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Western religions christianity
Discuss the themes of apocalyptic literature
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Introduction Western pop-culture Christianity has re-defined apocalyptic to refer only to “the end of the world as we know it.” Although, within biblical terminology, an “apocalypse” is not an event, but a “revelation” that is recorded in written form. It is a piece of crisis literature that reveals truths about the past, present, and/or future in highly symbolic terms. The revelation often comes in dreams or visions and usually needs to be interpreted with the help of an angel. This literary genre is usually intended to provide hope and encouragement for people amid severe trials and tribulations. Therefore, it is the intention of this paper to further the understanding apocalyptic …show more content…
It is scary, thwarting, and about boding evil. The dictionary tells us it is presaging people of imminent disaster, exaggerated predictions, or allusions of the Last Days. However, this is not what it meant in the original Greek or in the time this term was penned. The word apocalyptic, derived from the Greek word apokalypsis, means “revelation” or “unveiling,”. The same Greek word is translated “revelation” (Rev.1.1). The genre of revelatory literature, with a narrative framework, in which a revelation is mediated by an otherworldly being to a human recipient, disclosing a transcendental reality which is “both temporal, hence, it envisages eschatological salvation, and spatial insofar as it involves another, supernatural world” (Collins, 1984, p. …show more content…
Primarily, apocalypses are usually written from a context of oppression, persecution, and despair. There is a presence of a sharp dualism, a contrast between the present age dominated by evil, and a coming age of change. In addition, this genre contains visions and revelations, in which a heavenly intermediary usually appears to interpret visions or reveal secret knowledge. Generally, apocalypses are usually filled with symbolism with references and allusions to mythology, numerology, or animal symbolism (Morris, 1972, pp. 34-37). Also, this style of writing contains ideas of the unity of history and a goal toward which history is moving. Apocalypses tend to be deterministic, portraying an inescapable future, set in stone by God’s fixed calendar of events. Finally, apocalyptic writings appear pessimistic about the possibility for positive change and the need for a radical divine intervention to overthrow God’s enemies and set things right. Moreover, authors Russell and Symes, in their book, The method & message of Jewish Apocalyptic, 200 BC-AD 100, suggests four distinctly literary characteristics of apocalyptic writing: “It is esoteric in character, literary in form, symbolic in language, and pseudonymous in authorship” (Russell & Syme, 1964, p. 106). However, compiling a definitive list of characteristics is difficult since no full set fits each
LaHaye, Tim, and Ed Hindson. The Popular Encyclopedia of Bible Prophecy. Eugene, OR.: Harvest House Publishers, 2004.
Creation Untamed, by Terence E. Frcthcim The book, Creation Untamed: The Bihle, God, and Natural Dísasters, by Terencc E. Fretheim, is a dedicatecl Olcl Testament theological interpretation of human sufTering, especially during a natural disaster. Frethcim explores on of the most disturbing questions in human life, about the presence and role of God when a natural disaster occurs. In answering the question, thc author provides an interactive analysis and a ncw perspective of human suffering and natural disasters offered by some well-known Old Testament incidcnces, such as the account of creation, Noah and the great flood, and the suffering of Job. The biblical excerpts provide the guide to Fretheim's discussion as hc highlights the natures,
The 21st century is the age of information and technology and as the human species continues to advance there are growing concerns that the human race is close to its end. Jerry Oltion uses his text Judgment Passed as an allegory for the belief of the Christian salvation and the state of the modern world. In Jerry Oltion’s text planet Earth is depleted, causing humans to send astronauts into space to colonize another planet named Dessica (Oltion). These astronauts are in space for twelve years and when they return to Earth they learn that the end of the world has occurred without them. The astronauts learn through old newspaper articles that Jesus Christ returned to earth and saved everyone. This causes the astronauts to ponder the reason they were not saved like all the people on Earth and the other colonies in space. Throughout Judgment Passed there are metaphors for the Christian belief of what happens after death such as the realm of limbo and then there are the metaphors that are a depiction of today’s world and its possible future such as Jesus Christ representing a hierarchy political figure. Therefore, Judgment Passed is more than a short narrative for entertainment, it is allegory for the Christian belief system and it is a metaphor for the human condition of the modern world.
Fifth The Editors of The Encyclopædia Britannica, ed. " Allegory. " The Encyclopædia Britannica.
The extent of the average person’s knowledge of the Antichrist can be summed up as: a mythological satanic person associated with the number 666. An exhaustive study on end times Bible prophecy is beyond the scope of this book, but a brief description of the Antichrist is necessary.
In 1981, Graham wrote The Coming Storm, an essay in his book Till Armageddon: A Perspective on Suffering. It rationalized the disillusioning circumstances when he stated that “the theory that the world is getting better and better, and solving its political, economic and social problems is no longer taught with much confidence. We are living in a day of serious turmoil and trouble, and most thinking people to whom I talk forecast that things are going to get worse instead of better.” Although Graham maintained his stance of imminent destruction throughout his life, this was a contrast to the more optimistic world view of what he wrote earlier in 1965 in essay The Flame of Political Dilemma: “I do not believe that all is black and hopeless. There is still time to return to the moral and spiritual principles that made the West great. There is still time for God to
Martyn, J. Louis. "The Apocalyptic Gospel in Galatians." Interpretation 54.3 (2000). 09 Jun. 2002 http://www.infotrac.galegroup.com/itweb/tel_a/mmcwml.
Collins, John J. "Apocalyptic Literature," Harper's biblical Dictionary, ed. Paul J. Achtmeier. San Francisco: Harper, 1985.
Metanarrative Essay The Biblical metanarrative can be explained by a Christian as the true and triumphant story from the beginning in Genesis until the future is prophesied in Revelation. Others who may not be a Christian do not understand the true power and love God has over us and for us and may just simply see it as a story or a rule book that they don’t want to follow. They see the Bible and all the things and plans God has for us and our lives and just think they don’t want any part of it and instead they live in sin. It is important that these people not only learn the true story but understand it as well.
The Book of Revelation and the movie WALL-E serve as distinct forms of apocalyptic literature to expose the reality of the human condition beneath the surface. Even though there are blatant disconnects between the two, they both share common ground as criticisms of society and to warn humanity of its coming judgement. The Book of Revelation and WALL-E offer a frightening yet rectifiable future for humanity by remaining loyal to its “core values”.
... Print. The. 2003 Hartman, Louis F. & Lella, Alexander A. The Anchor Bible, The Book Of Daniel. New Haven & London: Yale University Press. Print, 1978 Cook, Stephen L. Apocalyptic Literature.
The. Kate, Lauren. Rapture: A Fallen Novel? New York: Delacorte, 2012. Print. The.
This essay will argue that the eschatology of the Book of Revelation forms an integral part of John’s attempt within the pages of his book to form a literary world in which the forms, figures, and forces of the earthly realm are critiqued and unmasked through the re-focalization of existence from the perspective of heaven. It will attempt to show that, in response to the social, political, religious, and economic circumstances of his readers, the Book of Revelation forms a counter imaginative reality. Through drawing upon an inaugurated sense of eschatology and evocative imagery, John is able to pull the reader in and show them the true face of the imperial world and consequences of its ideology, forcing the reader allegiance to fall with either ‘Babylon’ or the New Jerusalem.
Literalist fundamentalists read Revelation’s multivalent visions as predictions of doom and threat, of punishment for the many and salvation for the elect few. Scholarly scientific readings seek to translate the book’s ambiguity into one-to-one meanings and to transpose its language of symbol and myth into description and facts. In Elisabeth Schûssler Fiorenza’s The Book of Revelation: Justice and Judgment, a third way of reading Revelation is depicted. The collection of essays in this book seeks to intervene in scholarly as well as popular discourses on the apocalypse from a liberationist feminist perspective.
LaHaye, Tim F., and Edward E. Hindson. The Popular Encyclopedia of Bible Prophecy. Eugene, OR: Harvest House Publishers, 2004.