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Antigone play
Character Analysis Of Antigone In The Play Antigone
Essay about creon in antigone
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In these lines of the play Antigone, Haemon tries to free Antigone by reasoning with his father and the king, Creon. Creon in turn reacted poorly to this by harshly threatening to kill Antigone right in front of him- “Bring out the hateful creature; she shall die full in his sight, close at her bridegroom’s side.” (Line 760). Haemon exits the room, and Creon ends up admitting to The Chorus that they are right- Ismene did no wrong and he will let her go free, but not Antigone.
When Haemon first tried to approach Creon, he had started with offering him critical information about his people and city, and maybe could be seen to be about his honor too. This information which should have taken a toll on or even changed the mind of any levelheaded
ruler's judgement, was simply ignored by Creon in his pride and anger. Haemon reports the rumors and word he has heard in the streets that the people of Thebes have all taken Antigone as their heroine. “The whole town is grieving for her, unjustly doomed and to die in shame for glorious actions done.” and that they will absolutely not condone her execution. Haemon uses logic and reasoning in his appeal to Creon, not love to beg for the life of Antigone. Creon will not- or perhaps cannot- listen, attempting to display his power over his son and the city of Thebes. The decorum turns into quarreling and allegations.
Within lines 813-814, Creon says, “So, men our age, we’re to be lectured, are we?- schooled by a boy your age,” to his son. Before this Creon’s son said that he should take some good advice, temporarily angering his father, Creon. Creon does not hold back the words to his own son. He lets lose and shows no fear to his own son who is attempting to give words of wisdom. Haemon...
Through Haemon's contrasting words, actions, and ideas, Creon's character develops into a tragic hero. Creon is a person of noble stature and also has a tragic flaw of unreasonableness; which are two characteristics of a tragic hero. He is unwilling to listen to anyone's opinion except his. Haemon explains “when men speak well, it good to learn from them.” (line 819) This was a response
Creon believes that his laws are absolute and must be followed above all else, even Divine Law. Therefore when Antigone, in accordance with divine law, goes against Creons edict by burying her brother she is forcefully imprisoned and sentenced to death by Creon. In Creons opening speech he says, “Of course you cannot know a man completely, his character, his principles, sense of judgment … Experience, there’s the test” (Sophocles, p. 67). How Creon handles Antigones unlawful actions serves as his first test as the new king of Thebes and ends up showing the Thebans a glimpse of his true nature, that of a tyrannical ruler. This can be seen again when Haemon comes to Creon with the hope of dissuading him from his current course of action. He does this by trying to make Creon understand that the citizens of Thebes don’t agree with his use of power and planned execution of Antigone. Again Creons authoritarian nature comes to light in his response to Haemon, “And is Thebes about to tell me how to rule… Am I to rule this land for others – or myself?” (Sophocles, p. 97). To which Haemon counters by saying that “its no city at all, owned by one man alone” (Sophocles, p. 97). Creon, being the tyrant he is, fails to heed the wisdom of his sons’ words, which ultimately leads to his downfall. Creon, like Machiavelli, believed that it was
In ancient Greek tragedies at least one character has the misfortune of having a tragic flaw. The flaw usually effects the protagonist and leads to his down fall. Normally, the characters close to the protagonist are all affected by his flaw. In Antigone, by Sophocles, Creon's tragic flaw is that he is insecure. Creon's insecurity leads to the death of many people and to his own downfall. At many times, Creon feels that people are directing everything toward him, when of course they are not. Consequently, he takes action to make sure people take him seriously. He hopes his actions will teach people not to walk all over him and his empire. However these actions are not always the right ones.
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
Haemon does this by confronting Creon about his leadership skills, many biases by using the people of Thebes, or gods to educate Creon of his tragic flaws and hubris. Why would the author use Haemon to establish Creon as a tragic hero and bring to light his tragic flaws and hubris? Like F. Scott Fitzgerald said, “Show me a hero, and I'll write you a tragedy.” Authors who need a tragic hero in their piece of literature use characters like Haemon to examine the main character's many tragic flaws and hubris that contribute to his
Creon's character possesses an infinite number of glitches in his personality, but his excessive pride was the root of his problems. His pride leads him to make accusations, before he considers the wise advice of others. Creon's pride also fills him not just as a king superior to the Gods, but also a man superior to women. The issue of Antigone being condemned to die becomes more than just a person who disobeys Creon; instead, the punishment is given even more eagerly, because it is a woman who disobeys a man. Creon's intelligent son warns Creon the people of Thebes sympathize with Antigone, but Creon accuses Haemon of being a "woman's slave" (line 756). Even though he is suppose to be loyal to the state and her citizens, he defensively questions if "the town [is] to tell [him] how [he] ought to rule?"(Line 734)The Theban king is too prideful to obey even the wisest of prophets, blind Teresias, insisting that "the whole crew of seers are money-mad" (line 1055). Creon finally puts his pride aside and listens to the Chorus' wise advice. It is difficult even then, and he obeys only because he fears the punishment that he might receive. "To yield [for Creon] is terrible" (line 1095) meaning to swallow his pride and admit that he is wrong is a very difficult thing for him to do. When Creon loses his wife and son, Creon's pride disappears, and he admits that he made a terrible mistake by not listening to anyone's advice.
After being locked up in a dark, damp cave, Antigone was fed up with wallowing in her own pity, and takes her own life by “hang[ing] by the neck in a fine linen noose, strangled in her veils,” (1347–1348). Seeing the graceful young woman embraced in the arms of his own son, Creon immediately swells with anger towards un-masculine Haemon because of his display of love, and the significance of Antigone’s death goes straight over his head. Her strong sense of self – knowing who she is, what she values, and what makes her happy – enables her to make regretless decisions that alter her time to come. One of those decisions instigated Haemon’s fate to be sealed as well, prompting Eurydice, mother of the prince, to join her son in the underworld. Not long after becoming aware of her child’s downfall, Eurydice sacrifices her life at the heart of the palace, and “raised a cry for the noble fate of Megareus, the hero killed in the first assault, then for Haemon, then with her dying breath she called down torments on [Creon’s] head–[Creon] killed her sons,” (1429–1432). Creon’s heart fills with grief, for the fault of these three deaths lies with him, and pathetic self-pities are the only thoughts running through his mind. Despite the three-deceased’s blood lying
He anxiously awaits the day when he can call Antigone his wife, but because she defies King Creon, she deprives him of that opportunity. At first, Haemon tries to be loyal to his father. He tells Creon that he supports his decision to execute Antigone. However, as the conversation continues, he reveals that the community members are starting to renounce Creon’s decision. As the pain of potentially losing his fiancé becomes too much, he also renounces his father’s decision, arguing that the Gods would not condone it. In an act against his father, Haemon hurries to the cave Antigone was exiled to, in hopes to save her, but instead finds her hanging from the veil she was supposed to wear on her wedding day. Instantly overwhelmed with grief, Haemon, “[bewails] the loss of his bride” (Sophocles 152). Similarly, to Ismene’s case, Haemon cannot picture himself living on Earth without Antigone by his side, and commits suicide. In Antigone’s desire to appease the Gods, she abandons her loved ones, and causes them great suffering. This could have been avoided has she not pursued her desire to bury
...er of what he hears people around the town saying about the situation. Haemon says, “No woman ever deserved death less, and such a brutal death for such a glorious action… Death? She deserves a glowing crown of gold.” The play seems to praise the actions of Antigone and it is never seen that she is looked down upon for what she did, except by Creon.
Antigone was caught and death was the price to pay as ordered by Creon, not to her surprise. Death to Antigone seemed wanted, it was the only thing left as honor for her. Haemon, the son of Creon and Antigone’s fiancé has enough respect for his father that he does not interfere with Creon's decision to put Antigone to death.
This play is ultimately concerned with one person defying another person and paying the price. Antigone went against the law of the land, set by the newly crowned King Creon. Antigone was passionate about doing right by her brother and burying him according to her religious beliefs even though Creon deemed him a traitor and ordered him to be left for the animals to devour. Creon was passionate about being king and making his mark from his new throne. Although they differed in their views, the passion Creon and Antigone shared for those opinions was the same, they were equally passionate about their opposing views. Creon would have found it very difficult to see that he had anything in common with Antigone however as he appears to be in conflict with everyone, in his mind he has to stand alone in his views in order to set himself apart as king. Before he took to the throne Creon took advice from the prophet Tiresias who had so often had been his spiritual and moral compass, and yet in this matter concerning Antigone he will take advice from no one, not from the elders of Thebes, or even his own son Haemon.
Creon was warned about a plan to bury Polynices and later found the culprit, Antigone. He issued a death sentence for her defying action. Creon informed his son, Haemon, of his fiancee’s deceit. Haemon, however, defended his beloved fiancée. He told his father that the whole city was on her side, but everybody was afraid to speak out against him.
As Creon holds the limp, dead body of his son, he says, “I was responsible. My actions killed him”(Sophocles 53). Creon realizes that he is responsible for the deaths of Antigone, Haemon, and Eurydice which he expresses to the chorus in the play Antigone by Sophocles. At first Creon does not listen to anyone and goes forward with his decision to kill Antigone for burying the body of Polynices, which he did not want buried. This angers the gods and his son, Haemon. Creon is warned by several people that he must free Antigone and bury Polynices or the gods will punish him. Creon does not take the advice until it is too late, and therefore he is punished. Since Creon does not listen, he brings on his own destruction by an error in judgment.
Before leaving to face her death, Antigone reminds Creon that what she has done is good in the sight of men and the gods, only Creon himself frowns upon her work. If she was wrong then she will suffer in death, but if she was correct, then Creon will suffer.