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Greece affect on western civilization
Greece affect on western civilization
Greece affect on western civilization
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1. How do the Acropolis and its buildings show how the Greeks expressed pride in their achievements? What various kinds of buildings are seen there, and how do they form a cultural and religious unit?
Acropolis was the center of Athens and was home to much Greek art and architecture including the Parthenon temple, which was dedicated to the Goddess Athena Parthenos. Historians suggest that the greatest Athenian architects and sculptures paid much attention to construction and decoration of the Parthenon, Propylaia, Erechtheio, and the Temple of Athena Nike. Acropolis was the highest point of Athens and held the purpose of the financial and spiritual headquarters of Athens and ultimately developed into the foundation of the Western Civilization.
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The Acropolis was an important aspect of the Greek culture it held religious ceremonies and festivals along with significant meetings and was reserved for temples, palaces, and buildings of great importance. Acropolis housed The Zeus Plieus Sanctuary in which the annual ritual of Bouphonia took place. The Chalkotheke was also of significant importance in the Acropolis as it housed the treasures of Athens and was located Southwest to the Parthenon. The buildings and temples were built to honor the gods and the sculptures and friezes commemorated heroes and Greek warriors. 2. How and why did Greek sculpture progress from the calm and universal of Classical to the emotional and specific images of Hellenistic? What specific works of sculpture impressed you and why? The fourth century BCE in Greece was a time of political uprise influencing the mental state of Greeks as well as the art that they created.
The Peloponnesian war resulted in an endless discord and declined the serene idealism the Greeks possessed. Greeks became disillusioned and alienated resulting in artist focusing on real world aspects of life and appearances opposed to the idea of perfection in humans and the structures, which portrayed them. The artist Praxiteles of the fourth century BCE did not reject the superhuman beauty that was present in Classical art; he preserved that in the creation of Gods and Goddesses. The Aphrodite of Knidos was imperative to history as she was represented completely nude, and that was the first nude sculpture of a Goddess. Alexander, the Greats many conquests including that of the Near East and Egypt, brought to light a new cultural age otherwise known as the Hellenistic period, with his death in 323 BCE Greek kings who succeeded him divided his empire among themselves. With the division of the Greek Empire and the loss of Alexander the Great open aspect of the Persian Empire into the Greek world. Hellenistic Geek sculptures continued to encompass the Classical trend however incorporated even greater natural elements. The idealized serenity of the traditional elements were replaced by the emotionalism and the intense reality of the Hellenistic period. One of my favorite sculptures was that of artist Epigonos: The Gallio Chieftain killing himself and his wife after the defeat of Gauls as he did not want to surrender and have his wife sold into slavery, therefore, he killed his wife and then himself. This was sculpture depicts much emotion. The sculpture shows the chieftain holding his wife’s lifeless body by the strength of one arm while he ends his life with the other by driving a sword into his heart. It portrays a sad and courageous act all at the same
time.
As time kept passing, more and more magnificent sculptures were made by numerous artists. One of the most memorable sculpture was Aphrodite of Knidos, goddess of love and beauty. Back in the Late Classical Period, the civilians were only used to seeing ideal male nude bodies, but Praxiteles decided to make a different approach and sculpted the first female nude. Because he obviously had never seen a goddess before, he used his imagination and sculpted bathing Aphrodite as humanlike possible. He did not make it look idealistic, but instead made it beautiful with flaws.
The Parthenon was an amazing and important temple. Dedicated to Athena, the goddess of war and wisdom, it was a very important temple to the Greeks. Greeks worshiped all of their gods by building temples for them and giving sacrifices. Most of the sacrifices were sacred tiles designed especially for the gods, not many were human.
Polykleitos of Argos, was a renowned Ancient Greek sculptor from 5th Century BC. He was considered by many as one of the most important sculptors of his time. During his century, Greece went through many wars (e.g. Persian War) and soon rose to become one of the world’s greatest powers. The Greeks recognised the naked male figure to represent strength, power and all that were important in the perfect Greek man. Many of Polykleitos' works reflect this idea of the male perfection and were therefore usually displayed in public areas to remind the Greek people of male perfection. His work Doryphorus, is shown as highly masculine and is correctly proportioned to further show the male perfection. Polykleitos' works, were however ahead of his time as he was one of the fathers of what is now recognised as the Classical Greek style. His works incorporated contropposto (the sculpture places one leg forward to portray movement) to try and emphasise the athleticism and strength of the male figure. Another of his works (Apollo of Mantua), reflects the beliefs of the Ancient Greek civilisation. Apollo, is in Greek mythology the messenger God, and is therefore sculpted to once again show, what the Greeks believed to be the male perfection. The sculptor is shown as fierce, well-built and...
Perhaps the most interesting period in Greek sculpture is the Classical period. During this glorious period of unbelievable craftsmanship, numerous pieces celebrated the Greek’s infatuation with fable and war. The sculpture, nicely titled Centaur Abducting Lapith Woman and Fallen Lapith Man, is a wonderful symbol of the artistic period and image of war. Sculpted somewhere around 447-438 B.C., the sculpture was carved out of solid marble to produce a beautiful, and yet horrifying scene from a battle.
The Hellenistic period started when Alexander died in about 320 BCE and continued approximately three eras, pending the dual killing of Queen Cleopatra of Egypt and her Roman partner Mark Antony in 30 BCE after their pivotal overthrow at the combat of Actium by Antony’s opponent Augustus. During that time, Augustus made Egypt a jurisdiction of the Roman Empire. The cultural centers of the Hellenistic period were the court cities of the Greek royals who succeeded Alexander and distributed his widespread empire among themselves. The language which was used was Greek, what unified the Hellenistic world was an international culture. Their monarchs became very fortunate on the riches of the East, priding themselves of their art collections, libraries, innovation of the sciences, and expertise as critics and aficionados, and on the educated men they could bring together at their courts. The larger-than-life-size Greek Head of Poseidon bronze statute is undisputedly a masterwork of the ancient times, the Hellenistic period. The figures were central points of sanctuaries and important civic places, and they served as models and muse for the classical figurines known today. The Head of Poseidon statue is very appealing with its fine facial bone structure, full open mouth, deep-set eyes, and decorative curls of hair and wavy beard. The windswept curls are barely bound by the crown.
...the Athenian Parthenon’s in some ways its powerful imagery has caused it to be acknowledged it as one of the most wonderful examples of Hellenistic art and architecture.
The significance of monumental architecture lies not only in the function it is built to serve but also in the cultural values it represents. Monumental architecture is aesthetic as well as functional, and in its aesthetic aspects it is a form of cultural expression. In Bronze Age Mediterranean civilizations, the development of monumental architecture was influenced primarily by the political structure of the state. Perhaps the most disparate forms of monumental architecture in this region were developed in Pharaonic Egypt and Minoan Crete, reflecting the differences in their political systems. The socio-political structure of these two cultures can be sharply contrasted through an examination of a predominant type of monumental architecture found in each region.
The Greeks believed the deities provided the city protection and allowed them to be successful in their endeavors while in time of war. Phidias, a master bronze worker, was commissioned to create the sculpture of Athena Parthenos, the goddess of wisdom to show tribute to the gods by creating a large scale sculpture in Acropolis. The Acropolis was the most important site in the city of Athens, and was well recognized as the hilltop of protection. It is also the most significant reference point of ancient Greek culture as well as the symbol of the city of Athens. Some of the greatest architectural masterpieces of the period were erected on its ground.
The primary focus of ancient Greek sculptures was that of the human body. Almost all Greek sculptures are of nude subjects. As the first society to focus on nude subjects, Greek sculptors attempted to "depict man in what they believed was the image of the gods and so would come to celebrate the body by striving for verisimilitude or true – likeness (realism and naturalism!)."(Riffert) Not only did the Greeks celebrate the human form in their art but also in everyday life. (Riffert) One of the favorite topics for sculptors was that of the athlete. In Greek culture athletes were described as "hero–athletes". (Riffert) This shows that athletes were revered and looked upon as heroes. The influence of athleticism is evident in many famous sculptures. I will attempt to show how the human form influenced Greek art. It is important to note that many of the Greek sculptures discussed do not exist in their original form but rather in Roman copies of the original bronze sculptures. (Riffert)
Sculpture is one of the most important parts of Greek art since it is almost the only art form that has survived in some quantity. The ancient Greeks were especially known for their sculpture because their sculptures were extremely life like and beautiful. It was important to the ancient Greeks to combine passion and reason in their sculpture. Greek sculptures were mostly of the human form since they looked at their gods as having a human form. All of the sculptures were nudes of males because society looked down upon female nudity until latter on in time when you started to see sculptures such as the Venus di Milo, which was modeled after Aphrodite (Wikpedia the free encyclopedia. Wikpedia.11 Nov 2004. 12 Nov 2004 http://www.wordiq.com/definition/Greek_art ). One of the most amazing sculptures is the colossus sculpture of Zeus in Olympia it was one of the 7 wonders of the ancient world. Ancient writers said that it stood 12.40 meters high, 6.65 meters long and 9.76 meters deep the body of Zeus was made of ivory followed by a robe made of gold topped with a silver olive wreath and his throne was decorated with mythological scenes painted by Panainos and Kolotis the statue itself was created by Phidos. Michael Lahanas. 25 Dec 2002. 11 Nov 2004 (http://www.mlahanas.de/Greeks/Arts/ZeusStatue.htm). Another great sculpture is the colossus Athena Parthenos. This sculpture just like the colossus statue of Zeus was made of gold and ivory and had various mythological engravings in her shield, helmet and pedestal.
There are seven most remarkable structures of ancient times and I’m going to write about four out of the seven. The statue of Zeus, which was created in 432 B.C., by Phidius, the lighthouse Of Alexandria that was created by Sostratus in 290 B.C. and took 20 years to complete. The Temple of Artemis at Ephesus that was first created in 800 B.C. by Croesus and the Mausoleum at Halicarnassus that was built around 353 and 350 B.C. These are only four out of the seven wonders I will be writing about who commissioned and created each one of them. How they were built, where they were located, when was it constructed, why they were considered one of the seven wonders of the ancient world and what happened to them.
The Parthenon is an amazing Greek temple that was built 2,500 years ago. Even the architects of today have numerous questions about how it was constructed and how it has held up through its eventful past. The Parthenon's detailed appearance is not its only meaningful quality. The Parthenon was constructed as a temple to the goddess, Athena, and as an icon of the Greek people themselves. The Parthenon represents the Greek ideals of humanism, idealism, and rationalism.
This love goddess is known for being the cause of the Trojan War. Aphrodites of Knidos was sculpted out of marble in the 4th century by Praxiteles. This particular Aphrodites made the city of Knidos famous. People flocked to her temple to see the nude sculpture in her entirety, viewing Aphrodites of Knidos from every side.(Kleiner.123) For the Greek culture, it was irregular to represent a goddess in the nude. Noble women and goddess sculptures wore garments of wealth. Female nudity was left for the slave girls and courtesans. Aphrodites of Knidos shows the shifting of weight from one leg to the other, “which art historians describe as contrapposto”.(Kleiner.107) She is getting ready to take a bath, with her dress draped over a water pitcher. She is life size, wears a slight smile and has dewy eyes depicting a human like image reminiscent of the Snake Goddess. This sculpture is not openly exotic because her right hand is shielding her pelvic area, but the soft radiant flesh of the marble that Aphrodites of Knidos wears draws the viewer into her sensuality. (Kleiner,
...ns greatest treasures.? These architectural areas have provided insight into the culture, religion, and government of ancient Athens.? The Agora has become a symbol of civic space, and has influenced how modern architects plan public areas.? It has also provided scholars with understanding of religious and cultural aspects of Greek life.? The Acropolis has served as symbol of the power of both Athens of religion in Greek life.? This structure has unlocked questions about art and architecture, and it continues to symbolize perfection.? Together, these ancient sites unlock the mysterious of ancient Athens.?
Even the few sculptor’s names known to us, usually by chance, from the imperial period are Greek names and seem to confirm the assumption that these artists’ work should be regarded simply as a late phase of Greek art” (Hanfmann, 12). The Greeks were the first western culture to figure out how to accurately depict the human form which they did through the use of geometric ratios. It is also widely accepted that it was even Greek artists who first made marble portraits for the Romans as the Romans originally had no skill with the stone. “It was certainly at first Greek artists who were entrusted by eminent Romans with the execution of portraits of themselves and of important personalities in the Roman state, just as it was Greeks who depicted Aemilius Paulus victory at Pydna and later were largely responsible for the portraits of the emperors” (Kahler 16). The Romans mainly used terracotta for their sculptures and it was only when Augustus reigned that the marble quarries at Carrara were opened and marble was used on a large scale. The Romans inherited the use of realistic proportions, the sense of movement (contrapposto), and the overall beauty of Greek sculptures. A great example of Roman sculpture that was clearly carved by a Greek artist who was familiar with the Hellenistic styles of Greece, is the Relief of the Wedding of Amphitrite and Neptune. It “shows a mythological