Hamlet: Contrast Plays A Major Role

Hamlet: Contrast Plays A Major Role

In William Shakespeare's Hamlet, contrast plays a major role. Characters

have foils, scenes and ideas contrast each other, sometimes within the same

soliloquy. One such contrast occurs in Act Five, Scene One, in the graveyard.

Here, the relatively light mood in the first half is offset by the grave and

somber mood in the second half.

The scene opens with two "clowns", who function as a sort of comic relief.

This is necessary, after the tension of Ophelia's breakdown (and subsequent

death), and after the ever-increasing complexities of the plot. Previously,

Polonious provided some humour, but since he is dead, a new source must be found

- the gravediggers. Their banter becomes the calm before the storm of the duel,

and the play's resolution. There is also a juxtaposition of the clowns and the

graveyard here, which further intensifies the effect. The clowns chatter about

their work in a carefree manner, even going so far as to play with a riddle ( "

What is he that builds stronger ... carpenter" V,1,41-42). Shakespeare even

went so far as to include his puns in this grave scene (V,1,120).

Hamlet himself experiences a temporary lightening of mood from listening to

the gravediggers' conversation. Their carefree treatment of death singing while

digging graves, not to mention tossing skulls in the air) is a parallel to

Hamlet's newfound attitude. After having committed himself to his cause in Act

IV, he is no longer bothered by the paradox of good and evil, and (seemingly) is

untroubled by his previous misgivings.

Hamlet's musings on the equality of all men in death serve as a transition

into the darker second half of the scene. His contemplations on death reflect

Act IV, Scene 3, when Hamlet gives voice to a humorous notion concerning " how

a king may progress through the guts of a beggar " (IV,3,27-28). Hamlet expands

on this idea with his thoughts on how even Alexander the Great or " Imperious

Caesar " may descend to such base uses as stopping a beer barrel, or stopping "

a hole to keep the wind away " (V,1,207)

The entrance of Ophelia's funeral procession marks the beginning of the

second half, which balances the humor of the previous portion. The graveyard now

takes on its more traditional role, as a place of grief, rather than a place of

drollery. Laertes's words, understandably, contain references to Hell, and also

hold no particular benevolence for Hamlet.

The tension of the scene is further heightened by the confrontation which