Godmother of Soul by Kelefa Sanneh, is about the life and career of soul artist, Erykah Badu. Sanneh creates an article to capture how Badu is evolving with soul music, at the same time she is still her own unique style. The scene that I focus on is Badu meeting up with Zack Witness, a producer from East Dallas, to record a version of the song “Hotline Bling” by Drake. The scene is found in the beginning of the article. The scene begins with Badu and Witness communicating with one another through Twitter, after Witness made a remix of one of Badu’s songs., “Bag Lady.” Leading to a few days later where they meet at Witness’s home in Dallas. The scene continues with both of artists holding a session and later producing eleven more tracks with some of the songs having other collaborators. The scene ends with Badu having a new album and becoming “ubiquitous again.” This scene contributes to the character development later in the article by illustrating musical reformation of soul music, particularly how Badu is adapting to the music change. Moreover, throughout the article, …show more content…
As well as to show how soul music is changing. To begin, the scene focused on Badu and Witness producing music, moreover her own version of hits. It is later stated that she considers herself as “a touring artist, not a recording artist.” The helps allude to a new style that Badu is working towards, and the throughout the article Sanneh illustrates her past styles by mentioning her albums as well as who she has collaborated with. In the article Sanneh talks about her “unlikey alliances” which are the different collaborators or supports she has formed, that help her to be “super mutable.” Badu considers herself as a neo-soul artist, and has worked with many known artists like the
The use of a highly debated topic give good reason for someone to give the essay a read without prior knowledge of the underlining message within the essay. As a result of this, one can understand why this eassy was published in this magazine and has received limited
...racteristics of and approaches to African and African-American music. Gates advocates a deep examination of the music—a literary-style analysis exploring layers of meaning within music, intertextualities, and modes of expression.
Over all, the article was a great and I learned a lot form it. The part I found...
When reading about the institution of slavery in the United States, it is easy to focus on life for the slaves on the plantations—the places where the millions of people purchased to serve as slaves in the United States lived, made families, and eventually died. Most of the information we seek is about what daily life was like for these people, and what went “wrong” in our country’s collective psyche that allowed us to normalize the practice of keeping human beings as property, no more or less valuable than the machines in the factories which bolstered industrialized economies at the time. Many of us want to find information that assuages our own personal feelings of discomfort or even guilt over the practice which kept Southern life moving
... trusted statistics and carefully worded statements did not appear as though the author was pushing excessively for his own viewpoint but instead wished to share as many factual statements so the reader could come to their own logical conclusion along with the author giving no room for a reasonable argument that he had not already approached at some point in the chapter.
Twilight of a Woman’s Soul is a film directed by Evgini Bauer in 1913 and is about a rich young and beautiful woman named Vera and her dark secret. In the scene that this paper analyzes the main character Vera is explaining to her husband-to-be, Prince Sergei, how she killed a man that raped her a few years in the past. In the middle of the scene, there is a flashback to when Vera is raped by Maximus, a poor person someone she is trying to help. Both the argument and the flashback are shot with one camera angle in one room but they remain some of the most powerful parts in the entire movie. The director uses of various forms of montage, camera angles, and mise-en-scène to add to the level of of complexity of this seemingly basic scene. The overall message of this scene is no matter how much you think
They do not make up good but unreal pictures in order to obtain acclaim, follow mainstream, and make money. “Ms. Jackson” portrays the problems of breakups and divorces, and the impacts to family relationships brought by those separations. The song discusses the ending relationship between Benjamin, one of the rappers in OutKast, and his wife Erykah Badu. Also, Badu’s mother is unhappy and angry with her daughter’s husband, Benjamin. In “Ms. Jackson”, these lyrics “I 'm sorry Ms. Jackson, I am for real, Never meant to make your daughter cry, I apologize a trillion times” appear for eight times. Benjamin really apologizes for “a trillion times”, and even repeats lyrics in order to emphasis his apology . He is honestly reflecting his real life struggle with his wife and wife’s mother. The lyrics clearly state their conflicts. For example, “I 'm sorry Ms. Jackson, I am for real, Never meant to make your daughter cry, I apologize a trillion times”. What’s more, “I love your mom and everything, but see I ain 't the only one who laid down, She wanna rib you up to start a custody war, my lawyers stay down”, Benjamin says that he shows enough repost towards Badu and her mother. However, they still have an argument on the kid’s
Four main themes are the most important in the assigned section of The Apology. I will begin with a brief synopsis of each major theme, with an analysis and my opinion following, and ending with the question of Socrates' own death.
In Toni Morrison’s Beloved, a symptomatic reading of the structural relationship between family and institutionalized slavery reveals the overwhelming factors leading to protagonist Sethe’s murder of her own daughter: it is necessary for her to kill Beloved in order to create a family in the wake of slavery. While being enslaved reduces a human being to an object, Sethe’s murder of her daughter allows Beloved to retain a deep, complex personhood—through this multiplicity of personhood, Beloved is able to obtain a place in the family structure created by Sethe, a place otherwise unavailable under the active presence of slavery. By killing her daughter, Sethe
A few days ago I was listening to Taylor John Williams’ song, “The Mates of Soul” in the shower. As I took carried out the exhilarating tasks of lathering and rinsing, I listened to the perplexed artist as he sung of the absurdities people who believe in soulmates fill both their minds and waking hours with. In his pragmatic testimony, Williams paints his verses with a voice of reason, questioning why so many individuals insist on maintaining a strong belief in the permanence of soulmates despite our human nature to inevitably change over time. Yet after my shower, even my quick-dry towel couldn’t quite soak up the droplets of Williams’ words from my skin: “they say to stay together and promise to [love each other] forever, even if forever never really wanted to stay.” Throughout the remainder of my day, I found myself wondering whether Williams was being prudent and wise in his beliefs, or simply illogical and cynical.
self-respect in “Doo-woop that Thang”, and the joys of motherhood in “To Zion”. Lauryn Hill
On the night of December 13, 2013 Beyoncé, released her fifth self-titled album on iTunes. The album caught many people by surprise because Beyoncé did not set a date for the album, nor did she use any promotion; she did release a video on her Instagram asking her followers if they “were ready”. The buzz spread through social media like wildfire. With no promotion or warning, Beyoncé album took the world by storm and made it for her audience and critics to take in the album and its contents. Many people loved the album for not only its catchy songs, but also the growth and “looser” conservative Beyoncé.
Marcyliena, Morgan. “Hip-Hop Women Shredding the Veil: Race and Class in Popular Feminist Identity. South Atlantic Quarterly, V104 I3, p425-444.
An icon for decades, legend for an eternity, Michael Jackson’s impact on the world continues to thrive as a silhouette amongst pop culture. His music has influenced many people to "Xscape" from the deceptions of all the "Dirty Diana[s]. " Yet, his talent has encouraged people to "Scream" through all the "Thriller[s]" they receive as his stardom illuminates the stage as the "Smooth Criminal" of performances. His songs vary from selections that you can "Jam" to, those that promote tough love and adornment, while some are advocates for equality. Jackson is and will remain one of the most profound superstars of his time and one of the most dynamic artists in "History."
Erykah Badu's song "Bag Lady" is a prime example of the healing power of music, and the lessons that can be taught through music. Erykah Badu's "Bag Lady" serves as a wake up call for women across the world. From the first verse of the song until the last verse when the song begins to fade, Badu's words evoke feelings of emotion that women can relate to. Badu's lyrics also help women find some type of inner peace to get over their problems, in a way that will best help them free their spirit.