical plays
Themes of hamlet
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If we all die, does it matter when, or who killed us? The idea of death is one that isn’t talked about often in today’s society, with suicide being even more taboo. In Shakespeare's Hamlet the main character Hamlet contemplates suicide for almost the entire play, even the most famous line from the play is an ode to suicide: “To be, or not to be” is instantly recognizable by most. Although some may not know the origins of the quote, the soliloquy spoken by Hamlet has huge implications in the story and gives the reader a vital life lesson: Death isn’t a solution to the problems in life. In the soliloquy Hamlet is going back and forth on whether suicide is the right answer for him. Hamlet’s inner struggle with how to deal with his problems has …show more content…
Hamlet is trying to convince himself that being dead is better than being alive. After declaring how awful life is, Hamlet then goes on to share that all the abuse from the system and the people who head it makes life utterly unbearable. He specifically calls out the awful construct of the legal system, and the constant abuse of power and authority(3.1.70) In this instance he is referring to Claudius and his use of manipulation to get himself to the throne. Immediately after, Hamlet has his final fall, before he is able to restore himself back into a stable state, “When he himself might his quietus make With a bare bodkin?” He is so close to commiting to his desires, that he has a final pity question, why live in a world you know will mistreat you when he could end it all so easily with a knife. He is extremely fed up with the world and awful he has been treated, he is wondering what he did to deserve the awfulness that has happened to him recently, he had to drop out of college, and his father died by the vengeance of a jealous friend. He has had no control over his life at the moment, and the choice to kill himself would be the one thing in his life that he is able to
Hamlet views his existing life in a negative manner, and he sees that the only way to escape his misery is to take his own life. A thought of self-slaughter is enough to devalue one’s life, and throughout the entirety of the play it is the only way Hamlet values his own life. To live or not to live, that is Hamlet’s only question, while the value of his own life is not in
Hamlet Soliloquy Act 1, Scene 2. The play opens with the two guards witnessing the ghost of the late king one night on the castle wall in Elsinore. The king at present is the brother of the late king, we find out that king Claudius has married his brother’s wife and thus is having an incestuous relationship with her, and her love. We also learn that Claudius has plans to stop.
greatly pained at the loss of his father. It is also clear that he is
Cinematic art has portrayed popular literature in a variety of ways throughout its history. A plethora of movie directors have put their depiction on certain scenes from these famous works. Hamlet, from William Shakespeare’s timeless classic, Hamlet, has had his famous soliloquy, “To be or not to be”(III.i.56), reproduced in a variety of tones throughout history. Specifically, there have been three persistent tones that have been in the majority of the soliloquy’s vast interpretations. In Laurence Olivier’s, Hamlet (1948), Hamlet is portrayed as a confused, lost character that ponders some of life’s toughest questions. Mel Gibson’s 1990 version of Hamlet depicts Hamlet as a dark, reticent character who only speaks in a dismal way. Finally, in Kenneth Branaugh’s Hamlet (1996), Hamlet is portrayed as deranged individual who is insane, within the context of the scene. Hamlet’s famous soliloquy, “To be or not to be”(III.i.56), has been reproduced by modern moviemakers as either dark, insane or confused in different versions because of Hamlet’s multifaceted and complex character.
The interpretation of Hamlet’s, To Be or Not to Be soliloquy, from the Shakespearean classic of the same name, is an important part of the way that the audience understands an interpretation of the play. Although the words are the same, the scene is presented by the actors who portray Hamlet can vary between versions of the play. These differences no matter how seemingly miniscule affect the way in which someone watching the play connects with the title character.
Hamlet’s first soliloquy takes place in Act 1 scene 2. In his first soliloquy Hamlet lets out all of his inner feelings revealing his true self for the first time. Hamlet’s true self is full of distaste, anger, revenge, and is very much different from the artificial persona that he pretends to be anytime else. Overall, Hamlet’s first soliloquy serves to highlight and reveal Hamlet’s melancholy as well as his reasons for feeling such anguish. This revelation in Hamlet’s persona lays the groundwork for establishing the many themes in the play--suicide, revenge, incest, madness, corruption, and mortality.
During the first act of William Shakespeare’s tragedy, Hamlet, Shakespeare uses metaphors, imagery, and allusion in Hamlet’s first soliloquy to express his internal thoughts on the corruption of the state and family. Hamlet’s internal ideas are significant to the tragedy as they are the driving and opposing forces for his avenging duties; in this case providing a driving cause for revenge, but also a second-thought due to moral issues.
The way we see ourselves is often reflected in the way we act. Hamlet views himself as different to those young nobles around him such as Fortinbras and Laertes. This reality leads us to believe that over time he has become even more motivated to revenge his father's death, and find out who his true friends are. How can you be honest in a world full of deceit and hate? His seven soliloquies tell us that while the days go by he grows more cunning as he falls deeper into his madness. This fact might have lead Hamlet to believe that suicide is what he really wants for his life's course.
In this soliloquy, Shakespeare strikes a chord with a fundamental human concern: the validity and worthiness of life. Would it not be easier for us to simply enter a never-ending sleep when we find ourselves facing the daunting problems of life than to "suffer the slings and arrows of outrageous fortune"? However, it is perhaps because we do not know what this endless sleep entails that humans usually opt against suicide. "For in that sleep of death what dreams may come / When we have shuffled off this mortal coil / Must give us pause. " Shakespeare seems to understand this dilemma through his character Hamlet, and thus the phrase "To be, or not to be" has been immortalized; indeed, it has pervaded our culture to such a remarkable extent that it has been referenced countless times in movies, television, and the media.
Hamlet can be described as the tragically flawed hero that couldn’t have courage inside of him sometimes to bring himself to perform the action he really wanted to. Hamlet does commit acts of violence that were not necessary, but every hero has their flaws. So the reason he does this is to give Claudius what he deserves. In a sense that Hamlet cannot step away from who he is, he always thinks about what more he could do to have bettered himself. What he lacks in action though he gains in knowledge of the leading situation.
In the play Hamlet, written by Shakespeare, Hamlet feels extremely negatively toward life. “To be, or not to be? That is the question—Whether ’tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And, by opposing, end them?”(Shakespeare Act III Scene 1, Lines 57-61). This is saying, “The question is: is it better to be alive or dead? Is it nobler to put up with all the nasty things that luck throws your way, or to fight against all those troubles by simply putting an end to them once and for all?” Hamlet is contemplating whether to move on from his father’s death, take action, or kill himself. He felt that life
Hamlet’s anger and grief- primarily stemming from his mother’s marriage to Claudius- brings him to thoughts of suicide, which only subside as a result of it being a mortal and religious sin. The fact that he wants to take his own life demonstrates a weakness in his character; a sense of cowarness, his decision not to kill himself because of religious beliefs shows that this weakness is balanced with some sense of morality. Such an obvious paradox is only one example of the inner conflict and turmoil that will eventually lead to Hamlet’s downfall.
Hamlet’s famous soliloquy that begins with “To be, or not to be, that is the question,” (Hamlet 53) is a statement that shows Hamlet’s state of having an existential crisis. Hamlet’s depression has driven him to question if life is worth living; therefore, the question is whether or not Hamlet should end his life. Hamlet may be aware that, at this point in his life, his fate may be determined by his hands or by someone other than himself. If he goes through with his plan of killing his uncle, King Claudius, he may be persecuted under law for committing a crime against the government and the divine king.
In this play King Hamlet, the father of Hamlet is a loving father and husband, as well as a great king. After the murder of King Hamlet his son Hamlet is the next heir in line to ascend to the throne, however, he is passed up and Claudius is chosen to be king. This upsets the balance of nature and gives hamlet a drive to seek redemption through revenge. The only path to redemption that Hamlet can see is to put an end to Claudius and his ill achieved position on the throne that was rightfully his. He fails to achieve his goal of redemption in a timely manner due to a lack of
“To die-to sleep: No more; and,by sleep to say we end The heart-ache and the thousand natural shocks the flesh is heir to, ‘tis a consummation devoutly to be wished.” This makes me think that hamlet wants death to come upon him because he wants to find the easy way out of his problems. He should find these problems as a motivation to become king.