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The theme of identity in literature
Essays on symbolism in literature
Importance of Symbolism in literature
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Many people experience loss in their life at some point. This is the theme that the authors of “Gwilan’s Harp” by Ursula K. LeGuin, “The Washwoman” by Isaac Singer, and “The Last Leaf” by O. Henry make relatable. In “Gwilan’s Harp,” Gwilan finds herself in a crisis when the things she knows as her identity escape her grasp. She experiences both emotional loss and the loss of her once strong hands. The old washwoman, introduced in “The Washwoman,” dies at an old age, having lived a full life of serving others until her last days. A young girl featured in “The Last Leaf,” Joanna (more oftenly known as Johnsy), battles pneumonia and struggles with hope for life; but hope appears from a kind neighbor. Throughout the stories, Gwilan faces emotional …show more content…
and physical loss, the Singers encounter physical loss with the washwoman’s death, and Johnsy faces bittersweet loss with renewed hope but in the process the death of their neighbor. As readers see, authors show examples of different kinds of loss in many different experiences. In the village Gwilan grows up in, many characters in the story “Gwilan’s Harp” say she has the touch of her mother’s fingers with her beautiful harp.
From the beginning of Gwilan’s life, “harpist” becomes her identity to all that knew her, which then becomes her identity when she looks at herself. Tragically, her elegant harp breaks in an unfortunate accident, and Gwilan does not have the funds to repair or replace it herself. Gwilan’s wrists sadly breaks in the same accident, which gives her arthritis later on. Her arthritis then prohibits her playing the harp. As Gwilan is pondering her life’s circumstances she says, “I thought my harp was myself. But it was not”(LeGuin). Toward the conclusion of the short story, the loss in Gwilan’s life makes itself clear, physical loss because of her arthritis and an emotional loss because of her lack in …show more content…
identity. Throughout “The Washwoman” Isaac Singer portrays the little washwoman having a strength like none other her age. She does the laundry for the Singer family on a regular basis, even with the long trips it takes her from her house to theirs. Though her rich son expresses shame for her occupation and her living conditions, she still carries on through her life. One frozen winter, she becomes quite ill and does not see the Singers for months. At long last, she comes traveling down the road to return the Singer’s last bag of laundry. As she leaves the house, not knowing it will be her last time making that long trip, “she swayed, as though she were about to fall under the load. But an inner obstinacy seemed to call out: No you may not fall”(Singer). Grievously, she dies soon after dies. In “The Washwoman,” physical loss expresses itself in the sadness of the washwoman’s death. Sick with pneumonia, Johnsy in “The Last Leaf” gives up almost all hope to live.
Sweet Susan, her roommate, worries that Johnsy will never make a full recovery from the deadly disease. “Mr. Pneumonia was not what you would call a chivalric old gentleman”(O. Henry). While Johnsy lies in her hospital bed, she counts down the leaves on the ivy tree outside of her window, declaring that when the last one fell, she will draw her last breath. A fellow hospital patient, Mr. Behrman who also has contracted pneumonia, faces the bitter cold in hopes of restoring life to Johnsy. He paints a single ivy leaf on a canvas so that Johnsy will not lose her young life in that hospital bed. Sadly, amidst the process of determining Johnsy will not give up hope, he gets too cold in the winter air and dies a couple hours later. The type of loss is definitely physical loss with Mr. Behrman’s death, but in the end, there is the hope of life personified after a heroic feat of a
friend. All of these short stories have a common theme of loss. In “Gwilan’s Harp,” Gwilan finds herself with arthritis and not knowing her identity outside of “harpist.” The Singer family experience physical loss in “The Washwoman,” after the sweet washwoman dies at an old age. As Johnsy, the main character in “The Last Leaf,” has lost the hope of living, Susan fears Johnsy will never recover. Thankfully, the bravery of Mr. Behrman stokes hope and life in Johnsy, but he dies shortly after his act of courage. Though loss is a difficult subject to approach, the authors encompass the different emotions of loss in a beautiful way.
“Picking up the pieces of their shattered lives was very, very difficult, but most survivors found a way to begin again.” Once again, Helen was faced with the struggle of living life day-to-day, trying not to continue feeling the pain of her past.
In the story, Windows by Bernice Morgan, the protagonist, Leah, is convinced that she is dying. As the story progresses, she experiences a full range of emotions and thoughts about everyone and everything in her life. Leah struggles with mental and physical illnesses. Her biggest problem is her depression. The theme of depression is explored through Leah’s relationship with other characters and her surroundings.
In her article, Quindlen delivers her position to the massive mixed audience of the New York Times, drawing in readers with an emotional and humanizing lure; opening up about her family life and the deaths she endured. Later presenting the loss of her brother's wife and motherless children, Quindlen use this moment to start the engine of her position. Quindlen uses her experiences coupled with other authority figures, such as, the poet Emily Dickenson, Sherwin Nuland, doctor and professor from Yale, author Hope Edelman, and the President. These testimonies all connect to the lasting effects of death on the living, grief. She comes full circle, returning to her recently deceased sister-in-law; begging t...
Holly Janquell is a runaway. Wendelin Van Draanan creates a twelve year old character in the story, Runaway, that is stubborn and naive enough to think she can live out in the streets alone, until she is eighteen.She has been in five foster homes for the past two years. She is in foster care because her mother dies of heroin overdose. In her current foster home, she is abused, locked in the laundry room for days without food, and gets in even more trouble if she tries to fight back. Ms.Leone, her schoolteacher, could never understand her, and in Holly’s opinion, probably does not care. No one knows what she is going through, because she never opens up to any one. Ms. Leone gives Holly a journal at school one day and tells her to write poetry and express her feelings. Holly is disgusted. But one day when she is sitting in the cold laundry room, and extremely bored, she pulls out the diary, and starts to write. When Holly can take no more of her current foster home, she runs, taking the journal with her. The journal entries in her journal, are all written as if she is talking to Ms.Leone, even though she will probably never see her again. Over the course of her journey, Holly learns to face her past through writing, and discovers a love for poetry. At some point in this book, Holly stops venting to Ms. Leone and starts talking to her, almost like an imaginary friend, and finally opens up to her.
Grief played a large role in the lives of the Boatwright sisters and Lily Owens. They each encountered death, injustice, and sadness. Grief impacted and left an imprint on each of them. Grief proved fatal for May. August knew that grief was just another aspect of life; that it had to be accepted and then left in the past. June and Lily learned to not let grief rule their lives. Life is not inherently good or bad – events not solely joyful or grievous – it is glorious in its perfect imperfection.
The harp had come to Gwilan from her mother, and so had her mastery of it, people said. “Ah,” they said when Gwilan played, “you can tell, that’s Diera’s touch,” just as their parents had said when Diera played, “Ah, that’s the true Penlin touch!” Gwilan’s mother had had the harp from Penlin, a musician’s dying gift to the worthiest of pupils. From a musician’s hands Penlin too had received it; never had it been sold or bartered for, nor any value put upon it that can be said in numbers. A princely and most incredible instrument it was for a poor harper to own. The shape of it was perfection, and every part was strong and fine: the wood as hard and smooth as bronze, the fittings of ivory and silver. The
Guy de Maupassant’s Mathilde Loisel and Eugenia Collier’s Lizabeth are two characters enduring what they perceive to be an abject state of existence. In Maupassant’s narrative, “The Necklace,” Loisel longs for material things she cannot have. In a similar way, Lizabeth, the protagonist of Eugenia Collier’s “Marigolds,” perceives her own life in the shantytowns of Maryland as dreary and dull. Despite their different character traits and backgrounds, Collier’s and Maupassant’s characters have similarly negative perspectives towards their own lives that greatly influence their actions and consequently, the outcome of the story.
Louise, the unfortunate spouse of Brently Mallard dies of a supposed “heart disease.” Upon the doctor’s diagnosis, it is the death of a “joy that kills.” This is a paradox of happiness resulting into a dreadful ending. Nevertheless, in reality it is actually the other way around. Of which, is the irony of Louise dying due to her suffering from a massive amount of depression knowing her husband is not dead, but alive. This is the prime example to show how women are unfairly treated. If it is logical enough for a wife to be this jovial about her husband’s mournful state of life then she must be in a marriage of never-ending nightmares. This shows how terribly the wife is being exploited due her gender in the relationship. As a result of a female being treated or perceived in such a manner, she will often times lose herself like the “girl
On March 5th, 1815, Edmund’s father, Peter, died of Meningitis. Edmund’s last memory of his father was the sight of two men placing is father’s body into a coffin. Shortly thereafter, Edmund contracted the deadly disease. Edmund’s grave clothes were already made in preparation for him to join is father. As Edmund lay in his death bed, he cried to his sister to fetch wild irises. Edmund believed nature was better than any doctor. The doctor agreed to let Edmund have anything we wanted, as he was surely to die. Edmund surprised everyone by surviving the spotted fever. Edmund’s extraordinary willpower is starting to show at a young age, and will follow him the rest ...
Throughout Kaye Gibbon’s novels, each unified character portrays a resemblance to overcome their obstacles through hope. In Gibbon’s first novel, Ellen Foster the main character, Ellen a young child struggles to survive and live a normal childhood. Making matters worse, Ellen’s father was a drunken alcoholic who physically abuses her mother and sexually harasses his own daughter. As a result, Ellen’s mother commits suicide and her father dies from over dosage. As her, own parents abandon their precious child; Ellen was alone in search of a new home and family. As hope motivates Ellen to seek forward and find her new home she begins to believe what an ideal family would be like, “I had not figured out how to go about getting one for the most part, but I had a feeling it could be got”. Similar in Ellen’s case, in Gibbon’s second novel A Virtuous Woman, Jack is in search to regain himself after a heartbreak loss to his wife Ruby who died several months prior from lung cancer. Jack is an old farmer and relied heavily towards Ruby. He is now left on his own, he acknowledges that only hope may lead him back on his tracks and leave all the crucial memories behind.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
Sylvia Plath’s novel, “The Bell Jar”, tells a story of a young woman’s descent into mental illness. Esther Greenwood, a 19 year old girl, struggles to find meaning within her life as she sees a distorted version of the world. In Plath’s novel, different elements and themes of symbolism are used to explain the mental downfall of the book’s main character and narrator such as cutting her off from others, forcing her to delve further into her own mind, and casting an air of negativity around her. Plath uses images of rotting fig trees and veils of mist to convey the desperation she feels when confronted with issues of her future. Esther Greenwood feels that she is trapped under a bell jar, which distorts her view of the world around her.
tragedies that befell her. She is an example of a melancholic character that is not able to let go of her loss and therefore lets it t...
story, a story she could not have told if she was dead. It is also
Helen’s early life was very much shaped by her loss and abandonment. The greatest loss Helen experienced was the death of her parents. As she was orphaned by the age of six, it left her with great grief, darkened childhood memories and bewilderment of where she truly belonged. She eventually found her position as a labourer in her uncle’s house. After working on her uncle’s farm for two years and being denied an opportunity for education, she faced the most significant abandonment in her life: being turned