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Ancient love
In Greece dating back to 750 B.C a book titled Symposium came into fruition by a man named Plato. This Greek mythology explained that each human was originally created with four arms, four legs and a head with two faces. Zeus feared that the divine being was too powerful and split them into two separate parts, inevitably leading them to spend their lives in search of their other halves.
A sacred moment in the stillness before sunrise, where the mountains are young. It is 5:07 in the morning. This is the moment I rejoice with my other half. After hundreds of lifetimes spent together as one being, once again we have found each other. Our love that was once a spark in the abyss has since ignited the entirety of the world aflame. He and I are painted indigo and olive. We are dancing in the night sky. It is 12 noon and the mattress we sleep on is deteriorating but the seeds planted in our chest are just beginning to sprout. I am watching as his chest rises and falls effortlessly. The sun is beginning to climb up the sky, the rays cascading through the vines ...
There are many essential emotions that form the building blocks of our lives. These emotions help to shape the people that we are. These feelings are emotional necessities to ultimately keep us happy. No piece of literature these feelings more evident than the Odyssey by Homer. Throughout the course of this book there is one major emotional theme: love.
I have always thought that there was only one type of love, which was that feeling of overwhelming liking to someone else. I am aware that Lust does exist and that it is separate from Love, being that the desire for someone's body rather their mind. In Plato's Symposium, Plato speaks of many different types of love, loves that can be taken as lust as well. He writes about seven different points of view on love coming from the speakers that attend the symposium in honor of Agathon. Although all these men bring up excellent points on their definitions on love, it is a woman that makes the best definition be known. I will concentrate on the difference between the theory of Common and Heavenly love brought up by Pausanias and the important role that Diotima plays in the symposium.
In the Symposium, a most interesting view on love and soul mates are provided by one of the characters, Aristophanes. In the speech of Aristophanes, he says that there is basically a type of love that connects people. Aristophanes begins his description of love by telling the tale of how love began. He presents the tale of three sexes: male, female, and a combination of both. These three distinct sexes represented one’s soul. These souls split in half, creating a mirror image of each one of them. Aristophanes describes love as the search for the other half of your soul in this quote: “When a man’s natural form was split in two, each half went round looking for its other half. They put their arms around one another, and embraced each other, in their desire to grow together again. Aristophanes theme is the power of Eros and how not to abuse it.
Throughout the story The Odyssey there are many themes that represent major parts of the story. The main theme that stood out to me is love which includes loyalty. “Love is a profoundly tender, passionate affection for another person; a feeling of warm personal attachment or deep affection, as for a parent, child, or friend; or a sexual passion or desire” (dictionary.com). “Loyalty is defined in the Webster's dictionary as faithfulness or devotion to a person, a cause or a duty” (Webster’s dictionary). Through these definitions, it can be expressed that loyalty and love are major themes in Homer's epic, "The Odyssey". Love and loyalty shows relationships that are between two people. The few relationships that represents love and loyalty is between husband and wife Odysseus and Penelope and also between father and son Odysseus and Telemachus. These relationships shows more than just love and loyalty though, their relationships also shows compassion, sympathy and the need to be in each one another’s lives.
The William Shakespeare tragedy Othello features various types of love, but none compare to the love we find between the protagonist and his wife. In this essay let us examine “love” as found in the play.
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
Love is often misconstrued as an overwhelming force that characters have very little control over, but only because it is often mistaken for the sum of infatuation and greed. Love and greed tread a blurred line, with grey areas such as lust. In simplest terms, love is selfless and greed is selfish. From the agglomeration of mythological tales, people deduce that love overpowers characters, even that it drives them mad. However, they would be wrong as they would not have analyzed the instances in depth to discern whether or not the said instance revolves around true love. Alone, true love help characters to act with sound reasoning and logic, as shown by the tales of Zeus with his lovers Io and Europa in Edith Hamilton’s Mythology.
Greek Mythology originated around 775 B.C.E. It all started with Homer’s Iliad and continued on with Hesiod’s Theogany. These were the first two myths to be recorded in Greek Mythology. Both of these myths reveal to us about their understanding of the universe, and about their culture. Not only do they talk about their various gods, and heroes, but they also talk about how they viewed the universe in general (Rosenberg 79). Greek Mythology evolved from two early civilizations, the Mycenaean’s and the Minoans. It was the combining of these different Greek cities and Kingdoms during 10th century B.C. that created Greek Mythology. Its Geographic isolation gave it a place for mythologies to evolve (Gale Virtual Reference Library: Greek Mythology 454-456). Roman mythology, on the other hand grew around the same time as Greek Mythology. It all began around 800 B.C. when the Roman Empire was at its peak. However the unique about the Romans is that their origin traces back to Latin and Italian cultures. They also share the same gods and heroes with Greek but with different names. Moreover Rome was the first nation to have a set government that is similar to ours today. They were the first empire to have elected officials who ruled their nation. (Gale Virtual Reference Library: Roman Mythology 896). Both of these mythologies portray how life was different back then during the B.C times. The reveal us their culture, their religion, and how they viewed universe as a whole. However what caused a collapse between these two civilizations is the relationship between man, gods, and their children.
Love, in classical Greek literature, is commonly considered as a prominent theme. Love, in present days, always appears in the categories of books, movies or music, etc. Interpreted differently by different people, Love turns into a multi-faceted being.
Romance can be defined as a medieval form of narrative which relates tales of chivalry and courtly love. Its heroes, usually knights, are idealized and the plot often contains miraculous or superatural elements. According to Tony Davenport the central medieval sense of romance is ' of narratives of chivalry, in which knights fight for honour and love.' The term amour coutois ( courtly love) was coined by the French critic Gaston Paris in 1883 to categorise what medieval French lyricists or troubadours referred to as ' fin armors'. Romances and lyrics began to develop in the late fourteenth century England, author like Chaucer or Hoccleve produced some of the first english medieval narratives. But how does medieval literature present the expericence of romantic love. In order to answer this question this essay will focus on two tales from Chaucer's Canterbury Tales: the Knight's Tales and the Franklin's Tales. It will show that medieval romance can be used as a vehicle to promote chivalric behaviour as well as exploring a range of philosophical, political, and literary question.
This morning I wake early from the light that creeps underneath my blinds and my bed next to the window. I wake floating on the streams of light, heated, like white wax spilled across the floor, dripping, soft. In bare feet I walk down the stairs, cold on the wood, and find my father in the kitchen, also awake early. Together, we leave the house, the house that my parents built with windows like walls, windows that show the water on either side of the island. We close the door quietly so as not to wake the sleepers. We walk down the pine-needle path, through the arch of trees, the steep wooden steps to the dock nestled in the sea-weed covered rocks. We sit silently on the bench, watch as the fog evaporates from the clear water. The trees and water are a painting in muted colors, silver and grays and greenish blue, hazy white above the trees.
In Virgil’s The Aeneid, love is not an idealized or romanticized concept resulting from human autonomy; rather it is a compulsion or lack of self-control in the most literal sense. The concept of love in The Aeneid resembles the notion of divine interference, as it is not only something that is determined by fate, but it is also in contradiction with the course of fate. Love, a diversion to its ‘victims’ from their responsibilities, nearly prevented Aeneas from departing Carthage for Italy, and distracted Dido from the development and construction of Carthage. According to Virgil, Aeneas loved Dido, but his conviction in being subservient to the resolve of the gods led him to renounce Dido, to whom no nuptial bond existed, for what he assumed as his onus. Aeneas truly believed that he was departing for Italy “against [his own
Love defies the test of time and endures when all things suggest its demise. Against odds, lovers meet, and in line with fate, lovers fall apart. The levels of love, and the numerous reactions to those relationships, help determine if and when the relationship will end. Though factors tear two people apart, the love does not always die. These ideas appear time and again, such as in Boccaccio’s The Decameron (the fourth day, first tale) or Virgil’s The Aeneid. Ideals of love and admiration also appear in Sappho’s poetry. Love ties people together, both literally and figuratively. These three works show that complexities of opinion and circumstance threaten to tear lovers apart, but love may still endure in the most unlikely ways.
The Greek God of love, Eros, was a symbol of romantic affection throughout Greek history. Different time periods depict Eros in a different light, as portrayed in Bridge’s poem in 1899 and Stevenson’s poem in 1990. Although both these works are an ode and appreciation for Eros, Bridges’ portrays him as a powerful and idyllic deity while Stevenson displays him as a worn mortal.
The grass was soft and green, reserved for those who wanted to lie down or sit. A sweet aroma of flowers overflowed near by like s shinning light, but was hidden by the untrimmed bushes and wildly growing trees. Up above me was the beautiful, high noon blue sky spotted with fluffy, white clouds and airplanes flying by. I emerged into the parking lot and stopped happily as a squirrel under a tree. Hesitating to proceed anywhere further I took a few minutes to treasure the moment of silence and peace. As my girlfriend and I got out of the car to get ready for the picnic, she happened to be distracted by the water; a rhythmic ongoing resemblance of rhythm in her heart. The water was clam and beautiful in every aspect. To me she was like a wave, never stooping to catch attention or go unnoticed. Before doing anything else, we began setting up the picnic. By the time we ware done, her temptation was unbearable and was finally unable to overcome it, consequently she eagerly ran towards the water pulling me right behind her. Each step was like an imprint in my heart, a fossil that would always remain the same and special inside me forever.