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Character analysis of Creon in King Oedipus
Character analysis of Creon in King Oedipus
Character analysis of creon in antigone
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“So don't let your mind dwell on just one thought, that what you say is right and nothing else.” (lines 799-800) These were just some of the many words from Haemon to his father (Creon) describing the action that he isn't taking. Haemon's contrasting ideas led to the development of Creon as a tragic hero while also advancing the plot and developing the theme.
Through Haemon's contrasting words, actions, and ideas, Creon's character develops into a tragic hero. Creon is a person of noble stature and also has a tragic flaw of unreasonableness; which are two characteristics of a tragic hero. He is unwilling to listen to anyone's opinion except his. Haemon explains “when men speak well, it good to learn from them.” (line 819) This was a response
to his father not listening to him after he agreed with Antigone. Another saying from Haemon is “A city which belongs to just one man is no true city.” (lines 838-839) Creon is the only ruler of Thebes because that's how he wants it. Creon's refusal to listen to his sons contrasting ideas is what helps him form into a tragic hero. The interaction between Haemon and Creon helps strengthen the plot. Creon is not one who likes to be questioned. Haemon did that exact thing. Haemon expresses the cities and his own opinion of Creon's rule. Creon ask “ Am I to rule this land at someone else's whim or by myself?” Haemon wants him to rule in favor of the Gods but this just enrages Creon. This leads to Creon wanting to kill Antigone even more because he knows that this with hurt his son greatly. Creon creates a plan that will make him and the Gods happy with Antigone's death. The communication among Haemon and Creon developed the theme of the play. The ultimate theme of the play was loyalty. Creon was more concerned about his own laws then Haemon, his own son's, happiness. Haemon tries to reach out to his father but Creon is to worried about Antigone. Creon talks to the guard about “Let him dream up or carry out great deeds beyond the power of man, hell not save these girls-- their fate is sealed.”(lines 879-881) Creon is only concerned about Antigone, he could care less what Haemon is feeling or thinking. He will soon begin to realize his actions. In the end, Creon comes to the realization of what his actions have done. He has finally realized that he has been acting folly only after he pushed Haemon to commit suicide. “Not your own foolishness but mine.” (lines 1414) These were the famous words coming from Creon who was holding the body of his son.
Within lines 813-814, Creon says, “So, men our age, we’re to be lectured, are we?- schooled by a boy your age,” to his son. Before this Creon’s son said that he should take some good advice, temporarily angering his father, Creon. Creon does not hold back the words to his own son. He lets lose and shows no fear to his own son who is attempting to give words of wisdom. Haemon...
When Haemon first tried to approach Creon, he had started with offering him critical information about his people and city, and maybe could be seen to be about his honor too. This information which should have taken a toll on or even changed the mind of any levelheaded
Creon believes that his laws are absolute and must be followed above all else, even Divine Law. Therefore when Antigone, in accordance with divine law, goes against Creons edict by burying her brother she is forcefully imprisoned and sentenced to death by Creon. In Creons opening speech he says, “Of course you cannot know a man completely, his character, his principles, sense of judgment … Experience, there’s the test” (Sophocles, p. 67). How Creon handles Antigones unlawful actions serves as his first test as the new king of Thebes and ends up showing the Thebans a glimpse of his true nature, that of a tyrannical ruler. This can be seen again when Haemon comes to Creon with the hope of dissuading him from his current course of action. He does this by trying to make Creon understand that the citizens of Thebes don’t agree with his use of power and planned execution of Antigone. Again Creons authoritarian nature comes to light in his response to Haemon, “And is Thebes about to tell me how to rule… Am I to rule this land for others – or myself?” (Sophocles, p. 97). To which Haemon counters by saying that “its no city at all, owned by one man alone” (Sophocles, p. 97). Creon, being the tyrant he is, fails to heed the wisdom of his sons’ words, which ultimately leads to his downfall. Creon, like Machiavelli, believed that it was
In ancient Greek tragedies at least one character has the misfortune of having a tragic flaw. The flaw usually effects the protagonist and leads to his down fall. Normally, the characters close to the protagonist are all affected by his flaw. In Antigone, by Sophocles, Creon's tragic flaw is that he is insecure. Creon's insecurity leads to the death of many people and to his own downfall. At many times, Creon feels that people are directing everything toward him, when of course they are not. Consequently, he takes action to make sure people take him seriously. He hopes his actions will teach people not to walk all over him and his empire. However these actions are not always the right ones.
To open, the things he said showed how he changed and became the tragic hero of the play. Many of his statements reveal his personality including his admirable parts and his flaws. When Creon says: "I call to God to witness that if I saw my country headed for ruin, I should not be afraid to speak out plainly," (Sophocles, scene 1,24-26), it shows his strong sense of nationalism and leadership which catches up with him in the end. "The inflexible heart breaks first, the toughest iron cracks first, and the wildest horses bend their necks at the pull of the smallest curb" (scene 2,76-79) is what Creon says to Antigone after finding out she is the one who buried Polynieces. He thinks that if Antigone wasn't so headstrong and arrogant then she could have avoided the consequence he was about to give her. I think Creon was being a hypocrite because he is just as stubborn as she is. The reason why Creon and Antigone come in to so much conflict is because their ways of thinking are almost exactly alike. "It is hard to deny the heart! But I will do it: I will not fight with destiny" (scene 5, 100), is a statement that shows Creon detecting his fault and how he needs to correct it. After talking to Teiresias, the blind prophet, he realizes in order for the higher powers to forgive him he needs to release Antigone. "Fate has brought all my pride to a thought of dust" (exodos, 138). Creon recognizes his flaw and its consequences but it is too late because fate has already occurred.
Being in power yields the assumption that everything is possible. In Creon’s case, he states that “never, if I can help it, shall evil triumph over good.” Creon’s pride in his position as King skewed his perception of what is just. He opens his Kingship commenting on this very feature of kingship, that “no other touchstone can test the heart of a man” like that of utmost power. Ironically, Creon reaches this touchstone, only to fail, causing many tragic deaths....
There is a common characteristic of a tragic hero that is highlighted by Haemon words, actions, or ideas that examine more closely Creon’s tragic flaws and hubris, which contribute to his downfall. Complex characters like Haemon bring to light other more important character’s traits. Ultimately, Haemon serves to make his words, actions, or ideas call attention to Creon as a tragic hero. Whether confronting him about his leadership skills, many biases, using the citizens of Thebes, and gods to enlighten Creon of his eventual demise. After all, Haemon was a minor character who was written to confront Creon and shed light on how his pride makes him a classic example of a tragic hero.
Creon's character possesses an infinite number of glitches in his personality, but his excessive pride was the root of his problems. His pride leads him to make accusations, before he considers the wise advice of others. Creon's pride also fills him not just as a king superior to the Gods, but also a man superior to women. The issue of Antigone being condemned to die becomes more than just a person who disobeys Creon; instead, the punishment is given even more eagerly, because it is a woman who disobeys a man. Creon's intelligent son warns Creon the people of Thebes sympathize with Antigone, but Creon accuses Haemon of being a "woman's slave" (line 756). Even though he is suppose to be loyal to the state and her citizens, he defensively questions if "the town [is] to tell [him] how [he] ought to rule?"(Line 734)The Theban king is too prideful to obey even the wisest of prophets, blind Teresias, insisting that "the whole crew of seers are money-mad" (line 1055). Creon finally puts his pride aside and listens to the Chorus' wise advice. It is difficult even then, and he obeys only because he fears the punishment that he might receive. "To yield [for Creon] is terrible" (line 1095) meaning to swallow his pride and admit that he is wrong is a very difficult thing for him to do. When Creon loses his wife and son, Creon's pride disappears, and he admits that he made a terrible mistake by not listening to anyone's advice.
has created to the citizens. Creon believes that "It seems this boy (Haemon) is on the
A tragic hero can be defined as someone with a substantial personality flaw that causes them to endure great suffering with a reversal of character near the end. Antigone possesses certain traits that could potentially render her the tragic hero, but Creon truly embodies all characteristics. Creon is the tragic hero in “Antigone” due to several qualities he displays throughout the play; he can’t accept a diminished view of himself, he endures great suffering and he is enlightened in the end. In the beginning of the play Creon presents a strong confident image, although it becomes apparent self-doubt is present due to his inability to accept a diminished view of himself. Whilst giving the orders to murder anyone who tries to bury Antigone’s brother, Creon refuses the advice of his trusted council because they suggest he may be in the wrong.
Since Creon has a tragic flaw of hubris and comes to an increased awareness about his wrongdoings, it is clear that he perfectly fits the characteristics of a tragic hero. Many readers may not be able to visualize how difficult it is for someone who loses something very important to them, unless they have experienced it firsthand. Creon's choices in the story are an example that signifies the use of the brain instead of emotions that could interfere with the decision. When given the choice of different paths, one should make compromises to satisfy not only themselves, but others around them when needed. Without doing this, it can lead to several disputes and severe devastation in life.
One of Creon’s traits that develops the play is that creon is arrogant. For example in the play Antigone, Creon said in line (324-326) “Stop now before what you're about to say enrages me completely and reveals that you're not old but your stupid too”.This shows that Creon is a tragic hero because
Haemon’s actions relating to a tragic hero are somewhat related, but applied in a different situation. Haemon, at first, shows obedience and praise to his father, with the quote, “Father, I’m your son... you in your wisdom set my bearings for me - I obey you. No marriage could ever mean more to me than you, whatever good direction you may offer” (lines 709-712). Haemon acknowledges the power and influence of his father, and his loyalty towards him. He also acknowledges Antigone’s sentencing and knows that the marriage between him and her will not continue on, but yet still places his father above his marriage. Later on in the text, however, Creon manages to push Haemon’s true inner feelings out about the situation, with an argument occurring between them, with Creon insulting Haemon, calling him a “woman’s slave” (line 847) and Haemon defending himself and Antigone’s actions, while accusing Creon of “trampl[ing] down the honors of the gods” (line 835). This passage exemplifies the change in Haemon’s demeanor throughout, and how his trust in his father has faded after his unjust actions. While this does show a “tragic hero” type of action occurring through Haemon, he does not show any true negative side of his actions or his beliefs, and is mainly a positive main character, with no real noticeable character
Creon tells Oedipus, “Once you know, then judge me for yourself” (654). Creon tells Oedipus not to accuse everyone. Ironically, Creon picks up Oedipus’s traits and starts to trust no one who tried to help him, including his son, Haimon. He refuses to take his advice just because he does not want to bend a little bit. Creon also starts to have dictatorship. Creon states, “The State is the King!” in Scene 3. Creon maintains the throne as his unquestioned right and starts to rule Thebes by his own will, rather than for the good of the people. Sophocles’s truthful characterization has huge effect on the portrayals of Creon in Oedipus Rex and Antigone. Sophocles portrayed Creon differently in each play to show the audience the human flaws on how one can pick up a trait from others which can lead to his or her downfall. Using different tones and truthful characterization, Sophocles showed the human flaws with two different portrayals that can
Sophocles, following the Greek standard of tragedy, casts Creon as the tragic hero plagued by his own pride, inflexibility and power. Creon believes his authority to be twofold, both as the king and as the head of his family. He claims that the throne is the source of all power, saying ?whoever is chosen to govern should be obeyed ? must be obeyed, in all things, great and small, just and unjust? (Sophocles 217), and he demands the utmost allegiance from his son, bidding him to ?subordinate everything else?to [his] father?s will? (Sophocles 216). Creon is filled with hubris, and he rejects any solution that might compromise his image. For instance, when the guards escort Antigone to the palace, he demands of the Choragos, ?Who is the man...