Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Greek theater then and now
Roman & Greek theater
Roman & Greek theater
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Greek theater then and now
Many ancient civilizations witnessed Greek theater and tragedy as the world’s first theatrical performances. Tragedy comes from the Greek word Tragos and Ole meaning goat song. The dithyramb, a song and dance performed in honor of the god Dionysus, was performed at a ceremony in Athens; it told the story of Dionysus’s life and his many adventures. Throughout the years the playwrights added things other than Dionysus’s life to the performance. They added other gods and some hero’s that made a name for themselves within the temple. As more time passed they added more actors, choruses, masks and costumes as a way to grab the audience’s attention and participation. Theater was first seen by ancient Greece before it spread all throughout western …show more content…
Euripides was born in 484 BC in Salamis. When Euripides was only twenty-six, he saw the Oresteia Trilogy, written by Aeschylus, which made Euripides start writing tragedies. Euripides had competed many times against the third biggest tragedy writer, Sophocles, in the annual Dionysus. He only won the competition four times.
“Between 455 and 428 B.C Euripides wrote, as we know, nearly thirty plays, of which three have survived complete: Alcestis (438) Medea (431) and Hippolytus (428). From fragments and other information we know that about twenty of these earlier plays took as their main theme the sufferings or the misdeeds of women in heroic legend.” (Radice, 11)
Euripides questioned things others would not dare do; he was said to arouse the curiosity in tragedy. Not only did Euripides write these tragedies, but his work was a big influence in the creation of comedy. “Euripides uses irony in his depiction of the way men think and speak about women; since women adopt men’s assumptions in this matter as the only basis for an acceptable life in a community organized by men”(Radice 14). Euripides remained a great tragedy writer for many decades after his death, though there isn’t as much information on him because it was shared through legends. Euripides is said to have died sometime between 407-406 B.C in Macedonia, but no facts have proven this. He could have died in
…show more content…
An example, his election to Strategos in 440 BC was almost certainly due to the notoriety surrounding the great success of Antigone the year before.” (Sophocles, Nardo 22)
Sophocles learned tragedy under Aeschylus, where Aeschylus taught him the basics of how to write great tragedies. He defeated Aeschylus at the Dionysus festival of 468 BC, which was Sophocles first victory at the competition.
“The playwright may outlived almost all of his relatives and friends, for he lived to be at least ninety-one. Yet even in his last years, his creative talent and output were not in the least diminished, for his last play, Oedipus at Colonus, composed in 406 BC, was one of his greatest.” (Sophocles, Nardo
Greek Theater first started with festivals in which gods would be honored and where people would come together to celebrate. This event was known as the Festival of Dionysus since it honored Dionysus, who was the god of grape harvest or winemaking. During this festival, people would perform acts and songs to welcome the god of grape and winemaking. Many people attend the festival especially the performance and it became really popular. Soon, the acts that were performed at the Festival of Dionysus evolved from not only performing for Dionysus but instead all the Greek gods and also about life. This started the time of Greek Theater. As theater became a big part in the lives of Greek people, it became their duty or responsibility to attend these
Theatre is an evolving art form, due to its prevalent themes, in which the creators ‘…express the complications of life through a shared enterprise’ (Lee Hall, 2008). The modernisation of a text whilst maintaining the history relevant to the play has been reinforced by Brisbane based Physical Theatre Company Zen Zen Zo through their 1996 reinterpretation of Eurpide’s The Bacchae, adapted into ‘The Cult of Dionysus’ (Zen Zen Zo, 2016). ‘The Cult of Dionysus’, entails the story of Dionysus, the Greek God of fertility, wine and pleasure, seeks revenge on the ruler of Thebes’ Pentheus, who has just outlawed the worship of Dionysus. The elements of drama have been manipulated to engage the audience, specifically
How would you feel if you lived in a time period where god and goddesses controlled your everyday life (“Religion”). Ancient Greece contained many important events and the people created many important things. Greek theater was very important as well, it was a great source of entertainment for its people. Ancient Greek theater was influenced by the time period in that it involved a lot of mythological gods and goddesses as evidence in the play The Curmudgeon by Meander.
arrangement, the importance of drama and religion, setting, location. and architectural features of the building. In ancient Greece, festivals were mainly held at the Great Dionysia. This was the oldest theatre in Greece and many plays were performed. here, for example, the first performance of Antigone.
In Euripides’ tragic play, Medea, the playwright creates an undercurrent of chaos in the play upon asserting that, “the world’s great order [is being] reversed.” (Lawall, 651, line 408). The manipulation of the spectators’ emotions, which instills in them a sentiment of drama, is relative to this undertone of disorder, as opposed to being absolute. The central thesis suggests drama in the play as relative to the method of theatrical production. The three concepts of set, costumes, and acting, are tools which accentuate the drama of the play. Respectively, these three notions represent the appearance of drama on political, social, and moral levels. This essay will compare three different productions of Euripides’ melodrama, namely, the play as presented by the Jazzart Dance Theatre¹; the Culver City (California) Public Theatre²; and finally, the original ancient Greek production of the play, as it was scripted by Euripides.
The theater of Dionysus stands at the foot of the acropolis and its date originates back to the 6th Century, B.C.. Its originally wood seats rise in tiers above one another against the slope of the acropolis, creating a natural setting for the plays (D'ooge, 231). The Greek Theater was built to house a drama which, during the festivals of Dionysus, had evolved from the long tradition of choral hymns which were presented each year. As Greek culture changed and flourished, entertainment transformed from being a series of choral chanting and dancing to placing an emphasis on the actor. As the actors' importance grew, there became a need for a stage from which they could be seen by each of the fourteen thousand spectators the theater housed. The chorus was still a very active part of the entertainment and they resided in the orchestra (Norwich, 64). The orchestra was the oldest part of the Greek theater and thus, when the actor was given
Delcayre, Celine. "The Greek Chorus Dynamic in Ancient and Contemporary Theatre." Sonoma.edu. N.p., 21 Mar. 2012. Web. 6 Nov. 2013.
In Greek tragedy, three masters were paramount. They were Aeschylus, Sophocles, and Euripides. These three playwrights all wrote for the festivals of Dionysius, but none of the three were alike. Aeschylus writes about Athenian power, arrogance, and ancient rule. Sophocles accepts the gods as the way they are. He does not believe in the violation of cosmic order. Euripides questions spirit. He also faults the old way of doing things.
To conclude, it can be said that Sophocles and Euripides both were great playwrights and important characters of Ancient Greek Civilization. In addition, they contributed western literature by innovating drama and theatre.
Some scholars say that the tragic hero is Julius Caesar, while others say it is
Theater is a natural outlet for our desire to hear and tell stories, and in some ways it is even more primal and powerful than the written word. At its worst, theater will merely bore; while at its best it will not only entertain but move and shape its audience. Two such genres of theater, or drama, have consistently achieved this effect. Tragedy, represented by the weeping actors’ mask, usually features the title character’s fall from greatness to ruin, guided by the gods or fate. Oedipus Rex, written by Sophocles, is the epitome of classic Tragedy, as defined by Aristotle (96-101). Here, Oedipus falls from kingship to blindness and exile. Drama’s other great genre, Comedy, is represented by the laughing actors’ mask. In Comedy the action is usually propelled by a problem or crisis of some sorts, but unlike tragedy it usually ends well. Lysistrata, written by Aristophanes, is a perfect example of classic Comedy. The farcical story line follows the title character, who rallies the women of Greece to withhold sex from their mates all in the good cause of ending war. At first glance these two genres would seem to have nothing in common with each other. Comedy entails laughter and good feelings while the audience will leave a Tragedy in tears. But the best of Comedy and the best of Tragedy will produce the same affect: catharsis. Catharsis is the purgation and purifying of the emotions, specifically fear or pity. (“Catharsis”) The plays that manage to produce catharsis in their audience are the ones that we return to time and time again. Although catharsis is one of the main objectives of Greek Tragedy (Jacobus 34), Comedy done well will shape and move its audience in the same way. These two classic genres use characters that are co...
A modern tragedy of today and a tragedy of ancient Greece are two very different concepts, but ironically, both are linked by many similarities. In “Poetics”, Aristotle defines and outlines tragedy for theatre in a way that displays his genius, but raises questions and creates controversy. Aristotle’s famous definition of tragedy states:
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...
Over the 200 years from Thespis’ first accomplishments to the death of Sophocles, Greek Theater thrived. However, all good things eventually come to an end. The golden age was ending as Athenian culture was overrun in 404 BC by the Spartans. Theater of course evolved over time and is now a school subject, hobby and profession. Today it wouldn’t hurt to look back over some historically recorded plays and appreciate what the ancient Greeks created for us… drama.
Aristotle is one of the most important western philosophers in history that has influenced our society in many aspects. Many of Aristotle’s teachings have affected our world for many years and still continue to have such a big impact. Some of the subjects Aristotle has influenced include: logic, physics, government and poetry. Aristotle’s study of poetry mainly focused on the elements to a good tragedy. Some of his elements have been used in Greek tragedies and modern movies. The Greek play, Medea, and the modern movie, No Country for Old Men, use elements from Aristotle philosophy, while using similar and different techniques but both achieving an effective tragedy.