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Cause of the Soviet–Afghan war
Cause of the Soviet–Afghan war
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Two Sides in Human Nature: Guilt and Redemption Pain, both physical and emotional, is guaranteed in life and the natural desire to rid oneself of it connects humanity. Khaled Hosseini explores what human nature truly means in his novel The Kite Runner by depicting the character of Amir, a man who spends his adult years attempting to relieve a haunting guilt from his childhood. Amir’s internal struggle between guilt and redemption illustrates how suffering is part of human nature and can only be extinguished when one acknowledges mistakes and uses them to change for the better. Amir’s guilt obtained in his youth follows him throughout life and causes prolonged suffering, which humanizes him as a character. Hassan, Amir’s childhood best friend, …show more content…
is sacrificed by Amir when he selfishly decided that his father’s affection was more important than his friendship. Days after witnessing Hassan’s rape, Amir attempts to rid himself of the guilt by admitting his actions to himself while everyone is asleep. In the midst of his internal pain, Amir realizes his new curse: that “[he] was going to get away with it” (86). Throughout the novel, Amir is described as cursed and in this moment, it is understood that Amir has the curse of selfishness: his own desires prompted his actions. This idea is commonly found in the real world since greed is an instinctive human characteristic. People naturally want the best for themselves as a result of evolution and the past where it was every man for themselves but when those impulses cross the line of humanity in modern situations like this, moral dilemmas cause internal conflict and pain. Roughly six years have passed since the incident and Baba and Amir flee to America to take shelter from the rising Afghan conflict. The guilt still follows Amir and he feels that “America was a place to bury [his] memories”. (129) Amir’s selfish desire for happiness and fear of losing it causes him to avoid confrontation with his actions; he is still pained and burying the past is only a palliative. Amir’s decisions further develop him as a relatable character since fear is an emotion that naturally exists. The psychology of the human brain is explored in this novel and the darker side of life (pain and guilt) is expressed through Amir and his needs for joy. Despite his internal struggles, Amir leads his new life in America where he gets married, losses Baba to cancer, but still remembers the guilt of his childhood. Rahim Khan, Baba’s business partner who resides in Afghanistan, calls Amir to tell him that he is dying. In their conversation, Rahim explains that Hassan had lived with him and Amir says his name which “ [broke] a spell, set [old barbs of guilt] free to torment [him] anew”. (202) From this burst of emotions, it is evident that Amir’s palliative has failed him and that human nature has gotten the best of him. Amir’s conscious is still torn and through this event, it is expressed that apologies and making amends is never too late in the real world. Humans may be selfish at heart but love still exists within all and only when Amir discovers that his love for Hassan is stronger than his selfishness, will he overcome this great obstacle. Amir’s guilt eats away at his spirit until he finally decides to make things right by facing his past instead of running away from his actions; Amir’s internal change helps him develop into a balanced person. Amir’s call from Rahim Khan informs Amir that Hassan had been shot but his son is alive and in orphanage. Rahim explains to Amir that he can make things right by rescuing Sohrab, Hassan’s son. As a child, Amir was always passive but when faced with this task, Amir understands that “[he] was older now, but maybe not yet too old to start doing [his] own fighting”. (227) Amir’s growth as a character is the outcome of his suffering and desire to rid himself of it. In the past, Amir was committed to his belief that what he did in the alleyway was the right thing and was a static character, but by accepting fault, he becomes dynamic. Amir’s internal transformation applies to the human condition as well; Hosseini implies that one truly matures when they understand the past and use their experience to change their future. Amir learns that he and Hassan had been brothers and feels as if his life is a lie created by Baba to maintain a good reputation. When questioned about what is Hassan’s relationship is to him, Amir thinks that “There had been enough lies already ‘He was my half-brother.’ [He swallowed]”. (237) By admitting Hassan and his brotherhood, Amir proves how much he means; Amir losses his old need to please Baba and has truly changed his priorities. Amir is slowly becoming more similar to Hassan, a character that represents good conscience and forgiveness. Hosseini's use of Amir and Hassan as polar characters (selfishness and altruism) and the fact that Amir learns to become like Hassan highlights the similarities in all people. Amir returns to his childhood home and is hit with a wave of memories. However, he feels alone in this moment and “Despite what [he] had learned about Baba, [he] wished [Baba] were standing alongside [him] now”. (273) By forgiving Baba for his actions, Amir shows the potential of forgiving his own actions as a result of growing into Hassan’s generous personality. Amir learns the importance of loyalty which helps him become a more balanced individual. The experiences Amir is introduced to helps him learn the importance of acceptance and growth instead of dwelling in fear. By admitting fault and changing his attitude towards his obligations and acting selflessly, Amir consequently rids the shame he has brought upon himself.
Amir discovers where Sohrab had been taken and must fight for his guardianship. Assef, a Taliban soldier who was also Hassan’s rapist and the neighborhood bully, challenges Amir to a fight for possession of the young child. Amir accepts and is badly beaten by Assef to the point where “[his] body was broken...but [he] felt healed”. (289) This final act of physical pain is also paralleled to Hassan’s rape: both sacrificed their physical health to help their loved ones. By taking on Hassan’s persona, Amir finally has become good again. A repeated action with an opposite outcome is incorporated into this novel by Hosseini to achieve the effect of change, specifically Amir’s transformation. Amir attempts to adopt Sohrab but he is shut down and breaks the promise; Sohrab is destroyed and attempts suicide. Amir waits in the hospital and since “[his] hands are stained with Hassan’s blood” , he prays that “God doesn’t let them get stained with the blood of this boy too”. (346) Amir has finally come to terms with his past actions and now fully accepts the blame. The pain from previous suffering has traumatized Amir, teaching him the importance of owning up to actions and preventing him from disregarding others’ feelings. The human condition is growth; Amir has shown significance maturity as a result of the suffering, proving how it is part of every life. Amir takes Sohrab to America where the boy feels out of place and eventually becomes ignored. However, Amir finally sees Sohrab smile when flying kites together, just like what Hassan and Amir used to do together. Amir describes the short but meaningful smile like a snowflake, explaining how “when spring comes, it melts one snowflake at a time…[he] just witnessed the first flake melting”. (371) Hosseini often reflects mood into setting and in this case, Amir begins to
feel the love between him and Hassan exist again within Sohrab. The “snowflake” represents the winter in which the rape, lies, and betrayal took place. As the seasons passed, those lies were buried by Amir but spring, symbolizing new beginnings, came along. Amir’s “spring” is his redemption: he changed his behavior and is given a second chance with Hassan through Sohrab. Though Amir has a long way to go, the spring offers opportunities for growth and healing. Amir’s growth from a static to dynamic character is the result of his need to redeem himself after witnessing Hassan’s rape relates to the idea that suffering is a two sided and natural emotion: the pain it causes prompts the sufferer to do everything in their power to rid it. Suffering merely causes guilt and consequently, redemption: creating the two sides of human nature.
Amir is, to be put bluntly, a coward. He is led by his unstable emotions towards what he thinks will plug his emotional holes and steps over his friends and family in the process. When he sought after Baba’s invisible love, Amir allowed Hassan to be raped in an alleyway just so that the blue kite, his trophy that would win his father’s heart, could be left untouched. In the end, he felt empty and unfulfilled with the weight of his conscience on his shoulders comparable to Atlas’ burden. Unable to get over his fruitless betrayal, he lashes out and throws pomegranates at Hassan before stuffing money and a watch under his loyal friend’s pathetic excuse for a bed, framing Hassan for theft and directly causing the departure of both servants from his household. Even after moving to America, finding a loving wife, and creating a career for himself in writing, he still feels hollow when thinking of his childhood in Afghanistan. Many years later, he is alerted of Hassan’s death and sets out on a frenzied chase to find his friend’s orphaned son. He feels that he can somehow ease his regrets from all of those years ago if he takes in Hassan’s son, Sohrab. He finds Sohrab as a child sex slave for Assef, who coincidentally was the one to rape Hassan all of those years ago. After nearly dying in his attempt to take back Sohrab, he learns that he can take the damaged child back to the states with him. Sadly, Hassan’s son is so
Although Hassan is his best friend, there are many instances where Amir reveals his jealousy, most notable when Baba sees Hassan as the stronger boy, "self-defense has nothing to do with meanness. You know what always happens when the neighbourhood boys tease him? Hassan steps in and fends them off. I 've seen it with my own eyes…” (Hosseini 24). Clearly, Amir hears how his father compares the two, and unlike Hassan who manages to meet Baba’s expectations, Amir grows bitter towards Hassan. He is unable to fight off his envy which later causes him to sacrifice his best friend’s innocence: “Maybe Hassan was the price I had to pay, the lamb I had to slay, to win Baba” (82), and this is all because he realizes “his shame is complicated by his own realization that in part he doesn’t help his friend precisely because he is jealous of him” (Corbett, 2006). From here, Amir develops strong feelings of guilt that induces him to perform even more destructive acts, such as having Hassan and his father evicted from the house. Amir not only loses a close friend, but now he has to continue to live with remorse as he dwells on these memories. The only way for Amir to redeem himself of his repercussions is through a challenging process of sacrifice and self-discovery. Although one is unsure at this point whether Amir succeeds at his endeavors, it is clear that this story
Actions made in a moment of pain, anger or simple immaturity can take anyone to make mistakes that can change their lives completely. Everyone has something in the past that is shameful, embarrassing and regrettable that is kept present daily. Whether this event happened during childhood, adolescence or early adulthood, this event could haunt and have shaped that person’s life into what he or she is today. In a similar way, in the book The Kite Runner by Khaled Hosseini is shaped by a tragic and eventful past that has shaped Amir’s, Baba’s, and Hassan’s life. The four literary elements that will be used in this essay that Hosseini strategically uses in this book are: irony, simile, Metaphor, and personification.
Kite Runner depicts the story of Amir, a boy living in Afghanistan, and his journey throughout life. He experiences periods of happiness, sorrow, and confusion as he matures. Amir is shocked by atrocities and blessed by beneficial relationships both in his homeland and the United States. Reviewers have chosen sides and waged a war of words against one another over the notoriety of the book. Many critics of Kite Runner, by Khaled Hosseini, argue that the novel would not have reached a lofty level of success if the U.S. had not had recent dealings with the Middle East, yet other critics accurately relate the novel’s success to its internal aspects.
While Amir is a Sunni, his childhood friend Hassan is Shi’a, an inferior division of Islam. Simultaneously, Amir and Hassan belong to different ethnic groups-Amir is Pashtun while Hassan is Hazara. During his childhood, Amir would constantly mock Hassan’s illiteracy and poke fun at him. But, the pivotal demonstration of pressure from his surroundings that makes Amir commit his own act of cruelty is when he watches Assef rape Hassan for refusing to give him the kite that Hassan caught for Amir. To this, Amir describes the look of Hassan’s face to “a look I had seen before. It was the look of the lamb” (76). Throughout his upbringing, Amir constantly believed that his father blamed him for killing his mother in childbirth. To Amir, Hassan’s rape is a sacrifice that Hassan has to pay the price, the lamb to kill, in order to win his father over. To justify his refusal to intervene, Amir reminds himself that “[Hassan] was just a Hazara, wasn’t he?” (77). Amir’s surroundings cause him to have a negative outlook on people that his society deem lower. Amir knows he is morally wrong for not helping Hassan, but his need for his father’s love overpowers his friendship. Adding to his pressures, Amir believes that Baba prefers Hassan over him, a belief that further drives him to be cruel to Hassan. As a result, Amir’s motivation for validation and love from his father
Despite living majority of his life with the guilt of not helping Hassan, Amir’s nemesis is yet to come. Destiny plays a huge game with Amir and reveals to him that Hassan is his illegitimate brother during his visit with Rahim Khan. Reacting with various emotions, Amir first decides to head back about to America, but in the end makes the first brave decision in his life by going back to Kabul “…to atone not just for [his] sins, but…Baba’s too” (198). Amir tries to compensate for his sin by rescuing Hassan’s son, Sohrab, from the brutality occurring in Kabul. Amir puts his entire life in jeopardy by facing the oppression in Kabul so he could make a genuine effort in eliminating his sins. In an ideal world, when one truly makes an effort to redeem themselves for their wrongdoings, they are usually gifted with forgiveness. However, in reality, Amir’s heroic act of saving Sohrab, did not free him of sorrow because he still has to live with his nemesis for the rest of his life. By taking Sohrab to America with him, Amir constantly is reminded of his hamartia by envisioning Hassan through Sohrab. This shows how the guilt from a cowardly act leads one into a lifelong feeling of
The novel tells the story of, Amir. Amir is portrayed as the protagonist; the novel revolves around his recollection of past events 26 years ago as a young boy in Afghanistan. Amir is adventures and brave. Hassan is Amir’s closets friend and servant to his house and is portrayed as a subservient male, often supporting and accepting blame for Amir’s actions. Assef, Wali and Kamal are the “ bad guys” within the novel; Wali and Kamal hold down Hassan and Assef rapes him purely for ethnicity differences, as Hassan is a Hazara. Afghanistan boys are supposed to be athletic and true to Islam .The leaving of Soraya Hassan mother with another man gives the notion that women lack morality leaving behind there children .The Taliban laws are followed closely within Afghanistan and women are treated without any rights, beatings, stoning and execution become the reality for women who violate the laws. Culturally Afghanistan women are portrayed to be subservient to there husband only live and breath to provide children, cook food and clean their
However there are some characters that become better people and change becoming a better, stronger, more loyal individual in the end. The individual that demonstrates this development within this novel is Amir himself. All of the guilt Amir holds with him as a child allow him to realize his duty to be loyal to his brother Hassan ion the end. An example of this is when Amir goes back to Kabul, Afghanistan to retrieve his nephew Sohrab. Amir says, “I remembered Wahid’s boys and… I realized something. I would not leave Afghanistan without finding Sohrab.’ tell me where he is,’ I said” (Hosseini 255). Here, Amir is at the orphanage waiting to find out where Taliban has taken his nephew. Amir remembers the three young starving sons of Wahid, a man whose home he had been in earlier, and realized that Afghanistan is not a safe place for Sohrab. Amir is finally aware of one thing, Hassan has always been there to protect Amir like a loyal friend and brother would and now Amir knows that it is his turn to return that loyalty to Hassan by protecting Hassan’s flesh and blood. A second example of Amir’s loyalty to Hassan near the ending of the book is during Amir’s confrontation with General Sahib and the dinner table after Sohrab is safe in America with him. Amir proclaims to General Sahib, “…That boy sleeping on the couch
However, Amir’s happy day turns dark, when an hour later, he witnesses Hassan, his best friend, raped in an alley. He had “one final opportunity to decide who [he] was going to be”. 77. Instead of standing up for his friend and loyal servant, he runs like “a coward.” 77.
“For you, a thousand times over.” In The Kite Runner by Kahled Hosseini, there is a recurring theme of redemption that is portrayed by various literary devices. Kahled excellently juxtaposes devices such as irony, symbolism, and foreshadowing to show redemption within his first novel.
After weeks of secrecy, a brutal fight, and battles with the immigration office, Amir is able to return to America with a bright perspective of his new home albeit broken, beat, and scarred, and a new adopted child, Sohrab. The developed Amir is brought out with his interaction with General Taheri. In the novel, Amir shows his new found ability to stand up for himself with the quote, “‘And one more thing, General Sahib,’ I said. You will never again refer to him as a ‘Hazara boy’ in my presence. He has a name and it’s ‘Sohrab’” (361).
Guilt is a strong emotion that affects many people around the world. It can either lead people into a deep and dark abyss that can slowly deteriorate people or it can inspire them to achieve redemption. Guilt and redemption are two interrelated subjects that can show the development of the character throughout a novel. The Scarlet Letter, by Nathaniel Hawthorne, and The Kite Runner, by Khaled Hosseini, are two literary works that convey the connections between guilt and redemption and show the development of the character by using theme and symbolism that are present in the novels.
During The Kite Runner, Khaled Hosseini reinforces the theme of the loss of innocence and redemption. Many characters lose innocence or are the cause of another character losing theirs. Amir both loses his innocence and that of others. His innocence is stolen by his father. In the novel Amir overhears Baba saying, “‘If I hadn’t seen the doctor pull him out of my wife with my own eyes, I’d never believe he’s my son’” (Hosseini 24-25). This affects Amir for his entire life as he tries to compete with Hassan for his father's attention. He does not realize that in doing so, this crumbles his world as he knows it. It makes Amir resentful, calloused, and even cruel, all of which are characteristics of someone who has lost their innocence. In turn, Amir’s loss of innocence causes other to lose their innocence because of his lack of courage and disregard for others feelings.
Hassan’s morals and saintly nature bring him happiness in knowing that he does God’s will, while Amir questions God as well as Hassan’s pious personality. Hassan strives to make the moral choice every day of his life. He refuses to shoot walnuts at a one-eyed German shepherd when Amir insists that he can, subtly bringing out the instinct of integrity in Hassan. Similar to this, Hassan strives for good as he notices a plot flaw in one of Amir’s stories that involves death. Hassan’s inherent morality prompts him to suggest a non-violent option for Amir. Evidently, Hassan’...
In Khaled Hosseini’s The Kite Runner, the author follows the development of protagonist Amir through a life filled with sorrow, regret, and violence. Amir encounters numerous obstacles on his path to adulthood, facing a new test at every twist and turn. Amir embarks on the long journey known as life as a cowardly, weak young man with a twisted set of ideals, slowly but surely evolving into a man worthy of the name. Amir is one of the lucky few who can go through such a shattered life and come out the other side a better man, a man who stands up for himself and those who cannot, willing to put his life on the line for the people he loves.